Session 3 presentation - Wolf Trap Opera

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Grand <strong>Opera</strong> Melody Harmony Rhythm Texture Amplitude Text Subject Form less filigreed, more expansive, emotional expanded use of leitmotifs, dev of character thru melody increasingly adventurous mixed meters macro adjustments Increasing use of exotic orchestral colors exploiting entire dynamic range librettist/composer collaboration: new creative force increasingly contemporary no secco recitative some “number” operas; becoming more through-composed
Parameter: Rhythm La traviata macro adjustments: bending of tempi with full forces Falstaff mixed meters, complex polyrhythms
Page 2 and 3: Overview 1. Rossini & What Cam
Page 4 and 5: Listening to Voices Range Proje
Page 6 and 7: Singing Lessons on YouTube! Marilyn
Page 9 and 10: 1839-1849: EARLY Oberto Un giorno d
Page 11: Falstaff Verdi’s second comic ope
Page 15 and 16: Parameter: Form La traviata recitat
Page 17 and 18: FACH: Determining Factors The H
Page 19 and 20: Dramatic Baritone Powerful, ringing
Page 21 and 22: Soubrette Soprano Characteristics:
Page 23 and 24: Dramatic Soprano “horn and helmet
Page 25 and 26: High Lyric Mezzo Color and tessitur
Page 27 and 28: FACH - BASS & BASS-BARITONE Distinc
Page 29 and 30: Metropolitan Opera House October 10
Page 31 and 32: The Stage Director Emergence of the
Page 33 and 34: Regietheater: The Interventionist A

Session 3 presentation - Wolf Trap Opera

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