Session 3 presentation - Wolf Trap Opera

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Verdi’s Late Career Lured out of retirement by Boito for Otello 15 year gap: included revisions of earlier operas (Don Carlos, La forza del destino, Boccanegra) and composition of Requiem 1887 Otello 1893 Falstaff Gradual move away from number opera toward a sustained music drama
Falstaff Verdi’s second comic opera Integration of comedy and drama paved the way for Puccini’s La boheme, Gianni Schicci and more Master librettist: Boito synthesized the title character from the 3 Shakespeare plays
Page 2 and 3: Overview 1. Rossini & What Cam
Page 4 and 5: Listening to Voices Range Proje
Page 6 and 7: Singing Lessons on YouTube! Marilyn
Page 9: 1839-1849: EARLY Oberto Un giorno d
Page 13 and 14: Parameter: Rhythm La traviata macro
Page 15 and 16: Parameter: Form La traviata recitat
Page 17 and 18: FACH: Determining Factors The H
Page 19 and 20: Dramatic Baritone Powerful, ringing
Page 21 and 22: Soubrette Soprano Characteristics:
Page 23 and 24: Dramatic Soprano “horn and helmet
Page 25 and 26: High Lyric Mezzo Color and tessitur
Page 27 and 28: FACH - BASS & BASS-BARITONE Distinc
Page 29 and 30: Metropolitan Opera House October 10
Page 31 and 32: The Stage Director Emergence of the
Page 33 and 34: Regietheater: The Interventionist A

Session 3 presentation - Wolf Trap Opera

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