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All About Mentoring Spring 2011 - SUNY Empire State College

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15<br />

their learning activities. In the case of digital<br />

media studies receiving significant revision,<br />

the largest problem we face is not in helping<br />

students master new tools and incorporate<br />

them into their learning; it is, rather, the<br />

necessity of helping instructors prepare to<br />

teach courses that include new and social<br />

media. More often than not, the issues<br />

that arise are related to the assessment of<br />

learning within this new media environment.<br />

Student transgressions with regard to the<br />

use of the media are rarely technical. They<br />

often occur due to the blurred lines between<br />

ethical uses of media, intellectual property<br />

rights, and the tension between “common<br />

practices” and “academic expectations.”<br />

One challenge we face is in analyzing,<br />

evaluating, recognizing and implementing<br />

the appropriate digital media tools and<br />

technologies for teaching and learning<br />

in higher education without succumbing<br />

to the appeal of the shiniest new trend<br />

of the moment. Another is assessing the<br />

effectiveness of these degrees of literacy,<br />

ensuring that they are not taught to the<br />

detriment of deep learning in meaningful<br />

topics, and providing learning experiences<br />

that are rich in opportunities for research<br />

and the development of critical thinking. A<br />

key strategy for encouraging digital media<br />

literacy is to place a strong emphasis on<br />

acquiring the skill of learning to learn,<br />

which is congruent with our commitment<br />

to serving lifelong learners. Hobbs offers<br />

the following chart (below) as a guide for<br />

instructional practices for digital and media<br />

literacy education (p. 23):<br />

How might this translate into working<br />

with a student in face-to-face, blended or<br />

fully online studies The following studies<br />

include most, if not all, of the practices<br />

that may be applied using both individual<br />

and group activities. Note that rather than<br />

keeping a diary, students are presenting their<br />

reflections in blog format or using other<br />

digital and social media environments.<br />

Digital Storytelling<br />

Students in Digital Storytelling master at<br />

least one new tool every two to three weeks.<br />

In a distance learning environment, they do<br />

not receive one-to-one tutorial assistance as<br />

is common in the laboratory setting. Rather,<br />

they are directed to seek tutorial assistance<br />

in social media spaces such as YouTube,<br />

how-to.com and other World Wide Web<br />

Instructional Practices of Digital and Media Literacy Education<br />

Keeping a Media-Use Diary<br />

Using Information Search and Evaluation Strategies<br />

Reading, Viewing, Listening and Discussing<br />

Close Analysis<br />

Cross-Media Comparison<br />

Gaming, Simulation and Role-Playing<br />

Multimedia Composition<br />

Record-keeping activities help people keep track of media choices and<br />

reflect on decisions about sharing and participation, deepening awareness<br />

of personal habits.<br />

Finding, evaluating and sharing content from a variety of sources helps<br />

people explore diverse sources of information. Using search strategies<br />

appropriate to one’s needs helps people make discriminating choices<br />

about quality and relevance.<br />

Active interpretation of texts helps people acquire new ideas, perspectives<br />

and knowledge and make sense of it in relation to lived experience.<br />

Dialogue and sharing help deepen understanding and appreciation.<br />

Careful examination of the constructed nature of particular texts<br />

encourages people to use critical questioning to examine the author’s<br />

intent and issues of representation.<br />

Comparing and contrasting two texts that address the same topic help<br />

people develop critical thinking skills. By examining genre, purpose,<br />

form and content, and point of view, people recognize how media shape<br />

message content.<br />

Playful activities promote imagination, creativity and decision-making<br />

skills, supporting people’s reflective thinking about choices and<br />

consequences.<br />

Message composition using a combination of language, images, sound,<br />

music, special effects and interactivity provides real-world experience<br />

addressing a particular audience in a specific context to accomplish a<br />

stated goal. Teamwork, collaboration and knowledge sharing enhance<br />

creativity and deepen respect for the diverse talents of individuals.<br />

suny empire state college • all about mentoring • issue 39 • spring <strong>2011</strong>

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