Ron Goulart - The Curse of the Obelisk

Ron Goulart - The Curse of the Obelisk Ron Goulart - The Curse of the Obelisk

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8 RON GOULART "Ah, but alas, monsieur, that is not possible," explained Allegre. "They are no longer employed here. Albert, in point of fact, ran screaming from this place three midnights ago. Though Gaspar made a less flamboyant exit, he too is gone." "Is midnight when the ghostly happenings usually happen?" "Not every midnight, but far too many, yes," answered the museum director. "You also cannot, I fear, interrogate either Gerard or Paul." "The new watchmen?" "Exactly, monsieur." He sighed his deepest sigh thus far. "Gerard and Paul lasted but a single night. Thus, you have indeed arrived at a most fortunate juncture in the affairs of our plagued institution." Harry eyed him for a few seconds. "You want me to act as watchman tonight?" "Are you not ideally suited for such a task? A stalwart and manly fellow, well versed in the handling of such unusual situations," said Allegre. "You know how to deport yourself when faced with dangers of an unusual sort, and you are not superstitious like Gaspar, Albert, Gerard and Paul." "Have you ever spent a night here?" The director shuddered. "I am, you understand, not a brave man," he confided. "Were I to run screaming from the premises in the dead of night it might lead to further scandal, providing fodder for yet another unflattering caricature in Le Figaro and other vicious publications. Besides, M. Challenge, since we are paying you such an enormous fee, it is only fair that—" "Substantial," corrected Harry, "not enormous. Okay, I'll stay here tonight. That'll give me a chance to go over the Egyptian wing and the rest of the museum." "I appreciate that," said Allegre, allowing himself a small, sad smile. "Will your quite charming young assistant who waits in the foyer be sharing your nocturnal duties, monsieur?" Harry grinned. "Yes, I seldom go anywhere without her." ● ● ● The ceiling of the vast room was lost in shadows. The air was chill, scented faintly with sandalwood and ancient dust. "This particular chest is one of my favorites," Allegre was saying. "The framework is of ebony, the inner panels of beautifully carved redwood. Here we see the bronze and ivory blended to produce . . ." Jennie whispered to Harry, "You're a rat." He assumed a beatific expression and ignored her. "Passing me off as an operative in your dim-witted detective agency after promising me a chance to interview this guy." She delivered a disappointed nudge to his ribs. "He loathes the press. Now hush."

THE CURSE OF THE OBELISK 9 ". . . the king, you see, is offering Omnophris a pot of perfume and a lamp. Omnophris is, of course, but another guise of Osiris, who guards the . . ." "I'm not some pushy French news hound," persisted Jennie in an annoyed whisper. "And if you don't tell him who I really am, then I myself will." "Listen, didn't I arrange for you to spend the whole damn night inside this place? When the mummy does his jig, you'll be the only reporter on hand." "Yes, but—" "You go telling him who you really are and you'll get nothing but the old heave-ho." "Ah, but I must be boring you by riding my hobbyhorse so vehemently." The director turned away from the glass case that housed the chest. "I'd like to see the case the mummy climbs out of at midnight," Harry told him. "But certainly, monsieur." Bowing slightly, Allegre led them past more ornate chests, an alabaster casket, a case filled with glittering bracelets and bangles. In an alcove, illuminated by a single hanging lamp, a carved coffin with a lid of gold, turquoise and crimson rested on a low platform. Noticing something stuck to a nail on the platform, Harry bent and took it. "Little hunk of linen," he said, passing it under his nose. "Doesn't smell especially ancient." The museum director blinked. "May I inspect that, monsieur?" "I don't think it came from the mummy in that case." "No, certainly not. This bit of cloth is of recent manufacture." He was rubbing it between his fingers. "Superficially like that used to wrap the bodies of our Egyptian friends, yet not the real thing. How, do you think, did this come to be here?" Retrieving the patch, Harry tucked it into the watch pocket of his vest. "We'll try to find that out tonight." Allegre gestured at the coffin. "This is made of wood. Over the lid was placed first a layer of plaster and then one of gold. After which the—" "Does the lid lift off easily?" inquired Jennie. "It is not too difficult to remove, Mile. Barr." Smiling, he demonstrated. Harry took a look inside. "This fellow can't do much walking around, not with his legs wrapped together that way." "Precisely what I tried to explain to those fools, Gaspar and Albert." He nodded toward Jennie. "Would you care for a glimpse of King Baydmadroub II?" "Pass," she said. "Now I'd like," requested Harry, "to see the obelisk." After returning the inlaid coffin lid to its place, Allegre said, "It's really not that impressive, monsieur. A very small and stunted thing that is no match for the so-called Cleopatra's Needle that—"

THE CURSE OF THE OBELISK 9<br />

". . . <strong>the</strong> king, you see, is <strong>of</strong>fering Omnophris a pot <strong>of</strong> perfume and a lamp. Omnophris is, <strong>of</strong><br />

course, but ano<strong>the</strong>r guise <strong>of</strong> Osiris, who guards <strong>the</strong> . . ."<br />

"I'm not some pushy French news hound," persisted Jennie in an annoyed whisper. "And if you<br />

don't tell him who I really am, <strong>the</strong>n I myself will."<br />

"Listen, didn't I arrange for you to spend <strong>the</strong> whole damn night inside this place? When <strong>the</strong><br />

mummy does his jig, you'll be <strong>the</strong> only reporter on hand."<br />

"Yes, but—"<br />

"You go telling him who you really are and you'll get nothing but <strong>the</strong> old heave-ho."<br />

"Ah, but I must be boring you by riding my hobbyhorse so vehemently." <strong>The</strong> director turned<br />

away from <strong>the</strong> glass case that housed <strong>the</strong> chest.<br />

"I'd like to see <strong>the</strong> case <strong>the</strong> mummy climbs out <strong>of</strong> at midnight," Harry told him.<br />

"But certainly, monsieur." Bowing slightly, Allegre led <strong>the</strong>m past more ornate chests, an<br />

alabaster casket, a case filled with glittering bracelets and bangles.<br />

In an alcove, illuminated by a single hanging lamp, a carved c<strong>of</strong>fin with a lid <strong>of</strong> gold, turquoise<br />

and crimson rested on a low platform.<br />

Noticing something stuck to a nail on <strong>the</strong> platform, Harry bent and took it. "Little hunk <strong>of</strong><br />

linen," he said, passing it under his nose. "Doesn't smell especially ancient."<br />

<strong>The</strong> museum director blinked. "May I inspect that, monsieur?"<br />

"I don't think it came from <strong>the</strong> mummy in that case."<br />

"No, certainly not. This bit <strong>of</strong> cloth is <strong>of</strong> recent manufacture." He was rubbing it between his<br />

fingers. "Superficially like that used to wrap <strong>the</strong> bodies <strong>of</strong> our Egyptian friends, yet not <strong>the</strong> real<br />

thing. How, do you think, did this come to be here?"<br />

Retrieving <strong>the</strong> patch, Harry tucked it into <strong>the</strong> watch pocket <strong>of</strong> his vest. "We'll try to find that out<br />

tonight."<br />

Allegre gestured at <strong>the</strong> c<strong>of</strong>fin. "This is made <strong>of</strong> wood. Over <strong>the</strong> lid was placed first a layer <strong>of</strong><br />

plaster and <strong>the</strong>n one <strong>of</strong> gold. After which <strong>the</strong>—"<br />

"Does <strong>the</strong> lid lift <strong>of</strong>f easily?" inquired Jennie.<br />

"It is not too difficult to remove, Mile. Barr." Smiling, he demonstrated.<br />

Harry took a look inside. "This fellow can't do much walking around, not with his legs wrapped<br />

toge<strong>the</strong>r that way."<br />

"Precisely what I tried to explain to those fools, Gaspar and Albert." He nodded toward Jennie.<br />

"Would you care for a glimpse <strong>of</strong> King Baydmadroub II?"<br />

"Pass," she said.<br />

"Now I'd like," requested Harry, "to see <strong>the</strong> obelisk."<br />

After returning <strong>the</strong> inlaid c<strong>of</strong>fin lid to its place, Allegre said, "It's really not that impressive,<br />

monsieur. A very small and stunted thing that is no match for <strong>the</strong> so-called Cleopatra's Needle<br />

that—"

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