Nature has been a constant source of inspiration in the ... - eMuseum
Nature has been a constant source of inspiration in the ... - eMuseum
Nature has been a constant source of inspiration in the ... - eMuseum
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Guided tours <strong>of</strong> <strong>the</strong> exhibition<br />
Every Wednesday, 18.30<br />
Every first Sunday <strong>of</strong> <strong>the</strong> month, 14.00<br />
You can f<strong>in</strong>d fur<strong>the</strong>r <strong>in</strong>formation on <strong>the</strong> tours at:<br />
www.museum-gestaltung.ch<br />
Special guided tours (also <strong>in</strong> English) on request: Tel +41 (0)43 446 67 10<br />
or marilena.cipriano@hgkz.ch<br />
Workshops for secondary and vocational school classes: Please contact <strong>the</strong><br />
Betriebsbüro schule&kultur, Kim Bänteli, Tel. +41 (0)43 322 24 46 or<br />
kim.baenteli@schuleundkultur.ch<br />
PASSAGE 1<br />
DIE ENTDECKUNG DER NATUR<br />
DISCOVERING NATURE<br />
PASSAGE 2<br />
JUGENDSTIL<br />
ART NOUVEAU<br />
PASSAGE 3<br />
1930-1970<br />
1930s to 1970s<br />
ZOOMORPH<br />
ZOOMORPHE<br />
PASSAGE 4<br />
GEGENWART<br />
CONTEMPORARY<br />
Open<strong>in</strong>g times<br />
Tuesday–Thursday, 10.00–20.00, Friday–Sunday, 10.00–17.00<br />
Saturday/Sunday, 1/2 September 2007, Zurich museums’ night 19.00–02.00<br />
Sunday, 4 November 2007, Open House, free entrance<br />
Monday closed<br />
MEER<br />
SEA<br />
ANTHROPOMORPH<br />
ANTHROPOMORPHE<br />
TOPOGRAPHIE<br />
TOPOGRAPHY<br />
KLIMA<br />
CLIMATE<br />
The publication on <strong>the</strong> exhibition<br />
Museum für Gestaltung Zürich (Ed.)<br />
<strong>Nature</strong> Design. From Inspiration to Innovation<br />
With essays by Barry Bergdoll, Dario Gamboni, Angeli Sachs and Philip Ursprung<br />
S<strong>of</strong>tbound, 16.5 x 24 cm, 320 pages, approx. 350 illustrations<br />
ISBN 978-3-03778-100-5 German, ISBN 978-03778-098-5 English<br />
Lars Müller Publishers, CHF 45<br />
To order: verlag@museum-gestaltung.ch or by fax: +41 (0)43 446 45 67<br />
Museum für Gestaltung Zürich<br />
Ausstellungsstrasse 60, CH-8005 Zürich<br />
Tram 4 and 13, tram stop Museum für Gestaltung<br />
Tel +41 (0)43 446 67 67, www.museum-gestaltung.ch<br />
We thank our partners and sponsors<br />
WALD<br />
FOREST<br />
<strong>Nature</strong> <strong>has</strong> <strong>been</strong> a <strong>constant</strong> <strong>source</strong> <strong>of</strong> <strong><strong>in</strong>spiration</strong> <strong>in</strong> <strong>the</strong> design <strong>of</strong> <strong>the</strong> human environment,<br />
but one cannot help notice that <strong>the</strong> relationship between nature and <strong>the</strong> various<br />
design discipl<strong>in</strong>es <strong>has</strong> <strong>in</strong> recent years <strong>in</strong>tensified. The «model <strong>of</strong> nature», with its<br />
forms, structures, and laws <strong>of</strong> construction, does not only flow <strong>in</strong>to <strong>the</strong> widest range<br />
<strong>of</strong> concepts and design processes, but also can be expressed <strong>in</strong> a broad spectrum <strong>of</strong><br />
forms and functions. <strong>Nature</strong> Design refers to this phenomenon and presents an <strong>in</strong>ternational<br />
selection <strong>of</strong> objects and projects from <strong>the</strong> fields <strong>of</strong> design, architecture,<br />
landscape architecture, art, photography, and scientific research, works that do not<br />
simply depict or imitate nature, but use it as a start<strong>in</strong>g po<strong>in</strong>t and reservoir <strong>of</strong> <strong><strong>in</strong>spiration</strong><br />
for eclectic and <strong>in</strong>novative responses to <strong>the</strong> relationship between man and his<br />
environment.<br />
The exhibition is divided <strong>in</strong>to different sections: <strong>the</strong> historical and <strong>the</strong>oretical backgrounds<br />
<strong>of</strong> culm<strong>in</strong>at<strong>in</strong>g moments <strong>in</strong> <strong>the</strong> relationship between nature and design from<br />
<strong>the</strong> eighteenth century until <strong>the</strong> present are exemplified <strong>in</strong> four «passages.» They<br />
appear alternately with seven «<strong>the</strong>matic landscapes» <strong>in</strong> which <strong>the</strong> whole spectrum <strong>of</strong><br />
<strong>the</strong> <strong><strong>in</strong>spiration</strong> <strong>of</strong> nature and <strong>the</strong> concern with its processes can be seen. The <strong>the</strong>matic<br />
landscapes are: <strong>the</strong> sea with its flora and fauna, topographic concepts, <strong>the</strong> forms and<br />
materials <strong>of</strong> forests and <strong>of</strong> plants, anthropomorphic and zoomorphic approaches, <strong>the</strong><br />
sense <strong>of</strong> scent, and climate.<br />
GERUCH<br />
SCENT<br />
ARCTIC PAPER SCHWEIZ AG<br />
With <strong>the</strong> support <strong>of</strong> <strong>the</strong> French Embassy and CulturesFrance
In <strong>the</strong> first passage, «The Discovery <strong>of</strong> <strong>Nature</strong>», <strong>the</strong> basic pr<strong>in</strong>ciples for <strong>the</strong> overall<br />
project are laid out, and <strong>the</strong> history <strong>of</strong> our understand<strong>in</strong>g <strong>of</strong> nature and its artistic <strong>in</strong>terpretation<br />
s<strong>in</strong>ce <strong>the</strong> eighteenth century up to <strong>the</strong> 1920s is illustrated. Three fur<strong>the</strong>r<br />
passages focus on culm<strong>in</strong>at<strong>in</strong>g periods <strong>of</strong> nature’s <strong>in</strong>fluence on modern design: Art<br />
Nouveau, <strong>in</strong> which <strong>the</strong> model <strong>of</strong> nature, especially <strong>the</strong> plant world and <strong>the</strong> dynamics<br />
<strong>of</strong> its growth, played a more <strong>in</strong>fluential role than <strong>in</strong> almost any o<strong>the</strong>r art movement;<br />
<strong>the</strong> 1930s to <strong>the</strong> 1970s, with its tendency towards organic design and technoid visions<br />
<strong>of</strong> <strong>the</strong> future; and contemporary design, <strong>in</strong>spired by various concepts <strong>of</strong> nature.<br />
Primarily represented here is a series <strong>of</strong> pioneer<strong>in</strong>g architecture projects that show<br />
dist<strong>in</strong>ctive contemporary <strong>in</strong>teractions between nature and design.<br />
In <strong>the</strong> <strong>the</strong>matic landscapes, <strong>the</strong> objects and projects from <strong>the</strong> history <strong>of</strong> twentiethcentury<br />
design up to <strong>the</strong> present–culled from architecture, landscape architecture,<br />
and art–can be experienced as <strong>in</strong>dividual exhibits on <strong>the</strong> one hand, and, on <strong>the</strong> o<strong>the</strong>r,<br />
taken toge<strong>the</strong>r <strong>the</strong>y form a scenery <strong>in</strong> which <strong>the</strong> respective <strong>the</strong>me is presented <strong>in</strong> its<br />
various aspects.<br />
Zurich designer Frédéric Dedelley is responsible for <strong>the</strong> «<strong>Nature</strong> Design» exhibition<br />
architecture. The exhibition is divided <strong>in</strong>to two <strong>in</strong>terconnect<strong>in</strong>g areas. In <strong>the</strong> <strong>the</strong>oretically<br />
oriented sections <strong>the</strong> exhibits are presented <strong>in</strong> oversized but classical table cab<strong>in</strong>ets<br />
– like objects <strong>in</strong> a natural history museum. At <strong>the</strong> centre <strong>of</strong> <strong>the</strong> hall, large islands<br />
spread out which are rem<strong>in</strong>iscent <strong>of</strong> rocky landscapes. These artificial rocks are used<br />
for <strong>the</strong> presentation <strong>of</strong> exhibits that are allocated to <strong>the</strong> various <strong>the</strong>matic landscapes<br />
accord<strong>in</strong>g to analogies <strong>of</strong> form.<br />
A number <strong>of</strong> artists, designers, architects, and landscape architects have developed<br />
works that respond to this concept and make complex contributions to <strong>the</strong> exhibition.<br />
<strong>Nature</strong> Design is <strong>in</strong>tended to show <strong>the</strong> multiple possibilities <strong>in</strong> <strong>the</strong> rediscovery and<br />
re<strong>in</strong>vention <strong>of</strong> <strong>Nature</strong>, and to open up new perspectives.<br />
Programme accompany<strong>in</strong>g <strong>the</strong> exhibition<br />
Design and Innovation<br />
Wednesday, 17 October 2007, 20.00, Halle<br />
With Günter Horntrich (Designer and Pr<strong>of</strong>essor <strong>of</strong> Ecology and Design, Köln International<br />
School <strong>of</strong> Design, KISD, Cologne), Steffen Köhl (Head <strong>of</strong> Automobile<br />
Design, DaimlerChrysler AG, S<strong>in</strong>delf<strong>in</strong>gen), Jürgen Mayer H. (Architect, Berl<strong>in</strong><br />
and Guest Pr<strong>of</strong>essor, Columbia University, New York), Yusuke Obuchi (Co-Director,<br />
Design Research Lab, Architectural Association, London), François Roche (R&Sie(n)<br />
architects and Guest Pr<strong>of</strong>essor, Columbia University, Paris/New York)<br />
Chair: Gerrit Terstiege (Editor Form, Basel)<br />
In English and German<br />
Die ideale Landschaft<br />
Wednesday, 7 November 2007, 20.00, Halle<br />
With Ines Schaber (Artist, Berl<strong>in</strong>), Jörg Stollmann (Architect, Zürich), Gün<strong>the</strong>r Vogt<br />
(Landscape architect, Zürich), Christian Waldvogel (Artist, Zürich)<br />
Chair: Angeli Sachs (Curator «<strong>Nature</strong> Design» and Head <strong>of</strong> Exhibitions,<br />
Museum für Gestaltung Zürich)<br />
In German<br />
Im Reich der Düfte. E<strong>in</strong>e olfaktorische Weltreise<br />
Wednesday, 28 November 2007, 20.00, Halle<br />
Talk by Roman Kaiser (Director Natural Scents, Givaudan Schweiz AG)<br />
In German<br />
Symposia<br />
Inspiration <strong>Nature</strong><br />
Friday 21 / Saturday 22 September 2007<br />
A symposium <strong>of</strong> <strong>the</strong> exhibitions «Jugendstil» at Museum Bellerive and «<strong>Nature</strong><br />
Design» at <strong>the</strong> Museum für Gestaltung Zürich <strong>in</strong> cooperation with <strong>the</strong> Design<br />
Department <strong>of</strong> <strong>the</strong> Zurich University <strong>of</strong> <strong>the</strong> Arts<br />
21 September, 18.30, Museum Bellerive, Höschgasse 3, 8008 Zürich<br />
22 September, 9.00 – 17.00, Museum für Gestaltung Zürich, Lecture Hall<br />
In German and English<br />
Programme at<br />
www.museum-gestaltung.ch<br />
Tickets: Advance sales and box <strong>of</strong>fice at <strong>the</strong> museum shops<br />
Vorwärts zur Natur Design zwischen Innovation und Evolution<br />
Wednesday, 21 November 2007<br />
A symposium <strong>of</strong> <strong>the</strong> Design Department <strong>of</strong> <strong>the</strong> Zurich University <strong>of</strong> <strong>the</strong> Arts <strong>in</strong><br />
cooperation with <strong>the</strong> Museum für Gestaltung Zürich<br />
21 November, 9.30 – 17.00, Museum für Gestaltung Zürich, Lecture Hall<br />
Limited number <strong>of</strong> places, please register for participation from 17.9.2007 with<br />
nicole.abler@zhdk.ch<br />
Detailed programme from 17.9.2007<br />
at www.zhdk.ch