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whereby organizations should be focusing on<br />

the management <strong>of</strong> corporate reputation <strong>and</strong><br />

not <strong>of</strong> corporate image: when, for example,<br />

Scott Cutlip says ‘We in PR must be concerned<br />

with that good, old fashioned word reputation<br />

– not image’, he fails to consider key<br />

monitoring <strong>and</strong> control factors such as critical<br />

path analysis <strong>and</strong> integrated programme evaluation.<br />

Generally, it is accepted that the concepts<br />

<strong>of</strong> reputation <strong>and</strong> image are interrelated <strong>and</strong><br />

that there is a dynamic relationship between<br />

the two, even if measurement is difficult as,<br />

for example, in Gotsi <strong>and</strong> Wilson’s (2001)<br />

statement . . . ‘A corporate reputation is a<br />

stakeholder’s overall evaluation <strong>of</strong> a company<br />

over time. The evaluation is based on the<br />

stakeholder’s direct experience with the company,<br />

any other forms <strong>of</strong> communication <strong>and</strong><br />

symbolism that provides information about<br />

the company’s actions.’<br />

Towards excellence<br />

Grunig et al. call their theory <strong>of</strong> best practice<br />

the Excellence Model. But like perceptions <strong>of</strong><br />

identity, image <strong>and</strong> reputation, how is excellence<br />

defined, particularly in relation to an<br />

organization Before Grunig et al.’s study there<br />

were various attempts at defining excellence<br />

depending on the context. Hobbs (1987)<br />

identified excellent companies by measuring<br />

return on sales <strong>and</strong> return on owner’s investment.<br />

However, Carroll (1983) criticized the<br />

use <strong>of</strong> financial measures for identifying excellence<br />

in management by pointing out that<br />

factors such as proprietary technology, market<br />

dominance, control <strong>of</strong> critical raw material,<br />

<strong>and</strong> national culture <strong>and</strong> policy also affect<br />

financial performance regardless <strong>of</strong> the excellence<br />

<strong>of</strong> management. Kanter (1989) on the<br />

other h<strong>and</strong> defines excellence as innovation,<br />

whilst Hickman <strong>and</strong> Silva (1984) suggest<br />

that each organization creates its own unique<br />

criteria for excellence <strong>and</strong> then suggest how<br />

leadership can help the organization meet<br />

those criteria. However, no one set <strong>of</strong> criteria<br />

can be used to identify every effective organization<br />

(Grunig <strong>and</strong> Hunt, 1984). As a result,<br />

excellence in management may produce<br />

different results, for each organization defines<br />

its own criteria for success. In Grunig’s excellence<br />

model (1984) he went much further,<br />

suggesting twelve factors that contribute to<br />

the excellence <strong>of</strong> an organization to include:<br />

human resources (HR); organic structure;<br />

intrapreneurship; symmetrical communication<br />

systems; leadership; strong, participative<br />

cultures; strategic planning; social responsibility;<br />

support for women <strong>and</strong> minorities; quality<br />

as a priority; effective operational systems; a<br />

collaborative societal culture. These factors<br />

were st<strong>and</strong>ard practice in UK-based multinational<br />

organizations in the 1960s <strong>and</strong><br />

1970s. No strategic PR plan would have got<br />

through the board had any factor been missing.<br />

The importance <strong>of</strong> the excellence model<br />

lies in its aid as an industry focus, if not a universal<br />

st<strong>and</strong>ard.<br />

In this study <strong>of</strong> the BBC, Grunig’s factors<br />

<strong>of</strong> excellence are interrelated with definitions<br />

<strong>of</strong> image, identity <strong>and</strong> reputation through the<br />

context <strong>of</strong> three specific issues namely, the<br />

licence fee; the use <strong>of</strong> commercial trails by<br />

the BBC <strong>and</strong> the impact <strong>of</strong> the memoirs <strong>of</strong> the<br />

former director general <strong>of</strong> the BBC to see how,<br />

or if at all, the BBC could be said to be functioning<br />

as an ‘excellent’ organization.<br />

The importance <strong>of</strong> building relationships<br />

through their various stakeholders has increasingly<br />

exercised the hearts <strong>and</strong> minds <strong>of</strong> the<br />

BBC as the arrival <strong>of</strong> digital technology <strong>of</strong>fers<br />

yet more opportunity <strong>and</strong> threat for fragmentation<br />

<strong>of</strong> audiences. Furthermore, changes to<br />

the United Kingdom’s regulatory framework<br />

© 2004 S<strong>and</strong>ra Oliver for editorial matter <strong>and</strong> selection;<br />

individual chapters, the contributors

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