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well-structured department format, providing<br />

future organizers with a lot more than just a<br />

new idea for publicity. A brief description <strong>of</strong><br />

LAOOC PR practices is presented in Table 9.1.<br />

Seoul 1988<br />

The basic goals <strong>of</strong> the Seoul PR programme as<br />

stated in the <strong>of</strong>ficial post-Games report were:<br />

to create an atmosphere for the maximum<br />

public participation <strong>and</strong> stimulate public<br />

awareness domestically, <strong>and</strong> to win global<br />

support for Seoul’s hosting, ultimately drawing<br />

the participation <strong>of</strong> as many nations as<br />

possible (SLOOC, 1988). <strong>Public</strong> relations<br />

programmes were classified into: direct public<br />

relations, intended to support Games programmes<br />

themselves, including activities<br />

undertaken directly by the OCOG at home <strong>and</strong><br />

abroad, <strong>and</strong> those aimed at creating a<br />

favourable environment <strong>and</strong> atmosphere, that<br />

included support <strong>of</strong> direct PR programmes<br />

through the media, various administration<br />

channels <strong>and</strong> activities to raise people’s public<br />

consciousness.<br />

The SLOOC took charge <strong>of</strong> direct public<br />

relations while the Ministry <strong>of</strong> Culture <strong>and</strong><br />

Information along with other governmental<br />

<strong>of</strong>fices <strong>and</strong> private organizations h<strong>and</strong>led<br />

public relations aiming at the creation <strong>of</strong> a<br />

favourable atmosphere.<br />

Table 9.1 Los Angeles 1984<br />

PR practices<br />

Description<br />

1 Community relations The Community relations’ staff opened two ‘satellite’ <strong>of</strong>fices, in combination<br />

with the Olympic neighbours programmes provided Los Angeles residents<br />

direct <strong>and</strong> easy access to the OCOG.<br />

2 <strong>Public</strong> information The need <strong>of</strong> the OCOG to assemble <strong>and</strong> disseminate information <strong>and</strong> respond<br />

to inquiries <strong>and</strong> requests was the reason for the set up <strong>of</strong> this division that<br />

h<strong>and</strong>led telephone <strong>and</strong> written requests, remote ticketing, info booths <strong>and</strong><br />

info kiosks.<br />

3 Audio visual, radio <strong>and</strong> TV The division produced tapes <strong>and</strong> films that would help foster underst<strong>and</strong>ing<br />

<strong>of</strong> the Organizing Committee’s planning, <strong>and</strong> promote public enthusiasm<br />

<strong>and</strong> support on the Games. More than 24 films <strong>and</strong> radio messages were<br />

realized.<br />

4 Speakers bureau In the five-year period during which the bureau operated approximately 2,000<br />

speeches were made to an estimated audience <strong>of</strong> 560,000 people. The<br />

majority <strong>of</strong> speeches were during lunch or dinner hours to local businesses,<br />

chambers <strong>of</strong> commerce, pr<strong>of</strong>essional organizations, schools <strong>and</strong> service<br />

clubs; 150 speakers from the local community <strong>and</strong> staff from the OC were<br />

used.<br />

5 Olympic spirit team Some 250 contemporary Olympic athletes voluntarily participated in an effort<br />

to promote personal involvement <strong>and</strong> the support for the Games.<br />

6 <strong>Public</strong>ations Regular publications, such as the Olympic Update newsletter, informational<br />

brochures, <strong>and</strong> other major projects, such as the Official Olympic Guide to<br />

Los Angeles were designed <strong>and</strong> produced in collaboration with the Look<br />

<strong>of</strong> the Games, <strong>and</strong> led a further step forward the Olympic publications<br />

history.<br />

© 2004 S<strong>and</strong>ra Oliver for editorial matter <strong>and</strong> selection;<br />

individual chapters, the contributors

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