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The Rough Guide to Venice and the Veneto

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1<br />

San Marco<br />

Enclosed by <strong>the</strong> lower loop of <strong>the</strong> Canal Gr<strong>and</strong>e, <strong>the</strong> sestiere of San Marco – a<br />

rectangle smaller than 1000m by 500m – has been <strong>the</strong> nucleus of <strong>Venice</strong> for<br />

more than a millennium. When, in <strong>the</strong> early years of <strong>the</strong> ninth century, <strong>the</strong><br />

lagoon settlers decamped from <strong>the</strong> coastal <strong>to</strong>wn of Malamocco <strong>to</strong> settle on<br />

<strong>the</strong> safer isl<strong>and</strong>s of <strong>the</strong> inner lagoon, <strong>the</strong> area now known as <strong>the</strong> Piazza San Marco<br />

was where <strong>the</strong>ir rulers built <strong>the</strong> citadel that evolved in<strong>to</strong> <strong>the</strong> Palazzo Ducale, <strong>and</strong><br />

it was here that <strong>the</strong>y established <strong>the</strong>ir most important church – <strong>the</strong> Basilica di San<br />

Marco. Over <strong>the</strong> succeeding centuries <strong>the</strong> Basilica became <strong>the</strong> most ostentatiously<br />

rich church in Christendom, <strong>and</strong> <strong>the</strong> Palazzo Ducale grew <strong>to</strong> accommodate <strong>and</strong><br />

celebrate a system of government that endured for longer than any o<strong>the</strong>r republican<br />

regime in Europe. Meanwhile, <strong>the</strong> setting for <strong>the</strong>se two great edifices developed in<strong>to</strong><br />

a public space so gr<strong>and</strong>iose that no o<strong>the</strong>r square in <strong>the</strong> city was thought fit <strong>to</strong> bear <strong>the</strong><br />

name “piazza” – all o<strong>the</strong>r Venetian squares are campi or campielli.<br />

Nowadays <strong>the</strong> Piazza is what keeps <strong>the</strong> city solvent. Fifty percent of <strong>Venice</strong>’s visi<strong>to</strong>rs<br />

make a beeline for this spot, spend a few hours <strong>and</strong> a pocketful of euros here,<br />

<strong>the</strong>n head for home without staying for even one night. For those who do hang<br />

around, San Marco has multitudinous ways of easing <strong>the</strong> cash from <strong>the</strong> pockets:<br />

<strong>the</strong> plushest hotels are concentrated in this sestiere; <strong>the</strong> most elegant <strong>and</strong> exorbitant<br />

cafés spill out on<strong>to</strong> <strong>the</strong> pavement from <strong>the</strong> Piazza’s arcades; <strong>the</strong> most extravagantly<br />

priced seafood is served in this area’s restaurants; <strong>and</strong> <strong>the</strong> swankiest shops in <strong>Venice</strong><br />

line <strong>the</strong> Piazza <strong>and</strong> <strong>the</strong> streets radiating from it – interspersed with dozens of<br />

hugely profitable souvenir suppliers.<br />

And yet, small though this sestiere is, it harbours plenty of refuges from <strong>the</strong><br />

assaults of commerce. Even within <strong>the</strong> Piazza you can escape <strong>the</strong> crush, as <strong>the</strong><br />

Museo Correr is rarely crowded <strong>and</strong> <strong>the</strong> adjoining archeological museum sees<br />

barely a soul. <strong>The</strong> Renaissance church of San Salvador – only a few minutes’<br />

walk from <strong>the</strong> Piazza – <strong>and</strong> <strong>the</strong> Gothic San<strong>to</strong> Stefano are both magnificent <strong>and</strong><br />

comparatively neglected buildings, while San Moisè, Santa Maria del Giglio <strong>and</strong><br />

<strong>the</strong> Scala del Bovolo rank among <strong>the</strong> city’s most engaging oddities.<br />

On <strong>the</strong> fringes of <strong>the</strong> sestiere you’ll find two of <strong>Venice</strong>’s major exhibition spaces:<br />

<strong>the</strong> immense Palazzo Grassi, where <strong>the</strong> city’s most prestigious cultural exhibitions<br />

are held, <strong>and</strong> <strong>the</strong> Museo Fortuny, which as well as staging special events also<br />

contains a permanent collection of work by <strong>the</strong> designer Mariano Fortuny.<br />

san marco <strong>The</strong> Piazza<br />

|<br />

<strong>The</strong> Piazza<br />

When <strong>the</strong> first Palazzo Ducale was built, in <strong>the</strong> ninth century, <strong>the</strong> area now occupied<br />

by <strong>the</strong> Piazza San Marco was an islet known as Morso. Two churches s<strong>to</strong>od<br />

here – San Teodoro <strong>and</strong> San Geminiano – but most of <strong>the</strong> l<strong>and</strong> was covered by <strong>the</strong><br />

43

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