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22<br />

32<br />

38<br />

46<br />

58<br />

Gordon Hempton,<br />

acoustic ecologist and sound recordist, is this year’s AudiologyNOW! ® General<br />

Assembly keynote speaker. Hempton was able to spend a few tranquil<br />

moments with AT to discuss his search for a nice quiet place to rest.<br />

<br />

With 50<br />

years of active clinical involvement, Luterman discusses his professional life<br />

as a diagnostic and rehabilitative audiologist.<br />

<br />

Tele-audiology, which<br />

may include the full scope of audiological practice, offers one way of<br />

addressing the disparity between the need and the availability of hearing<br />

health services.<br />

<br />

<br />

This opinion editorial provides guiding principles that<br />

recommend that audiology programs and industry work together to identify<br />

and manage potential conflicts of interest to ensure that the relationship<br />

remains both successful and ethical.<br />

<br />

<br />

Audiologists can learn to externalize and personify a patient’s<br />

hearing loss without practicing psychotherapy. This approach causes the<br />

practitioner to focus on the human side of hearing loss and treat the person,<br />

not the disorder.


8 20,000 Hours of Listening By Kris English<br />

10 The Buck Stops Here By Cheryl Kreider Carey<br />

14 How to Bring Metrics to Marketing | Delegate Your Way<br />

to Success<br />

18 Academy and Other Audiology-Related Deadlines<br />

20 What's New on the Academy's Web Site<br />

67 Audiology Beyond the Classroom By Cherysse Lanns<br />

68 What Do Supporting Cells Do By Lisa L. Cunningham<br />

71 Providing Services to Medicare Beneficiaries—<br />

The Options By Annette A. Burton<br />

73 <br />

FAQs About Claims-Based Reporting<br />

76 What Type of Impression Is Your Office Making<br />

By Tracey Irene<br />

78 Suggested Areas of Standardization: AuD Student Clinical<br />

Practicum Experiences By Maureen Valente<br />

81 Higher Education Is on the Move By Doris Gordon<br />

82 I Can See the Future By James W. Hall III<br />

Academy News<br />

84 Become an Advocate at AudiologyNOW! ® By Melissa Sinden<br />

85 Celebrate this Year's Academy Honors Recipients<br />

89 Welcome New Members of the Academy<br />

and Student Academy<br />

90 Practice Guidelines Open for Review | Committee<br />

Accomplishments<br />

92 Partnership with Etymotic | ARO Travel Award Recipients<br />

| University AuD Programs | AudiologyNOW! Events


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The American Academy of Audiology promotes quality hearing and balance care<br />

by advancing the profession of audiology through leadership, advocacy, education,<br />

public awareness, and support of research.


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Don’t you love how kids love words<br />

First, they want to know the names<br />

of things, and then words that<br />

describe those things (colors, shapes,<br />

ownership—“mine!”). Along the way,<br />

they start noticing the sounds of the<br />

words. Some words have the same<br />

sounds at the end. “Yep,” grown-ups<br />

explain, “those words rhyme.” But,<br />

other words have the same sounds at<br />

the beginning, such as ball, birthday,<br />

beach, boy, beach boy, ba-ba-ba,<br />

ba-Barbara Ann…. Hmm. What’s the<br />

deal with that “buh” sound, anyway<br />

Sometimes, it’s in the middle<br />

of a word, too, like baby. The child<br />

ponders these details, and an amazing<br />

thing starts to happen: the brain<br />

becomes aware of phonemes.<br />

Why is an audiologist talking<br />

about phonemic awareness To<br />

encourage pediatric audiologists to<br />

participate on their patients’ “literacy<br />

team.” To learn to read, our patients’<br />

brains need to engage in five to six<br />

years (about 20,000 hours) of relentless<br />

auditory attention—noticing<br />

speech sounds and contrasting one<br />

sound with another. The brain needs<br />

all that input before it is ready to<br />

make the uniquely human amazing<br />

leap: connecting those sounds to<br />

letters of the alphabet. You’ve heard<br />

Carol Flexer talk about this! Without<br />

those 20,000 hours of listening,<br />

children are less ready to read and<br />

learn with their peers—and they may<br />

never catch up.<br />

Consistent access to sound via<br />

amplification depends on parent commitment,<br />

and we can always improve<br />

our communication with parents<br />

about the hearing-listening-reading<br />

connection. Audiologists are not literacy<br />

experts, but we do need enough<br />

information to convey this connection<br />

to parents. Speech-language pathologists,<br />

early interventionists, and<br />

educators bring their expertise to the<br />

learning process, and we are likely to<br />

“leave it to them” because we lacked<br />

training in preliteracy skill development.<br />

Yet, success ultimately depends<br />

on access to sound, and that’s where<br />

we come in!<br />

The Academy’s “Hear to Read”<br />

initiative was established to support<br />

pediatric audiologists as members<br />

of the literacy team. The first step<br />

was to develop a brochure for audiologists<br />

to share with parents. This<br />

brochure is now available on the<br />

Web site through the Academy Store.<br />

Next steps include expert presentations<br />

at AudiologyNOW! ® (see page<br />

80 for the Marion Downs Lecture in<br />

Pediatric Audiology) and articles in<br />

AT. Eventually we will see chapters<br />

on basic literacy information for<br />

audiologists in pediatric audiology<br />

textbooks.<br />

Fast forward to the near future:<br />

Your patient starts school. Her<br />

teacher says, “Children, this is the<br />

letter B. It makes the sound ‘buh.’<br />

Can you think of some words that<br />

start with that sound” And, your<br />

patient is ready with examples. She’s<br />

ready because she’s been thinking<br />

about “buh” for thousands of hours.<br />

Kris English, PhD<br />

President<br />

American Academy of Audiology<br />

P.S. While you’ve been reading<br />

silently to yourself, your temporal<br />

lobes have been active, as if you<br />

were listening to somebody speak!<br />

It’s called “the silent voice”—see<br />

S. Dehaene, Reading in the Brain:<br />

The Science and Evolution of a Human<br />

Invention (2009).


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Looking ahead to the annual Academy<br />

Business Meeting (page 94) in San<br />

Diego, I’d like to provide a framework<br />

for the Academy’s business operation.<br />

Serving our membership of 11,000<br />

audiologists with a $7 million budget<br />

and a staff of 34, the Academy has a<br />

robust accounting system to ensure<br />

fiscal responsibility. Here are three<br />

areas I hold paramount in overseeing<br />

the Academy’s finances:<br />

To maintain fiscal<br />

integrity, the internal controls<br />

within our accounting department<br />

ensure separation of duties,<br />

e.g., no one individual both cuts<br />

and signs checks. We undergo an<br />

annual audit by an outside audit<br />

firm that is vetted by the Audit<br />

Committee and approved by the<br />

Board of Directors. Neither the<br />

treasurer nor I are voting members<br />

of the Audit Committee.<br />

Following a<br />

fiscal year (July 1–June 30), Amy<br />

Benham, CPA, senior director<br />

of finance and administration,<br />

produces financial statements<br />

in accordance with Generally<br />

Accepted Accounting Principles.<br />

These financial statements<br />

are reviewed monthly by our<br />

Treasurer, Gary Jacobson, PhD, as<br />

well as the Finance Committee,<br />

and are reviewed quarterly by


®


the board. Amy also oversees<br />

the Academy’s investments, in<br />

accordance with the Academy’s<br />

investment policy. The boardapproved<br />

audit is posted on our<br />

Web site annually (November) for<br />

members to review (go to www.<br />

audiology.org, search key words<br />

“annual report”). Additionally,<br />

the Academy annually submits a<br />

Form 990 (Return of Organization<br />

Exempt from Income Tax) to the<br />

IRS, providing them with our<br />

financial information.<br />

The Academy<br />

staff follows best practices to maximize<br />

the Academy’s resources. We<br />

solicit bids from multiple vendors<br />

before selecting one. Drawing<br />

upon our association management<br />

experience, we negotiate contracts<br />

prudently to provide savings to<br />

the Academy. We are constantly<br />

looking for ways to make the most<br />

of our limited resources. The weak<br />

economy has added a new dimension<br />

to our financial situation. This<br />

year, we have frozen staff salaries<br />

and are not making the discretionary<br />

contribution to their 401k plans.<br />

Incorporated in the state of<br />

Delaware (1997), the American<br />

Academy of Audiology is a not-forprofit<br />

with a 501c(6) designation<br />

from the IRS. In return for not taxing<br />

our revenue, the IRS stipulates what<br />

we “may” and “may not” do as a<br />

not-for-profit. At the end of the year,<br />

any revenue surplus is placed in the<br />

Academy reserves rather than paid<br />

out to stockholders as is done in forprofit<br />

organizations.<br />

We were excited to recently add<br />

the Student Academy of Audiology<br />

to our mix of entities, which<br />

also includes our Political Action<br />

Committee and the American Board<br />

of Audiology. I also serve as the<br />

executive director of our Foundation,<br />

the American Academy of Audiology<br />

Foundation, which has a 501c(3) IRS<br />

tax designation. This necessitates a<br />

separate set of books and Form 990<br />

to the IRS.<br />

As the individual hired by the<br />

Academy’s Board of Directors to<br />

ensure the financial and legal<br />

integrity of the Academy, I take<br />

this responsibility seriously. Using<br />

operating ratios to benchmark the<br />

Academy against other associations,<br />

we strive daily to handle the<br />

Academy’s financial resources in a<br />

most careful manner.<br />

Cheryl Kreider Carey, CAE<br />

Executive Director<br />

American Academy of Audiology


the board. Amy also oversees<br />

the Academy’s investments, in<br />

accordance with the Academy’s<br />

investment policy. The boardapproved<br />

audit is posted on our<br />

Web site annually (November) for<br />

members to review (go to www.<br />

audiology.org, search key words<br />

“annual report”). Additionally,<br />

the Academy annually submits a<br />

Form 990 (Return of Organization<br />

Exempt from Income Tax) to the<br />

IRS, providing them with our<br />

financial information.<br />

The Academy<br />

staff follows best practices to maximize<br />

the Academy’s resources. We<br />

solicit bids from multiple vendors<br />

before selecting one. Drawing<br />

upon our association management<br />

experience, we negotiate contracts<br />

prudently to provide savings to<br />

the Academy. We are constantly<br />

looking for ways to make the most<br />

of our limited resources. The weak<br />

economy has added a new dimension<br />

to our financial situation. This<br />

year, we have frozen staff salaries<br />

and are not making the discretionary<br />

contribution to their 401k plans.<br />

Incorporated in the state of<br />

Delaware (1997), the American<br />

Academy of Audiology is a not-forprofit<br />

with a 501c(6) designation<br />

from the IRS. In return for not taxing<br />

our revenue, the IRS stipulates what<br />

we “may” and “may not” do as a<br />

not-for-profit. At the end of the year,<br />

any revenue surplus is placed in the<br />

Academy reserves rather than paid<br />

out to stockholders as is done in forprofit<br />

organizations.<br />

We were excited to recently add<br />

the Student Academy of Audiology<br />

to our mix of entities, which<br />

also includes our Political Action<br />

Committee and the American Board<br />

of Audiology. I also serve as the<br />

executive director of our Foundation,<br />

the American Academy of Audiology<br />

Foundation, which has a 501c(3) IRS<br />

tax designation. This necessitates a<br />

separate set of books and Form 990<br />

to the IRS.<br />

As the individual hired by the<br />

Academy’s Board of Directors to<br />

ensure the financial and legal<br />

integrity of the Academy, I take<br />

this responsibility seriously. Using<br />

operating ratios to benchmark the<br />

Academy against other associations,<br />

we strive daily to handle the<br />

Academy’s financial resources in a<br />

most careful manner.<br />

Cheryl Kreider Carey, CAE<br />

Executive Director<br />

American Academy of Audiology


Marketing is an essential component<br />

of the success of any practice, yet<br />

without a thorough and quantifiable<br />

system for measuring the effectiveness<br />

of a campaign, marketing is<br />

in danger of becoming a budgetary<br />

black hole. Metrics define the<br />

return on investment of a marketing<br />

campaign, helping practices determine<br />

which initiatives yield the best<br />

results and, equally importantly,<br />

exposing the underperforming<br />

programs that need to be overhauled<br />

or cut altogether. Through<br />

the studied implementation of<br />

metrics, marketing is transformed<br />

from a blind expense into a calculated<br />

investment. Yet measuring the<br />

performance of a marketing initiative<br />

is not a transparent process.<br />

What follows are several strategies<br />

and considerations to introduce<br />

accountability into your marketing<br />

department.<br />

<br />

The first step to implementing a<br />

marketing analytics program is to<br />

cover the basics. Define the target<br />

market and craft a message that<br />

will be distinctly relevant to it. Also<br />

pay close attention to the medium<br />

in which you elect to advertise,<br />

using effectiveness, rather than<br />

cost, as the main arbiter. Approach<br />

your campaign from your potential<br />

patients’ perspective and ask yourself<br />

what message would resonate<br />

with them, and what problem of<br />

theirs you are solving.<br />

<br />

When setting up a marketing<br />

campaign with performance measurement<br />

in mind, it is also critical<br />

to define the goals of the campaign.<br />

How else will you measure its effectiveness<br />

Are you trying to increase<br />

leads Conversions Revenue Or is<br />

it a brand-building exercise Added<br />

precision in pinning down the<br />

goals of your marketing initiatives<br />

will improve the accuracy of your<br />

metrics and bring the goals closer to<br />

becoming a reality.<br />

<br />

Thinking broadly about marketing’s<br />

impact is critical, but, then<br />

again, so is thinking about the<br />

details. Performance metrics should<br />

compile as much data as possible,<br />

ideally through multiple channels so<br />

that the information can be crossreferenced<br />

and synthesized. One<br />

way involves tracking customer<br />

responses with promotion codes.<br />

Every bit of data associated with the<br />

campaign should be recorded, organized,<br />

and analyzed according to the<br />

specific marketing goals to which it<br />

relates.<br />

<br />

Web analytics are slippery, and can<br />

never be relied upon to offer 100<br />

percent accuracy. When selecting<br />

a Web analytics program, be sure<br />

that it filters out internal traffic, as<br />

well as visits from spiders and bots<br />

that could skew the results. Also be<br />

sure that the program uses verified<br />

first-party cookies to track unique<br />

visitors. Also be sure to audit your<br />

system for accuracy, given that Web<br />

analytics applications have been<br />

known to overstate actual results by<br />

as much as 400 percent.<br />

<br />

Finally, it is essential that you act<br />

on the results of your performance<br />

metrics. This means that you must<br />

have the flexibility and humility to<br />

tinker with your strategies, or to pull<br />

the plug on a campaign that simply<br />

isn’t working.<br />

<br />

<br />

It’s like giving to charity—everyone<br />

knows they should do more of<br />

it, and no one can think of a good<br />

reason why they don’t. Delegation


holds the unique value of increasing<br />

your practice’s productivity while<br />

at the same time reducing your<br />

own personal workload. The most<br />

common objections to delegation—<br />

“In the time it takes to explain<br />

how to do it, I could do it myself”<br />

and “If you want a job done right,<br />

do it yourself”—are, at best, shortsighted,<br />

and, at worst, patently false.<br />

Learning how to delegate effectively<br />

is an elusive but essential management<br />

skill that will empower your<br />

employees by demonstrating your<br />

trust and confidence in them, and<br />

it will ultimately help train them to<br />

be effective managers themselves,<br />

ready and poised to transition<br />

into new leadership roles as your<br />

practice grows. Here are six steps<br />

for developing, implementing, and<br />

overseeing your delegation strategy.<br />

<br />

One of the most common fears cited<br />

by managers who refuse to delegate<br />

is that the end product will not be<br />

satisfactory. Managers who have<br />

experienced this firsthand will be<br />

especially gun-shy about delegating<br />

again. An inadequate result is<br />

not necessarily an indicator of poor<br />

workers. It can just as often reflect<br />

poor management, most frequently<br />

rooted in vague communications<br />

and unclear expectations. Define<br />

the goal of the project with the<br />

employee who will be overseeing<br />

it, and make the timetable realistic.<br />

Make sure that the employee understands<br />

both the technical elements<br />

of the project and how it meshes<br />

with the big picture. Without seeming<br />

overbearing or condescending,<br />

overcommunicating at the outset<br />

of a project is not necessarily a bad<br />

thing, as the surest way to guarantee<br />

that a project will fail is to leave<br />

the responsible employee uncertain<br />

of your expectations.<br />

<br />

Delegation means letting go.<br />

Somewhat. When you’re entrusting


one of your employees with a project,<br />

remember that you’re doing<br />

just that—entrusting them. You<br />

hired these people because of their<br />

intelligence, sound judgment, and<br />

competence. When you’re delegating<br />

a project to them, remember<br />

that they are still possessed of<br />

those qualities, and for that reason,<br />

the project will be a success. This<br />

means that you have to let them<br />

find their own way, and trust and<br />

support them as they are doing it.<br />

Within legal and ethical bounds, of<br />

course, it is the end product that<br />

is the yardstick of success, not the<br />

path by which the goal is achieved.<br />

Assuming that yours is the only way<br />

is a hallmark of micromanagement,<br />

and a surefire way to torpedo your<br />

delegation initiative.<br />

<br />

Delegating means that you can let<br />

your employees take the lead in<br />

developing a plan, and, ideally, this<br />

process can be completed with minimal<br />

oversight. That said, it is your<br />

job to make sure that they do, in fact,<br />

have a plan. The methods can be left<br />

up to them, but you will sleep easier<br />

knowing that there is a roadmap<br />

to complete the project, and your<br />

employees will have a much better<br />

chance of succeeding. For complicated<br />

projects, it can be useful to set<br />

reporting schedules to keep employees<br />

on pace. Breaking a single, large<br />

project into smaller, more manageable<br />

tasks is an effective way to<br />

ensure that the ultimate deadline is<br />

met, while simultaneously relieving<br />

you of the anxiety that comes from<br />

micromanaging.<br />

<br />

Set your employees up for success<br />

by pairing them with a project<br />

that is a good match for their skills<br />

and competencies. At the same<br />

time, remember that one of the<br />

main reasons that you delegate is<br />

to develop your employees. Giving<br />

all the challenging projects to one<br />

particularly capable worker will<br />

engender resentment from all<br />

sides. The chosen employee will<br />

feel put upon, while the rest of<br />

your staff will feel neglected and<br />

unappreciated. Know also that<br />

some employees may require more<br />

oversight than others. But part of<br />

your skill as a manager is identifying<br />

your employees’ strengths and<br />

weaknesses, and accentuating the<br />

former while developing the latter.<br />

A finely attuned delegation program<br />

can be your best ally in achieving<br />

this goal.<br />

<br />

<br />

Delegation often fails when<br />

managers dole out tasks and responsibilities<br />

without giving staff the<br />

authority to make decisions. Keeping<br />

a stranglehold on decision-making<br />

authority will undermine the confidence<br />

of your staff, and create the<br />

appearance that, rather than trusting<br />

and believing in your employees,<br />

you simply want to slough off work<br />

on them while keeping overall<br />

control for yourself. This is a flawed<br />

strategy. For your employees to really<br />

develop, they have to be given a long<br />

enough leash to make mistakes and<br />

know that it’s okay—as long as they<br />

fix them and learn from them.<br />

<br />

<br />

This is the fun part! Again, remember<br />

that development is central to<br />

delegation. You’re trying to bring<br />

your employees up and prepare them<br />

for the next level. This means that<br />

feedback must go directly to the<br />

employee whom you have placed<br />

in charge of the project. The natural<br />

tendency of your staff will be to<br />

come to you, but, in keeping with<br />

their status as the project lead, the<br />

employee(s) you have put in charge<br />

must be the hub of all feedback concerning<br />

the project, both positive and<br />

negative.<br />

Whether you can do the job faster<br />

or more effectively than one of your<br />

employees can isn’t the question.<br />

What if you want to take a vacation<br />

Or expand your practice beyond your<br />

ability to manage it single-handedly<br />

Or retire These are all questions<br />

that keep small business owners<br />

up at night, but they are also questions<br />

that have a common answer.<br />

Delegating tasks will demonstrate to<br />

your staff that you trust them, and<br />

your reward will be more capable,<br />

self-assured, and well-rounded<br />

employees ready to take the reins<br />

and drive the business whenever you<br />

call on them.<br />

Articles © Copyright 2010 Information, Inc.<br />

Illustrations by Johanna van der Sterre


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Every note of the flute solo in a child’s music recital.<br />

The sound of an arriving text message. A toddler’s<br />

first laugh. The cheers from teammates. The peeps,<br />

calls and trills in the backyard.<br />

Life is a composition of finely detailed sounds.<br />

MED-EL’s industry-leading cochlear implant innovations<br />

with FineHearing allow its recipients to hear<br />

*<br />

and appreciate the most obvious and the most<br />

elusive of them all.<br />

It’s a noisy world out there.<br />

Enjoy it.<br />

Help your patients hear life the way it was meant to sound.<br />

Begin their cochlear implant journey with MED-EL.<br />

MAESTRO cochlear implant system<br />

features the thinnest and lightest<br />

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* FSP is not indicated for use by pre-lingual children in the US.<br />

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Every note of the flute solo in a child’s music recital.<br />

The sound of an arriving text message. A toddler’s<br />

first laugh. The cheers from teammates. The peeps,<br />

calls and trills in the backyard.<br />

Life is a composition of finely detailed sounds.<br />

MED-EL’s industry-leading cochlear implant innovations<br />

with FineHearing allow its recipients to hear<br />

*<br />

and appreciate the most obvious and the most<br />

elusive of them all.<br />

It’s a noisy world out there.<br />

Enjoy it.<br />

Help your patients hear life the way it was meant to sound.<br />

Begin their cochlear implant journey with MED-EL.<br />

MAESTRO cochlear implant system<br />

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* FSP is not indicated for use by pre-lingual children in the US.<br />

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Dr. Musiek discusses the<br />

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of neuropathy/auditory<br />

dys-synchrony and<br />

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<br />

<br />

Sexton discusses the<br />

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in Counseling, Aural<br />

Rehabilitation and<br />

Education), the seven stages<br />

of grieving related to hearing<br />

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Soltes discusses service<br />

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advocacy dogs.


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The Sound Tracker:<br />

One Man’s Quest<br />

for Natural<br />

silence<br />

BY DAVID FABRY<br />

gordon hempton is an acoustic ecologist<br />

and Emmy award-winning sound recordist.<br />

He will be the General Assembly keynote<br />

and featured session presenter at this year’s<br />

AudiologyNOW! ® AT was able to spend a few<br />

tranquil moments with Hempton recently to<br />

discuss his search for a nice quiet place to rest.


The Sound Tracker: One Man’s Quest for Natural Silence<br />

question:<br />

If a tree falls in the forest but there is too much noise<br />

to hear it, is there still sound Gordon Hempton aims<br />

to find out. Hempton is an acoustic ecologist and<br />

Emmy award-winning sound recordist. For more than<br />

25 years, he has provided professional audio services<br />

to musicians, galleries, museums, and media<br />

producers. He has amassed a three-terrabyte library<br />

of natural sound recordings, with specific expertise<br />

in recording “quiet” environments that has fostered a<br />

passion for preserving what he refers to as “natural<br />

silence” in a noisy world.<br />

On Earth Day 2005, Hempton founded the One<br />

Square Inch Foundation as a means of highlighting<br />

the need for preserving quiet, which in turn helps<br />

us to hear and listen. More than a metaphor, One<br />

Square Inch is indeed a physical location in the<br />

Hoh Rain Forest, part of Olympic National Park—<br />

arguably the quietest place in the United States. It,<br />

too, however, is endangered, and Hempton has<br />

become a tireless advocate for the preservation<br />

of silence in our national parks. Hempton will be<br />

the General Assembly keynote and a featured session<br />

presenter at this year’s AudiologyNOW! ® , one<br />

week prior to the 40-year anniversary of Earth Day.<br />

Audiology Today was able to spend a few tranquil<br />

moments with Hempton recently to discuss his<br />

search for a nice quiet place to rest.


The Sound Tracker: One Man’s Quest for Natural Silence<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

GH: That’s correct. Your meeting presents a particular challenge<br />

for me as a speaker, because I know that everyone in<br />

the audience will be better educated than I am about audiology.<br />

Instead, my role as a speaker will be to bring the fine<br />

line between the hearing and nonhearing world into focus.<br />

<br />

My career has been to develop my listening skills and<br />

record the sounds of wilderness “soundscapes.” My work<br />

as a listener is now 30 years in the making and has taken<br />

me three times around the globe. I have probably the largest<br />

collection of sound recordings of natural places that<br />

have been recorded in this way.<br />

<br />

I record binaurally in digital format, providing a 360 degree<br />

recording under headphones that preserve the cues that<br />

form the acoustic images. It is a very precise art in that<br />

the placement of the binaural head produces profound<br />

differences in terms of what is heard. My presentation will<br />

include a lot of recordings that I think everyone will enjoy<br />

and illustrate my point better than my words can.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Yes, my interest is in the sounds of what it is like for a<br />

human being to be there and take it all in. Interestingly,<br />

about a year ago, I fell in love with a woman named


The Sound Tracker: One Man’s Quest for Natural Silence<br />

Rebecca. What is interesting about Rebecca, and what she<br />

has really brought into my life, is an understanding not<br />

only of how special my hearing world is, but how profoundly<br />

different the nonhearing world is. While Rebecca<br />

considers herself to be “hearing impaired,” for a hearing<br />

person, she is deaf. She can be in a room with a smoke<br />

alarm going off, with the tea kettle going, while calmly<br />

reading a book because she is unaware of the commotion<br />

going on. On a lighter note, however, she wakes up to my<br />

snoring, so vibrations remain a very strong part of her<br />

sensitivity.<br />

<br />

<br />

It is, however, an example of how profoundly sound<br />

affects the way we think and even organize the world.<br />

We hear 24/7; we don’t have “earlids” that naturally block<br />

out sound. There are no higher vertebrate species that do<br />

not have the ability to hear, although there are vertebrate<br />

species that are blind. Hearing is essential for survival.<br />

But, while animals hear, not all listen, and those that do<br />

not are usually eaten by those that do. Hearing, more than<br />

any other sense, is required for survival.<br />

<br />

<br />

<br />

Just like water may be an unappreciated drink, because it<br />

is so essential, so basic, that we don’t even think about it.<br />

<br />

<br />

In my presentation, we will literally listen to sounds<br />

from all over the planet. I will demonstrate with acoustic<br />

images the way that objects and sounds behave.<br />

Generally, when we look out our window, we see that<br />

there are very few translucent or transparent objects—<br />

generally, most stuff is opaque. If we want to see 360<br />

degrees, we need to actually turn our heads. Therefore,<br />

our view of the world is linear, with one object in front of<br />

the other. There is a timeline, a set of priorities, and this<br />

I have found is the way that “visual” people organize the<br />

world.<br />

<br />

It’s down to the basic essential way of listening. Unlike<br />

vision, very few sounds entirely mask the detection of<br />

another sound. In other words, all these sound events<br />

accommodate each other in arriving at my ears. I use<br />

what I call a “soup pot” method, and I just let everything<br />

arrive, take it all in, and use it to decide how things sound.<br />

It is really beyond hearing—I am listening to the world.<br />

<br />

<br />

<br />

Well, I may challenge some of your members with how I<br />

lost my hearing for an 18-month period. I was surprised


The Sound Tracker: One Man’s Quest for Natural Silence<br />

to discover that as I went through a series of audiologists,<br />

I wasn’t being “heard.” As an audio engineer and acoustic<br />

ecologist, I could describe the frequencies and decibels of<br />

my loss. Statements were made first—not by an audiologist,<br />

but by a physician—that we should test my hearing<br />

to see if I had a hearing loss. I knew I had a hearing loss,<br />

but listening to the world is really a fundamentally different<br />

experience.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

It was very frustrating, but really only a small frustration<br />

compared to frustration of not hearing. Ultimately, I<br />

recovered on my own after 18 months. When most people<br />

think about listening, they think about listening skills;<br />

they focus their attention on a particular acoustic event,<br />

like tones in a hearing test. When you listen, you let it all<br />

in. What I hope to convey to the audience is that was our<br />

general mode of operation. Before I went to school and was<br />

taught to listen.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

The basis for this work is that with all the noise present<br />

in the modern world, we have created a lot of meaninglessness.<br />

If we were to simply step outside in New York or<br />

Miami and take all of the sounds in, we would go crazy.<br />

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The Sound Tracker: One Man’s Quest for Natural Silence<br />

When we live in cities, we “close down” our listening<br />

experience. Not so when we visit our national parks and<br />

other places around the planet that are set aside to have<br />

the experience of nature. These places are needed to<br />

restore our senses and “open up.” This is the standard of<br />

“true listening.”<br />

<br />

<br />

<br />

One Square Inch is located in the Hoh Rain Forest, part<br />

of Olympic National Park—arguably the quietest place<br />

in the United States. The exact location is marked by a<br />

experience is almost a supernatural sense of perception.<br />

“Natural silence” is the absence of noise pollution. One of<br />

the things that I will try to convey in my presentation is<br />

that natural silence is not the absence of anything but the<br />

presence of everything.<br />

<br />

<br />

<br />

<br />

Yes, it is very different from the experience of excluding<br />

the noises or your immediate environment for a couple of<br />

minutes. When you live and breathe the environment for<br />

When you live and breathe the environment for<br />

a period of hours or days, you feel remarkably<br />

different; you think different thoughts.<br />

small red-colored stone placed on top of a moss-covered<br />

log at 47° 51.959N, 123° 52.221W, 678 feet above sea level.<br />

Directions to the site can be found in the links section of<br />

the Web site (www.onesquareinch.org).<br />

<br />

<br />

Using my sound level meter (Bruel and Kjaer SLM 2225),<br />

the 60-second Leq is approximately 27 dBA.<br />

<br />

<br />

<br />

<br />

Even at that level, there still is a lot of central sound<br />

occurring. You are still able to hear the murmur of winged<br />

insects, the small hemlock needles lightly falling on the<br />

forest floor, birds singing quarter or half mile away, or<br />

the elk bugling from eight or nine miles away. A listener’s<br />

horizon is really quite distant, and so your sonic view<br />

of the place that you are in is extremely expansive. The<br />

a period of hours or days, you feel remarkably different;<br />

you think different thoughts. All of those trivial items on<br />

my “to-do” list fall off, they simply erode from my being,<br />

and I am left with what essentially matters to me. I leave<br />

the place with just a wonderful feeling.<br />

People ask me how I can think for a moment that I will<br />

be able to preserve a place—save silence—against all the<br />

noise intrusion of the world. And I tell them that silence<br />

tells me so. It is a powerful force of encouragement,<br />

listening to nature. That is essentially what I believe our<br />

National Parks are all about: a place to rejuvenate our<br />

senses and our spirits to become more productive, healthier,<br />

modern people. Unfortunately, although Olympic<br />

National Park is likely the quietest place in the lower 48,<br />

the noise levels have eroded substantially.<br />

<br />

The modern measure of silence today is the “noise free<br />

interval,” in minutes, between audible noise intrusion,<br />

and it has shrunk from several hours just 10 years ago to<br />

about an hour today. In 2008, I experienced 45 minutes<br />

of continuous jet traffic overhead at the One Square Inch


The Sound Tracker: One Man’s Quest for Natural Silence<br />

location. Many of the examples that I will present in<br />

the keynote speech and in the featured session will be<br />

examples of the type of sounds that we would miss with<br />

this elevated noise floor due to the intrusions. I hope that<br />

the recording will serve as an affirmation that we are all<br />

entitled to have a right to quiet.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Yes. We can trace the increase in listening loss in modern<br />

literature. You can read incredible descriptions of nature’s<br />

music in the 1800s that literally almost evaporates in the<br />

writings of today. I will cite the works of Mark Twain and<br />

of John Muir, who describe “snow melting into music.”<br />

Even as a professional listener and nature sound recordist,<br />

the first time I heard that phrase I thought it was remarkable<br />

poetic license. I’m sure that it doesn’t really melt<br />

into music; it’s nothing that I would want to dance to or<br />

hum all day, but Muir had a neat way of putting words to<br />

it that I could remember. In my presentation, I will play a<br />

recording I made that captures what Muir was describing;<br />

whether we call it reggae or jazz, you won’t play it just<br />

once (also listen at www.audiology.org).<br />

<br />

<br />

<br />

<br />

<br />

Yes, silence has become an endangered species in our<br />

modern world. Alarmingly, in my 30 years of searching,


The Sound Tracker: One Man’s Quest for Natural Silence<br />

natural silence can be found in only a dozen or fewer<br />

remote locations. The evaluation period is right before<br />

dawn, when sound travels the furthest through natural<br />

environments because it is least likely to contain wind and<br />

often the atmospheric layers are set up into temperature<br />

layers, and so sound travels much further than predicted.<br />

There are 12 areas that I have identified, and have made<br />

none public except Olympic National Park because they’re<br />

still virtually unprotected except by their anonymity.<br />

Once we get some laws into place—one in particular<br />

that would ban all aircraft over just a handful of our most<br />

pristine national parks—it would deliver the noise-free<br />

experience that we have all been waiting for. The cost,<br />

according to the figures provided by the Air Transport<br />

Association, would amount to less than a dollar per passenger<br />

to route traffic around Olympic National Park.<br />

Further, this would cost less than a minute in travel time—<br />

far less of a consideration than weather and normal traffic<br />

delays. Presumably, the same figures would generally<br />

apply to avoid flying around other national parks as well.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

The featured session is not entirely removed from the<br />

keynote address. Basically, the focus of the featured session<br />

will be to get participants to recognize and accept that they<br />

are “listening impaired” even if they have hearing within<br />

the normal range. Once we are willing to accept the fact<br />

that we are listening impaired, the session will focus on<br />

teaching participants to “lip read” nature. I draw a lot of the<br />

inspiration for this session from the special relationship<br />

that I have with my fiancée Rebecca. She shares a love of<br />

Olympic Park as I do—her love is of the scenic wonders, and<br />

mine is of the sonic events. The context of the session will<br />

be to tie in visual events to sonic events.<br />

<br />

<br />

Yes, in plant pathology. My training is in botany, and I<br />

found it worked very well for me with my work as an<br />

acoustic ecologist. Because the land and vegetation form<br />

the structure of the amphitheatre of wildlife, it is closely<br />

associated with the vegetation. From that, you can pretty<br />

much guess what the acoustics are going to be and what<br />

kind of wildlife is going to be audible.<br />

<br />

<br />

<br />

<br />

David Fabry, PhD, is the content editor for Audiology Today.<br />

He is also the managing director of AudioSync Hearing<br />

Technologies.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

I have recorded underwater whales and dolphins, and will<br />

actually be leaving this week to record the songs of the humpback<br />

whale off the Kona Coast of Hawaii's Big Island. Noise<br />

intrusion certainly applies to aquatic animals as those on land.<br />

References


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booth 227<br />

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Take us for a test drive at AudiologyNOW! 2010.<br />

www.usa.siemens.com/hearing<br />

Copyright © 2010 Siemens Hearing Instruments, Inc. All rights reserved. SHI/11082-10.


RUMINATIONS<br />

OF AN OLD MAN<br />

A<br />

YEAR<br />

PERSPECTIVE<br />

ON CLINICAL<br />

PRACTICE<br />

BY DAVID LUTERMAN


I have been blessed with 50 years of active<br />

clinical involvement. I began my professional<br />

life as a diagnostic audiologist and morphed<br />

into a rehabilitation audiologist, specializing in<br />

helping families of newly diagnosed children<br />

with hearing impairments make the transition<br />

to their new reality. I feel incredibly fortunate to<br />

have stumbled into my life work, and have found<br />

a niche that nourishes me and, at the same<br />

time, benefits others. Immersed in my life journey,<br />

it seemed disjointed; from this vantage point it<br />

seems inevitable. At this stage in my life, I find<br />

myself more reflective with a strong desire to look<br />

back, distill my clinical experience, and pass it<br />

on to current and future generations of clinicians.


Ruminations of an Old Man: A 50-Year Perspective on Clinical Practice<br />

HERE, THEN, IS THE LUTERMAN 10:<br />

<br />

<br />

At heart, we are grief workers. We are dealing with<br />

people undergoing transitions in their lives because they<br />

have lost the life they thought they were going to have,<br />

whether this is the parent of an autistic child, the spouse<br />

of an aphasic patient, or the adult child of a nursing home<br />

patient. Grief is not culture bound or disability specific—it<br />

is endemic to disability. While many things have changed<br />

in our profession, the human equation is unchanging—<br />

we are dealing with clients who are emotionally upset,<br />

not emotionally disturbed. Grieving and the concomitant<br />

feelings are a normal response when a person is suddenly<br />

confronted with a life challenge in which there was no<br />

preparation. As a profession, we need to give ourselves<br />

permission to do the necessary grief work. While technology<br />

may have altered the therapeutic landscape, it<br />

doesn’t bypass the need to interact with our clients on an<br />

emotional plane.<br />

<br />

<br />

When people are emotionally upset they cannot process<br />

information well. I had to learn this the hard way as a<br />

practicing diagnostic audiologist. After making the diagnosis<br />

of hearing loss in a child, my notion of counseling at<br />

that time was to give information. I rapidly developed set<br />

speeches about the audiogram, hearing aid maintenance,<br />

and educational options. I gave these minilectures without<br />

recourse to the parent’s emotional state. What I learned<br />

on subsequent evaluations, much to my dismay, was that<br />

they retained almost nothing of what I had said. They were<br />

much too upset to retain much content, and, in fact, I had<br />

overwhelmed them with information and contributed to<br />

their fear and anxiety. Especially in the early stages of diagnosis<br />

people are helped best by being allowed to grieve.<br />

I have found that people are seldom allowed to grieve,<br />

as most people conspire to make them feel better. They do<br />

this by instilling hope (“They will find a cure”), or by positive<br />

comparisons (“It could be worse, he could have…”).<br />

All this serves to do is to emotionally isolate the person<br />

and deny him or her the right to grieve. What people in<br />

emotional pain often need the most is to be listened to<br />

and have their feelings validated. This is counterintuitive<br />

for most people as the tendency is to want to take<br />

the pain away by solving the problem or distracting them.<br />

I have learned that I cannot take the pain away; these<br />

disabilities represent a loss, and that loss will always be<br />

there despite anything I might say or do. What I can take<br />

away is “feeling bad about feeling bad.”<br />

Once, as I was beginning to facilitate a support group<br />

for parents of newly diagnosed deaf children, one mother<br />

looked at me and said, “you are going to make me cry,”<br />

and I said to her, “No. I am going to give you permission<br />

to cry,” whereupon she started to cry. In the past I would<br />

have felt guilty that I caused that parent to cry. What I<br />

have come to understand is that I am not putting the<br />

feelings in, but creating the conditions that enable the<br />

feelings to emerge. What I have also come to understand<br />

is that feelings just are—you do not have to be responsible<br />

for how you feel but always for how you behave. This<br />

notion has enabled me to enter the realm of feelings with<br />

clients to their benefit because embracing painful feelings<br />

is the first step in healing. The current emphasis on evidence<br />

based practice I find worrisome because emotional<br />

growth does not readily lend itself to measurement, yet it<br />

is in the emotional realm where a great deal of the action<br />

takes place. Communications is best achieved when there<br />

is both content and affect components present. I hope we<br />

can learn as a profession to balance our content counseling<br />

with our affect counseling and value both equally.<br />

<br />

<br />

The purpose of counseling is not necessarily to make<br />

people feel better—the entertainment industry does<br />

that. The goal of counseling should be to empower clients<br />

so that they can make self-enhancing decisions for<br />

themselves and their family members. In the course of<br />

the counseling experience, painful feelings will emerge,<br />

including anger. I have always seen the emergence of the<br />

painful feelings as a positive sign because these clients<br />

are not in denial, and if I am mindful of my role they will<br />

take ownership of the communication disorder. There<br />

can be no meaningful change without ownership of the<br />

problem by the client. Ceding responsibility to the client<br />

is often painful for clients in itself, as frequently they<br />

prefer a passive role in the habilitation process, hoping<br />

and expecting the professional to “fix” it.


Ruminations of an Old Man: A 50-Year Perspective on Clinical Practice<br />

<br />

<br />

As a beginning clinician, I assumed my professional role was<br />

to give information and direction to the client, that I needed<br />

to be a very active participant in the therapeutic process. I<br />

had a “lesson plan” mentality with specific goals in mind,<br />

and my scripted minilectures were designed to ensure that<br />

clients left our encounter with the information I thought they<br />

needed. In retrospect, I can see that the set speeches and<br />

advice giving were a reflection of my own insecurities and<br />

need to limit the clinical interaction in predictable, contentbased<br />

ways that I could manage. By listening to the client<br />

without a preconceived “lesson plan” enables the client to<br />

participate more fully in the therapeutic endeavor—it forces<br />

the client to be active in the relationship. Listening for client<br />

affect and reflecting it back enables the client to identify their<br />

feelings and express them in a safe relationship; this attenuates<br />

client isolation and validates their feelings. Listening<br />

deeply to our clients is a great gift we can give them.<br />

As I have become more self-confident in my clinical skills,<br />

I have been able to cede more and more control of the therapeutic<br />

process to the client. Learning proceeds best when<br />

the learner is an active participant in the process. Listening<br />

enables the clients to reveal themselves, allowing me to find<br />

ways to be most helpful. The client will teach us if we listen. I<br />

had to learn to cultivate the art of not doing and at the same<br />

time being present for the client. The irony here is that often<br />

the less I do, the more the client learns.<br />

<br />

<br />

In the early stages of diagnosis, clients are usually overwhelmed<br />

and feeling inadequate to cope with the disability.<br />

This is a critical juncture for the clinician because the<br />

tendency is to want to rescue the client from their actual<br />

and felt inadequacy. If we rescue by advice giving and taking<br />

responsibility from the client, we can contribute to their<br />

fear and sense of inadequacy. It is very easy to teach helplessness<br />

and create the dependent client who then accepts<br />

a passive role, expecting the clinician to fix it. I have had to<br />

learn how to be responsible to my clients rather than being<br />

responsible for them. Finding the therapeutic equator of<br />

helping is not easy because it is constantly shifting with<br />

each client and at different times with a client. I have had to<br />

learn to trust clients to eventually make the best decision<br />

for them, and that wisdom, which is the best use of information,<br />

resides within the client and not in me. My role is to<br />

judiciously share my information as a client needs and asks<br />

for it. I avoid giving advice and assuming responsibility for<br />

the client at all costs. Enhancing a client’s self-esteem is the<br />

Also of Interest<br />

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Ruminations of an Old Man: A 50-Year Perspective on Clinical Practice<br />

<br />

<br />

It is hard for me to conceive of a program that does not<br />

include a support group. Having a catastrophic event in<br />

your life becomes emotionally isolating because almost<br />

everyone in the client’s everyday life is invalidating their<br />

painful feelings while seldom understanding what the client<br />

is experiencing. The support group is usually the one<br />

place that individuals are understood, feelings can be validated,<br />

and help can be given and received. Professionals,<br />

by nonjudgmental listening, can validate feelings but lack<br />

the instant credibility that members of a support group<br />

have. Support groups are not disability specific.<br />

I think they are especially helpful for the families of<br />

clients who are often on the periphery of clinical services.<br />

Mixed support groups, where there are clients and family<br />

members, are very challenging to facilitate but usually<br />

helpful in promoting family unity. My major clinical role<br />

over the past 45 years has been as a group facilitator for<br />

parents of young children with hearing impairments. I<br />

have found this to be an immensely rewarding activity.<br />

Every group has presented unique challenges and invariably<br />

taught me something valuable<br />

<br />

<br />

It is unfortunate that students in our training programs<br />

are seldom exposed to a family-centered model of service<br />

delivery. The individual pullout model seems to be one<br />

of choice. I think this is an easier model to select for the<br />

beginning therapist as he or she need only focus on the<br />

identified patient. Unfortunately this is the least efficient<br />

way of working with clients. By working with the family<br />

unit we can extend the goals of therapy to the home and<br />

create an environment that is supportive of change. This<br />

model requires a greater skill set of a therapist because it<br />

mandates working with family members who do not have<br />

an overt communication disorder. Families also need<br />

to be broadly defined to include the environment of the<br />

client, whether this is a hospital setting or a classroom.<br />

Training programs need to see that the pull-out model<br />

is a way to start the training, but students need to be<br />

quickly exposed to and trained in the broader model of<br />

a family-centered approach to service delivery. Familycentered<br />

therapy needs to be the gold standard.<br />

<br />

<br />

Words spoken mechanically without feeling and/or out<br />

of context will never be helpful. “This too shall pass”<br />

were the words the wise men came up with for the king<br />

who wanted something to say for all occasions. There<br />

are counseling words that are equally useful, which I<br />

call affirmations. “It must be so hard” is an empathetic<br />

remark that validates the client’s experience, while<br />

“that’s okay” gives sanction to the client’s feelings. Even<br />

more useful is “uh huh,” which says to the client, “I hear<br />

you. Tell me more.” In a long counseling career, probably<br />

the most useful words to the clients are the ones I haven’t<br />

said.<br />

<br />

<br />

I have come to see that clinical mistakes are inevitable.<br />

Even after 50 years, I still have my occasional gaffes. I<br />

have had to learn to be gentle with myself and accept the<br />

fact that errors are an inevitable consequence of clinical<br />

growth. I think any learning and growing clinician needs<br />

to be pushing at the boundaries of their comfort zone;<br />

however, in that boundary region reside errors. I have<br />

learned that the “mistake” is a useful marker for what I<br />

need to learn. I learn best from my blunders, and it is only<br />

a mistake if I do it twice. Fortunately we are not brain surgeons,<br />

clients usually recover from the gaffes, and there<br />

is often an opportunity to apologize, correct the error, and<br />

move on, if the fundamental relationship is strong and<br />

can withstand errors.


Ruminations of an Old Man: A 50-Year Perspective on Clinical Practice<br />

<br />

<br />

On the surface, a counseling relationship looks conventional<br />

in that two people are dialoging. The reality is<br />

that one person—the counselor—is helping the other by<br />

practicing selfless, deep listening. The mantra for the<br />

counselor needs to be “it’s not about me.” Deep listening<br />

requires that the counselor put aside all personal agendas<br />

and be there in the service of the other. This is not<br />

an easy thing to do and is rarely experienced outside of<br />

a counseling relationship. Being in service to the other is<br />

very demanding, and, while in many cases technology<br />

has altered the clinical landscape, the most important<br />

clinical “tool” is still the clinician. Clinical tools need<br />

periodic care, and much like the audiologist sending the<br />

audiometer out to be recalibrated, clinicians must take<br />

periodic timeouts to recalibrate themselves. To be a selfless<br />

listener requires a personal centering that mandates<br />

that clinicians have a fulfilling personal life. We need to<br />

be able to give to our clients from our abundance. Too<br />

often one sees in the helping profession clinicians with<br />

strong needs to be needed that they try to fulfill by<br />

creating dependent relationships. Clinical burnout is a<br />

consequence of clinicians who do not practice good selfcare<br />

and have many dependent relationships.<br />

Fifty years seems like a long time, yet it has gone by bewilderingly fast. It has been a<br />

marvelous ride, much better than I ever expected. I am often asked how I have been<br />

able to remain clinically active for so long amid so much pain and suffering without<br />

burning out. For me it’s a matter of practicing good self-care, avoiding developing<br />

dependent relationships with clients, and, above all, understanding that personal<br />

growth is often forged in the crucible<br />

of the pain of these disabilities. I do not<br />

see these disabilities as tragedies but,<br />

rather, as powerful teachers that promote<br />

transcendence. We give to life what life<br />

demands, and the disabilities often force<br />

clients to develop capacities that would<br />

otherwise lie latent. I love being able to<br />

participate in promoting growth, and when<br />

you love what you do, it is not work. I have<br />

often been amazed that they actually<br />

pay me to do it. To participate in and<br />

facilitate the personal growth of clients<br />

provides moments of grace that make our<br />

profession so worthwhile. I would love to<br />

be around for another 50 years, but the<br />

actuarial tables are against me.<br />

David Luterman, DEd, is professor emeritus at Emerson College<br />

and director of the Thayer Lindsley Family-Centered Program.


PROVIDING REMOTE HEARING HEALTH CARE<br />

BY DE WET SWANEPOEL


The need for audiological services globally far outweighs<br />

the current capacity to deliver these services. Tele-audiology,<br />

which may include the full scope of audiological practice,<br />

offers one way of addressing the disparity between the need<br />

and availability of hearing health services.


Tele-audiolog y: Providing Remote Hearing Health Care<br />

Advances in technology and connectivity<br />

are rapidly changing the<br />

way people live and interact. Health<br />

care is no exception with technologies<br />

revolutionizing the precision<br />

and accuracy of diagnostics and<br />

intervention options. But technology<br />

is not only improving health-care<br />

equipment and devices, it is changing<br />

the very way in which health<br />

services are offered. Using information<br />

and communication technology<br />

(ICT) in health care may improve<br />

access to health care, enhance service<br />

delivery quality, improve public<br />

health and primary care effectiveness,<br />

and address the global<br />

shortage of health professionals<br />

through training (Wootton et al,<br />

2009). One of the uses for information<br />

and communication technology<br />

is telehealth. A variety of terms has<br />

been used to refer to this field of<br />

study, including telemedicine, telecare,<br />

e-health, and so on.<br />

The term telehealth literally means health-care provision<br />

at a distance (Wootton et al, 2009). It encompasses the<br />

full range of health care including screening, diagnosis,<br />

intervention, management, and education of personnel,<br />

patients, and the general population. Services may be provided<br />

in real time through a synchronous model whereby<br />

a live assessment is done with a video link, for example.<br />

Asynchronous services are not provided in real time but<br />

may, as an example, include e-mailing results to a professional<br />

for interpretation. Telehealth service-delivery<br />

models may well incorporate synchronous and asynchronous<br />

aspects, referred to as a “hybrid” model, depending<br />

on the nature of the services required and resources<br />

available (Krumm, 2007).<br />

<br />

Tele-audiology is the utilization of telehealth to provide<br />

audiological services and may include the full scope of<br />

audiological practice. A recent systematic review of teleaudiology<br />

reports have indicated that limited numbers of<br />

studies have been conducted in this field, but those that<br />

are available span audiological services, including screening,<br />

diagnosis, and intervention (Swanepoel and Hall,<br />

forthcoming). Screening applications have included otoacoustic<br />

emissions (OAE), automated auditory brainstem<br />

response (ABR), pure-tone audiometry, and speech-innoise<br />

in a range of populations including infants, children,<br />

and adults using synchronous, asynchronous, and hybrid<br />

models. Reports on diagnostic procedures through<br />

telehealth include video-otoscopy, pure-tone audiometry,<br />

hearing-in-noise testing, ABR, intraoperative monitoring,<br />

and balance evaluation. Intervention services through<br />

telehealth have included reports of hearing aid fitting<br />

and verification, cochlear implant programming, tinnitus<br />

therapy, and hearing aid counseling (Swanepoel and Hall,<br />

forthcoming). Despite the promising findings of initial


Tele-audiolog y: Providing Remote Hearing Health Care<br />

reports, there is a dearth of research reports on audiological<br />

practice and education facilitated through telehealth.<br />

Much work remains to be done to develop and validate<br />

the relatively new field of tele-audiology, but the impetus<br />

is increasingly apparent.<br />

<br />

The need for audiological services globally far outweighs<br />

the current capacity to deliver these services (Swanepoel,<br />

Clark, et al, forthcoming). Globally almost 10 percent of<br />

the world population is estimated to have a mild or greater<br />

degree of hearing loss (World Health Organization [WHO],<br />

2006). One in every four adults globally over the age of 45<br />

has a hearing loss, with 27 percent of men and 24 percent<br />

of women in this age group estimated to be affected<br />

(Lopez et al, 2006; WHO, 2008). It is not surprising that it<br />

is ranked as the most prevalent chronic disability globally,<br />

and with increasing global life expectancy, its prevalence<br />

is expected to increase significantly (WHO, 2008).<br />

In the face of the overwhelming prevalence and<br />

burden of hearing loss on a global scale, there is a severe<br />

paucity of hearing health-care professionals to provide<br />

the necessary services. Surveys indicate that in developing<br />

countries the ratio of audiologists to the general<br />

population varies from 1 to 500,000 to as high as 1 to<br />

6.25 million (Goulios and Patuzzi, 2008; Fagan and Jacobs,<br />

2009). In the continent of Africa, with more than 48 countries,<br />

professional tertiary qualifications in audiology are<br />

only available in two countries. It is not only in developing<br />

countries that there is a dearth of hearing health-care<br />

services, however. A recent report indicated that the<br />

estimated number of audiograms required in the United<br />

States with the capacity of current professionals in the<br />

field showed an annual shortfall of 8 million audiograms,<br />

estimated to increase to 15 million by 2050 (Margolis and<br />

Morgan, 2008). Apart from the mismatch between the<br />

need for, and capacity to deliver, services, the availability<br />

of professionals is often unequally distributed. In the<br />

United States, for example, underserved areas may be in<br />

inner cities or rural communities spread across vast geographical<br />

areas (e.g., Alaska) where professionals are not<br />

available to deliver on-site hearing health care.<br />

Globally it is clear that the demand for audiological<br />

services is extensive and the capacity to deliver these services<br />

limited. Tele-audiology offers one way of addressing<br />

this disparity between need and availability of hearing<br />

health services. The ability to evaluate patients remotely<br />

can increase health-care efficiency but also enables populations<br />

to be reached that may have been unable to access<br />

services previously. Integration of automated testing<br />

for use with asynchronous tele-audiology may further<br />

optimize resources by allowing audiologists to interpret<br />

results remotely while reserving more time-intensive<br />

synchronous testing for complex cases. The possibilities<br />

seem limitless, and the growth in connectivity, especially<br />

through cellular networks, is making access in<br />

remote areas such as central Africa a reality (Swanepoel,<br />

Olusanya, et al, forthcoming).<br />

<br />

<br />

A recent study reported the first systematic validation of<br />

intercontinental pure-tone audiometry using a synchronous<br />

telehealth configuration (Swanepoel, Koekemoer,<br />

et al, forthcoming). The audiologist conducting the<br />

assessment was in Dallas, Texas, and the subjects being<br />

tested were in Pretoria, South Africa. At the patient site,<br />

a facilitator established connectivity, ensuring that the<br />

audiometer, which is PC-based, was operational and that<br />

the earphones were placed correctly ().


Tele-audiolog y: Providing Remote Hearing Health Care<br />

A 3G cellular network Internet connection was used at<br />

the remote site with a netbook running the audiometer<br />

the computer in Pretoria to facilitate remote testing. The<br />

audiologist conducting the test could see the subject and<br />

Initial findings demonstrate that remote<br />

audiometry across continents is feasible and<br />

equivalent to conventional audiometry.<br />

software (). The computers at both sites were<br />

configured with interactive video software, and remote<br />

computing was performed through application sharing<br />

software whereby the audiologist in Dallas controlled<br />

<br />

<br />

<br />

<br />

<br />

gave instructions before commencing pure-tone air-<br />

conduction audiometry ().<br />

Thirty subjects were evaluated remotely and with<br />

a conventional face-to-face setup. The tele-audiology<br />

thresholds corresponded within 5 dB or less of conventional<br />

audiometry thresholds in 96 percent of the 420<br />

comparisons. The threshold correspondence was even<br />

better when compared in cases of hearing loss. The patient<br />

response times were also very similar with a range of 503–<br />

676 msec poststimulus response time for conventional<br />

audiometry and 481–732 msec for remote audiometry. In<br />

terms of time efficiency, the remote testing on average<br />

required a 20 percent longer test duration to complete both<br />

ears and is probably attributable to the slight transmission<br />

delay in the connection (Swanepoel, Koekemoer, et<br />

al, forthcoming). Further investigations using air and bone<br />

conduction are still required, but initial findings demonstrate<br />

that remote audiometry across continents is feasible<br />

and equivalent to conventional audiometry.<br />

<br />

In a certain respect, the mainstay of audiology, pure-tone<br />

audiometry, has always been conducted at a distance.<br />

The patient is seated inside the sound booth while the<br />

audiologist is outside. With tele-audiology, the distance<br />

separating clinician from patient is just increased, and<br />

in some cases they are on opposite sides of the globe.<br />

Conducting services at these distances may require some<br />

adaptation to conventional equipment features. Teleaudiology<br />

assessments or interventions require PC-based<br />

equipment. Objective test procedures like OAE and ABR<br />

may therefore be more easily suited to tele-audiology<br />

since they are software operated from a PC interface.<br />

Remote audiometry therefore ideally requires a<br />

PC-based audiometer. Employing innovative features<br />

can make such an audiometer uniquely telehealth<br />

compliant. The audiometer used in the intercontinental


Tele-audiolog y: Providing Remote Hearing Health Care<br />

<br />

<br />

<br />

<br />

<br />

audiometry study (Figure 1), for example, employs<br />

several novel features that make it especially suited<br />

to remote testing (Swanepoel, Koekemoer, et al, forthcoming).<br />

For quality control purposes, it includes a<br />

microphone on the outside cup of the circumaural<br />

earphone to monitor the environmental noise levels. An<br />

additional microphone on the inside of the earphone<br />

provides a measure of the attenuation of the environmental<br />

noise. This is particularly useful in underserved<br />

areas, where sound booths may be unavailable, and<br />

provides a way of ensuring that the environmental<br />

noise is acceptably low. Additional attenuation is furthermore<br />

provided by using insert earphones covered<br />

by circumaural earphones (Figure 1). Software features<br />

include visual feedback on patient responses; a<br />

green marking on the audiogram means the patient<br />

responded within 1.5 msec after stimulus presentation<br />

while a yellow marking indicates no response within<br />

that time frame (Figure 3). These features provide a<br />

means of quality control and active feedback from the<br />

patient site to bridge the limitations of not being present<br />

on-site with the patient. Similar features may easily be


Tele-audiolog y: Providing Remote Hearing Health Care<br />

employed in other audiological devices for screening,<br />

diagnostic, and intervention purposes.<br />

PC-based audiometry offers a further advantage in<br />

underserved areas with the inclusion of an automated<br />

test paradigm. In a region like Africa where there are very<br />

few audiologists and an overwhelming need for services,<br />

automation can be integrated with an asynchronous<br />

tele-audiology configuration (Swanepoel, Olusanya, et<br />

al, forthcoming). Automated pure-tone audiometry may<br />

be supervised by a facilitator and the results interpreted<br />

by remote audiologists, for example. A recent report<br />

evaluated the effectiveness of automated pure-tone<br />

air-conduction audiometry using a telehealth-compliant<br />

PC-based audiometer (Swanepoel, Mngemane, et al,<br />

forthcoming). Findings demonstrate close correspondence<br />

between manual and automated thresholds, especially in<br />

hearing-impaired subjects where 98 percent of thresholds<br />

corresponded within 5 dB or less of each other. A combination<br />

of asynchronous and synchronous tele-audiology<br />

services must be designed according to the specific needs<br />

of each context. These services are in the very early<br />

stages, however, and pilot studies are required to validate<br />

models of service delivery while providing evidence-based<br />

guidelines.<br />

<br />

Advances in technology and connectivity make tele-<br />

audiology a very real service-delivery option for audiologists.<br />

The advantages include increasing the reach and<br />

capacity of audiological services, distributing services<br />

more equally across regions and into remote or underserved<br />

areas, and conducting humanitarian outreaches<br />

that are sustainable and cost-effective across continents.<br />

Remote audiological services, which can cross state and<br />

national borders, however, also pose a unique set of<br />

questions related to licensure, jurisdictional responsibility,<br />

certification, reimbursement, and quality control<br />

(Swanepoel, Clark, et al, forthcoming). Professional<br />

organizations provide basic guidelines and benchmarks<br />

for tele-audiology but should be expanded to also consider<br />

cross-country service delivery (American Speech-<br />

Language-Hearing Association [ASHA] Working Group<br />

on Telepractice, 2005; American Academy of Audiology<br />

[AAA], 2008). A recently formed nonprofit organization,<br />

the Tele-Audiology Network (www.teleaudiology.org), was<br />

set up with the aim of providing audiologists around the<br />

world the opportunity to volunteer their professional<br />

services through tele-audiology applications to remote<br />

clinics in developing countries (Swanepoel, Clark, et al,<br />

forthcoming).<br />

Nonetheless, the application of telehealth to hearing<br />

health care is an emerging field with a broad scope of exciting<br />

application possibilities including training/education,<br />

screening, diagnosis, and intervention. As audiologists it<br />

is necessary to actively direct and monitor the development<br />

of tele-audiology, rethinking existing service-delivery<br />

models and embracing the potential benefits that improved<br />

connectivity and technology may afford to provide quality<br />

services to as many people, in as many places, as possible.<br />

De Wet Swanepoel, PhD, is associate professor in the<br />

Department of Communication Pathology, University of<br />

Pretoria, South Africa, and adjunct professor in the Callier<br />

Center for Communication Disorders, School of Behavioral and<br />

Brain Sciences, University of Texas at Dallas.<br />

References


Tele-audiolog y: Providing Remote Hearing Health Care<br />

<br />

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<br />

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<br />

<br />

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<br />

<br />

<br />

<br />

<br />

<br />

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<br />

<br />

<br />

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<br />

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<br />

<br />

Also of Interest


Neither academic<br />

programs nor industry<br />

are bound by the same<br />

ethical framework<br />

as members of a<br />

professional organization.<br />

The purpose of this<br />

document is to propose<br />

guidelines that could be<br />

voluntarily adopted by<br />

academic programs and<br />

industry. This article<br />

is an opinion editorial<br />

developed by the<br />

authors listed and has<br />

not been endorsed by<br />

any organization.


Guiding<br />

Interaction<br />

FOR THE<br />

BETWEEN<br />

Programs<br />

Industry<br />

AND<br />

BY IAN M. WINDMILL, BARRY A. FREEMAN, JAMES JERGER,<br />

AND JACK M. SCOTT<br />

IN<br />

It is imperative that both audiology programs and industry work together to identify<br />

and manage potential conflicts of interest to ensure that the relationship remains both<br />

successful and ethical, and thereby assures that the welfare of the consumer (including<br />

students and clinical patients) is paramount in their interactions.


Guiding Principles for the Interaction Between Academic Programs in Audiology and Industry<br />

he American Association of Medical<br />

Colleges (AAMC, 2008) recently<br />

published a report titled Industry<br />

Funding of Medical Education. The AAMC<br />

recognized the necessity of an<br />

effective relationship between<br />

medical schools and industry, and<br />

produced a set of guidelines that<br />

could be used by member schools<br />

to reduce potential conflicts of<br />

interest and to establish rules<br />

that define appropriate interaction<br />

with industry. The report of the AAMC focuses on issues<br />

between clinical faculty and pharmaceutical companies<br />

but also includes sections on relationships with manufacturers<br />

of medical devices.<br />

Members of professional organizations are subject<br />

to codes of ethics and ethical practice guidelines. While<br />

individual faculty or employees of industry may be members<br />

of a professional organization, and therefore subject<br />

to these codes of ethics, neither academic programs nor<br />

industry are “members,” and thus are not similarly bound<br />

to the same ethical framework. Therefore, academic<br />

programs and industry must voluntarily adopt guidelines<br />

that assure appropriate interaction. In addition, those<br />

guidelines should assure that those individual faculty or<br />

employees of industry who are members of professional<br />

organizations are not placed in positions whereby their<br />

individual ethical standing is compromised.<br />

The AAMC report served as a template for the development<br />

of these guidelines for the relationship between<br />

academic programs in audiology and industry. More<br />

importantly, these guidelines were developed with input<br />

and consensus of individuals from both academia and<br />

industry. The purpose of these guidelines is to provide a<br />

framework by which academic programs and industry can<br />

continue to work together to advance the diagnosis and<br />

treatment of hearing and balance disorders, to provide<br />

educational support for future generations of audiologists,<br />

and to assure public confidence in the relationship.<br />

<br />

Over the past 20 years, the relationship between universities<br />

and various forms of commercial enterprises has<br />

grown substantially. While there are the more obvious<br />

partnerships for sponsorship of football stadiums and<br />

basketball arenas, there are many more partnerships<br />

that have evolved as the direct result of partnering with<br />

industry for teaching and research endeavors. In fact,<br />

universities are actively engaging business ventures and<br />

partnerships both for expanded funding and for increasing<br />

academic standing.<br />

Therefore, it is not surprising that partnerships have<br />

also evolved between academic programs in audiology and<br />

industry. Many of the product development advancements<br />

and clinical enhancements realized over the past 40 years<br />

would not have been possible without a close working relationship<br />

between industry and universities. The emphasis<br />

on development of evidence-based clinical practice and<br />

research necessarily encompasses a relationship between<br />

engineers, scientists, clinicians, and consumers. Those<br />

industries that serve the hearing and balance areas are recognized<br />

leaders in the development of both new techniques<br />

and technologies and partner with universities in product<br />

development and validation. Restrictions on these relationships<br />

can seriously hamper technological advancements.<br />

In addition, industry often provides economic and<br />

other resources for training programs and research<br />

within audiology programs. In a broad sense, this partnership<br />

is fundamentally necessary to ensure continued<br />

advances in the prevention, diagnosis, and treatment of<br />

hearing and balance disorders. Examples of some of the<br />

health benefits derived from the close working relationships<br />

between academe and industry include advances in<br />

amplification, cochlear implants, and electrophysiologic<br />

test procedures.<br />

<br />

Audiology programs have increasingly sought industry<br />

support for many aspects of their core educational<br />

missions. While support is most commonly sought for<br />

research activities, financial or in-kind support has also<br />

been sought for student scholarships, learning labs, guest<br />

lectures, teaching equipment (e.g., computers, projectors,<br />

software, etc.), clinical equipment (e.g., audiometers,<br />

verification systems, etc.), furniture, and even bricks and<br />

mortar. This relationship, though common, must be conducted<br />

in such a manner as to assure the objectivity and<br />

integrity of academic teaching, learning, and practice.<br />

Both audiology programs and industry require public<br />

confidence and trust to be successful and, therefore,<br />

must be mindful to avoid those activities that may create<br />

an apparent conflict of interest. In addition, industry<br />

and university relationships should be transparent to<br />

students. The university must present an ethical model<br />

that can serve as a model for students who will graduate<br />

and may have similar relationships with industry<br />

in their careers. As there are fundamental differences<br />

between academic programs and commercial enterprises<br />

in terms of both missions and financial obligations, it is


Guiding Principles for the Interaction Between Academic Programs in Audiology and Industry<br />

possible that potential conflicts of interest could arise in<br />

the course of their interactions. It is imperative that both<br />

audiology programs and industry work together to identify<br />

and manage these potential conflicts to ensure that<br />

the relationship remains both successful and ethical, and<br />

thereby assures that the welfare of the consumer (including<br />

students and clinical patients) is paramount in their<br />

interactions.<br />

While the relationship between pharmaceutical<br />

companies and physicians has received much attention<br />

over the past several years, practitioner relationships<br />

with other sectors of industry, including medical device<br />

manufacturers, also have the potential for conflict of<br />

interest. While pharmaceuticals and medical devices<br />

are fundamentally different, there is a risk of inappropriate<br />

influence on students and patients if guidelines are<br />

not developed to assure a fair and balanced approach to<br />

education. Clinical and academic content decisions must<br />

be made by university faculty based on student education<br />

and clinical training needs rather than on the relationship<br />

with the commercial enterprise. Universities must avoid<br />

a perception of motivation for financial gain rather than<br />

objective, patient-centered practice and clinical education.<br />

<br />

The relationship between academic programs and<br />

industry is more complex than that between private<br />

practitioners and industry. There are four areas in which<br />

potential conflicts of interest may arise for academic<br />

programs in their interactions with industry: (1) with<br />

academic and clinical faculty; (2) with students; (3) with<br />

the clinics associated with the program; and (4) with the<br />

program itself.<br />

<br />

The relationship between individual faculty and industry<br />

is perhaps the most obvious and common relationship.<br />

Faculty often relies on industry to provide funding for<br />

research activities and publications, a practice that has<br />

occurred for decades. These opportunities for faculty<br />

often lead to advancements in the university, including<br />

promotion and tenure. Conversely, industry relies on<br />

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Guiding Principles for the Interaction Between Academic Programs in Audiology and Industry<br />

faculty to conduct independent research, often with an<br />

eye toward verification of findings or development of new<br />

strategies that may benefit the commercial enterprises<br />

of the company. In this regard, faculty and industry must<br />

strive to manage these relationships to ensure the integrity<br />

of the results of such ventures.<br />

Beyond the obvious relationship of funding for<br />

research, faculty can have other relationships with industry.<br />

These include being an invited speaker for continuing<br />

education courses, providing consultation with industry,<br />

or being an instructor on recently developed technologies.<br />

In each of these cases, the opportunities for conflicts of<br />

interest arise as they can with the other more historically<br />

commonplace practices. Whether it be accepting royalties<br />

from a textbook that then becomes a required text in<br />

a course taught by the author, or accepting desk copies<br />

of textbooks considered for adoption for classes, these<br />

activities all present a potential conflict of interest.<br />

<br />

Paradoxically, the impressionable nature of students<br />

would appear to make them most vulnerable to conflicts<br />

of interest from industry, yet they are not, for the<br />

most part, in any position to exercise decisions regarding<br />

industry. Students could be influenced by gifts, trips,<br />

scholarships, and other benefits from industry, but as<br />

they are unlicensed and hold no decision-making roles<br />

within academic programs or clinics, they are perhaps<br />

not in a position to be conflicted, but they certainly may<br />

be impressionable. However, the potential does exist that<br />

relationships established prior to graduation may carry<br />

over to practice after graduation. Therefore, university<br />

programs and preceptors have a responsibility to discuss<br />

ethical guidelines and to model best practices to students,<br />

to assure that students understand the potential impact of<br />

relationships that could be established prior to graduation.<br />

<br />

The one area that would seem most likely to give rise<br />

to conflicts is the patient care activities associated with<br />

academic programs. While academic programs may operate<br />

a teaching clinic as part of their training program, and<br />

clinical faculty may provide services in those clinics, it is<br />

most often the case that neither the clinic nor the faculty<br />

operates as a traditional for-profit business. That is, the purpose<br />

of the clinic is not to maximize profits, but rather, to<br />

provide a consistent and controlled teaching environment<br />

for students. Similarly, faculty compensation is generally<br />

not tied to the profitability of the clinic and therefore<br />

would be less likely to be influenced by industry or other<br />

external forces. However, exceptions do exist, such as faculty<br />

practices. These issues will, however, likely pertain to<br />

clinical environments external to the university as well as<br />

to preceptors within those environments. As it is possible<br />

that students may rotate through these clinical environments,<br />

preceptors should be advised of their responsibility<br />

to model best ethical practices for the students.<br />

<br />

Universities, in general, and academic programs specifically,<br />

establish relationships with industry, often with an<br />

eye toward funding basic teaching endeavors. Academic<br />

programs will solicit donations from industry to fund<br />

faculty salaries, continuing education programs, classroom<br />

technology, scholarship programs, or teaching<br />

laboratories. Industry often provides funding or in-kind<br />

gifts in this regard. The question is whether these gifts<br />

could influence a program in a way that might influence<br />

patient care activities or students. The obvious concern<br />

to academic programs in audiology is that the program<br />

may exert influence on the clinical entities of the program<br />

to make patient care decisions based on these gifts.<br />

For example, a gift from a hearing instrument manufacturer<br />

for classroom technology may result in patients<br />

being counseled toward that particular device or students<br />

gravitating toward those manufacturers and their<br />

products, rather than other devices that may be available,<br />

after graduation.<br />

<br />

<br />

Audiology programs and industry share the goal of<br />

educating students to provide quality hearing and balance<br />

care to patients, as well as advancing knowledge in<br />

auditory and vestibular sciences. The basic principles that<br />

should guide decisions regarding interactions between<br />

academic programs in audiology and industry include:<br />

• The interaction should serve the interests and legitimate<br />

missions of both the academic program and industry.<br />

• From the academic program’s perspective, the interactions<br />

must serve legitimate educational or research<br />

purposes.<br />

• Any interactions should serve to enhance the hearing<br />

or balance health of the public.<br />

• All interactions should be disclosed and transparent.


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Guiding Principles for the Interaction Between Academic Programs in Audiology and Industry<br />

• The interactions should involve open communication<br />

between knowledgeable parties.<br />

• The interactions should support and enable the free<br />

exchange of information in appropriate settings in a<br />

manner consistent with professional behaviors.<br />

• Interactions should not involve any quid pro quo<br />

between the program and industry beyond that consistent<br />

with fair market value of products used by the<br />

academic program and/or clinic and associated services.<br />

<br />

<br />

• Audiology programs should adopt and implement guidelines<br />

that address specific interactions between faculty,<br />

students, clinical sites, and industry. These guidelines<br />

should be designed to assure that a principled relationship<br />

occurs that promotes the educational mission of<br />

programs, enhances the experiences of students, and<br />

advances knowledge of hearing and balance disorders.<br />

• Guidelines should be applied with fairness and consistency,<br />

keeping in mind that relationships evolve over<br />

time. Guidelines should govern all interactions with<br />

any sector of industry and should not discriminate<br />

based on the size of the company, the financial opportunities<br />

involved, or personal relationships.<br />

• “Industry” includes all vendors and/or prospective<br />

vendors including manufacturers of diagnostic equipment<br />

or treatment technologies, classroom or learning<br />

technologies, publishing companies, or other such<br />

industries that are related to student education, clinical<br />

services, or research.<br />

• Guidelines should adhere to the rules and regulations<br />

of the institution of the academic program.<br />

<br />

<br />

• Compensation for services, including reimbursement<br />

for expenses, honoraria, or serving in an advisory<br />

capacity, should be at fair market value and commensurate<br />

with the participation of the faculty or program.<br />

• Industry must recognize their obligation to permit<br />

university programs and faculty to make independent<br />

decisions regarding industry products.<br />

• There is a recognized and necessary interaction<br />

between manufacturers and practitioners (which<br />

includes university faculty), including<br />

<br />

<br />

<br />

The collaborative processes in the innovative and<br />

creative development of devices;<br />

The training, instruction, education, services, and<br />

technical support provided to practitioners to<br />

assure the safe and effective use of products; and<br />

The needed support for research and education<br />

provided to develop technologies that better serve<br />

the public.<br />

<br />

<br />

<br />

There is a growing body of evidence from the social sciences<br />

that gifts of any value may affect the objectivity of clinical<br />

decision making. One-on-one gifting relationships of all<br />

kinds engender feelings of reciprocity that can unwittingly<br />

bias decision making, by recipients in favor of donors’ interests.<br />

These concerns are particularly targeted at clinical<br />

decision making whereby the objectivity of the audiologist<br />

in patient care activities could be called into question.<br />

The clinical arm of audiology programs is not immune<br />

to the potential of bias in clinical decision making.<br />

However, many academic audiology clinics are often operated<br />

in a manner that is atypical of for-profit clinics and<br />

often rely on a variety of resources to maintain their operations,<br />

including direct state funding, grants, in-kind gifts,<br />

donations of equipment, and direct or indirect financial<br />

gifts. Important in this regard is to separate “gifts” that<br />

are provided for legitimate educational purposes versus<br />

gifts that potentially induce bias, particularly if the gift<br />

is directed at an individual (e.g., clinical audiologists) as<br />

opposed to the academic program as a whole. Individuals<br />

who provide clinical service, even within this environment,<br />

must maintain objectivity in clinical decision making and<br />

in regard to the preparation of future clinicians.<br />

<br />

• Audiology programs should establish and implement<br />

guidelines on the type and extent of gifts that may be<br />

accepted by faculty from industry. These guidelines


Guiding Principles for the Interaction Between Academic Programs in Audiology and Industry<br />

should include a definition of what constitutes a gift<br />

(e.g., dinner with industry representatives, anatomical<br />

models, textbooks, travel grants, etc.), as well as any<br />

value limits on those gifts.<br />

• Gifts provided to the academic program in general<br />

should serve a legitimate educational purpose. In this<br />

regard, such benefits may include, but not be limited<br />

to, enhancing the curriculum, expanding service<br />

delivery, developing research programs, improving<br />

infrastructure, or augmenting faculty development<br />

programs.<br />

• Any gift that establishes a quid pro quo should be<br />

prohibited.<br />

• All gifts should serve legitimate educational purposes.<br />

• Honoraria for services provided should not be considered<br />

gifts but should be equivalent to fair market<br />

values for compensation for the services or time<br />

rendered.<br />

<br />

Equipment and devices are used extensively in the<br />

provision of services to patients with hearing or balance<br />

disorders. Representatives of industry can play an<br />

important role in introducing new technologies as well as<br />

provide training and support on the proper use of devices<br />

by practitioners, and thus may have legitimate reasons<br />

to be present in the clinics or classrooms of academic<br />

programs in audiology. Frequently, their presence is<br />

essential when devices are initially used with patients.<br />

Also, industry representatives may participate in the educational<br />

mission of an academic program through direct<br />

or indirect instruction. Nonetheless, there is the potential<br />

that certain interactions with industry representatives<br />

can also compromise independence of decision making<br />

and professionalism.<br />

<br />

<br />

• Student interaction with industry representatives<br />

should be primarily for the purpose of education.<br />

• Industry representatives who are invited to observe or<br />

participate in interactions between patients and the<br />

faculty and staff of an audiology program clinic, or<br />

participate directly or indirectly in the instructional<br />

endeavors, should be identified by the program as<br />

consultants and not as part of the faculty. Industry<br />

representatives in patient care activities should be<br />

sanctioned by the program, and their presence should<br />

be fully disclosed and consented to by patients before<br />

the representatives are permitted to be present during<br />

patient care interactions.<br />

<br />

<br />

Industry is a common source of funding or speakers for<br />

continuing education activities associated with academic<br />

programs in audiology. The credibility of audiology<br />

programs requires that CE programs sponsored by the<br />

academic program be legitimate, academically oriented,<br />

and open to a variety of viewpoints.<br />

<br />

<br />

• Academic programs and industry should be able to<br />

sponsor and/or plan CE programs together. Programs<br />

that serve as marketing vehicles for industry should be<br />

identified as such.<br />

• Industry funding sources should be directly acknowledged<br />

in all announcements and literature about<br />

particular CE offerings, in the presentations and<br />

forums as required by CE agency standards, and in all<br />

publications about the programs.<br />

• Meals, travel, and lodging can be provided for participants<br />

so long as those items are consistent to the<br />

scope of the program and are offered without expectation<br />

of quid pro quo.<br />

• Access for industry representatives should be based<br />

on guidelines and procedures that are well considered,<br />

clearly interpreted, and consistently and fairly<br />

applied. Faculty, staff, and students of an audiology<br />

program, along with industry representatives must be<br />

made aware of and held accountable for abiding by the<br />

guidelines and procedures in this regard.<br />

• Academic programs offering CE programs should<br />

familiarize themselves with standards for continuing<br />

education and strive to assure programs with industry<br />

sponsorship or participation meet those standards.<br />

Approved continuing education credit should be<br />

offered when available. Programs not approved for CE<br />

credits should be identified as such.


Guiding Principles for the Interaction Between Academic Programs in Audiology and Industry<br />

<br />

<br />

Industry often takes the lead in the development of new<br />

technologies, expanded applications of existing technologies,<br />

or advances in the diagnosis and/or treatment<br />

of hearing and balance disorders. The dissemination of<br />

this information to the audiology community is critical<br />

to assuring appropriate understanding and use of these<br />

developments. As such, industry has a responsibility to<br />

provide educational programs to faculty whose role it is<br />

to teach the next generation of practitioners. Educational<br />

events in which information is transferred between<br />

industry and academic faculty and students, whether at<br />

the academic institution or at another location, serves to<br />

assure that advances in knowledge and technology are<br />

available in a timely manner. Thus, students have the<br />

opportunity to learn about the most contemporary developments<br />

in hearing and balance health care.<br />

Faculty are often called upon to participate in industrysponsored<br />

educational programs due to their expertise or<br />

experience. In fact, the credibility of these programs may<br />

be enhanced due to the reputations of the faculty speakers<br />

and their academic institutions. These programs may<br />

provide legitimate educational opportunities to those<br />

in attendance. However, faculty should be cautious in<br />

participating in industry-sponsored programs whose sole<br />

purpose is marketing, the enhancement of the reputation<br />

of the company, or for which a quid pro quo is expected.<br />

It is important to note that this caution does not extend<br />

to programs where faculty present to peers the results of<br />

industry-sponsored research provided there is the opportunity<br />

for critical review and discussion.<br />

Students can benefit from the expertise, clinical skills,<br />

and technology available from industry. To not allow students<br />

to attain these benefits is to deny the contributions<br />

of industry to auditory and vestibular science. However,<br />

students are also vulnerable and impressionable, so it is<br />

the responsibility of the faculty, academic programs, and<br />

industry to protect students from those situations that<br />

could potentially exploit their naïveté.<br />

<br />

<br />

• Audiology programs should develop guidelines that<br />

define appropriate and acceptable levels of involvement<br />

of faculty and students in industry-sponsored<br />

educational programs.<br />

<br />

<br />

appropriate use of faculty names and affiliations<br />

for use in industry-sponsored educational activities.<br />

Audiology programs should require full transparency<br />

and disclosure by their faculty with respect<br />

to their role in industry-sponsored educational<br />

programs.<br />

Audiology programs should develop guidelines<br />

with respect to faculty participation in speakers<br />

bureaus.<br />

• Academic programs should assist students in differentiating<br />

those industry-sponsored programs that serve<br />

a legitimate educational purpose from those that do<br />

not. Faculty should also provide insight and advice to<br />

students to assure they understand the purpose of their<br />

participation.<br />

• Audiology programs should require that payments<br />

to faculty for participation in industry-sponsored<br />

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Programs should develop guidelines regarding the


Guiding Principles for the Interaction Between Academic Programs in Audiology and Industry<br />

educational activities be only at fair market value and<br />

consistent with models of compensation for the services<br />

or time provided.<br />

teaching material, etc.) when the faculty member,<br />

program, or student is providing a legitimate service for<br />

which the expenses are necessary should be permitted.<br />

• Meals, travel, lodging, and other trip-related expenses<br />

should be at levels that are commensurate with the participation<br />

of the faculty in the programs.<br />

<br />

<br />

Industry has historically been a source of financial support<br />

for students, most commonly in the form of scholarships<br />

or assistantships associated with research endeavors.<br />

University programs and preceptors have a responsibility to<br />

discuss ethical issues with respect to this financial support<br />

to assure that the support is offered without strings<br />

attached and serves a legitimate academic purpose.<br />

<br />

<br />

<br />

• Industry should be free to offer financial or in-kind support<br />

to academic programs for research funding, student<br />

scholarships, or educational funding.<br />

• To ensure transparency, such services should be rendered<br />

in accordance with terms specified in professional<br />

services agreements, which may include compensation<br />

for services that are customary and reasonable in academic<br />

practice.<br />

<br />

Ghostwriting is defined as the provision of written material<br />

that is officially credited to someone other than the<br />

writer(s) of the material. Transparent writing collaboration<br />

with attribution between faculty and persons in industry<br />

is not considered to be ghostwriting, provided each author<br />

legitimately contributes to the endeavor.<br />

<br />

• Academic programs in audiology should not permit their<br />

faculty or students to allow their presentations or publications<br />

to be written by others. Faculty and students<br />

should not receive credit for work to which they did not<br />

substantially contribute.<br />

• All scholarships or other educational funds from<br />

industry should either be given directly to the audiology<br />

program or, if given directly to the student, clearly identified<br />

as a scholarship or assistantship to support their<br />

academic training.<br />

• Universities that allow students to accept any assistantship,<br />

scholarship, or educational fund must assure that<br />

there are no expectations of a quid pro quo. Any funding<br />

that establishes a quid pro quo should be prohibited.<br />

<br />

Expenses associated with CE programs, teaching activities,<br />

or research endeavors may accrue to faculty, students, or<br />

the program in audiology in general. While these may be<br />

covered in a professional services agreement with a specific<br />

company, many times they can occur with no more than a<br />

verbal understanding between industry and the faculty or<br />

academic programs.<br />

<br />

• Reimbursement of expenses associated with travel<br />

or the provision of services (e.g., copying expenses,<br />

• Industry should not permit their employees to receive<br />

credit for work to which they did not substantially<br />

contribute.<br />

<br />

Purchasing decisions made by audiology programs may<br />

present major challenges in efforts to prevent the intrusion<br />

of financial self-interest and inappropriate bias. In the case of<br />

the purchase of devices and equipment, those with experience<br />

and information relevant to purchasing decisions may<br />

have financial or other ties to the manufacturer or provider.<br />

<br />

• At a minimum, audiology programs should ensure that<br />

each participant in the purchasing process discloses all<br />

potential conflicts of interest.<br />

• To the extent an individual’s expertise is necessary in<br />

evaluating any product, that individual’s financial ties to<br />

any manufacturer of that or any related product should<br />

be disclosed to those charged with the responsibility for<br />

making the decision.


Guiding Principles for the Interaction Between Academic Programs in Audiology and Industry<br />

<br />

<br />

There is value in permitting audiology faculty to interact<br />

with industry, including faculty participation on industry<br />

boards of directors and scientific advisory boards as well as<br />

through professional services agreements and consulting<br />

contracts, provided such activities are conducted with full<br />

disclosure and in compliance with the rules and regulations<br />

of the parent institution.<br />

<br />

<br />

• Faculty should provide full disclosure of participation<br />

on boards of directors or advisory boards of industry, or<br />

consulting services for industry.<br />

• Compensation for these activities should reflect the fair<br />

market value of the services provided.<br />

Acknowledgments. This document began with a discussion by the<br />

faculty at the Starkey Student Summer program (2008) in response<br />

to the AAMC’s report, Industry Funding of Medical Education. That<br />

publication served as the starting point for a discussion regarding the<br />

complex yet symbiotic relationship between industry and academic<br />

programs in audiology, and with respect to evolving ethical standards<br />

that impact such relationships. The authors would like to thank the<br />

following individuals who contributed to the thought process and<br />

stimulated the writing of this document: Patricia Dabrowski, AuD;<br />

David Berkey, PhD; Jason Galster, PhD; Brandon Sawalich; Paul<br />

Pessis, AuD; Jerry Northern, PhD; and Jerry Yanz, PhD.<br />

Reference<br />

<br />

<br />

<br />

<br />

Ian M. Windmill, PhD, is chief of the Division of Communicative<br />

Sciences at the University of Mississippi Medical Center. Barry<br />

A. Freeman, PhD, is senior director of education and training<br />

for Starkey Laboratories. James Jerger, PhD, is a distinguished<br />

scholar-in-residence at the University of Texas at Dallas. Jack M.<br />

Scott, PhD, is an assistant professor and clinical supervisor in the<br />

School of Communication Sciences and Disorders at the University<br />

of Western Ontario.<br />

Also of Interest<br />

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PUSH<br />

the<br />

PAC.<br />

Stop by the<br />

Advocacy Booth at<br />

AudiologyNOW! ® 2010<br />

or contribute online.<br />

Visit www.audiology.org,<br />

search key words<br />

“PUSH the PAC.”


Audiologists can learn to externalize<br />

and personify a patient’s hearing loss<br />

without practicing psychotherapy. This<br />

approach causes the practitioner to<br />

focus on the human side of hearing loss<br />

and treat the person, not the disorder.<br />

Emphasizing that hearing loss affects<br />

a person but is not part of that person<br />

helps to reduce the patient’s shame for<br />

being hearing impaired.


Externalizing and Personifying Hearing Loss: A Psychological Tool for Audiologists<br />

Howard” was a 67-year-old man with a progressive<br />

severe-to-profound hearing loss, beginning approximately<br />

10 years prior. He came, in his words, “to get my wife off<br />

my back.” A familiar refrain.<br />

“What’s your wife on your back about” I asked.<br />

“Oh, she wants me to get hearing aids.”<br />

I knew where this was going, and I suspected Howard<br />

did as well. Sure enough, he complained that “Betty”<br />

yells at him to turn down the TV volume, to stop asking<br />

“What” all the time, to stop being so irritable, and to get<br />

therapy.<br />

“It sounds like a battle between you and your wife,” I said.<br />

“I hear fine,” Howard protested. “It’s really her problem.<br />

She often mumbles and speaks to me with her back<br />

turned.”<br />

This wasn’t going to work. And if I suggested too<br />

quickly that Betty was absolutely right—that getting evaluated<br />

for hearing aids would be a good idea—he would<br />

politely, or not so politely, thank me for my time and give<br />

me a version of “Don’t call me, I’ll call you.”<br />

A new approach: I assured Howard that I wouldn’t try<br />

to badger him to get hearing aids, and instead I asked him<br />

if he thinks he’s affected by hearing loss.<br />

“Yeah, sure, I have hearing loss, but who doesn’t have it<br />

at my age”<br />

“Not many people,” I replied. “But it sounds like it has<br />

you, not that you have it.”<br />

“Huh”<br />

“Bear with me, would you Imagine, please, that the<br />

hearing loss is sitting in the empty seat in front of you. It’s<br />

so smart that it can even sit! What does it look like How<br />

big is it What color What’s it wearing Is it friendly or<br />

mean What’s its name”<br />

Howard didn’t expect these rather strange questions,<br />

and I’m sure he became dubious of my mental stability at<br />

this point. Nevertheless, with a fair amount of prodding,<br />

he accommodated my line of questioning. “It’s dark and<br />

heavy, real strong, over six feet tall, has bulging muscles,<br />

and is wearing an Army uniform. And it’s mean, real<br />

mean. His name is ‘Joker.’” Howard let out a smile.<br />

In this manner, I personified Howard’s hearing loss<br />

and externalized it as separate from him.<br />

I then asked him to switch seats and to role-play the<br />

hearing loss. By this time, he was enjoying this “unorthodox<br />

approach,” as he now put it, and was in a more playful,<br />

imaginative mood. He flexed his muscles, scowled, and<br />

made mean, intimidating faces. It would have made the<br />

Joker proud. In turn, I role-played an investigative reporter<br />

whose task was to ask the hearing loss about all the ways<br />

that it had succeeded in disrupting Howard’s life:<br />

• Its influence in the different areas of the Howard’s life<br />

(e.g., its effects on his relationships with others, its<br />

impact on his feelings, its interference in his thoughts,<br />

its effects on Howard’s story about who he is a person,<br />

and so on);<br />

• The strategies, the techniques, the deceits, and the<br />

tricks that the hearing loss has resorted to in its<br />

efforts to get the upper hand in Howard’s life;<br />

• The special qualities possessed by the hearing loss<br />

that it depends on to undermine Howard’s knowledge<br />

and skills, including an inquiry into the powerful<br />

ways that the hearing loss imposes its authority on<br />

his life; and<br />

• The plans that the hearing loss has ready to put into<br />

action should its dominance be threatened.<br />

Initially, Howard responded to my question with the<br />

familiar phrase, “my hearing loss,” and I immediately<br />

countered, “The hearing loss clearly affects you but isn’t<br />

you.” That refrain would become important in our work.<br />

The hearing loss is a condition that influences him but is<br />

separate from him. An important tenet: The person is not<br />

the problem; the problem is the problem.<br />

Howard responded: “You wanna know how the hearing<br />

loss has succeeding in disrupting my life It turns my wife<br />

into a nag, shuts me out from family gatherings, makes<br />

me feel lousy and depressed and angry and makes the<br />

title of the story of my life ‘Howard Is a Loser.’ I don’t know<br />

how the hearing loss gets the upper hand, as you say.<br />

Maybe one of the hearing loss’s strategies or tricks is that<br />

it makes me think that people are mumbling, not talking<br />

loud enough, purposely trying to make my life difficult, or<br />

don’t care about me.<br />

“The hearing loss is very smart and real tricky. I can’t<br />

put my finger on him. Like sometimes I can understand<br />

people, and other times I can’t. It’s random. So sometimes<br />

I don’t think I have a hearing loss, and others doubt me<br />

as well. The hearing loss wants control of me, probably<br />

because it has nothing better to do or wants to feel more<br />

powerful. He screws up my relationships so even my<br />

wife makes me come here to play this stupid game—no<br />

offense, doc.” He gave a half smile.<br />

“No offense taken,” I smiled back.<br />

It was time to switch gears. I then asked him to continue<br />

role-playing the hearing loss, but at this juncture, I<br />

would begin to investigate how the hearing loss had failed<br />

to disrupt Howard’s life:


Externalizing and Personifying Hearing Loss: A Psychological Tool for Audiologists<br />

• The aspects of Howard’s life that Howard still controls,<br />

despite the hearing loss’s influences;<br />

• The countertechniques, counterstrategies, and tricks<br />

that Howard has developed that have at times been<br />

effective in preventing the hearing loss from getting<br />

the upper hand and imposing its authority;<br />

• The special qualities, knowledge, skills, and “self-talk”<br />

that Howard uses that have proven difficult for the<br />

hearing loss to undermine and disqualify;<br />

• Who stands with Howard (relatives, friends, acquaintances,<br />

teachers, therapists, and so on), and the part<br />

they have played in denying the hearing loss’s desires<br />

and wishes; and<br />

• The options that are available to Howard for taking<br />

advantage of the hearing loss’s vulnerabilities and for<br />

reclaiming his own life.<br />

Predictably, Howard had fewer responses than he did<br />

with the previous discussion. After a long silence, he<br />

finally said, “It took away my music, but it hasn’t stopped<br />

me from collecting stamps or taking pictures of my<br />

grandkids so they’ll have a photo album of their lives. My<br />

‘countertechnique’ against the hearing loss, as you put it,<br />

is to do things that I don’t need hearing for.”<br />

“What do you say to the hearing loss while you employ<br />

this strategy”<br />

“You can’t control everything!” he shouted toward the<br />

empty seat with his fist raised and a smirk.<br />

“This doesn’t sound like part of the ‘Howard Is a Loser’<br />

story,” I remarked.<br />

Howard nodded his head somewhat tentatively. I then<br />

asked, “When you succeed in outsmarting the hearing<br />

loss like that, what do you title your story”<br />

“Maybe something like ‘Sometimes, Howard Is a Fighter.’”<br />

One’s story or narrative about oneself is inextricably<br />

related to one’s identity (White, 2007). Howard’s dominant<br />

narrative had been that he is a loser. But now, for the first<br />

time, we excavated another narrative of himself, another<br />

“title” for his identity—sometimes a fighter. It would be<br />

important to embellish this previously dormant narrative<br />

with details, to make it more dominant, to put more “meat”<br />

on it. Any version of “Tell me more” would’ve done, but<br />

typically one’s narrative or identity is related to a previous<br />

relationship that has the capacity to be useful in the present.<br />

I therefore asked Howard, “Who taught you to fight”<br />

After a pause, Howard told me that his long-decreased<br />

grandfather had been a second lieutenant in World War I.<br />

I asked Howard several questions about his grandfather’s<br />

life, about why he joined the armed forces, about his<br />

bravery, what his fears might have been, how he might<br />

have felt going to battle. We spent over half a session<br />

on old war stories. He commented that he often thought<br />

of his grandfather when watching footage of the war in<br />

Iraq. Finally, I wondered aloud whether his grandfather<br />

was psychologically present when Howard was able to<br />

shout to the hearing loss, “You can’t control everything!”<br />

Howard looked at me quizzically but, after some thought,<br />

tentatively nodded his head.<br />

I asked him if he would talk to his grandfather about<br />

how he could help him prepare for battle against the<br />

hearing loss. I motioned to the last remaining empty chair<br />

in my office. Again, after some awkwardness and nervous<br />

laughter, he complied with my request. “Do you have any<br />

advice for me” he asked the empty seat.<br />

At this point, I asked him to switch seats and be his<br />

grandfather while I took over asking the questions. “You<br />

must have some advice for your grandson on how he can<br />

prevent the hearing loss [I motioned to the hearing loss<br />

seat] from getting the upper hand in his life.”<br />

“Howard, you should learn as much as you can about<br />

its weaknesses, its vulnerabilities,” he responded, with<br />

a deep voice, confidence, and conviction. His advice<br />

reminded me of General Westmoreland’s famous statement<br />

that the inability to understand the enemy was “the<br />

basic error” in the conduct of the war in Vietnam.<br />

“What weaknesses of the hearing loss can Howard<br />

exploit” I asked.<br />

He shrugged his shoulders, “I don’t know.”<br />

“Guess.” (My standard response when anyone says, “I<br />

don’t know.”)<br />

“Hmmm, well the hearing loss doesn’t do well with soft<br />

noises. So Howard can maybe get people to speak louder,<br />

he can turn the volume up on the TV, get his wife to stop<br />

calling him from the other room.”<br />

“A good start,” I responded. “Speaking of Howard’s wife,<br />

help me understand something about your grandson. He<br />

came to therapy to get Betty off his back about hearing<br />

aids. In your opinion, would getting hearing aids be an<br />

effective weapon against the hearing loss”<br />

Pause. “Yeah, probably,” he said, somewhat hesitantly.<br />

“So why won’t Howard listen to Betty” I asked.<br />

“Howard’s always been a bit stubborn. He digs in his<br />

heels. He never has wanted to lose a battle—just like me.”<br />

“Chip off the old block. But Howard’s fighting the battle<br />

against the wrong person!”<br />

“What do you mean”


Externalizing and Personifying Hearing Loss: A Psychological Tool for Audiologists<br />

“The enemy is the hearing loss, not Betty! You know<br />

what I bet that one of hearing loss’s tricks is to get<br />

Howard to fire artillery at his own forces!”<br />

“The hearing loss is very cunning,” the lieutenant<br />

agreed, now nodding his head.<br />

“Exactly. The real war is Howard and Betty against the<br />

hearing loss! Do you have any thoughts about some of the<br />

other tricks and deceits that the hearing loss uses against<br />

Howard”<br />

“It makes him feel ashamed, very down on himself, and<br />

it makes him think that hearing aids will make him more<br />

ashamed and even depressed.”<br />

“Astute observation, lieutenant! How do you think<br />

Howard could maneuver around the forces of the hearing<br />

loss to get hearing aids”<br />

“Shock and awe!” he yelled, now enjoying this discussion.<br />

“Regime change! He could blow hearing loss out of<br />

the water!” the Lieutenant proclaimed. I had a foreboding<br />

sense that Donald Rumsfeld had just entered the room.<br />

“I bet he would! What strategy do you think the hearing<br />

loss is using to prevent Howard from blowing it out of the<br />

water with hearing aids”<br />

“Oh, I bet the hearing loss is convincing Howard that<br />

hearing aids will make him look old, that people will pity<br />

him, that they cost too much.“<br />

“The hearing loss is a formidable enemy. Simple sanctions<br />

obviously aren’t going to work. Howard, Betty, and<br />

you need to join forces and launch a full-scale military<br />

campaign with covert and overt special combat operations<br />

against the hearing loss! Maximize your firepower<br />

with air, naval, and land invasions to strategic targets.” I,<br />

too, was enjoying myself at this point. I asked him, “Can<br />

the three of you be ready to present a comprehensive<br />

battle plan in my office tomorrow at 14 hundred hours”<br />

“Yes sir!” he saluted. I saluted him back.<br />

The next day at 14 hundred hours, I entered the waiting<br />

room, not knowing who would be present: Howard, his<br />

grandfather, Rumsfeld, the hearing loss, or Betty. It was<br />

Howard and Betty. We formulated a battle plan:<br />

<br />

How is this clinical vignette relevant to audiologists I’m<br />

not necessarily suggesting that you buy more office chairs<br />

so you can stage imaginary discussions with hearing<br />

losses and patients’ deceased relatives, but it might not<br />

be a bad idea. In another publication (Harvey, 2009), I propose<br />

that the first step to motivating resistant adolescents<br />

is to connect beyond the presenting problem, to share a<br />

fun moment or commonality that doesn’t have to do with<br />

hearing or amplification. This principle isn’t restricted to<br />

that age group but applies to treating any patient who is<br />

“dragged” to our offices.<br />

Howard introduced himself to me by saying that his<br />

wife made him come. My immediate internal reaction<br />

was “Ugh, here we go again. One of a thousand unmotivated<br />

men who start therapy this way,” and I felt mild<br />

irritation and boredom. Undoubtedly, Howard also felt<br />

mild irritation and boredom with me, and due to audiological<br />

factors and/or to his psychological resistance, he<br />

didn’t understand my speech. I privately predicted that<br />

he expected me to ask about his feelings, perhaps to talk<br />

• Receiving an audiological evaluation to learn more<br />

about the hearing loss (“reconnaissance mission”);<br />

• Putting aside monies to purchase hearing aids (“weaponry”)<br />

and batteries (“ammunition”);<br />

• Taking speech reading classes (“combat training”); and<br />

• Negotiating communication rules (“code of conduct”).


Externalizing and Personifying Hearing Loss: A Psychological Tool for Audiologists<br />

about his childhood, and to side with Betty about his<br />

needing to get hearing aids. But if I followed this predicted<br />

script, our reciprocal irritation and boredom with<br />

each other would only have increased, and therapy would<br />

have been doomed from the start.<br />

Therefore, my first task was to introduce an element<br />

of surprise that is beyond the presenting problem, that is<br />

“fun,” and that would also be potentially beneficial. In this<br />

case, I used a psychotherapy technique of externalizing<br />

and personifying a problem (White, 2007): Howard’s hearing<br />

loss. Humor was important and deliberately utilized.<br />

Soon enough, we were both smiling. We achieved what<br />

would be the first building block of our alliance or rapport.<br />

This technique of externalizing and personifying<br />

Howard’s hearing loss can be used by audiologists<br />

Externalizing and personifying a patient’s hearing<br />

loss can effectively illustrate how the person is not<br />

the problem, the hearing loss is the problem.<br />

without exceeding their level of expertise by practicing<br />

psychotherapy. Although not initially apparent, this<br />

approach is consistent with audiologist David Luterman’s<br />

(2008) reminder to look at the human side of hearing<br />

loss and treat the person, not the disorder. Emphasizing<br />

that hearing loss affects a person but is not part of that<br />

person—the person is not the problem; the problem is the<br />

problem—helps to reduce one’s shame for being hearing<br />

impaired. Stated differently, externalizing Howard’s<br />

hearing loss, in addition to introducing levity and humor,<br />

was an effective means of reducing what psychologist<br />

Beatrice Wright (1983) referred to as “spread”. Howard’s<br />

hearing loss had “spread” to nullify his competencies and<br />

therefore cause him to experience shame. In contrast,<br />

when his hearing loss became the hearing loss, he could<br />

begin changing his relationship with it. He could put the<br />

hearing loss in its place and reclaim his own integrity.<br />

I became an “investigative reporter” whose job it was to<br />

learn about how the hearing loss sabotaged Howard’s life<br />

and how Howard could resist its influences. This investigative<br />

stance is critical for audiologists who work with people<br />

who deny the need for amplification. The task was to learn<br />

more about how the hearing loss operated, including its<br />

successes and failures; the task was not to help at this<br />

point. A reporter’s job is to seek information, not to help.<br />

The importance of listening and curiosity—investigative<br />

reporting—is an important principle of Motivational<br />

Interviewing by Miller and Rollnick (2002). Premature<br />

attempts to offer advice are not helpful and often backfire<br />

by increasing a patient’s denial or resistance (Beck and<br />

Harvey, 2009). In that regard, it is important to note that<br />

Howard was at the “Contemplation Stage”: he acknowledged<br />

his hearing loss but was ambivalent, at best, to<br />

address it. It would have been an error to jump on the<br />

change bandwagon by attempting to convince him to get<br />

hearing aids, as I would have been colluding with Betty<br />

against Howard.<br />

Methods of determining the cast of characters in a<br />

patient’s “relevant system” (nuclear family, extended<br />

family, friends, etc.) and then connecting with the “protagonist”<br />

who has the clout to effectively support your<br />

audiologic recommendations have been described elsewhere<br />

(Harvey, 2003a, 2003b, 2009). A standard question<br />

is to ask patients whether other family members have<br />

benefited from amplification, with the goal of increasing<br />

the credibility of your recommendations, “If hearing<br />

aids helped Uncle George, maybe they’ll help me.” Taking<br />

this line of questioning a step further, you can also ask<br />

a patient to imagine what advice an influential family<br />

member, living or deceased, would give, or might have<br />

given, to the patient about amplification, for example,<br />

“What might Uncle George say to you about getting hearing<br />

aids”<br />

When Howard shouted to the hearing loss in the seat,<br />

“You can’t control everything!” his countenance changed;<br />

he raised his fist, seemingly inspired to fight. Something<br />

had shifted! I privately wondered what phantom people<br />

had entered the room. Who else was now psychologically<br />

present with Howard, the hearing loss, and me Could<br />

they help Howard outsmart the hearing loss Stated<br />

more technically, what past or present protagonists in his<br />

family or relevant system could assist him in doing battle<br />

with the now externalized and personified hearing loss<br />

It was when he referred to himself as “sometimes<br />

a fighter” that I considered using a battle metaphor to


Externalizing and Personifying Hearing Loss: A Psychological Tool for Audiologists<br />

inquire about a protagonist. When I asked Howard who<br />

taught him to fight, he introduced me to his grandfather.<br />

With Howard then thinking like his grandfather, I solidified<br />

a collusion of Betty, Howard, and his grandfather<br />

against the hearing loss.<br />

The importance of matching a patient’s metaphors<br />

cannot be overstated. Consistent with the self-world view<br />

narrative of Howard’s grandfather, which was shaped by<br />

the military, battle metaphors were abundant in Howard’s<br />

emerging narrative of his own identity. He emerged as a<br />

fighter like his grandfather. Howard was strongly supportive<br />

of the United States invading Iraq, so it was no<br />

surprise that, while role-playing his grandfather, he<br />

envisioned “shock and awe” tactics against the hearing<br />

loss. My reference to Donald Rumsfeld was reflective of<br />

my own negative bias against that war. Here my task was<br />

to ensure that my sentiments did not interfere with my<br />

alliance with Howard. On the contrary, I spent some time<br />

between our sessions Googling military terms, such as<br />

“reconnaissance mission,” “full-scale military campaign,”<br />

and “special combat operations.”<br />

In summary, this illustration seems relevant for<br />

audiologists in that it offers possibilities of how to playfully<br />

connect with those patients who are “dragged” in<br />

by a significant other. Externalizing and personifying a<br />

patient’s hearing loss, in whatever adaptation fits your<br />

style, can effectively illustrate how the person is not<br />

the problem, the hearing loss (in the empty chair) is the<br />

problem. It can properly demarcate that the participants<br />

in the power struggle do not include you or the spouse<br />

of the person with hearing impairment but that the<br />

struggle is, in fact, between the individual patient and<br />

the hearing loss. As a result, you will increase the likelihood<br />

that previously resistant patients will follow your<br />

recommendations.<br />

<br />

Howard and I met for eight visits, and interestingly<br />

enough, the final meeting was with his wife—previously<br />

the enemy, now his ally. They had been successful in<br />

battle. Howard showed me his hearing aids and, while<br />

playfully rolling his eyes, remarked that the audiologist<br />

had two empty seats in her office reserved for the hearing<br />

loss and his grandfather! (I had given her a heads-up).<br />

As we prepared to say our goodbyes, he hesitated a<br />

bit and asked Betty to open her pocketbook. He took out<br />

several photos of his grandfather and the medals he was<br />

awarded, one by one, taking time to show me all the<br />

details. Perhaps he was trying to teach me about military<br />

honor. I don’t know, but I said to Howard that I wish<br />

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Externalizing and Personifying Hearing Loss: A Psychological Tool for Audiologists<br />

I could have met his grandpa. Betty quickly responded,<br />

“You’ve already met him several times.”<br />

<br />

<br />

<br />

Michael A. Harvey, PhD, ABPP, is a clinical psychologist and a<br />

consultant faculty at Salus University. His most recent books<br />

are The Odyssey of Hearing Loss: Tales of Triumph and<br />

Listen with the Heart: Relationships and Hearing Loss,<br />

both published by Dawnsign Press. Feedback is welcome at<br />

mharvey2000@comcast.net.<br />

References<br />

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Hometown: Pickering,<br />

Ontario, Canada<br />

Education: BS, Biology,<br />

Susquehanna University,<br />

Selinsgrove, PA<br />

Current School: Northeast<br />

Ohio AuD Consortium –<br />

The University of Akron,<br />

Akron, OH<br />

About Me: I’m currently<br />

doing my fourth-year<br />

externship in a hospital<br />

setting and enjoying the<br />

diversity of cases that we<br />

see, so my next step is to<br />

look for a job placement<br />

that offers the same type<br />

of variety.<br />

Quote to Live By: “Learn<br />

from yesterday, live for<br />

today, hope for tomorrow.<br />

The important thing is<br />

not to stop questioning.”<br />

—Albert Einstein<br />

hat I have valued about my program at the Northeast Ohio AuD Consortium<br />

(NOAC) is the faculty encouraged me to go beyond the classroom and participate<br />

in other opportunities, such as conventions, membership in audiology<br />

organizations, and, most importantly, doing service in the community. Expanding my<br />

horizons outside of class has been a priceless experience for my growth as a future<br />

audiologist.<br />

By doing service projects in my neighborhood, I have gained a better perspective<br />

about the impact of audiology in the community. Since my first year in graduate school, I<br />

have participated in the NOAC audiology student group, which gave me the opportunity<br />

to volunteer at local events. These occasions allowed me to teach others about hearing,<br />

but also gave me the chance to witness the exceptional commitment that families have<br />

for their hearing-impaired children. Being outside of clinic also provided a relaxed environment<br />

for parents to express their accomplishments and struggles with hearing loss. It<br />

did not take much effort for us to spend an afternoon with the community, but the effect<br />

it had on the parents and children was encouraging.<br />

I am currently finishing my fourth-year externship in a metropolitan city hospital.<br />

At one of our clinics, we see a large cultural population who lack trust of health-care<br />

professionals and are resistant to the idea of hearing aids. This can be frustrating, as we<br />

often see children fall through the cracks, despite our counseling about the benefits of<br />

immediate intervention.<br />

One day, my supervisor had the audiologists participate in screenings at the local<br />

health fair. We were able to meet neighborhood residents and counsel them on their<br />

hearing concerns. I was impressed that the adults were open to learning about audiology<br />

services and enlightened by our advice. The few minutes counseling them provided<br />

tools to follow up for further assistance. Our interaction was short, but I feel that the<br />

time spent was absolutely worthwhile if we influenced only one person to seek a better<br />

quality of life. Additionally, it made a step toward fostering a trusting relationship with<br />

the community.<br />

It has been personally gratifying to volunteer in the community throughout graduate<br />

school. As a member of society, I believe it is everybody’s responsibility to spend time<br />

contributing to helping the lives of those we can serve.


By Lisa L. Cunningham<br />

earing scientists have long<br />

focused on sensory hair cells<br />

of the inner ear because these<br />

cells are sensitive to death caused<br />

by a variety of stressors—including<br />

noise trauma, exposure to ototoxic<br />

drugs, and even aging. In the mammalian<br />

inner ear, these cells are not<br />

regenerated, so their death results<br />

in permanent hearing loss and/or<br />

balance disorder. Of course, hair cells<br />

aren’t the only cells in the inner ear,<br />

but they seem to be the ones that<br />

receive the most attention. What<br />

about all those other cells Hair cells<br />

in both the auditory and vestibular<br />

systems are surrounded by supporting<br />

cells. What do those cells do<br />

The cochlea contains several<br />

types of supporting cells, including<br />

Deiters’ cells, Hensen cells, Claudius<br />

cells, pillar cells, and phalangeal cells.<br />

They provide basic structural framework<br />

and rigidity to the organ of Corti.<br />

The main structural support is provided<br />

by pillar cells and Deiters’ cells.<br />

Supporting cells are often referred<br />

to as “glia-like” cells, because they<br />

surround, support, and electrically<br />

isolate hair cells in a fashion that<br />

is similar to the way glia surround,<br />

support, and isolate neurons in the<br />

central nervous system. Hair cells<br />

quickly die in zebrafish mutants that<br />

lack supporting cells, indicating that<br />

supporting cells are required for hair<br />

cell survival (Haddon et al, 1999).<br />

Supporting cells are critical for<br />

proper potassium homeostasis in the<br />

cochlea. Endolymph contains high<br />

concentrations of potassium relative<br />

to perilymph. Movement of the<br />

basilar membrane results in deflection<br />

of the stereocilia and opening of<br />

the mechanoelectrical transduction<br />

channel. Potassium from endolymph<br />

then rushes into the hair cell via<br />

these channels, resulting in hair cell<br />

depolarization and neurotransmitter<br />

release. However, all that potassium<br />

has to then be returned to<br />

endolymph. Hair cells release potassium<br />

into perilymph at their basal<br />

surfaces. Supporting cells are then<br />

thought to participate in potassium<br />

recycling by taking up potassium<br />

from perilymph and transporting<br />

it from cell to cell, via a network of<br />

“gap junctions” that connect supporting<br />

cells to one another (Spicer and<br />

Schulte, 1996; Wangemann, 2002).<br />

Potassium is routed via these gap<br />

junctions toward the stria vascularis,<br />

where it is used to generate the endocochlear<br />

potential as it is resecreted<br />

into endolymph.<br />

Cochlear supporting cells are also<br />

important for the survival of primary<br />

auditory neurons (called spiral ganglion<br />

neurons, or SGNs). Molecular<br />

signaling between supporting cells<br />

and SGNs is carried out by a family of<br />

molecules called neuregulins. Loss of<br />

neuregulin signaling results in death<br />

of SGNs, indicating that supporting<br />

cells are required for the survival of<br />

SGNs and thus the maintenance of<br />

cochlear innervation (Stankovic et<br />

al, 2004). Survival of SGNs is critical<br />

to the success of cochlear implants,<br />

which are designed to directly stimulate<br />

SGNs in the absence of hair cells.<br />

Recent evidence suggests that<br />

supporting cells also actively mediate<br />

hair cell death. In the neonatal<br />

rat cochlea, hair cell damage results<br />

in activation of a stress-induced


protein called ERK1/2 in Deiters’ cells<br />

(Lahne and Gale, 2008). ERK1/2 is not<br />

activated in hair cells in response to<br />

this damage. Chemical inhibition of<br />

ERK1/2 signaling in supporting cells<br />

suppressed aminoglycoside-induced<br />

hair cell death (Lahne and Gale, 2008).<br />

These data suggest that supporting<br />

cells can actually promote hair cell<br />

death and possibly even kill hair cells.<br />

Taken together, these data suggest<br />

that supporting cells are much more<br />

than passive structural components<br />

of the cochlea. Instead they are active<br />

participants in sensory transduction,<br />

and they can directly influence<br />

the survival of both spiral ganglion<br />

neurons and hair cells. Scientists are<br />

currently investigating the cell-to-cell<br />

communication that occurs between<br />

supporting cells and other cochlear<br />

cell types. Understanding these<br />

signals may open doors to new therapeutic<br />

strategies aimed at protecting<br />

hair cells and/or SGNs by targeting<br />

supporting cells.<br />

Lisa L. Cunningham, PhD, is an assistant<br />

professor with the Department of<br />

Pathology and Laboratory Medicine at<br />

the Medical University of South Carolina.<br />

References<br />

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By Annette A. Burton<br />

he Coding and Reimbursement<br />

Committee has received<br />

numerous questions regarding<br />

participation in the Medicare program.<br />

We would like to take this opportunity<br />

to review the enrollment options for<br />

the Medicare program as they pertain<br />

to the profession of audiology.<br />

<br />

<br />

Current regulatory language in the<br />

Social Security Act demonstrates the<br />

intent for Medicare beneficiaries to<br />

have widespread access to diagnostic<br />

and therapeutic services within the<br />

United States. Although the Centers<br />

for Medicare and Medicaid (CMS) cannot<br />

currently require most providers<br />

to accept assignment for services,<br />

CMS does require that claims for<br />

covered services are submitted on<br />

behalf of Medicare beneficiaries,<br />

if requested. Claims for covered<br />

services for Medicare beneficiaries<br />

are to be submitted by all providers,<br />

except in cases where the provider<br />

has opted out of the Medicare program<br />

and has entered into a private<br />

contract with the beneficiary.<br />

<br />

<br />

Each provider type has a set of<br />

defined options of participation for<br />

Medicare:<br />

<br />

Also of Interest<br />

Mandated to participate and<br />

accept assignment.<br />

Enroll as either a participating or<br />

nonparticipating provider.<br />

Opt out of the Medicare program<br />

for a renewable, two-year period<br />

and enter into a private contractual<br />

arrangement with the<br />

beneficiary to not submit claims<br />

or receive reimbursement from<br />

Medicare.<br />

Audiologists currently fall within<br />

the second category, if treating<br />

Medicare beneficiaries; they must<br />

enroll in Medicare and submit claims<br />

for covered services. Audiologists<br />

have the option to enroll as either<br />

a participating provider who must<br />

accept assignment of Medicare<br />

benefits for all covered services or<br />

as a nonparticipating provider who<br />

<br />

<br />

<br />

may choose to accept assignment of<br />

Medicare claims on a case-by-case<br />

basis. Audiologists are currently not<br />

allowed to opt out of the Medicare<br />

program and enter into private contractual<br />

arrangements with Medicare<br />

beneficiaries.<br />

There are advantages and disadvantages<br />

to becoming either a<br />

participating or a nonparticipating<br />

provider. To learn more about the<br />

differences between participating<br />

and nonparticipating status, there<br />

are many resources available. The<br />

Medicare Physician Guide: A Resource<br />

for Residents, Practicing Physicians and<br />

Other Health Care Professionals is a free<br />

and very helpful reference guide that<br />

is produced by the Medicare Learning<br />

Network. It may be downloaded at<br />

www.cms.hhs.gov/MLNProducts/<br />

downloads/physicianguide.pdf, or a<br />

free copy on CD can be obtained from<br />

CMS by visiting http://cms.meridianksi.com/kc/pfs/pfs_lnkfrm_fl.aspl<br />

gnfrm=reqprod&function=pfs.<br />

<br />

It is important to remember that the<br />

mandatory claim submission requirement<br />

refers only to covered services<br />

as defined by Medicare. Many<br />

services may not meet Medicare’s<br />

definition of a covered service.<br />

Routine procedures, services that are<br />

directly related to the provision of<br />

amplification, therapeutic services<br />

that are within an audiologist’s scope


of practice but fall outside of the<br />

narrowly defined diagnostic benefit<br />

category determined by Medicare, are<br />

all considered noncovered services<br />

under the Medicare benefit.<br />

Please remember that Medicare<br />

does not prohibit an audiologist from<br />

providing noncovered services to a<br />

Medicare beneficiary. Medicare does<br />

not restrict or prohibit billing the<br />

beneficiary for noncovered services;<br />

however, the beneficiary must be<br />

notified in advance that the service<br />

is noncovered.<br />

<br />

There is no submission requirement<br />

for services that are free. It is important<br />

to note that provision of free<br />

services cannot be only offered to<br />

certain types of patients. For example,<br />

it would not be permissible to avoid<br />

the mandatory reporting requirements<br />

just for Medicare beneficiaries<br />

and submit claims for the same diagnostic<br />

services to other third-party<br />

payers. It is good practice to have<br />

consistent billing practices for all<br />

patients, regardless of the payer.<br />

Annette A. Burton, AuD, is the chair<br />

of the Coding and Reimbursement<br />

Committee, and is the director of the<br />

Easter Seals Centers for Better Hearing<br />

in Connecticut.<br />

Disclaimer. The purpose of the information<br />

provided in this column by the<br />

American Academy of Audiology Coding<br />

and Reimbursement Committee is to<br />

provide general information and educational<br />

guidance to audiologists. Action<br />

taken with respect to the information<br />

provided is an individual choice. The<br />

American Academy of Audiology hereby<br />

disclaims any responsibility for the<br />

consequences of any action(s) taken by<br />

any individual(s) as a result of using the<br />

information provided, and reader agrees<br />

not to take action against, or seek to hold,<br />

or hold liable, the American Academy<br />

of Audiology for the reader’s use of the<br />

information provided. As used herein,<br />

the “American Academy of Audiology”<br />

shall be defined to include its directors,<br />

officers, employees, volunteers, members,<br />

and agents.<br />

The Hugh Knowles Center<br />

for Clinical and Basic Science in Hearing and Its Disorders<br />

at Northwestern University welcomes its two newest fellows<br />

Andrew FishmanPamela Souza<br />

Feinberg School of Medicine School of Communication<br />

The center fosters interdisciplinary research, scholarship, training, and clinical services<br />

to help people recover and protect the joy of hearing. Fellows are distinguished Northwestern<br />

faculty who contribute their research, clinical, and educational efforts in this mission.<br />

Current fellows<br />

James Bartles<br />

Ann Bradlow<br />

Mary Ann Cheatham<br />

Peter Dallos<br />

Sumitrajit Dhar<br />

Jaime Garcia-Añoveros<br />

Dean Garstecki<br />

Nina Kraus<br />

Alan Micco<br />

Ernest Moore<br />

Claus-Peter Richter<br />

Mario Ruggero<br />

Jonathan Siegel<br />

Catherine Warrier<br />

Donna Whitlon<br />

Richard Wiet<br />

Patrick Wong<br />

Beverly Wright<br />

Inquiries from potential<br />

doctoral students,<br />

postdoctoral fellows,<br />

and research scientists about the<br />

center’s activities are welcome.<br />

knowlescenter@northwestern.edu<br />

www.communication.northwestern<br />

.edu/departments/csd/<br />

research/hugh_knowles_center


he Tax Relief and Health Care<br />

Act of 2006 established the<br />

Physician Quality Reporting<br />

Initiative (PQRI), which included<br />

incentivized payments for eligible<br />

providers for quality measures<br />

furnished to Medicare beneficiaries.<br />

Since December 2007, 10 audiology<br />

organizations have worked collaboratively<br />

as the Audiology Quality<br />

Consortium in developing reportable<br />

measures under PQRI.<br />

As of January 1, 2010, this voluntary<br />

program allows Medicare Part<br />

B-enrolled audiologists to participate<br />

in the reporting of up to four<br />

measures. Providers who meet the<br />

threshold for the accurate reporting<br />

of these measures may be eligible for<br />

a two percent incentive payment.<br />

Medicare patients of any age<br />

referred to a physician after an<br />

audiologic assessment determined by<br />

one of the qualified conditions, and<br />

who are not currently under the care<br />

of a physician for that condition, are<br />

measures eligible to be reported on.<br />

However, Medicare beneficiaries are<br />

required to have a physician referral<br />

for a medically necessary reason.<br />

<br />

Congenital or traumatic<br />

deformity of the ear<br />

have disease of the ear and mastoid<br />

processes)<br />

A history of sudden<br />

or rapidly progressive hearing loss<br />

Otitis Media with<br />

Effusion (OME): Diagnostic<br />

Evaluation-Assessment of<br />

Tympanic Membrane Mobility, is<br />

also reportable, but will have a<br />

very limited use as it will be applicable<br />

for those pediatric patients<br />

who are Medicare beneficiaries, an<br />

uncommon occurrence; the two<br />

percent bonus will not apply.<br />

<br />

<br />

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<br />

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You should report on these measures<br />

to help maintain audiology’s<br />

commitment to high quality care for<br />

Medicare beneficiaries while simultaneously<br />

supporting the recognition<br />

of the profession as a member of the<br />

health-care coordination process.<br />

Care coordination is intended to<br />

increase communication among<br />

those professionals providing services<br />

to Medicare patients to ensure<br />

a standard of care and to avoid<br />

duplication. In addition, there is an<br />

opportunity to capture additional<br />

A history of active<br />

drainage from the ear within the<br />

previous 90 days (for patients who


evenue with the two percent reporting<br />

bonus on qualifying measures.<br />

<br />

<br />

<br />

Successful reporting requires the following<br />

components:<br />

You will need to report on at<br />

least three measures during the<br />

reporting period. For each of the<br />

measures, you are required to<br />

report on 80 percent of patients<br />

who have conditions that are<br />

applicable to those measures.<br />

Each measure has a numerator<br />

and a denominator specific to<br />

that measure. The numerator is<br />

the action the measure requires<br />

for reporting and the denominator<br />

specifies the eligible patients<br />

for each measure. There are also<br />

denominator exclusions: patients<br />

who are not eligible for the measure<br />

for specific reasons.<br />

For each measure, except for measure<br />

#94, audiologists are required<br />

to refer the patient to a physician<br />

after the audiologic evaluation<br />

reveals a condition unless the<br />

condition meets the criteria for an<br />

exclusion.<br />

You will need a National Provider<br />

Identifier (NPI) number and a<br />

Medicare Provider Transaction<br />

Account Number (PTAN), formerly<br />

known as the Provider Identifier<br />

Number (PIN).<br />

<br />

<br />

To obtain an NPI, go to https://nppes.<br />

cms.hhs.gov/NPPES/StaticForward.<br />

doforward=static.instructions.<br />

To obtain a PTAN, go to https://<br />

pecos.cms.hhs.gov/pecos/login.do.<br />

If you prefer, you may file a hard<br />

copy of the 855I (www.cms.hhs.gov/<br />

CMSforms/downloads/CMS855I.pdf)<br />

to obtain your PTAN. If you are an<br />

employee of, or contract with a physician,<br />

you will need to file the 855R, to<br />

reassign benefits to the employer or<br />

contracted entity: www.cms.hhs.gov/<br />

cmsforms/downloads/cms855r.pdf.<br />

Note: If you are enrolled in Medicare<br />

but have not submitted a CMS-855I since<br />

2003, you are required to submit a complete<br />

application. Providers and suppliers<br />

should follow the instructions for completing<br />

an initial enrollment application.<br />

<br />

<br />

You will find the numerators,<br />

denominators, and exclusions<br />

for each measure in detail at<br />

www.asha.org/uploadedFiles/<br />

ReportingMeasuresStepByStep.pdf.<br />

<br />

<br />

As a Part B-enrolled Medicare provider,<br />

you will file your claim on a CMS<br />

1500 form as is currently done for<br />

Medicare and other third-party payer<br />

claims. There are specific CPT, ICD-9,<br />

and G-codes or Healthcare Common<br />

Procedure Coding System (HCPCS)<br />

codes that correspond with each<br />

of the measures and can be found<br />

here: www.asha.org/uploadedFiles/<br />

ReportingMeasuresStepByStep.pdf.<br />

The CPT codes describe the procedures<br />

performed; the ICD-9 codes are<br />

the diagnostic codes and the G/HCPCS<br />

codes are Category II CPT codes; or<br />

HCPCS codes. Audiology procedures<br />

are Category I codes. It is required that<br />

the G/HCPCS codes be reported on<br />

the same claim as that of the patient’s<br />

procedures and diagnosis codes.<br />

The CPT codes are placed in box<br />

24D, the ICD-9 codes are inserted in<br />

box 21, and the G/HCPCS codes go in<br />

box 24D on the CMS 1500 form.<br />

<br />

<br />

<br />

Let’s use measure Measure #190<br />

(history of sudden or rapidly progressive<br />

hearing loss) as our example.<br />

First choose one of the following CPT<br />

codes for this particular measure and<br />

mark it in box 24D:<br />

• 92557<br />

• 92567<br />

• 92568<br />

• 92575<br />

*At the time of publication, CPT codes<br />

92550 and 92570 were not finalized for<br />

inclusion. A request to the Centers for<br />

Medicare and Medicaid Services to include<br />

them has been made by the Audiology<br />

Quality Consortium.<br />

Then you will need to choose one<br />

of the following ICD-9 codes for this<br />

particular measure for box 21:<br />

• 389.00-389.06 inclusive<br />

• 389.08<br />

• 389.10-389.18 inclusive


• 389.20-389.22 inclusive<br />

• 389.8<br />

• 389.9<br />

Finally, locate the denominator<br />

(G/HCPCS code), which will describe<br />

the eligible patients for this measure.<br />

For measure #190, it is “Patients aged<br />

birth and older with verification and<br />

documentation of sudden or rapidly<br />

progressive hearing loss,” and mark<br />

that code in box 24D.<br />

December 31, 2010. The payment will<br />

be calculated based on the qualified<br />

claims submitted at the end of the<br />

reporting period and will result in<br />

a payment to you, typically within<br />

the first six months post–reporting<br />

year. Remember that you must report<br />

correctly on at least 80 percent of<br />

applicable patients to receive the<br />

incentive payment.<br />

<br />

PQRI claims reporting process questions<br />

may be addressed to Debbie<br />

Abel, AuD, the Academy’s director of<br />

reimbursement, at dabel@audiology.<br />

org. Questions regarding other PQRI<br />

processes should be addressed to<br />

Victoria Keetay, PhD, the Academy’s<br />

senior director of education, at<br />

vkeetay@audiology.org.<br />

<br />

<br />

<br />

Audiologists have an option of<br />

reporting for the calendar year<br />

2010—January 1 to December 31,<br />

2010, or for the last six months of<br />

the calendar year, from July 1 to<br />

Also of Interest<br />

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By Tracey Irene<br />

e often evaluate the<br />

impression that we are<br />

making on our patients<br />

in terms of our professionalism, services,<br />

and skill. A first impression can<br />

set the stage for the entire visit. It is<br />

important to consider the experience<br />

you provide patients before they are<br />

even called back for their appointment.<br />

Is your waiting room warm and<br />

inviting Are your patients greeted<br />

when they walk in the door Is there<br />

appropriate information available on<br />

your practice, services, and staff<br />

One way to evaluate this experience<br />

is to spend some time sitting<br />

in your waiting room. What do you<br />

hear, see, and feel Is there sufficient<br />

seating available How long<br />

has it been since the carpet was<br />

cleaned Is the literature in your<br />

waiting room current, clean and<br />

organized Can you overhear the<br />

conversations your receptionist is<br />

having on the phone Is the temperature<br />

comfortable and lighting<br />

ample Are the acoustics friendly to<br />

individuals with hearing loss<br />

Remember, patients will form<br />

an impression of your office within<br />

minutes of their arrival. You have<br />

one opportunity to make a first<br />

impression, so make sure it is a good<br />

one. Here are some things to consider<br />

when evaluating your waiting room<br />

and patient experience:<br />

Is your receptionist greeting<br />

your patients when they arrive in<br />

your office Is the wait time for your<br />

patients reasonable Are they made<br />

to feel welcome and comfortable Is<br />

the check-in process clear, and have<br />

the patients been informed of what<br />

is needed for the appointment Is<br />

confidentiality maintained during<br />

the check-in process<br />

Is the seating in your office comfortable<br />

and functional Consider<br />

seats with armrests so patients can<br />

lift themselves from the chairs with<br />

ease. Also, consider some seating<br />

without armrests for those patients<br />

who may require additional space.<br />

Are the lighting and acoustics<br />

appropriate for individuals with<br />

hearing loss and vision loss You<br />

may want to keep in mind that television<br />

or music may deteriorate the<br />

acoustics of the office; however, this


could be used as an opportunity for<br />

your patients to try assistive listening<br />

devices. You will need to weigh<br />

these considerations and decide what<br />

will work best in your office.<br />

Is your waiting room clean and tidy<br />

Do you have any mysterious stains on<br />

furniture or carpet Do you have hand<br />

sanitizer, tissues, and trash cans available<br />

to your patients Are your surfaces<br />

covered in dust or fingerprints<br />

Is the reading material current<br />

Educational materials should be current<br />

and patient friendly. Magazines<br />

should also be current, clean, and<br />

organized. Consider magazines that<br />

appeal to men, women, and children.<br />

Try to reduce the amount of clutter<br />

on the surfaces of counters and tables.<br />

Is there a restroom available to<br />

your patients near the waiting room<br />

If not, consider a sign detailing the<br />

restroom location.<br />

If you find yourself overwhelmed<br />

by this process, understand that you<br />

are not alone. Start by making small<br />

changes and monitor the impact it<br />

makes on your patients. Consider<br />

surveying your patients to determine<br />

what areas you could improve<br />

upon. If you are in need of a complete<br />

redesign, an interior designer can<br />

be helpful in determining the layout,<br />

color scheme, size, lighting, and<br />

furnishings of your office. Use this<br />

opportunity as a way to improve your<br />

patient’s experience and satisfaction<br />

in your practice. Satisfied patients<br />

can be invaluable to your practice,<br />

as they may generate a number of<br />

referrals through word-of-mouth<br />

marketing.<br />

Tracey Irene, AuD, is a senior audiologist<br />

with Professional Hearing Services,<br />

A Division of Moreland Ear, Nose, and<br />

Throat Group, LTD, in Milwaukee, WI.<br />

She is also a member of the Academy’s<br />

BEST Committee.<br />

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By Maureen Valente<br />

he doctor of audiology (AuD)<br />

degree is a rigorous, four-year<br />

clinical degree whereby rich<br />

practicum experiences are interwoven<br />

with challenging course work and<br />

exposure to research and the corresponding<br />

literature. Students develop<br />

skills, knowledge, and competencies<br />

throughout the intensive program to<br />

ultimately serve as highly competent,<br />

autonomous, compassionate clinicians<br />

upon graduation. The Academy’s<br />

Education Committee is delighted to<br />

have formulated a new Subcommittee<br />

on Research in Audiology Education,<br />

so that research in professional education<br />

may be enhanced and so that<br />

the profession may move forward<br />

based on the evidence. Initiatives will<br />

collaboratively dovetail with other<br />

research- and education-oriented<br />

outcomes of the recent Gold Standards<br />

Summit (GSS) and similar conferences.<br />

Much discussion has taken place,<br />

casually and within more formal<br />

venues, regarding the possibility of<br />

a greater degree of standardization<br />

with regard to clinical education.<br />

These discussions appear to primarily<br />

center around the fourth-year externship.<br />

Until we have an opportunity<br />

to view and make transformations<br />

based on research outcomes, it may<br />

be beneficial to continue brainstorming<br />

and discussing via venues such as<br />

this Audiology Today column and many<br />

others. As the Education Committee<br />

has held conference calls to help<br />

provide leadership in carrying out the<br />

many, massive initiatives suggested<br />

after meetings such as the GSS, one<br />

recurring reminder discussed is “that<br />

we have to roll up our sleeves, dig in,<br />

and begin somewhere.”<br />

In this spirit and with the above<br />

foundation, this co-chair wishes to<br />

put forth these thoughts based on<br />

personal experience within her own<br />

AuD program in managing clinical<br />

practicum experiences of all four<br />

years and in placing an average of<br />

12 fourth-year externs per year at<br />

various sites across the country. In<br />

addition, thoughts stem from a more<br />

global, national perspective following<br />

much discussion with teams of<br />

professionals across the country<br />

(students, preceptors, and faculty),<br />

after much committee discussion on<br />

a national level, and following recent<br />

Council on Academic Accreditation<br />

in Audiology and Speech-Language<br />

Pathology and Accreditation<br />

Commission for Audiology Education<br />

accreditation processes. Thoughts<br />

expressed are only that, intended to<br />

suggest guidelines without becoming<br />

too narrowly focused, with further<br />

discussion highly encouraged.<br />

<br />

<br />

Types and number of experiences<br />

may vary from program to program,<br />

although some best practice guidelines<br />

may include:<br />

Begin with clinical practicum<br />

experiences as soon as possible<br />

upon enrollment.<br />

Develop close integration of clinical<br />

practicum experiences with<br />

course work.


Provide specified development and<br />

assessment of skills, knowledge,<br />

and competencies as a function of<br />

each academic year of study,<br />

Include diagnostic and (re)habilitative<br />

services across the life span<br />

and audiology’s scope of practice.<br />

The program should not rely upon<br />

the fourth-year externship for the<br />

majority of its clinical education.<br />

Create and enable ongoing<br />

teamwork among the student,<br />

preceptor, site, and university.<br />

This includes extensive teamwork<br />

during the placement process and<br />

also during the academic term.<br />

Criteria for site selection should<br />

be predetermined by the educational<br />

program and may include<br />

such factors as environment<br />

conducive to learning, learning<br />

opportunities available, state-ofthe-art<br />

equipment and techniques,<br />

population diversity, utilization<br />

of best practice, and geographic<br />

proximity.<br />

Specify criteria for selection and<br />

include such factors as experience<br />

in the profession, area(s) of<br />

expertise, communication and<br />

interpersonal skills, precepting<br />

and mentoring skills, and<br />

accessibility.<br />

Assessment of the student should<br />

take place via daily feedback, formative<br />

assessment, and summative<br />

assessment. The student should play<br />

a key role in assessment, performing<br />

self-assessment of his/her own<br />

progress and assessment of the<br />

preceptor(s). An affiliation agreement<br />

should always be in place<br />

between the site and the university;<br />

all parties, including the student,<br />

should be aware of and have access<br />

to its contents.<br />

<br />

The fourth-year externship has<br />

replaced the clinical fellowship year<br />

(CFY) model, with the fundamental<br />

difference being that the student is<br />

still a student during the externship<br />

year. By this time, the student has<br />

successfully completed earlier practicum<br />

rotations, most if not all course<br />

work, and (very likely) any capstone<br />

project that may be required.<br />

<br />

The spirit of the externship is for<br />

the student to immerse himself<br />

or herself in a full-time clinical<br />

experience. A depth and breadth of<br />

experiences is optimal, although this<br />

depth and breadth should also have<br />

been achieved via earlier rotations,<br />

whenever possible. If this is the case,<br />

discussion and advising may take<br />

place if the student wishes to specialize.<br />

The educational program should<br />

not rely upon the fourth-year externship<br />

placement for the majority of its<br />

clinical education.<br />

<br />

Continued teamwork is essential<br />

among all parties, including the<br />

student, site, preceptor, and university.<br />

Sites are strongly encouraged<br />

to make use of the Academy’s<br />

Externship Registry and universities/<br />

students are encouraged to seek valuable<br />

site information through this<br />

and other resources. The university<br />

should guarantee student placement<br />

(and extensive support in securing<br />

placement), and students should not<br />

be left to secure their own externship<br />

sites. University personnel should<br />

make first contacts and should provide<br />

ongoing mentoring throughout,<br />

including resume writing, interviewing<br />

skills, and other important<br />

aspects. Protocols and timelines may<br />

vary from university to university,<br />

with some encouraging a year-long<br />

rotation at one facility and others<br />

encouraging rotation at several facilities<br />

throughout the year.<br />

<br />

Much variability continues to exist<br />

with regard to timelines implemented<br />

by sites and by university<br />

programs. Areas where variability<br />

exists include submission/acceptance<br />

of applications, review of applications,<br />

interviewing, and making/accepting<br />

of offers. The Academy has developed<br />

a recommended timeline for externship<br />

placement (see Figure 1). It would<br />

be optimal if such a timeline could<br />

be followed closely for standardization<br />

purposes; if this is not possible,<br />

feedback for possible revision and<br />

updating should be forwarded to the<br />

Academy. Criteria for site selection<br />

and preceptor qualifications should<br />

follow the same guidelines as outlined<br />

above. There is a great need for<br />

ongoing preceptor training, according<br />

to feedback received after the GSS<br />

and other conferences, especially in<br />

the area of supervision. This should<br />

continue to be addressed by the profession<br />

as an ongoing initiative.<br />

<br />

Several years ago, an Academy task<br />

force was formulated to explore<br />

issues related to payment for the<br />

fourth year. A white paper was written,<br />

resulting in many controversial<br />

comments and little consensus.<br />

Although there is great variability at<br />

the current time regarding payment,<br />

it was decided at that time that this<br />

issue should be one between university<br />

and site. General suggestions put<br />

forth by this author at the current<br />

time included:<br />

That any payment should be made<br />

with the clear stipulation that<br />

the student is clearly known as a<br />

student and not an employee.


That a site be selected based on<br />

its merit, depth, and breadth of<br />

experience. A site should not be<br />

selected based solely on financial<br />

merit, nor should an excellent site<br />

be disregarded solely because of<br />

an inability to pay.<br />

That the student not be placed in<br />

uncomfortable or risky situations<br />

regarding third-party reimbursement<br />

or other professional issues.<br />

<br />

Teamwork should continue and the<br />

university should be in touch with<br />

the student and preceptor on a very<br />

regular basis. This author implements<br />

such contact on at least a monthly<br />

basis. The university representative<br />

should visit the site whenever<br />

feasible, and contact should be<br />

more frequent if difficulties arise.<br />

Assessment of the student should<br />

occur as outlined above and within<br />

the framework of fourth-year student<br />

competencies, skills, and knowledge.<br />

It has often been suggested by<br />

preceptors that a uniform assessment<br />

tool should be developed for use<br />

among programs, and this possibility<br />

is currently being explored by the<br />

Clinical Education Subcommittee.<br />

Level of direct supervision should<br />

diminish throughout the fourth year,<br />

as the student approaches graduation<br />

and is well on his or her way toward<br />

becoming a competent and independent<br />

clinician.<br />

<br />

This very dynamic process will,<br />

undoubtedly, further evolve as we<br />

collectively discuss and gather the<br />

evidence related to “what is currently<br />

working” and “what areas are in need<br />

of constructive change.”<br />

Maureen Valente, PhD, is the director<br />

of Audiology Studies, Program in<br />

Audiology and Communication Sciences, at<br />

Washington University School of Medicine.<br />

She is also the cochair of the Academy<br />

Education Committee.<br />

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By Doris Gordon<br />

responsibility of an<br />

accrediting agency, such as<br />

key<br />

ACAE, is monitoring changes,<br />

reforms, and general trends in higher<br />

education today. We need to be ahead<br />

of the curve in transforming audiology<br />

education. Why Because we’re<br />

evaluators who not only confirm that<br />

academic programs are in compliance<br />

with educational standards but<br />

enable them to adapt to changes that<br />

bring about genuine improvements<br />

in student learning.<br />

Former U.S. Secretary of<br />

Education Margaret Spellings established<br />

the Commission for the Future<br />

of Higher Education in 2004–2005<br />

to review what was happening in<br />

universities and colleges at all levels.<br />

Valid questions about the accountability,<br />

access, and cost/affordability<br />

of education were asked by the commission.<br />

The present U.S. Secretary<br />

of Education, Arne Duncan, is passionate<br />

about preparing students for<br />

higher education, mandating that<br />

secondary educational institutions<br />

throughout the country focus on<br />

excellence in teaching and achieve<br />

higher scores on standardized tests.<br />

Molly Corbett Broad, the recent<br />

CEO of the prestigious American<br />

Council on Education urges us “to<br />

think big…this is a time when the<br />

game is changing…hunkering down<br />

is not a smart option.”<br />

So what is changing Our worldview,<br />

for one. As Thomas Friedman<br />

explains in his book, The World is Flat,<br />

U.S. businesses, corporate structures,<br />

and educational institutions need to<br />

cooperate with nations around the<br />

globe. During this past year, the rise<br />

in international students attending<br />

universities for postsecondary<br />

and graduate education within the<br />

United States has been impressive.<br />

The Chinese are leading the way.<br />

They have funds for tuition and<br />

board and bring ideas and different<br />

perspectives to graduate programs.<br />

The international influence benefits<br />

education for all.<br />

Learning is changing. Robert<br />

Zemsky, in his recent book, Making<br />

Reform Work, reinforces the notion<br />

that learning is the “academy’s core<br />

business and the traditional method<br />

of learning with detailed content is<br />

changing to a more well-executed<br />

learning process.” Static learning<br />

is decreasing and dynamic learning<br />

is more evident, in the sense<br />

that learning processes change as<br />

the learner gains new knowledge<br />

and tackles new problems. Zemsky<br />

notes that “the academy today<br />

argues that the successful student is<br />

much more a clever librarian—that<br />

is, someone who knows how to ask<br />

the right questions and to recognize<br />

good answers.”<br />

Technology is revolutionizing education.<br />

In an interesting article, “How<br />

the iPhone Can Reboot Education,”<br />

(www.wired.com/gadgetlab/2009/12/<br />

iphone-university-abilene/) a small<br />

university in Abilene, Texas, recently<br />

completed a pilot program for the<br />

purchase of iPhones for its students.<br />

“The traditional classroom, where<br />

an instructor assigns a textbook, is<br />

heading toward obsolescence. Why<br />

listen to a single source talk about a<br />

printed textbook that will inevitably<br />

be outdated in a few years That<br />

setting seems stale and hopelessly<br />

limited when pitted against the internet,<br />

which opens a portal to a live<br />

stream of information provided by<br />

billions of minds.”<br />

What do these changes tell us<br />

about audiology education Will we<br />

have the vision to place audiology<br />

on the cutting-edge of science and<br />

education As a member of a rigorous<br />

academic discipline, audiology has<br />

no choice but to embrace these ideas<br />

and include them in the learning<br />

environment.<br />

Doris Gordon, MS, MPH, is the executive<br />

director of ACAE.


By James W. Hall III<br />

BOARD OF GOVERNORS<br />

James “Jay” W. Hall III, PhD, Chair<br />

John A. Coverstone, AuD<br />

Antony Joseph, AuD, PhD<br />

Beth Longnecker, AuD<br />

Yvonne S. Sininger, PhD<br />

Therese Walden, AuD<br />

Gail M. Whitelaw, PhD<br />

American Academy<br />

of Audiology Board of<br />

Directors Liaison<br />

Karen Jacobs, AuD<br />

Past Chair<br />

Ex Officio Member<br />

James A. Beauchamp, AuD<br />

ore than 20 years have passed since the now legendary “Future of<br />

Audiology” session at the 1987 ASHA Convention in New Orleans.<br />

During the session, James Jerger, PhD, spontaneously proffered an<br />

idea that brought the standing-room-only crowd to their feet—audiologists<br />

should form their own professional organization. This pivotal event in the<br />

development of the profession of audiology was summarized in a retrospective<br />

article published in the May/June 2008 issue of Audiology Today titled “The<br />

Future of Audiology…20 Years Later.”<br />

At the 1989 session, I took the opportunity to focus on two topics that were,<br />

in my opinion, central to the future of audiology—education and certification.<br />

On the topic of education of audiologists, I outlined a plan for a four-year<br />

doctoral program incorporating a supervised clinical experience, which was<br />

both extensive and intensive. The idea was not original. Even then, a number<br />

of audiologists were enthusiastically developing plans for a doctor of<br />

audiology-type degree. And, citing a recommendation of Raymond Carhart<br />

made back in the 1960s, I suggested that audiology develop two levels of<br />

<br />

<br />

<br />

Public Representative<br />

Patty A. Keffer, MBA<br />

Managing Director<br />

Ex Officio Member<br />

Sara Blair Lake, JD, CAE<br />

For ABA information, contact:<br />

American Board of Audiology<br />

11730 Plaza America Drive<br />

Suite 300<br />

Reston, VA 20190<br />

800-881-5410<br />

aba@audiology.org<br />

Hails From: Twin Cities of Minnesota<br />

(currently), Portland, OR (originally)<br />

Year Certified: 2006<br />

Degree: AuD, PCO School of Audiology<br />

What I Do for the ABA: Members of<br />

the board set policy and direction for<br />

the ABA, approve new applicants for<br />

certification, and oversee specialty certification<br />

programs. I am the new chair<br />

of the ABA Marketing Committee and a<br />

member of the ABA Ethics Committee.<br />

In My Free Time: I enjoy spending<br />

time with my family and try to play<br />

with my two children every day. I<br />

also enjoy softball, golf, and skiing. I<br />

usually have a few home improvement<br />

projects half-finished at any<br />

time, and several Web site projects<br />

pending. I also try to work in some<br />

time on the guitar or piano so I don’t<br />

completely forget how to play!<br />

Quote to Live By: “Live a balanced<br />

life—learn some, and think some,<br />

and draw, and paint, and sing, and<br />

dance, and play, and work every day<br />

some.” —Robert Fulghum


certification—general certification and specialty certification.<br />

We now have both. As I begin my term as chair of<br />

the ABA Board of Governors, it seems like a good time to<br />

once again prognosticate about the future of audiology.<br />

The future of audiology is all around us and easy to see.<br />

We can see the future of audiology in the clinic, sitting<br />

in early morning patient conferences, and in the classroom.<br />

At the Academy’s convention, AudiologyNOW! ® , we<br />

glimpse the future of the profession hundreds of times.<br />

The future is on duty early in the morning at the registration<br />

desks outside lecture rooms, presenting research<br />

posters, and especially at the ABA-sponsored Meet &<br />

Greet event. Doctor of audiology students are the future<br />

of audiology. Audiology tomorrow is embodied in our<br />

students today. Embracing our future, the ABA will significantly<br />

expand student-related activities and initiatives<br />

throughout 2010.<br />

The ABA’s popular Meet & Greet function, generously<br />

supported by Thieme Publishing, grows larger each<br />

year. Audiology students are matched with audiologists,<br />

including some of the “big names” in our profession. In<br />

an informal setting over lunch, mentors and mentees<br />

have the opportunity to converse and get to know each<br />

other. Speaking from experience, the ABA Meet & Greet<br />

is one of the most enjoyable and stimulating events of<br />

AudiologyNOW! Recognizing that some students will be<br />

unable to travel to San Diego in April, the ABA will offer<br />

a “virtual” option for the Meet & Greet event. Audiology<br />

student mentees will be connected with audiologist mentors<br />

to become electronically acquainted and to exchange<br />

ideas. I encourage ABA-certified audiologists to “adopt<br />

a student” for some virtual meeting and greeting. Go to<br />

the ABA Web site (www.americanboardofaudiology.org)<br />

to sign up for participation in the Meet & Greet event, or<br />

e-mail the ABA at aba@audiology.org.<br />

Another student-related initiative for 2010 is the<br />

promotion and expansion of the provisional ABA certification.<br />

Students approaching the last year of their<br />

doctor of audiology program are encouraged to apply for<br />

provisional certification, to set themselves apart as they<br />

seek fourth-year externships and their first postgraduate<br />

employment as an audiologist. I strongly encourage all<br />

audiology students to pursue the provisional certification<br />

option by downloading an application from the ABA Web<br />

site. Speaking of the ABA Web site, it’s about to undergo<br />

a major makeover. The improved ABA Web site will have<br />

a fresh, user-friendly appearance. One of the exciting<br />

new features of the Web site is a page devoted to student<br />

activities and opportunities. If you’re a student, I invite<br />

you to help us develop the student page on the ABA Web<br />

site. We value your ideas and your creativity. Please contact<br />

us now via e-mail at aba@audiology.org.<br />

I’m looking forward to another very good year for<br />

the ABA. Please join the Board of Governors, the ABA<br />

staff, and me in contributing to the essential work of the<br />

American Board of Audiology.<br />

James W. Hall III, PhD, is the chair of the American Board of<br />

Audiology.<br />

<br />

<br />

Register Your<br />

Clinical Site<br />

A free tool for universities, students, and clinical sites<br />

To register your site today, visit<br />

www.audiology.org, search<br />

key words “Externship Registry.”


By Melissa Sinden<br />

he Government Relations<br />

Committee, in conjunction<br />

with the Academy’s advocacy<br />

team, is excited to announce a variety<br />

of new, interactive, informational<br />

events at AudiologyNOW! 2010 in San<br />

Diego. These sessions are designed to<br />

educate Academy members on how to<br />

become active advocates, and provide<br />

valuable tips on engaging elected officials<br />

and shaping public policy.<br />

After the great success of the<br />

inaugural Advocacy Summit last year<br />

in Dallas, the Academy will host a<br />

larger meeting to allow more Academy<br />

members and interested advocates<br />

to attend. While the summit last year<br />

was limited to only a handful of states<br />

to kick off the Key Contacts initiative,<br />

this year, invitations have been<br />

extended to all Academy members<br />

interested in becoming the “go-to”<br />

person in their state or congressional<br />

district. These Key Contacts represent<br />

the voice of audiology on issues affecting<br />

the profession in their districts. For<br />

more information on the Key Contacts<br />

initiative, visit www.audiology.org,<br />

key words “key contacts.”<br />

This year’s AudiologyNOW! will also<br />

feature a learning module titled “Your<br />

Role in the Legislative Process.” Erin<br />

Miller, AuD, chair of the Academy’s<br />

Government Relations Committee;<br />

John Williams, the Academy’s federal<br />

lobbyist; and Melissa Sinden, senior<br />

director of government relations for<br />

the Academy, will host this interactive<br />

presentation. Participants will learn<br />

the “ins and outs” of the legislative<br />

processes at the state and federal levels,<br />

and what to expect when meeting<br />

with elected representatives. Those in<br />

attendance will learn how to become a<br />

lobbyist for the profession and how to<br />

become involved to ensure the voice of<br />

audiology is heard.<br />

Be sure to stop by the new and<br />

improved advocacy booth in Academy<br />

Central for all the latest advocacy<br />

and PAC (Political Action Committee)<br />

information. There, you can learn<br />

more about the Academy’s legislative<br />

issues, view exciting merchandise,<br />

and find out how to PUSH the PAC!<br />

Contributions to the PAC may be<br />

made through the Academy Web site,<br />

by mail, or directly at the Advocacy<br />

Booth by cash, check, or credit<br />

card. Remember that donors in the<br />

President’s Circle ($500+/year) receive<br />

an invitation to an “Insider’s Briefing”<br />

and VIP admission to the PAC event at<br />

AudiologyNOW! This year’s PAC event<br />

will offer contributors the opportunity<br />

to sample California wines at the San<br />

Diego Wine and Culinary Center!<br />

For more information about the<br />

PAC, visit www.audiology.org/<br />

advocacy/pac/Pages/default.aspx.<br />

We look forward to seeing you at<br />

one of our many advocacy events in<br />

San Diego!<br />

Melissa Sinden is senior director of<br />

government relations for the American<br />

Academy of Audiology.


Join us <br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

Dr. Chermak’s name is synonymous<br />

to many audiologists with research<br />

in the diagnosis and management of<br />

central auditory processing disorder<br />

(APD). She began her pioneering work<br />

in the 1980s, and her contributions<br />

to the field’s knowledge base have<br />

been seminal. It is virtually impossible<br />

to delve into APD literature<br />

without repeatedly encountering<br />

her influence in the form of refereed<br />

articles, edited monographs, book<br />

chapters, and books. What makes<br />

her academic record more remarkable<br />

is that it was generated while<br />

she was simultaneously distinguishing<br />

herself as a teacher, university<br />

administrator, and international<br />

advocate for the field of audiology. As<br />

a Fulbright Scholar in 1989, she studied<br />

international models of health<br />

care and shared that knowledge<br />

through international presentations,<br />

workshops, and articles. Her<br />

excellence in administration and<br />

teaching has been recognized over<br />

and over again through awards such<br />

as the Distinguished Faculty Award,<br />

the Edward R. Meyer Distinguished<br />

Professor Award, and the Faculty<br />

Excellence Award. Dr. Chermak<br />

has been chair of the Department<br />

of Speech and Hearing Sciences at<br />

Washington State University since<br />

1990. She has made notable and<br />

lasting contributions to our profession,<br />

her students, and research in<br />

audiology.<br />

<br />

Dr. Compton-Conley has had a<br />

distinguished career as an educator<br />

and consumer advocate. She is<br />

best known for expanding awareness<br />

of assistive technology for<br />

hearing-impaired persons. An<br />

acclaimed expert in this specialty<br />

area, her counsel and advice are<br />

sought worldwide. Dr. Compton-<br />

Conley is currently a professor of<br />

audiology and the director of the<br />

Assistive Devices Center at Gallaudet<br />

University. She participates on<br />

numerous audiology review boards,<br />

task forces, and committees. During<br />

her career, she has advised over<br />

20 governmental agencies, worked<br />

with rehabilitative institutions in<br />

the public and private sector, and<br />

consulted for the telecommunications,<br />

automotive, transportation,<br />

entertainment, retail, construction,<br />

and hearing aid industries. The core<br />

of Dr. Compton-Conley’s clinical and<br />

research work has concentrated on<br />

improving signal-to-noise ratio for<br />

hearing-impaired listeners. Her classic<br />

video and workbook Doorways to<br />

Independence earned her international<br />

recognition. In describing her contributions,<br />

Dr. James Jerger remarked<br />

that she “has forgotten more about<br />

assistive technology than the rest<br />

of us will ever know.” Dr. Compton-<br />

Conley demonstrates a tireless<br />

commitment to hearing-impaired<br />

consumers. She has motivated and<br />

inspired students for decades and is<br />

highly esteemed by colleagues for<br />

contributions in the lab, the classroom,<br />

and the community.


Dr. Hawkins is one of those rare<br />

individuals who can function just<br />

as easily in the research laboratory,<br />

classroom, or clinic. He has<br />

not only functioned in each of these<br />

capacities, but also excelled. The<br />

early portions of his career were in<br />

academia, with a greater emphasis<br />

on teaching and research, but never<br />

to the exclusion of his interests in<br />

clinical audiology. In fact, a hallmark<br />

of the first 15 to 20 years of Dr.<br />

Hawkins’ career is the application of<br />

good science and research skills to<br />

clinical issues confronting audiology,<br />

especially in the area of amplification.<br />

During the past 15 years of Dr.<br />

Hawkins’ career, while serving as the<br />

head of the audiology section and the<br />

director of the Hearing Aid Clinic at<br />

Mayo Clinic in Jacksonville, Florida,<br />

greater emphasis has been placed on<br />

clinical audiology, but never to the<br />

exclusion of research and teaching.<br />

Hallmarks of this more recent<br />

period include many presentations<br />

and publications on professional<br />

ethics, group approaches to aural<br />

rehabilitation, amplification, and<br />

diagnostic audiology. Of course,<br />

countless patients with whom he<br />

has worked have also benefited<br />

greatly from his services as a master<br />

clinician. Perhaps the only thing surpassing<br />

his many accomplishments<br />

in research, teaching, and clinical<br />

service is his great humility about<br />

these accomplishments.<br />

<br />

Dr. Kujawa is one of the field’s most<br />

active and accomplished audiologists.<br />

She is director of audiology<br />

at Massachusetts Eye and Ear<br />

Infirmary, associate professor of<br />

otology and laryngology at Harvard<br />

Medical School, and adjunct faculty<br />

at Harvard-MIT Health Sciences and<br />

Technology. Dr. Kujawa has made<br />

major contributions to the fields<br />

of audiology and hearing science.<br />

Highlights of her service to the field<br />

include two terms on the executive<br />

board of the Academy, as well as the<br />

board of directors of the American<br />

Auditory Society, editorial board<br />

and section editor for Ear & Hearing,<br />

member of the Working Group<br />

on Translational Research for the<br />

NIDCD, and chair of the Academy<br />

Research Committee. Dr. Kujawa’s<br />

research record is stellar. Her current<br />

work on the interactive effects of<br />

noise exposure and aging on auditory<br />

function has added important information<br />

to our understanding of the<br />

causes and progression of hearing<br />

loss. She also studies the genetics,<br />

intracochlear drug delivery systems,<br />

and the efferent system. She has<br />

published more than 40 scholarly<br />

papers in the field’s most prestigious<br />

journals. Finally, Dr. Kujawa is a<br />

consummate teacher of audiology,<br />

medical, and basic science students.<br />

<br />

<br />

<br />

<br />

<br />

<br />

Dr. Saunders is a leader in the<br />

development of new technologies for<br />

cochlear implants and hearing aids.<br />

Her academic qualifications include<br />

a BS (Hon) in chemical physics and<br />

MSc in clinical audiology from the<br />

University of Manchester. After<br />

completing her PhD at the University<br />

of Southampton, she worked in<br />

England as a clinical audiologist<br />

and lecturer in audiology until she<br />

moved to Australia in 1984, where<br />

she continued her career as a clinical<br />

and research audiologist. In 1996, she<br />

became a project leader for commercialization<br />

of new hearing-related<br />

technologies at the Co-operative<br />

Research Center for Cochlear<br />

Implant and Hearing Aid Innovation<br />

in Melbourne. As an example, Dr.<br />

Saunders was part of the team that<br />

developed and patented a shaped<br />

implantable cochlear implant electrode,<br />

subsequently commercialized<br />

as the Nucleus ® Contour Electrode TM .


She has participated in the publication<br />

of several scientific articles<br />

regarding this device. Her most<br />

recent business responsibility was<br />

CEO and director of Dynamic Hearing<br />

Pty (Australia), which develops sound<br />

processing and DSP technology for<br />

hearing aids and headsets. She has<br />

recently left this position and is now<br />

on the faculty of Monash University<br />

in Melbourne, Australia.<br />

<br />

<br />

<br />

<br />

<br />

<br />

Dr. Davis has a list of accomplishments<br />

so long that there is not<br />

enough room to present them here.<br />

He initiated, developed, and still<br />

manages the National Hearing<br />

Service Newborn Hearing Screening<br />

Program for England, a model that<br />

set the benchmark for programs<br />

all over the world. He and his colleagues<br />

completed a national study<br />

of hearing, which investigated the<br />

prevalence of deafness and lifestyle<br />

influences impacting the hearing<br />

impaired in England. He initiated,<br />

developed, and still manages the<br />

NHS Hearing Aid Program for<br />

England, which provides appropriate<br />

and properly fitted hearing aids for<br />

citizens of England, Scotland, and<br />

Wales. Dr. Davis is known worldwide<br />

as a scientist and researcher, with<br />

over 200 referreed publications. He<br />

serves on the managing council of<br />

the International Journal of Audiology.<br />

He is a frequent attendee and speaker<br />

at AudiologyNOW!, and the ICA, and<br />

in Asia, Europe, and South America.<br />

He is so well respected and appreciated<br />

in his own country that Queen<br />

Elizabeth II awarded him the Order of<br />

the British Empire.<br />

<br />

<br />

<br />

<br />

<br />

<br />

Dr. Northrup is a bilingual audiologist<br />

and faculty associate at Callier<br />

Center for Communicative Disorders,<br />

at the University of Texas, Dallas.<br />

Her humanitarianism is expressed<br />

daily in her work as an advocate for<br />

children who have hearing loss but<br />

cannot afford amplification. She has<br />

fought for countless underserved<br />

children with hearing impairment in<br />

the Dallas area, and has led numerous<br />

trips to her native Panama to<br />

fit hearing aids on children. She<br />

organized a team of experts from<br />

North America to implant and program<br />

cochlear implants for children<br />

in Panama. As the president of the<br />

Pan-American Society of Audiology,<br />

she has connected colleagues from<br />

Central and South America with<br />

leaders in audiology from North<br />

America and Europe. She has visited<br />

many universities and professional<br />

organizations in different countries<br />

to aid in their development and<br />

production of exchange materials.<br />

Her approach is to “teach the teachers.”<br />

Dr. Northrup started The Global<br />

Village, a project designed to translate<br />

audiological terms from English<br />

to Spanish and Portuguese. She<br />

has devoted her life to underserved<br />

children with hearing impairment<br />

and the international development<br />

of audiology.


Dr. Fausti’s remarkable and prolific<br />

career in audiology began with<br />

research on human high-frequency<br />

sensitivity and its assessment. He<br />

has explored normal and abnormal<br />

function, as well as the effects of<br />

various physical and chemical toxins.<br />

This led to the development of new<br />

strategies, protocols, and equipment<br />

for early identification of ototoxicity,<br />

which has been a major focus in his<br />

career. More recently, his research<br />

has focused on tinnitus, which is<br />

of course a major issue with the<br />

veteran population that he serves. A<br />

central theme in his research is rehabilitation,<br />

and perhaps his proudest<br />

achievement is the establishment of<br />

the National Center for Rehabilitative<br />

Auditory Research (NCRAR) in 1997,<br />

located at the VA Medical Center in<br />

Portland Oregon, where he currently<br />

serves as director. Through<br />

this Center of Excellence, Dr. Fausti<br />

and his colleagues have continued<br />

to produce vital research in the field<br />

of auditory rehabilitation. He also<br />

serves as associate chief of staff for<br />

the Portland VA Medical Center, professor<br />

at Oregon Health and Science<br />

University, and adjunct professor at<br />

Portland State University and the<br />

University of Oregon.


Dr. Fausti’s remarkable and prolific<br />

career in audiology began with<br />

research on human high-frequency<br />

sensitivity and its assessment. He<br />

has explored normal and abnormal<br />

function, as well as the effects of<br />

various physical and chemical toxins.<br />

This led to the development of new<br />

strategies, protocols, and equipment<br />

for early identification of ototoxicity,<br />

which has been a major focus in his<br />

career. More recently, his research<br />

has focused on tinnitus, which is<br />

of course a major issue with the<br />

veteran population that he serves. A<br />

central theme in his research is rehabilitation,<br />

and perhaps his proudest<br />

achievement is the establishment of<br />

the National Center for Rehabilitative<br />

Auditory Research (NCRAR) in 1997,<br />

located at the VA Medical Center in<br />

Portland Oregon, where he currently<br />

serves as director. Through<br />

this Center of Excellence, Dr. Fausti<br />

and his colleagues have continued<br />

to produce vital research in the field<br />

of auditory rehabilitation. He also<br />

serves as associate chief of staff for<br />

the Portland VA Medical Center, professor<br />

at Oregon Health and Science<br />

University, and adjunct professor at<br />

Portland State University and the<br />

University of Oregon.


The Clinical Practice Guidelines for the Diagnosis, Treatment, and<br />

Management of Children and Adults with Central Auditory Processing<br />

Disorder are open for widespread peer review until March 12,<br />

2010. Send your comments to Task Force Chair Frank Musiek,<br />

PhD. To review the document, visit www.audiology.org,<br />

Publications and Resources, Document Library, CAPD.<br />

<br />

<br />

The Academy wishes to thank the Ototoxicity Monitoring<br />

Task Force (under the Strategic Documents Committee)<br />

for their dedication and support with the development of<br />

this position statement and practice guidelines.<br />

Task Force Members: John D. Durrant, PhD, University<br />

of Pittsburgh (chair); Kathleen Campbell, PhD, Southern<br />

Illinois University; Stephen Fausti, PhD, Portland VA Medical<br />

Center; O’Neil Guthrie, Duke University; Gary Jacobson, PhD,<br />

Vanderbilt University; Brenda L. Lonsbury-Martin, PhD, VA<br />

Loma Linda Healthcare System and Loma Linda University<br />

Medical Center; Gayla Poling, PhD, Ohio State University<br />

<br />

The first half of FY2010 marked many accomplishments and<br />

initiatives from our committees. Review a snapshot of the<br />

list below and read more in the Academy’s Annual Report at<br />

www.audiology.org (search key words “Annual Report”).<br />

<br />

•<br />

•<br />

•<br />

•<br />

Planned and finalized the invited sessions.<br />

Reviewed submissions for Learning Modules, Exhibitor<br />

Courses, Student Hands-On Labs, Industry Updates,<br />

Research Pods, and Research and Clinical Posters.<br />

Developed special events and on-site activities.<br />

Planned educational activities for San Diego outreach.<br />

<br />

<br />

•<br />

Worked on updating several member resources to<br />

include The BEST Way: Reaching Physicians, Frontline<br />

Office Training Kit, Audiogram of Familiar Sounds, and<br />

Hearing Aid Checklist.<br />

• Developed and contributed to a column in Audiology<br />

Today on practice management.<br />

<br />

• Participated in CMS meeting regarding the new<br />

bundled and current single vestibular codes with representatives<br />

from ASHA and AAO-HNS.<br />

• Submitted responses to the proposed and final<br />

Medicare Physician Fee Schedule rules.<br />

• Fielded questions from members and provided updates<br />

to FAQs for Web site.<br />

• As members of the Audiology Quality Consortium,<br />

continue to provide education for members for the<br />

Physician Quality Reporting Initiative.<br />

• Researched Medicare Opt Out issue, resulting in report to<br />

Executive Committee, Board and member education article.<br />

• Participated in meetings with other audiology associations<br />

and in anti-trust training.<br />

<br />

• Continued ongoing discussion on next steps related<br />

to the Gold Standards Summit outcomes.<br />

• Created Research in Audiology Education<br />

Subcommittee to focus on the development of evidenced-based<br />

instruction in AuD education.<br />

• Created education column in Audiology Today.<br />

• Recommended the development of a JAAA supplement<br />

on evidence-based instruction.<br />

• Clinical Education Subcommittee promoted and<br />

further developed the Externship Registry.<br />

<br />

• Revised the Guidelines for Financial Relationships with<br />

Manufacturers of Hearing Devices in preparation for peer<br />

review.<br />

• Initiated revision of the Ethics in Audiology (Green) book.<br />

• Responded to a multitude of inquiries from members.<br />

<br />

• Continued to push for direct access, gaining 53 cosponsors<br />

during the 65 days Congress was in session since<br />

its introduction.<br />

• Created a public policy resolution on pediatric audiology.<br />

• Developed Key Contacts training materials and<br />

resources.<br />

• Hosted a Virtual Advocacy Day to promote direct access.<br />

<br />

• Received and reviewed a total of 13 nominations;<br />

selected eight honorees for 2010.


• Submitted nomination packages for the International<br />

Award in Hearing.<br />

• Supported the recommendation that Dr. John Durrant<br />

from the University of Pittsburgh represent the<br />

Academy and ASHA at the Affiliated Societies meeting<br />

of the International Society of Audiologists.<br />

• Supported the travel expenses of Academy representative<br />

to the Pan-American Society of Audiologists<br />

Conference.<br />

<br />

• The Welcoming Subcommittee welcomed 141 new<br />

members to the Academy.<br />

• The Member Assistance Program Subcommittee reviewed<br />

and approved 11 applications for AudiologyNOW! 2010.<br />

• Announced that at year end 2009 the Academy had<br />

reached 11,012 members—the highest in Academy history!<br />

<br />

• Developed and launched a new fundraising campaign<br />

titled “PUSH the PAC.”<br />

• Planned a new fundraising event for AudiologyNOW!,<br />

redesigned existing contributor circles, identified new<br />

ways to thank contributors, and redesigned the PAC<br />

portion of the Academy's Web site.<br />

• Engaged students and provided more opportunities<br />

for students to become involved with fundraising<br />

initiatives.<br />

<br />

• Attended RUC meeting and CPT Editorial Panel meeting<br />

in October 2009.<br />

• Participated in a CPT Panel Workgroup on<br />

Intraoperative Monitoring.<br />

<br />

• Identified, developed, and scheduled eAudiology Web<br />

seminars six to eight months in advance.<br />

<br />

• Participated in activities of the Audiology Quality<br />

Consortium supporting PQRI.<br />

• Drafted Standards of Practice document (to be finalized<br />

April 2010).<br />

<br />

•<br />

•<br />

Rolled out new member tools for National Audiology<br />

Awareness Month and National Protect Your Hearing<br />

Month.<br />

The Recruitment Subcommittee launch on www.<br />

audiology.org, with tips and tools for audiologists to<br />

use when recruiting into the field in their local area.<br />

<br />

•<br />

•<br />

Reviewed www.howsyourhearing.org Web site for<br />

design, layout, and content.<br />

Reviewed content of “Hearing Aids” and “Newborn<br />

Hearing Screening” brochures.<br />

<br />

•<br />

•<br />

•<br />

Selected recipients of the Research Grants in Hearing<br />

and Balance.<br />

The ARC 2010 Program Committee continued to plan<br />

the Academy Research Conference (ARC) on aging and<br />

hearing health.<br />

The ARC 2010 Program Chair and the staff liaison<br />

successfully submitted an NIH conference grant<br />

application.<br />

<br />

•<br />

•<br />

•<br />

•<br />

Worked with the SAA board to recruit SAA chapters (38<br />

chapters as of 12/31/09 ; 42 as of 2/9/10).<br />

Restructured the advising process to merge the positions<br />

of SAA Advisory Committee Chair with SAA<br />

National Advisor.<br />

Participated in the SAA’s strategic planning.<br />

Worked with the SAA to develop a relationship with<br />

the Special Olympics Healthy Hearing Program.<br />

<br />

• Prepared for the 10th Annual State Leaders Workshop.<br />

• Promoted the Active Advocate of the Year Award.<br />

• Conducted a review of state licensure laws for the<br />

AMA SOP Task Force.<br />

<br />

• Five subcommittees made up of 19 task forces continue<br />

to develop practice guidelines, position statements,<br />

and reports.<br />

• Published Ototoxicity Monitoring Practice Guidelines<br />

and Position Statement in October 2009.


tymotic Research joined forces with the<br />

Academy and the American Academy<br />

of Audiology Foundation (AAAF) to<br />

advocate for listening safety at the Midwest<br />

Clinic, an international band and orchestra<br />

conference which has been held in Chicago<br />

every December for the past 64 years. The<br />

conference attracts over 15,000 members of<br />

the instrumental music education community<br />

and is a great venue to promote the Turn<br />

It to the Left message about noise-induced<br />

hearing loss (NIHL).<br />

Etymotic exhibits at the clinic every year,<br />

and uses the conference as an opportunity<br />

to speak to music educators and students<br />

about the dangers of loud listening. Last fall,<br />

Gail Gudmundsen, AuD, director of sales and<br />

marketing at Etymotic, realized that youth<br />

who attend the Midwest Clinic are the perfect<br />

audience for Turn It to the Left, the soft-rap CD<br />

with the message: “Protect your ears when<br />

you’re near loud sounds, Get your hearing<br />

tested and memorize this song…turn it to the<br />

left, turn it to the left!”<br />

“Awareness about the risks of musicinduced<br />

hearing loss has grown exponentially<br />

in the past few years, due to efforts of many<br />

people in the audiology and hearing conservation<br />

communities,” Gudmundsen said. “Since<br />

the clinic exists exclusively<br />

for educational purposes,<br />

we were able to reach<br />

music teachers,<br />

directors, and students all in one setting. The<br />

Turn It to the Left CD was another great way to<br />

promote the message.”<br />

In its efforts to increase public awareness<br />

about NIHL, Etymotic made a generous gift to<br />

the AAAF’s fund in support of noise-induced<br />

hearing loss research. This contribution<br />

ensured that copies of the CD were available<br />

to students at the clinic at no charge. The<br />

CDs not distributed at the Midwest Clinic<br />

were given to audiologists and attendees of<br />

the Illinois Academy of Audiology annual<br />

meeting in Chicago, held January 20–22,<br />

2010. Etymotic staff also provided Midwest<br />

Clinic attendees with information on the<br />

importance of audiological care, careers in<br />

audiology, and other facts about healthy<br />

hearing. For more information on the AAAF’s<br />

NIHL research funding, contact Kathleen<br />

Devlin Culver, director of development, at<br />

800-226-2336, x1049 or<br />

kculver@audiology.org.<br />

Many thanks to our friends and colleagues<br />

at Etymotic for helping the Academy and<br />

AAAF increase awareness about how important<br />

it is to Turn It to the Left!


Wednesday, April 14, 2010, 5:30 – 10:00pm at<br />

AudiologyNOW! 2010 in San Diego.<br />

Graciously hosted by Sadanand and Angie<br />

Singh of Plural Publishing at their La Jolla home.<br />

Sample fine wines from the Singh’s cellar and<br />

enjoy the Pacific views at this elegant benefit<br />

dinner party.<br />

Limited number of tickets still available; call<br />

703-226-1049 for more information.<br />

Complimentary transportation from the<br />

Hilton San Diego Bayfront underwritten by<br />

HearUSA Hearing Care Network.<br />

Proceeds to support audiology research<br />

and education.<br />

<br />

<br />

The AAAF challenges university AuD programs<br />

to donate an item showcasing their<br />

state or school spirit to our annual Auction<br />

4 Audiology at AudiologyNOW! ® 2010. The<br />

program whose item generates the most<br />

bids will win a gift certificate for a celebration.<br />

Have a night of food, fun, and a break<br />

from the books. Interested in making a<br />

STATEment Contact Tara Conte at tconte@<br />

audiology.org.<br />

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HOW CAN THE ACADEMY<br />

HELP YOU<br />

Come to the 2010 business meeting and help us put the pieces together.<br />

The 2010 Academy Business meeting<br />

provides all members the opportunity to voice<br />

their ideas on improving the Academy to staff<br />

and leaders in round table discussions. It is<br />

the responsibility of all members to help shape<br />

the future of the Academy. The Academy is an<br />

association of, by, and for audiologists, and we<br />

need your help.<br />

Mark your calendars for Saturday, April 17,<br />

2010, at 1:00pm during AudiologyNOW! ® in<br />

San Diego. Visit www.audiologynow.org for<br />

more information.<br />

Attendees will be entered to win one<br />

complimentary registration to AudiologyNOW!<br />

2011 (April 6–9, Chicago, IL).<br />

Members can view the FY09 audited financials<br />

and committee accomplishments on line.<br />

Visit www.audiology.org search key word<br />

“Annual Report”.


CHESTER COUNTY<br />

OTOLARYNGOLOGY<br />

& ALLERGY ASSOCIATES<br />

Full-time and/or part-time Audiologist<br />

needed for private practice in beautiful<br />

Chester County, PA. Our practice<br />

encompasses pediatric and adult care and<br />

includes a growing hearing aid patient base.<br />

Areas of Focus Include:<br />

- Standard Audiologic Testing<br />

- Vestibular Testing with VNG<br />

- Hearing Aid Dispensing<br />

Interested candidates please forward<br />

resume to ccofps@comcast.net or<br />

fax to 610-345-0986.<br />

Ohio<br />

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<br />

WORK AND PLAY IN NEW ZEALAND<br />

INTERNATIONAL OPPORTUNITIES FOR AUDIOLOGISTS<br />

Have you got the spirit of<br />

adventure<br />

Bay Audiology is New Zealand’s<br />

largest private practice, with over<br />

60 clinics nationwide. This is a<br />

well established company. Our<br />

Audiologists provide hearing tests,<br />

screenings, industrial monitoring,<br />

hearing aid fitting, access to<br />

rehabilitation programmes and<br />

hearing aid accessories.<br />

Opportunities<br />

Opportunities for experienced<br />

Audiologists with hearing aid<br />

dispensing experience in<br />

private practice.<br />

Lifestyle<br />

New Zealand’s reputation for<br />

breathtaking scenery is unrivalled,<br />

with expansive coastlines,<br />

geothermal backdrops and alpine<br />

peaks. You will have an adventure<br />

playground on your doorstop, and<br />

be welcomed by an existing network<br />

of US Audiologists who have<br />

relocated. New Zealand, a country<br />

that is both family-friendly and<br />

peaceful. Go to www.purenz.com for<br />

a taste of what our beautiful country<br />

has to offer.<br />

When you join Bay Audiology<br />

When you join, we’ll provide you<br />

with:<br />

• A strong commitment to<br />

clinical development and<br />

patient excellence<br />

• A structured induction and<br />

training program<br />

• Succession planning with in<br />

house training and development<br />

programmes to enhance your<br />

audiology and personal skills<br />

• Further Education funding<br />

• Variety<br />

• Tailored benefits package<br />

• Relocation assistance<br />

Contact us now, and confidentially discuss your<br />

future in Audiology. Join Bay Audiology and<br />

Experience Life at Full Volume!<br />

Contact: Alison Redfern-Daly<br />

Senior HR Advisor<br />

Mobile: 00 64 21 384707<br />

Phone: 00 9 308 3723<br />

Email: a.redfern-daly@bayaudiology.co.nz<br />

Web: www.bayaudiology.co.nz


Classified and Employment Line Listing<br />

Rates for Audiology Today<br />

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Academy Products Index


April 14, 2010 | San Diego, CA | The first day of AudiologyNOW! ®<br />

FEATURED TOPICS<br />

ß Age-Related Hearing Loss: Demographics<br />

and Risk Factors<br />

ß Aging and the Auditory Periphery<br />

ß Aging, Auditory Perception, and Hearing Aids<br />

ß Aging and Central Auditory Neurobiology<br />

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Aging and Clinical Electrophysiology<br />

Age-Related Changes in Cognition:<br />

Implications for Speech Perception<br />

Implications of Cognitive Factors for Aural<br />

Rehabilitation<br />

SPACE IS STILL AVAILABLE! Save Money—Register by March 30<br />

www.AcademyResearchConference.org<br />

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AUDIOLOGYNO W! APRIL 14—17, 2010


He’s one of the most renowned Audiologists of his time, and his musical talents are just as revered. The one<br />

and only Charles “Chuck” Berlin, a Pioneer, an Audiologist and a Performer is about to come to a town near<br />

you, first stop ....... San Diego.<br />

On April 15th - 17th get a glimpse of what Persona Medical’s World Tour has to offer by stopping by booth<br />

#1938. Listen to Chuck play classical piano and speak about new innovations in Audiology. Chuck will be<br />

performing half past every hour during regular convention hours and will be available to answer questions<br />

throughout the event. Get educated and entertained all at once by visiting Persona Medical at booth #1938.<br />

Not attending AudiologyNow Don’t worry, Persona Medical’s World Tour featuring Chuck Berlin (with<br />

special guest Michael Poe) is coming to a town near you. Please visit personamedical.com for locations,<br />

dates and times. Limited seating is available and C.E.U. hours are provided.<br />

personamedical.com | 800.789.6543

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