28.12.2014 Views

Brand Failures

Brand Failures

Brand Failures

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

278 <strong>Brand</strong> failures<br />

‘was that they kept thinking of themselves as a camera. But the “[brand]<br />

vision” process taught us something: Polaroid is not a camera – it’s a social<br />

lubricant.’<br />

If Polaroid had concentrated on the unique ‘sociable’ aspects of the brand,<br />

rather than the unique technological aspects, it would have certainly been less<br />

vulnerable when technology overtook its core product offerings. But by the<br />

end of the 1990s it had left it too late. Debts were mounting, and the brand<br />

was by that point associated with the Polaroid camera. The terrorist attacks<br />

of 11 September 2001 caused a slowdown in travel, and consequently a<br />

decline in demand for cameras and films. These bleaker market conditions<br />

proved too much. By that time Polaroid had amassed debts of almost US $1<br />

billion, and the company’s share value slipped from a high of US $60 in 1997<br />

to a low of 28 cents in October 2001. That same month, the company filed<br />

for bankruptcy.<br />

Lessons from Polaroid<br />

Be quick. Polaroid was slow to anticipate and respond to future trends,<br />

such as digital photography and one-hour photo shops.<br />

Don’t be over-protective. In forcing Kodak out of instant photography,<br />

Polaroid was defending its brand at the expense of the market. Very few<br />

brands can sustain a product category single-handedly over the long-term.<br />

Polaroid therefore went against ‘The Law of the Category’ as formulated<br />

by Al and Laura Ries. Namely, that ‘leading brands should promote the<br />

category, not the brand.’<br />

Focus on values, not products. According to Kevin Roberts, the US chief<br />

executive of Saatchi and Saatchi, for a brand to be truly successful it needs<br />

to become a ‘lovemark’ rather than a ‘trademark’. In other words, the<br />

brand needs to inspire passion. Roberts cites Coca-Cola, Nike and Harley<br />

Davidson as classic lovemarks. In order to create a lovemark, Polaroid<br />

would have needed to focus on its value as a ‘social lubricant’ (to borrow<br />

John Hegarty’s phrase). This would have helped to increase Polaroid’s<br />

elasticity (see below).<br />

Be elastic. <strong>Brand</strong>ing author Jack Trout observed that companies are limited<br />

to one idea per brand. When that idea is the product itself, as opposed to<br />

the values it represents, brands become inflexible.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!