Brand Failures
Brand Failures Brand Failures
274 Brand failures 93 Polaroid Live by the category, die by the category If digital photography represents a difficult challenge for Kodak, it represented a near impossible one for Polaroid. In October 2001, after years of falling sales and drastic cost cuts, the firm filed for bankruptcy. Although the company was eventually purchased in July 2002 by the private equity arm of Bank One, many believe the glory days of Polaroid are in the past. However, digital cameras are only one contributing factor in the perceived decline of the instant photography brand. To understand how it was unable to maintain its once formidably strong brand assets, it is necessary to understand how the brand evolved. Polaroid was founded by Harvard graduate Edwin Land in 1937, who had spent years researching ways to reduce the problem of glare within photographs. Indeed, early Polaroid products included glare-reducing desk lamps and eye glasses. In the years after World War II, Polaroid became chiefly associated with instant photography. Land, who had pioneered a process in which coloured dyes were able to be passed from a negative onto film inside a sealed unit, launched his first camera in 1948 and by the 1970s the brand was a household name. In fact, as the first and only brand within its category, the brand became the name of the end product itself. In other words, people didn’t say ‘a Polaroid photograph’ or even ‘a photograph’, they simply said ‘a Polaroid’. Polaroid’s profile was enhanced further during the 1970s through the longrunning advertising campaign for the company’s One Step camera, featuring
Tired brands 275 actors James Garner and Mariette Hartley in romantic roles. Because of its instantaneous nature, with photos developed in your hand seconds after they were taken, the Polaroid identity became that of a fun, cool ‘live for the moment’ kind of brand. The 1970s also saw Polaroid develop an almost cult status, with various high-profile figures becoming passionate fans of the brand. The art world, in particular, became a fan of instant photography. This was no accident. Edwin Land had understood that artists could help to legitimize his invention since the 1950s. He had known that if Polaroid was seen as a novelty, or a gimmick, the brand would die as quickly as it had emerged. He therefore needed to establish Polaroid photography as a potential art form in its own right. In 1955 he had found the solution in the form of Ansel Adams, an internationally acclaimed landscape photographer who had exhibited at the Museum of Modern Art in New York. Adams was sent out to Yosemite National Park in California to experiment with different types of Polaroid film. Artistic photographs of snow-covered landscapes which rivalled much of Adams former work were the end result. With the help of a ‘serious’ photographer such as Adams, Polaroid was now a brand to be treated with respect. Such was this success that every time Land created a new film he would invite photographers and artists to the Polaroid labs to see what they thought. There is even an official Polaroid Collection of Art which has been lovingly built up and now includes over 20,000 works. By the mid 1970s, modern artists of a very different nature to Ansel Adams became Polaroid devotees. Such luminaries as Andy Warhol, David Hockney, William Wegman, Chuck Close, Lucas Samaras and Marie Cosindas were all big fans. Warhol, in particular, loved his Polaroid camera. He had it with him at all times and snapped everyone he met on his hedonistic adventures around Manhattan. In an article which appeared in the Guardian in October 2001, Jonathan Jones explained the connection between the Polaroid brand and the art world: Polaroid colour is intense, slightly unreal, adding its own sheen to an image. This appealed to artists because it made explicit the artifice of the photographic [. . .] The revolution that made Polaroid a universal tool for artists, as well as a truly mass photographic method, was the
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274 <strong>Brand</strong> failures<br />
93 Polaroid<br />
Live by the category, die by the category<br />
If digital photography represents a difficult challenge for Kodak, it represented<br />
a near impossible one for Polaroid. In October 2001, after years of<br />
falling sales and drastic cost cuts, the firm filed for bankruptcy. Although the<br />
company was eventually purchased in July 2002 by the private equity arm<br />
of Bank One, many believe the glory days of Polaroid are in the past.<br />
However, digital cameras are only one contributing factor in the perceived<br />
decline of the instant photography brand. To understand how it was unable<br />
to maintain its once formidably strong brand assets, it is necessary to<br />
understand how the brand evolved.<br />
Polaroid was founded by Harvard graduate Edwin Land in 1937, who had<br />
spent years researching ways to reduce the problem of glare within photographs.<br />
Indeed, early Polaroid products included glare-reducing desk lamps<br />
and eye glasses.<br />
In the years after World War II, Polaroid became chiefly associated with<br />
instant photography. Land, who had pioneered a process in which coloured<br />
dyes were able to be passed from a negative onto film inside a sealed unit,<br />
launched his first camera in 1948 and by the 1970s the brand was a household<br />
name. In fact, as the first and only brand within its category, the brand<br />
became the name of the end product itself. In other words, people didn’t say<br />
‘a Polaroid photograph’ or even ‘a photograph’, they simply said ‘a Polaroid’.<br />
Polaroid’s profile was enhanced further during the 1970s through the longrunning<br />
advertising campaign for the company’s One Step camera, featuring