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Department of Humanities<br />

PHL 210 Critical and Creative Thinking<br />

Students will be taught how to read out<br />

arguments in ordinary language – for instance<br />

in opinion pieces in newspapers and magazines<br />

or in short philosophical passages – and to<br />

identify the kind of argument, and to analyze and<br />

evaluate those arguments. Students will also<br />

be introduced to formal modes of reasoning in<br />

categorical and symbolic logic. Finally, students<br />

will be trained in thinking creatively about<br />

certain passages from the established great<br />

figures in the philosophical tradition.<br />

PHL 211 Symbolic Logic<br />

This course introduces the concepts and<br />

principles of symbolic logic, in particular the<br />

distinction between valid and invalid arguments,<br />

the determination of logical relations between<br />

sentences, the formal analysis of sentences<br />

so that the logical relations between them can<br />

be determined, the definition and construction<br />

of a formal language, the evaluation of truth,<br />

truth-functions, quantifiers and their use in the<br />

analysis of arguments, and predicate logic.<br />

PHL301 Ethics<br />

Ethics is classically the study of what is right, just,<br />

appropriate, or desirable, all of which are among<br />

the various meanings given to “the good”, the<br />

central concern of ethics. Typically, this course<br />

will have historical, theoretical, and applied<br />

dimensions: the historical dimension will provide<br />

acquaintance with the various kinds of ethical<br />

and moral theory that have emerged over the last<br />

two and half millennia; the theoretical dimension<br />

will examine the content of these ideas closely;<br />

and the applied dimension will sharpen the<br />

student’s ability to think through distinctively<br />

ethical and moral problems.<br />

PHL302 Theory of Knowledge<br />

Theory of knowledge, known as “epistemology”,<br />

is a fundamental and enduringly significant<br />

branch of philosophy. Despite many historical<br />

transformations (some of which will be examined),<br />

it has had stable aims, among which are the<br />

definition of knowledge, the distinction between<br />

knowledge and belief, the methodologies and<br />

procedure by which knowledge is acquired, and<br />

how to deal with skepticism. These issues will<br />

be raised and explored with reference to both<br />

ancient and modern texts.<br />

PHL303 Metaphysics<br />

Metaphysics is the broad philosophical study<br />

of the basic form, structure, essence, and<br />

elements of reality or “being”, and in its classical<br />

form it tries to provide a unified account of how<br />

the cosmos hangs together and what makes<br />

the cosmos what it is. This course may variously<br />

emphasize metaphysical topics in religion,<br />

physics, and/or mind. Overall, the course will<br />

survey philosophers’ quest to grasp the basic<br />

nature of reality (perhaps with that of some<br />

physicists and biologists who have recently<br />

joined philosophers in their timeless quest).<br />

PHL 311 Philosophy of Religion<br />

This course will address fundamental<br />

philosophical questions arising from all major<br />

religions in the worlds, including the three<br />

Abrahamic faiths as well as the older Asian<br />

traditions such as Hinduism, Buddhism,<br />

Confucianism, and Daoism. The course will<br />

deal with common religious themes such as<br />

Transcendence (or the Sacred or Mystery),<br />

religious experience, religious language,<br />

symbolism, the relationship between faith<br />

and reason, the relationship between science,<br />

mythology, and religion, and religious pluralism.<br />

PHL321 Philosophy of Art<br />

The course deals with (1) how we can discern<br />

whether something qualifies as art, in what<br />

sense our aesthetic judgments are subjective<br />

or objective, what qualifies as a good, bad,<br />

correct, or an incorrect interpretation of an<br />

artwork, and whether we can learn from art<br />

(epistemological issues); (2) the nature of<br />

art and artworks and the kinds of experience<br />

associated with them, how art relates to reality,<br />

the creative process, and aesthetic experience<br />

(metaphysical issues); and (3) the moral<br />

dimension of art (moral issues).<br />

PHL322 Philosophy in Literature and Film<br />

(already exists as Existentialism in Literature)<br />

Modern novels and films have often been far<br />

more effective than the work of philosophers<br />

in engaging readers with some of the most<br />

important questions of life, such as the<br />

existence of God, the meaning of life, the role<br />

of art in shaping human beings, the nature<br />

of time, truth, and reality, our relationship to<br />

nature, and so on. This course will therefore<br />

turn to literature and/or film to immerse<br />

students in situations that bring urgent<br />

philosophical issues to the foreground with<br />

great power and conviction.<br />

PHL323 Philosophy of History<br />

The principal aim of this course is a critical<br />

consideration of the claim that there has been<br />

genuine progress in global history, especially<br />

morally. Typically this course will study the<br />

work of G.W.F. Hegel and use it as a departure<br />

point, but other variations are possible. These<br />

variations will be based on the work of Hegel’s<br />

<strong>Lebanese</strong> <strong>American</strong> University | page 162

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