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Rome Wasn't Digitized in a Day - Council on Library and Information ...

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<strong>and</strong> prayers), <strong>and</strong> edited texts are downloadable as PDFs. While no images of the tablets are given,<br />

those texts that are available as downloads <str<strong>on</strong>g>in</str<strong>on</strong>g>clude basic catalog <str<strong>on</strong>g>in</str<strong>on</strong>g>formati<strong>on</strong>, transliterati<strong>on</strong>s, an<br />

English translati<strong>on</strong>, a commentary, <strong>and</strong> a full bibliography. There are also various <str<strong>on</strong>g>in</str<strong>on</strong>g>dexes to the texts,<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g words, deity <strong>and</strong> pers<strong>on</strong>al names, <strong>and</strong> geographical names (there are separate <str<strong>on</strong>g>in</str<strong>on</strong>g>dexes for<br />

epics <strong>and</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g>cantati<strong>on</strong>s).<br />

Another grow<str<strong>on</strong>g>in</str<strong>on</strong>g>g research project is the Persepolis Fortificati<strong>on</strong> Archive Project (PFAP), 108 which is<br />

based at the University of Chicago’s Oriental Institute. Archaeologists from the Institute work<str<strong>on</strong>g>in</str<strong>on</strong>g>g at<br />

Persepolis <str<strong>on</strong>g>in</str<strong>on</strong>g> the 1930s exposed ru<str<strong>on</strong>g>in</str<strong>on</strong>g>s of the palaces of Darius, Xerxes, <strong>and</strong> their successors <strong>and</strong> found<br />

tens of thous<strong>and</strong>s of clay tablets <str<strong>on</strong>g>in</str<strong>on</strong>g> a fortificati<strong>on</strong> wall. These tablets were adm<str<strong>on</strong>g>in</str<strong>on</strong>g>istrative records<br />

produced around 500 BC. This archive is be<str<strong>on</strong>g>in</str<strong>on</strong>g>g made available for study through PFA Onl<str<strong>on</strong>g>in</str<strong>on</strong>g>e. 109<br />

Primary access to the PFA Onl<str<strong>on</strong>g>in</str<strong>on</strong>g>e is made available through OCHRE (Onl<str<strong>on</strong>g>in</str<strong>on</strong>g>e Cultural Heritage<br />

Research Envir<strong>on</strong>ment) <strong>and</strong> requires the Java Runtime Envir<strong>on</strong>ment to be used. S<str<strong>on</strong>g>in</str<strong>on</strong>g>ce 2002, the PFA<br />

project has captured <strong>and</strong> edited almost 2,000 digital images of Elamite tablets, created <strong>and</strong> edited high<br />

resoluti<strong>on</strong> digital images of more than 600 Aramaic tablets am<strong>on</strong>g a variety of other research, 110 <strong>and</strong><br />

has created a blog to track their progress. 111 In additi<strong>on</strong> to us<str<strong>on</strong>g>in</str<strong>on</strong>g>g OCHRE, the PFAP makes digital<br />

material available through InscriptiFact <strong>and</strong> is <str<strong>on</strong>g>in</str<strong>on</strong>g> the process of submitt<str<strong>on</strong>g>in</str<strong>on</strong>g>g images <strong>and</strong> texts to the<br />

CDLI <strong>and</strong> to Achemenet. 112 Around 15,000 high-quality images of approximately 515 Persepolis<br />

documents are currently available through InscriptiFact, <strong>and</strong> the PFAP is add<str<strong>on</strong>g>in</str<strong>on</strong>g>g images to this<br />

database. While InscriptiFact presents access to images <strong>and</strong> object-level metadata, access to the PFA<br />

Onl<str<strong>on</strong>g>in</str<strong>on</strong>g>e through OCHRE also presents images l<str<strong>on</strong>g>in</str<strong>on</strong>g>ked to text editi<strong>on</strong>s (<str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g transliterati<strong>on</strong>s <strong>and</strong><br />

translati<strong>on</strong>s), catalog<str<strong>on</strong>g>in</str<strong>on</strong>g>g, <strong>and</strong> analytical <str<strong>on</strong>g>in</str<strong>on</strong>g>formati<strong>on</strong>.<br />

As <str<strong>on</strong>g>in</str<strong>on</strong>g>dicated by this overview, the challenge of work<str<strong>on</strong>g>in</str<strong>on</strong>g>g with cuneiform tablets <strong>and</strong> the languages<br />

represented by them is an area of active <strong>and</strong> grow<str<strong>on</strong>g>in</str<strong>on</strong>g>g <str<strong>on</strong>g>in</str<strong>on</strong>g>terest. One theme also illustrated throughout<br />

the document-recogniti<strong>on</strong> secti<strong>on</strong> was the importance of creat<str<strong>on</strong>g>in</str<strong>on</strong>g>g digital editi<strong>on</strong>s of texts that represent<br />

variant read<str<strong>on</strong>g>in</str<strong>on</strong>g>gs <strong>and</strong> make editorial decisi<strong>on</strong>s transparent, two topics that receive further discussi<strong>on</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g><br />

the next secti<strong>on</strong>.<br />

Digital Editi<strong>on</strong>s <strong>and</strong> Text Edit<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

Introducti<strong>on</strong><br />

Two of the most extensive <strong>and</strong> frequently debated questi<strong>on</strong>s <str<strong>on</strong>g>in</str<strong>on</strong>g> the field of digital classics, <strong>and</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g>deed<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g> all of the digital humanities, are how to build an <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure that supports the creati<strong>on</strong> of “true”<br />

digital critical editi<strong>on</strong>s, <strong>and</strong> what c<strong>on</strong>stitutes a “digital critical editi<strong>on</strong>.” Several l<strong>on</strong>g-st<strong>and</strong><str<strong>on</strong>g>in</str<strong>on</strong>g>g projects<br />

serve as examples of creat<str<strong>on</strong>g>in</str<strong>on</strong>g>g digital editi<strong>on</strong>s for the entire corpus of an author (Chicago Homer), 113<br />

for the selected works of an author (Homer <strong>and</strong> the Papyri, 114 Homeric Multitext 115 ) or for <str<strong>on</strong>g>in</str<strong>on</strong>g>dividual<br />

108 http://ochre.lib.uchicago.edu/PFA_Onl<str<strong>on</strong>g>in</str<strong>on</strong>g>e/<br />

109 http://ochre.lib.uchicago.edu/ochre6.jspproject=65801673-ad89-6757-330b-fd5926b2a685<br />

110 http://oi.uchicago.edu/research/projects/pfa/<br />

111 http://persepolistablets.blogspot.com/<br />

112 http://www.achemenet.com/<br />

113 http://www.library.northwestern.edu/homer/<br />

114 http://chs.harvard.edu/wb/86/wo/XNM7918Nrebkz3KQV0bTHg/4.0.0.0.19.1.7.15.1.1.0.1.2.0.4.1.7.1.0.0.1.3.3.1<br />

115 http://chs.harvard.edu/wa/pageRtn=ArticleWrapper&bdc=12&mn=1169

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