Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
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iii<br />
C<strong>on</strong>tents<br />
ABOUT THE AUTHOR ...................................................................................................................................... vi<br />
ACKNOWLEDGMENTS ................................................................................................................................... vi<br />
AUTHOR’S NOTE .............................................................................................................................................. vi<br />
KEY ACRONYMS ............................................................................................................................................... vi<br />
FOREWORD ........................................................................................................................................................ ix<br />
INTRODUCTION ................................................................................................................................................. 1<br />
CLASSICS AND COMPUTERS: A LONG HISTORY .................................................................................... 1<br />
MULTIDISCIPLINARY CLASSICAL DIGITAL LIBRARIES: ADVANCED TECHNOLOGIES AND<br />
SERVICES ............................................................................................................................................................. 7<br />
Bibliographies/Catalogs/Directories ................................................................................................................... 9<br />
Document Analysis, Recogniti<strong>on</strong>, <strong>and</strong> Optical Character Recogniti<strong>on</strong> for Historical Languages .................... 12<br />
Ancient Greek ............................................................................................................................................... 13<br />
Lat<str<strong>on</strong>g>in</str<strong>on</strong>g> .............................................................................................................................................................. 16<br />
Sanskrit .......................................................................................................................................................... 20<br />
Syriac............................................................................................................................................................. 23<br />
Cuneiform Texts <strong>and</strong> Sumerian..................................................................................................................... 27<br />
Digital Editi<strong>on</strong>s <strong>and</strong> Text Edit<str<strong>on</strong>g>in</str<strong>on</strong>g>g...................................................................................................................... 32<br />
Introducti<strong>on</strong> ................................................................................................................................................... 32<br />
Theoretical Issues of Model<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>and</strong> Markup for Digital Editi<strong>on</strong>s ................................................................. 33<br />
New Models of Collaborati<strong>on</strong>, Tools, <strong>and</strong> Frameworks for Digital Editi<strong>on</strong>s ............................................... 40<br />
The Challenges of Text Alignment <strong>and</strong> Text Variants .................................................................................. 44<br />
Computati<strong>on</strong>al L<str<strong>on</strong>g>in</str<strong>on</strong>g>guistics <strong>and</strong> Natural Language Process<str<strong>on</strong>g>in</str<strong>on</strong>g>g .......................................................................... 48<br />
Treebanks ...................................................................................................................................................... 48<br />
Morphological Analysis ................................................................................................................................ 50<br />
Lexic<strong>on</strong>s ........................................................................................................................................................ 52<br />
Can<strong>on</strong>ical Text Services, Citati<strong>on</strong> Detecti<strong>on</strong>, <strong>and</strong> Citati<strong>on</strong> L<str<strong>on</strong>g>in</str<strong>on</strong>g>k<str<strong>on</strong>g>in</str<strong>on</strong>g>g ................................................................. 56<br />
Text M<str<strong>on</strong>g>in</str<strong>on</strong>g><str<strong>on</strong>g>in</str<strong>on</strong>g>g, Quotati<strong>on</strong> Detecti<strong>on</strong>, <strong>and</strong> Authorship Attributi<strong>on</strong> ....................................................................... 60<br />
THE DISCIPLINES AND TECHNOLOGIES OF DIGITAL CLASSICS ................................................... 62<br />
Ancient History ................................................................................................................................................. 62<br />
Classical Archaeology ....................................................................................................................................... 63<br />
Overview ....................................................................................................................................................... 63<br />
Electr<strong>on</strong>ic Publish<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>and</strong> Traditi<strong>on</strong>al Publish<str<strong>on</strong>g>in</str<strong>on</strong>g>g ......................................................................................... 64<br />
Data Creati<strong>on</strong>, Data Shar<str<strong>on</strong>g>in</str<strong>on</strong>g>g, <strong>and</strong> Digital Dissem<str<strong>on</strong>g>in</str<strong>on</strong>g>ati<strong>on</strong> .............................................................................. 66<br />
Data Integrati<strong>on</strong>, Digital Repositories, <strong>and</strong> Cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure for Archaeology........................................ 69<br />
Design<str<strong>on</strong>g>in</str<strong>on</strong>g>g Digital Infrastructures for the Research Methods of Archaeology .............................................. 76<br />
Visualizati<strong>on</strong> <strong>and</strong> 3-D Rec<strong>on</strong>structi<strong>on</strong>s of Archaeological Sites .................................................................. 82<br />
Classical Art <strong>and</strong> Architecture .......................................................................................................................... 87<br />
Classical Geography .......................................................................................................................................... 89<br />
The Ancient World Mapp<str<strong>on</strong>g>in</str<strong>on</strong>g>g Center ............................................................................................................. 90<br />
The Pleiades Project ...................................................................................................................................... 90<br />
The HESTIA Project ..................................................................................................................................... 92<br />
Epigraphy .......................................................................................................................................................... 96<br />
Overview: Epigraphy Databases, Digital Epigraphy, <strong>and</strong> EpiDoc................................................................ 96<br />
Onl<str<strong>on</strong>g>in</str<strong>on</strong>g>e Epigraphy Databases ....................................................................................................................... 101