Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
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so, for their scholarship to reta<str<strong>on</strong>g>in</str<strong>on</strong>g> mean<str<strong>on</strong>g>in</str<strong>on</strong>g>g; sec<strong>on</strong>d, classicists will need to work with scholars who<br />
have more advanced underst<strong>and</strong><str<strong>on</strong>g>in</str<strong>on</strong>g>g of technology; <strong>and</strong> third, new <str<strong>on</strong>g>in</str<strong>on</strong>g>stituti<strong>on</strong>s, or a new hybrid librarypublisher<br />
that can help classicists create <strong>and</strong> ma<str<strong>on</strong>g>in</str<strong>on</strong>g>ta<str<strong>on</strong>g>in</str<strong>on</strong>g> their objects/services, are necessary.<br />
These articles illustrate a number of important issues to be c<strong>on</strong>sidered for a classics<br />
cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure, or <str<strong>on</strong>g>in</str<strong>on</strong>g>deed for a digital repository or federated series of repositories, to meet the<br />
needs of digital classicists. These requirements <str<strong>on</strong>g>in</str<strong>on</strong>g>clude open data <strong>and</strong> collecti<strong>on</strong>s (open not <strong>on</strong>ly <str<strong>on</strong>g>in</str<strong>on</strong>g><br />
terms of access but <str<strong>on</strong>g>in</str<strong>on</strong>g> terms of openly licensed where all the data are available), curated knowledge<br />
sources <strong>and</strong> mach<str<strong>on</strong>g>in</str<strong>on</strong>g>e-acti<strong>on</strong>able reference works, general <strong>and</strong> doma<str<strong>on</strong>g>in</str<strong>on</strong>g>-specialized services,<br />
collaborati<strong>on</strong> both with<str<strong>on</strong>g>in</str<strong>on</strong>g> the discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>e of classics <strong>and</strong> with other discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>es, <strong>and</strong> an <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure that<br />
will support a reas<strong>on</strong>able level of doma<str<strong>on</strong>g>in</str<strong>on</strong>g> customizati<strong>on</strong> while still be<str<strong>on</strong>g>in</str<strong>on</strong>g>g flexible enough to provide<br />
general storage <strong>and</strong> high-speed access to computati<strong>on</strong>al processes. Similarly, Mah<strong>on</strong>y <strong>and</strong> Bodard<br />
(2010) have offered a list of requirements, <str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g “Digital <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure, Open Access publicati<strong>on</strong>,<br />
re-use of freely licensed data <strong>and</strong>, <strong>and</strong> Semantic Web technologies” <str<strong>on</strong>g>in</str<strong>on</strong>g> order for Classics to fully<br />
engage with an “<str<strong>on</strong>g>in</str<strong>on</strong>g>creas<str<strong>on</strong>g>in</str<strong>on</strong>g>gly digital academic envir<strong>on</strong>ment” (Mah<strong>on</strong>y <strong>and</strong> Bodard 2010, 5). The next<br />
secti<strong>on</strong> outl<str<strong>on</strong>g>in</str<strong>on</strong>g>es a number of projects that have taken some <str<strong>on</strong>g>in</str<strong>on</strong>g>itial steps toward build<str<strong>on</strong>g>in</str<strong>on</strong>g>g parts of this<br />
<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure.<br />
Classics Cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure Projects<br />
While several nati<strong>on</strong>al <strong>and</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g>ternati<strong>on</strong>al cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure projects are discussed <str<strong>on</strong>g>in</str<strong>on</strong>g> the next secti<strong>on</strong><br />
of this report, a number of smaller projects have focused <strong>on</strong> provid<str<strong>on</strong>g>in</str<strong>on</strong>g>g greater <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrati<strong>on</strong> of major<br />
digital classics resources or greater <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure for classics, subdiscipl<str<strong>on</strong>g>in</str<strong>on</strong>g>es of classics, or medieval<br />
studies. Some of these projects have been discussed above. Some projects have been completed, <strong>and</strong><br />
others are <strong>on</strong>go<str<strong>on</strong>g>in</str<strong>on</strong>g>g.<br />
APIS—Advanced Papyrological Informati<strong>on</strong> System<br />
This project has been discussed <str<strong>on</strong>g>in</str<strong>on</strong>g> the Papyrology secti<strong>on</strong>.<br />
CLAROS—Classical Art Research Onl<str<strong>on</strong>g>in</str<strong>on</strong>g>e Services<br />
The CLAROS 644 project has actively researched how to best support the “virtual <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrati<strong>on</strong> of digital<br />
assets <strong>on</strong> classical art” <str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g pottery, gems, sculpture, ic<strong>on</strong>ography, <strong>and</strong> antiquaria. CLAROS is<br />
us<str<strong>on</strong>g>in</str<strong>on</strong>g>g “Semantic Web data <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrati<strong>on</strong> technologies <strong>and</strong> state-of-the art image recogniti<strong>on</strong> algorithms”<br />
<strong>and</strong> seeks to br<str<strong>on</strong>g>in</str<strong>on</strong>g>g classical art “to any<strong>on</strong>e, anytime, anywhere.” 645 Its major partner <str<strong>on</strong>g>in</str<strong>on</strong>g>stituti<strong>on</strong>s<br />
<str<strong>on</strong>g>in</str<strong>on</strong>g>clude the Beazley Archive at Oxford, the German Archaeological Institute (DAI) <str<strong>on</strong>g>in</str<strong>on</strong>g> Berl<str<strong>on</strong>g>in</str<strong>on</strong>g>, the<br />
Lexic<strong>on</strong> of Greek Pers<strong>on</strong>al Names (LGPN), the Lexic<strong>on</strong> Ic<strong>on</strong>ographicum Mythologiae Classicae<br />
(LIMC Basel <strong>and</strong> LIMC Paris), <strong>and</strong> the Research Archive for Ancient Sculpture Cologne (Arachne) as<br />
well as a number of other research archives. In May of 2011, the project released both its first public<br />
search <str<strong>on</strong>g>in</str<strong>on</strong>g>terface to the <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrated collecti<strong>on</strong> of these <str<strong>on</strong>g>in</str<strong>on</strong>g>stituti<strong>on</strong>s, the CLAROS Explorer 646 , as well as a<br />
CLAROS data service 647 that provides a RESTful <str<strong>on</strong>g>in</str<strong>on</strong>g>terface to the data <str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g “metadata about<br />
archaeology <strong>and</strong> art <str<strong>on</strong>g>in</str<strong>on</strong>g> mach<str<strong>on</strong>g>in</str<strong>on</strong>g>e-readable formats such as RDF, JSON <strong>and</strong> KML.” The project has<br />
created a wiki 648 that <str<strong>on</strong>g>in</str<strong>on</strong>g>cludes descripti<strong>on</strong>s of the RDF/XML CIDOC-CRM format <strong>and</strong> CLAROS<br />
entity descripti<strong>on</strong> templates for Objects, Places, Periods, <strong>and</strong> People. Dur<str<strong>on</strong>g>in</str<strong>on</strong>g>g 2010, CLAROS also ran<br />
644 http://explore.clarosnet.org/XDB/ASP/clarosHome/<str<strong>on</strong>g>in</str<strong>on</strong>g>dex.html<br />
645 For a discussi<strong>on</strong> of CLAROS <strong>and</strong> its potential for exp<strong>and</strong><str<strong>on</strong>g>in</str<strong>on</strong>g>g access to classical art, see Kurtz (2009).<br />
646 http://explore.clarosnet.org/XDB/ASP/clarosExplorer.asphelp=true<br />
647 http://data.clarosnet.org/<br />
648 http://www.clarosnet.org/wiki/<str<strong>on</strong>g>in</str<strong>on</strong>g>dex.phptitle=Ma<str<strong>on</strong>g>in</str<strong>on</strong>g>_Page