Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
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themes. Each of these articles <strong>and</strong> the requirements it presents for a cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure for classics are<br />
c<strong>on</strong>sidered here.<br />
While the theme of the advanced nature of comput<str<strong>on</strong>g>in</str<strong>on</strong>g>g <str<strong>on</strong>g>in</str<strong>on</strong>g> classics has been documented throughout this<br />
research, Crane, Seales, <strong>and</strong> Terras (2009) suggest that this very level of “advancement” may present<br />
unexpected c<strong>on</strong>sequences:<br />
The early use of digital tools <str<strong>on</strong>g>in</str<strong>on</strong>g> classics may, paradoxically, work aga<str<strong>on</strong>g>in</str<strong>on</strong>g>st the creative<br />
explorati<strong>on</strong> of the digital world now tak<str<strong>on</strong>g>in</str<strong>on</strong>g>g shape. Classicists grew accustomed to treat<str<strong>on</strong>g>in</str<strong>on</strong>g>g their<br />
digital tools as adjuncts to an established pr<str<strong>on</strong>g>in</str<strong>on</strong>g>t world. Publicati<strong>on</strong>—the core practice by which<br />
classicists establish their careers <strong>and</strong> their reputati<strong>on</strong>s—rema<str<strong>on</strong>g>in</str<strong>on</strong>g>s fundamentally c<strong>on</strong>servative<br />
(Crane, Seales <strong>and</strong> Terras 2009).<br />
They c<strong>on</strong>sequently recommended that philologists, <strong>and</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g>deed all classicists, move away from creat<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />
specialized software <strong>and</strong> start creat<str<strong>on</strong>g>in</str<strong>on</strong>g>g specialized knowledge sources; they envisi<strong>on</strong> a new digital<br />
<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure that supports the reth<str<strong>on</strong>g>in</str<strong>on</strong>g>k<str<strong>on</strong>g>in</str<strong>on</strong>g>g of all the traditi<strong>on</strong>al reference sources of classical studies. 641<br />
The greatest barriers to be faced <str<strong>on</strong>g>in</str<strong>on</strong>g> creat<str<strong>on</strong>g>in</str<strong>on</strong>g>g this new <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure are social rather than technical, as<br />
<str<strong>on</strong>g>in</str<strong>on</strong>g>dicated by the fact that no traditi<strong>on</strong>al elements of the scholarly <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure, <str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />
commentaries, editi<strong>on</strong>s, grammars <strong>and</strong> lexic<strong>on</strong>s, have truly been adapted to the digital world by be<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />
made mach<str<strong>on</strong>g>in</str<strong>on</strong>g>e acti<strong>on</strong>able. Other problems <str<strong>on</strong>g>in</str<strong>on</strong>g>clude the fact that most scholarship is still s<str<strong>on</strong>g>in</str<strong>on</strong>g>gle authored,<br />
the TLG provides digital texts without any critical commentary, <strong>and</strong> most major new critical editi<strong>on</strong>s<br />
have copyrights that rema<str<strong>on</strong>g>in</str<strong>on</strong>g> with their publisher, thus lead<str<strong>on</strong>g>in</str<strong>on</strong>g>g to an overreliance <strong>on</strong> the TLG.<br />
N<strong>on</strong>etheless, Crane, Seales, <strong>and</strong> Terras ma<str<strong>on</strong>g>in</str<strong>on</strong>g>ta<str<strong>on</strong>g>in</str<strong>on</strong>g> that a cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure for philology <strong>and</strong> classics is<br />
slowly emerg<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>and</strong> builds up<strong>on</strong> three earlier “stages of digital classics: <str<strong>on</strong>g>in</str<strong>on</strong>g>cunabular projects, which<br />
reta<str<strong>on</strong>g>in</str<strong>on</strong>g> the assumpti<strong>on</strong>s of pr<str<strong>on</strong>g>in</str<strong>on</strong>g>t culture, knowledge bases produced by small, centralized projects, <strong>and</strong><br />
digital communities, which allow many c<strong>on</strong>tributors to collaborate with m<str<strong>on</strong>g>in</str<strong>on</strong>g>imal technical expertise.”<br />
For digital <str<strong>on</strong>g>in</str<strong>on</strong>g>cunabula, the TLG <strong>and</strong> the Bryn Mawr Classical Review are listed, the PDL is suggested<br />
as a knowledge base, <strong>and</strong> the Stoa C<strong>on</strong>sortium is a model digital community. More important, the<br />
authors c<strong>on</strong>tend that these three classes of projects reflect three separate sources of energy:<br />
“<str<strong>on</strong>g>in</str<strong>on</strong>g>dustrialized processes of mass digitizati<strong>on</strong> <strong>and</strong> of general algorithms, the specialized producti<strong>on</strong> of<br />
doma<str<strong>on</strong>g>in</str<strong>on</strong>g> specific, mach<str<strong>on</strong>g>in</str<strong>on</strong>g>e acti<strong>on</strong>able knowledge, <strong>and</strong> the generalized ability for many different<br />
<str<strong>on</strong>g>in</str<strong>on</strong>g>dividuals to c<strong>on</strong>tribute.” The authors posit that when these three sources <str<strong>on</strong>g>in</str<strong>on</strong>g>teract, they provide a new<br />
digital envir<strong>on</strong>ment that makes possible ePhilology, eClassics, <strong>and</strong> cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure. Yet at the same<br />
time, they note that our current <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure is not yet at this stage:<br />
The <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure of 2008 forces researchers <str<strong>on</strong>g>in</str<strong>on</strong>g> classics <strong>and</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g> the humanities to develop<br />
aut<strong>on</strong>omous, largely isolated, resources. We cannot apply any analysis to data that is not<br />
accessible. We need, at the least, to be able gather the data that is available today <strong>and</strong>, sec<strong>on</strong>d,<br />
to ensure that we can retrieve the same data <str<strong>on</strong>g>in</str<strong>on</strong>g> 2050 or 2110 that we retrieve <str<strong>on</strong>g>in</str<strong>on</strong>g> 2010. … We<br />
need digital libraries that may be physically distributed <str<strong>on</strong>g>in</str<strong>on</strong>g> different parts of the world but that<br />
act as a s<str<strong>on</strong>g>in</str<strong>on</strong>g>gle unit. … (Crane, Seales, <strong>and</strong> Terras 2009).<br />
This quote illustrates the c<strong>on</strong>t<str<strong>on</strong>g>in</str<strong>on</strong>g>u<str<strong>on</strong>g>in</str<strong>on</strong>g>g challenges of limited access to primary sources <strong>and</strong> sec<strong>on</strong>dary<br />
scholarship, susta<str<strong>on</strong>g>in</str<strong>on</strong>g>able digital preservati<strong>on</strong>, <strong>and</strong> creat<str<strong>on</strong>g>in</str<strong>on</strong>g>g an <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrated user search<str<strong>on</strong>g>in</str<strong>on</strong>g>g experience<br />
641 The importance of digital reference works <str<strong>on</strong>g>in</str<strong>on</strong>g> an <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrated research envir<strong>on</strong>ment has also been recognized by de la Flor et al. (2010a) <str<strong>on</strong>g>in</str<strong>on</strong>g> their discussi<strong>on</strong><br />
of develop<str<strong>on</strong>g>in</str<strong>on</strong>g>g the VRE-SDM: “Moreover, classicists frequently reference other material such as prior translati<strong>on</strong>s, dicti<strong>on</strong>aries of Roman names <strong>and</strong><br />
historical documents, whilst exam<str<strong>on</strong>g>in</str<strong>on</strong>g><str<strong>on</strong>g>in</str<strong>on</strong>g>g a manuscript. It would therefore be useful to be able to juxtapose the texts <strong>and</strong> notes they are work<str<strong>on</strong>g>in</str<strong>on</strong>g>g <strong>on</strong> with<br />
other paper <strong>and</strong> electr<strong>on</strong>ic materials, <str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g be<str<strong>on</strong>g>in</str<strong>on</strong>g>g able to view partial transcripti<strong>on</strong>s of the text al<strong>on</strong>gside an image.”