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Rome Wasn't Digitized in a Day - Council on Library and Information ...

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7<br />

always been a “data-<str<strong>on</strong>g>in</str<strong>on</strong>g>tensive” enterprise <strong>and</strong> that all the reference works <strong>and</strong> critical editi<strong>on</strong>s created<br />

by classicists were well suited to an electr<strong>on</strong>ic envir<strong>on</strong>ment. He argued that the needs of classicists <str<strong>on</strong>g>in</str<strong>on</strong>g><br />

2004 were not so different from those of scholars <str<strong>on</strong>g>in</str<strong>on</strong>g> other discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>es, <strong>and</strong> that classicists would need<br />

to learn to adapt the tools of other discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>es.<br />

There should not be a history of classics <strong>and</strong> the computer, for the needs of classicists are<br />

simply not so dist<str<strong>on</strong>g>in</str<strong>on</strong>g>ctive as to warrant a separate “<str<strong>on</strong>g>in</str<strong>on</strong>g>formatics.” Discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>ary specialists<br />

learn<str<strong>on</strong>g>in</str<strong>on</strong>g>g the strengths <strong>and</strong> weaknesses have, <str<strong>on</strong>g>in</str<strong>on</strong>g> the author's experience, a str<strong>on</strong>g tendency to<br />

exaggerate the extent to which their problems are unique <strong>and</strong> to call for a specialized, doma<str<strong>on</strong>g>in</str<strong>on</strong>g>specific<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure <strong>and</strong> approach (Crane 2004).<br />

While Melissa Terras has recently agreed with Crane’s call for classicists to work <str<strong>on</strong>g>in</str<strong>on</strong>g> an<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>terdiscipl<str<strong>on</strong>g>in</str<strong>on</strong>g>ary manner <strong>and</strong> adapt the computati<strong>on</strong>al advances <strong>and</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure from other<br />

discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>es, she also noted how logistical <strong>and</strong> pers<strong>on</strong>al issues of discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>arity need to be c<strong>on</strong>sidered<br />

when pursu<str<strong>on</strong>g>in</str<strong>on</strong>g>g cross-discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>ary work (Terras 2010), add<str<strong>on</strong>g>in</str<strong>on</strong>g>g that these issues have received little<br />

research. 13 Discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>arity has presented digital classicists with two key challenges, Terras argued. The<br />

first challenge is the difficulty of “forg<str<strong>on</strong>g>in</str<strong>on</strong>g>g an identity <strong>and</strong> ga<str<strong>on</strong>g>in</str<strong>on</strong>g><str<strong>on</strong>g>in</str<strong>on</strong>g>g recogniti<strong>on</strong>” for their work with<str<strong>on</strong>g>in</str<strong>on</strong>g><br />

the traditi<strong>on</strong>al discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>e of classics; the sec<strong>on</strong>d, faced by scholars who go bey<strong>on</strong>d traditi<strong>on</strong>al classics,<br />

is the difficulty <str<strong>on</strong>g>in</str<strong>on</strong>g> engag<str<strong>on</strong>g>in</str<strong>on</strong>g>g with experts <str<strong>on</strong>g>in</str<strong>on</strong>g> various computer science discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>es:<br />

Classicists us<str<strong>on</strong>g>in</str<strong>on</strong>g>g digital technologies <str<strong>on</strong>g>in</str<strong>on</strong>g> their research are regularly at the forefr<strong>on</strong>t of research<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g> digital humanities, given the range of primary <strong>and</strong> sec<strong>on</strong>dary sources c<strong>on</strong>sulted <strong>and</strong> the array<br />

of tools <strong>and</strong> techniques necessary to <str<strong>on</strong>g>in</str<strong>on</strong>g>terrogate them. However, to adopt new <strong>and</strong> develop<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

techniques, <strong>and</strong> to adopt <strong>and</strong> adapt emergent technologies, the Digital Classicist has to work <str<strong>on</strong>g>in</str<strong>on</strong>g><br />

the <str<strong>on</strong>g>in</str<strong>on</strong>g>terdiscipl<str<strong>on</strong>g>in</str<strong>on</strong>g>ary space between Classics <strong>and</strong> comput<str<strong>on</strong>g>in</str<strong>on</strong>g>g science (Terras 2010, 178).<br />

Two projects that Terras believed illustrated the <str<strong>on</strong>g>in</str<strong>on</strong>g>terdiscipl<str<strong>on</strong>g>in</str<strong>on</strong>g>ary visi<strong>on</strong> necessary to pursue successful<br />

work <str<strong>on</strong>g>in</str<strong>on</strong>g> digital classics were eSAD <strong>and</strong> VERA, both of which require large-scale <str<strong>on</strong>g>in</str<strong>on</strong>g>terdiscipl<str<strong>on</strong>g>in</str<strong>on</strong>g>ary<br />

teams to c<strong>on</strong>duct their work.<br />

Balanc<str<strong>on</strong>g>in</str<strong>on</strong>g>g the needs of <str<strong>on</strong>g>in</str<strong>on</strong>g>dividual discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>es such as classics with<str<strong>on</strong>g>in</str<strong>on</strong>g> a larger scholarly<br />

cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure that is still useful across discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>es is a challenge echoed by many humanities<br />

cyber<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure projects, <strong>and</strong> will be discussed later <str<strong>on</strong>g>in</str<strong>on</strong>g> this report. Before mov<str<strong>on</strong>g>in</str<strong>on</strong>g>g to questi<strong>on</strong>s of<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>frastructure, whether for classics or for the humanities as a whole, however, the report looks at some<br />

large multidiscipl<str<strong>on</strong>g>in</str<strong>on</strong>g>ary classical digital libraries, the services they provide, <strong>and</strong> the state of the art <str<strong>on</strong>g>in</str<strong>on</strong>g><br />

potential services they might develop.<br />

MULTIDISCIPLINARY CLASSICAL DIGITAL LIBRARIES: ADVANCED TECHNOLOGIES<br />

AND SERVICES<br />

The extensive <str<strong>on</strong>g>in</str<strong>on</strong>g>terest <str<strong>on</strong>g>in</str<strong>on</strong>g> the language, literature, <strong>and</strong> history of the ancient world is evidenced by the<br />

large number of resources available <strong>on</strong>l<str<strong>on</strong>g>in</str<strong>on</strong>g>e. Digital collecti<strong>on</strong>s of classical texts (particularly <str<strong>on</strong>g>in</str<strong>on</strong>g> Greek<br />

<strong>and</strong> Lat<str<strong>on</strong>g>in</str<strong>on</strong>g>) abound <strong>on</strong>l<str<strong>on</strong>g>in</str<strong>on</strong>g>e <strong>and</strong> have been created both by enthusiasts <strong>and</strong> by academics. For Lat<str<strong>on</strong>g>in</str<strong>on</strong>g>, some<br />

of the larger collecti<strong>on</strong>s are Corpus Scriptorum Lat<str<strong>on</strong>g>in</str<strong>on</strong>g>orum, IntraText, Lacus Curtius, <strong>and</strong> the Lat<str<strong>on</strong>g>in</str<strong>on</strong>g><br />

<strong>Library</strong>; for Lat<str<strong>on</strong>g>in</str<strong>on</strong>g> <strong>and</strong> Greek, there is the Bibliotheca Augustana <strong>and</strong> the Internet Classics Archive; <strong>and</strong><br />

13 Terras cites Siemens (2009) as <strong>on</strong>e of the few research articles <str<strong>on</strong>g>in</str<strong>on</strong>g> this area.

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