Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
Rome Wasn't Digitized in a Day - Council on Library and Information ...
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The Digital Scriptorium provides access to an <strong>on</strong>l<str<strong>on</strong>g>in</str<strong>on</strong>g>e image database of medieval <strong>and</strong> Renaissance<br />
manuscripts from almost 30 libraries <strong>and</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g>cludes records for 5,300 manuscripts <strong>and</strong> 24,300 images.<br />
This collecti<strong>on</strong> can be browsed by locati<strong>on</strong>, shelfmark, author, title, scribe, artist, <strong>and</strong> language<br />
(<str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g 58 Greek manuscripts). Each manuscript record <str<strong>on</strong>g>in</str<strong>on</strong>g>cludes an extensive bibliographic <strong>and</strong><br />
physical descripti<strong>on</strong>, l<str<strong>on</strong>g>in</str<strong>on</strong>g>ks to <str<strong>on</strong>g>in</str<strong>on</strong>g>dividual manuscript pages images (thumbnail, small, medium,<br />
large), 389 <strong>and</strong> l<str<strong>on</strong>g>in</str<strong>on</strong>g>ks to the fully digitized manuscript at its home <str<strong>on</strong>g>in</str<strong>on</strong>g>stituti<strong>on</strong> (where available). Several<br />
types of search<str<strong>on</strong>g>in</str<strong>on</strong>g>g are available, <str<strong>on</strong>g>in</str<strong>on</strong>g>clud<str<strong>on</strong>g>in</str<strong>on</strong>g>g a basic search, a shelfmark search, <strong>and</strong> an advanced search<br />
where a user can enter multiple keywords (to search the fields shelfmark, author, title, docket,<br />
language, provenance, b<str<strong>on</strong>g>in</str<strong>on</strong>g>d<str<strong>on</strong>g>in</str<strong>on</strong>g>g, capti<strong>on</strong>) with limits by date, decorati<strong>on</strong>, country of orig<str<strong>on</strong>g>in</str<strong>on</strong>g>, <strong>and</strong> current<br />
locati<strong>on</strong>.<br />
An overview of the Digital Scriptorium (DS) <strong>and</strong> its future has been provided by C<strong>on</strong>suelo Dutschke<br />
(Dutschke 2008). She articulated how the creati<strong>on</strong> of the DS had made the work of text editors <str<strong>on</strong>g>in</str<strong>on</strong>g><br />
assembl<str<strong>on</strong>g>in</str<strong>on</strong>g>g a body of evidence much simpler, <strong>and</strong> that libraries that had chosen to participate had also<br />
made the job of future editors far easier for DS provides a s<str<strong>on</strong>g>in</str<strong>on</strong>g>gle po<str<strong>on</strong>g>in</str<strong>on</strong>g>t of access to the <str<strong>on</strong>g>in</str<strong>on</strong>g>dexed<br />
hold<str<strong>on</strong>g>in</str<strong>on</strong>g>gs of multiple libraries. She also observed that many libraries that had chosen to participate <str<strong>on</strong>g>in</str<strong>on</strong>g><br />
DS had c<strong>on</strong>sequently made a much greater effort to identify their own collecti<strong>on</strong>s. Even more<br />
important, however, the DS can help editors ga<str<strong>on</strong>g>in</str<strong>on</strong>g> a more complete underst<strong>and</strong><str<strong>on</strong>g>in</str<strong>on</strong>g>g of the c<strong>on</strong>text of the<br />
manuscripts with which they work:<br />
DS also serves the cause of the editor <str<strong>on</strong>g>in</str<strong>on</strong>g> allow<str<strong>on</strong>g>in</str<strong>on</strong>g>g him a first glimpse of the world that a given<br />
manuscript occupies: the other texts with which it circulates; the m<str<strong>on</strong>g>in</str<strong>on</strong>g>iatures, if any, which<br />
always imply <str<strong>on</strong>g>in</str<strong>on</strong>g>terpretati<strong>on</strong>; the level of expense that went <str<strong>on</strong>g>in</str<strong>on</strong>g>to its producti<strong>on</strong>; early <strong>and</strong> late<br />
owners with their notes <strong>and</strong> their b<str<strong>on</strong>g>in</str<strong>on</strong>g>d<str<strong>on</strong>g>in</str<strong>on</strong>g>gs, each br<str<strong>on</strong>g>in</str<strong>on</strong>g>g<str<strong>on</strong>g>in</str<strong>on</strong>g>g a historical glimpse of that<br />
manuscript's value – both semantic <strong>and</strong> f<str<strong>on</strong>g>in</str<strong>on</strong>g>ancial – to the whole. Le<strong>on</strong>ard Boyle rem<str<strong>on</strong>g>in</str<strong>on</strong>g>ds us that<br />
no text exists without its physical means of transmissi<strong>on</strong>. … <strong>and</strong> DS significantly aids the<br />
editor <str<strong>on</strong>g>in</str<strong>on</strong>g> build<str<strong>on</strong>g>in</str<strong>on</strong>g>g an underst<strong>and</strong><str<strong>on</strong>g>in</str<strong>on</strong>g>g of the physical <strong>and</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g>tellectual envir<strong>on</strong>ment of the chosen<br />
text (Dutschke 2008).<br />
Dutschke asserted that editors’ underst<strong>and</strong><str<strong>on</strong>g>in</str<strong>on</strong>g>g would also grow as they could exam<str<strong>on</strong>g>in</str<strong>on</strong>g>e other<br />
manuscripts of the same text or even other manuscripts of different texts but of a similar place <strong>and</strong> date<br />
of orig<str<strong>on</strong>g>in</str<strong>on</strong>g>. The DS provides access to <strong>on</strong>ly some images of manuscripts (an average of six images per<br />
codex) as the costs of full digitizati<strong>on</strong> were prohibitive <str<strong>on</strong>g>in</str<strong>on</strong>g> many cases. N<strong>on</strong>etheless, it serves as an<br />
important discovery tool for widely scattered collecti<strong>on</strong>s, Dutschke ma<str<strong>on</strong>g>in</str<strong>on</strong>g>ta<str<strong>on</strong>g>in</str<strong>on</strong>g>ed, s<str<strong>on</strong>g>in</str<strong>on</strong>g>ce for most<br />
researchers it simply matters whether a library has the particular text, author, scribe, or artist that they<br />
are research<str<strong>on</strong>g>in</str<strong>on</strong>g>g.<br />
The DS began <str<strong>on</strong>g>in</str<strong>on</strong>g> 1997 <strong>and</strong> first established st<strong>and</strong>ards for bibliographic data collecti<strong>on</strong> <strong>and</strong><br />
photographic capture of manuscripts, st<strong>and</strong>ards that are iteratively updated. The existence of such<br />
st<strong>and</strong>ards, al<strong>on</strong>g with documentati<strong>on</strong>, has made it easier for potential collaborators to determ<str<strong>on</strong>g>in</str<strong>on</strong>g>e<br />
whether they wish to jo<str<strong>on</strong>g>in</str<strong>on</strong>g> the DS. This documentati<strong>on</strong> <strong>and</strong> these st<strong>and</strong>ards have proved a crucial<br />
comp<strong>on</strong>ent of technical susta<str<strong>on</strong>g>in</str<strong>on</strong>g>ability, accord<str<strong>on</strong>g>in</str<strong>on</strong>g>g to Dutschke. The other critical element of<br />
susta<str<strong>on</strong>g>in</str<strong>on</strong>g>ability, she po<str<strong>on</strong>g>in</str<strong>on</strong>g>ted out, is f<str<strong>on</strong>g>in</str<strong>on</strong>g>ancial, <strong>and</strong> the DS is currently tak<str<strong>on</strong>g>in</str<strong>on</strong>g>g steps to ensure the survival<br />
of their digital program for the future. Part of any f<str<strong>on</strong>g>in</str<strong>on</strong>g>ancial susta<str<strong>on</strong>g>in</str<strong>on</strong>g>ability plan, Dutschke expla<str<strong>on</strong>g>in</str<strong>on</strong>g>ed,<br />
was a c<strong>on</strong>crete specificati<strong>on</strong> of what is required to keep an organizati<strong>on</strong> runn<str<strong>on</strong>g>in</str<strong>on</strong>g>g as well as to keep<br />
down future costs. Some key elements she listed <str<strong>on</strong>g>in</str<strong>on</strong>g>cluded documentati<strong>on</strong>, technological transparency,<br />
389 For example, a large image of a manuscript page of Hero of Alex<strong>and</strong>ria’s Geometrica, http://www.columbia.edu/cgi-b<str<strong>on</strong>g>in</str<strong>on</strong>g>/dloobj=ds.Columbia-<br />
NY.NNC-RBML.6869&size=large