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Rome Wasn't Digitized in a Day - Council on Library and Information ...

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105<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>tellectual c<strong>on</strong>tent of the <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong> might be.” They c<strong>on</strong>cluded that it was not useful to separate the<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>tellectual work of the text from the physical object or objects up<strong>on</strong> which it was <str<strong>on</strong>g>in</str<strong>on</strong>g>scribed.<br />

With<str<strong>on</strong>g>in</str<strong>on</strong>g> InscriptiFact, the <str<strong>on</strong>g>in</str<strong>on</strong>g>tellectual work has been def<str<strong>on</strong>g>in</str<strong>on</strong>g>ed as the <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong> with<str<strong>on</strong>g>in</str<strong>on</strong>g> the c<strong>on</strong>text of the<br />

physical object where it was <str<strong>on</strong>g>in</str<strong>on</strong>g>scribed. S<str<strong>on</strong>g>in</str<strong>on</strong>g>ce <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s do not have expressi<strong>on</strong>s as def<str<strong>on</strong>g>in</str<strong>on</strong>g>ed by FRBR,<br />

they used the Dubl<str<strong>on</strong>g>in</str<strong>on</strong>g> Core element relati<strong>on</strong> to map relati<strong>on</strong>ships between the textual c<strong>on</strong>tent of an<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong> <strong>and</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g>stances of that archaeological/physical c<strong>on</strong>text. While the basic objects that are<br />

delivered to users are digital images <strong>and</strong> would seem to corresp<strong>on</strong>d to FRBR items, Hunt et al. <str<strong>on</strong>g>in</str<strong>on</strong>g>sisted<br />

that images of complicated objects (e.g., a plate of fragments) that can <str<strong>on</strong>g>in</str<strong>on</strong>g>clude multiple texts illustrates<br />

that with <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s there can be a “many to many” relati<strong>on</strong>ship between works <strong>and</strong> items. Their f<str<strong>on</strong>g>in</str<strong>on</strong>g>al<br />

approach was to separate catalog<str<strong>on</strong>g>in</str<strong>on</strong>g>g for the text (the <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong> or work) from the images (the digital<br />

objects or items) <strong>and</strong> to extend qualified Dubl<str<strong>on</strong>g>in</str<strong>on</strong>g> Core to “<str<strong>on</strong>g>in</str<strong>on</strong>g>clude an additi<strong>on</strong>al qualifier to denote<br />

manifestati<strong>on</strong>.”<br />

In additi<strong>on</strong> to federated databases <strong>and</strong> digital collecti<strong>on</strong>s of <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s, there are a number of<br />

reference tools now available <strong>on</strong>l<str<strong>on</strong>g>in</str<strong>on</strong>g>e that have been created to assist scholars <str<strong>on</strong>g>in</str<strong>on</strong>g> f<str<strong>on</strong>g>in</str<strong>on</strong>g>d<str<strong>on</strong>g>in</str<strong>on</strong>g>g <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s.<br />

The CLAROS: C<strong>on</strong>cordance of Greek Inscripti<strong>on</strong>s 348 database provides access to a computerized<br />

c<strong>on</strong>cordance of editi<strong>on</strong>s of ancient Greek <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s that have been published <str<strong>on</strong>g>in</str<strong>on</strong>g> the past 100 years.<br />

The fifth editi<strong>on</strong>, issued <str<strong>on</strong>g>in</str<strong>on</strong>g> 2006, <str<strong>on</strong>g>in</str<strong>on</strong>g>cludes more than “450,000 equivalences com<str<strong>on</strong>g>in</str<strong>on</strong>g>g from more than<br />

750 collecti<strong>on</strong>s.” This c<strong>on</strong>cordance provides limited l<str<strong>on</strong>g>in</str<strong>on</strong>g>ks between the results of bibliographic searches<br />

with electr<strong>on</strong>ic versi<strong>on</strong>s of <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s <str<strong>on</strong>g>in</str<strong>on</strong>g> the Inscripti<strong>on</strong>s of Aphrodisias, the Greek Epigraphy Project<br />

of the PHI, <strong>and</strong> some texts from Egypt published <str<strong>on</strong>g>in</str<strong>on</strong>g> the Duke Data Bank of Documentary Papyri. A<br />

full list of collecti<strong>on</strong>s <str<strong>on</strong>g>in</str<strong>on</strong>g>cluded <str<strong>on</strong>g>in</str<strong>on</strong>g> the c<strong>on</strong>cordance is provided as well as a list of abbreviati<strong>on</strong>s used for<br />

classical <strong>and</strong> epigraphical publicati<strong>on</strong>s. The sheer breadth of this database illustrates how many Greek<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s have been published <str<strong>on</strong>g>in</str<strong>on</strong>g> multiple editi<strong>on</strong>s <strong>and</strong> the c<strong>on</strong>sequent challenges of <str<strong>on</strong>g>in</str<strong>on</strong>g>tegrat<str<strong>on</strong>g>in</str<strong>on</strong>g>g l<str<strong>on</strong>g>in</str<strong>on</strong>g>ks<br />

to electr<strong>on</strong>ic versi<strong>on</strong>s of these <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s <str<strong>on</strong>g>in</str<strong>on</strong>g> other databases.<br />

EpiDoc-Based Digital Epigraphy Projects<br />

The Inscripti<strong>on</strong>s of Aphrodisias (ALA 2004) 349 website provides access to the electr<strong>on</strong>ic sec<strong>on</strong>d<br />

editi<strong>on</strong> of “Aphrodisias <str<strong>on</strong>g>in</str<strong>on</strong>g> Late Antiquity: The Late Roman <strong>and</strong> Byzant<str<strong>on</strong>g>in</str<strong>on</strong>g>e Inscripti<strong>on</strong>s” by Charlotte<br />

Roueché of K<str<strong>on</strong>g>in</str<strong>on</strong>g>g’s College L<strong>on</strong>d<strong>on</strong>. This website provides access to a sec<strong>on</strong>d editi<strong>on</strong> that has been<br />

exp<strong>and</strong>ed <strong>and</strong> revised from the versi<strong>on</strong> published by the Society for the Promoti<strong>on</strong> of Roman Studies<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g> 1989. Charlotte Roueché (2009) has expla<str<strong>on</strong>g>in</str<strong>on</strong>g>ed the process of creat<str<strong>on</strong>g>in</str<strong>on</strong>g>g this website <str<strong>on</strong>g>in</str<strong>on</strong>g> detail <strong>and</strong>, as<br />

noted by Cayless et al. (2009) earlier, po<str<strong>on</strong>g>in</str<strong>on</strong>g>ted out that <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s have two identities, both as a text<br />

<strong>and</strong> as an “archaeological object with a c<strong>on</strong>text.” Despite this identity as a text, Roueché remarked that<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>scribed texts had often been omitted from the literary can<strong>on</strong>. As an example, she noted that there<br />

were two verse <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s from Aphrodisias <strong>on</strong> the same block, but <strong>on</strong>ly <strong>on</strong>e was quoted <str<strong>on</strong>g>in</str<strong>on</strong>g> the Greek<br />

Anthology <strong>and</strong> thus ended up <str<strong>on</strong>g>in</str<strong>on</strong>g> the TLG; the other never entered the literary traditi<strong>on</strong>.<br />

While ALA (2004) <str<strong>on</strong>g>in</str<strong>on</strong>g>cludes about 2,000 <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s, Roueché stressed that the sheer scale of<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s almost necessitates electr<strong>on</strong>ic publicati<strong>on</strong>. She reported that she was <str<strong>on</strong>g>in</str<strong>on</strong>g>troduced to EpiDoc<br />

by her colleagues Tom Elliott <strong>and</strong> Charles Crowther <strong>and</strong> thus felt that <strong>on</strong>e important questi<strong>on</strong> to<br />

c<strong>on</strong>sider was how to br<str<strong>on</strong>g>in</str<strong>on</strong>g>g together doma<str<strong>on</strong>g>in</str<strong>on</strong>g> specialists with the technical experts that can help them. 350<br />

348 http://www.dge.filol.csic.es/claros/cnc/2cnc.htm<br />

349 http://<str<strong>on</strong>g>in</str<strong>on</strong>g>saph.kcl.ac.uk/ala2004/<str<strong>on</strong>g>in</str<strong>on</strong>g>dex.html<br />

350 For a brief look at some earlier work d<strong>on</strong>e to br<str<strong>on</strong>g>in</str<strong>on</strong>g>g together epigraphers <strong>and</strong> technical specialists <str<strong>on</strong>g>in</str<strong>on</strong>g> order to help design better tools for use with<br />

EpiDoc, see Cayless (2003).

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