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Rome Wasn't Digitized in a Day - Council on Library and Information ...

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96<br />

Epigraphy<br />

Overview: Epigraphy Databases, Digital Epigraphy, <strong>and</strong> EpiDoc<br />

Epigraphy has been def<str<strong>on</strong>g>in</str<strong>on</strong>g>ed as the study of “<str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s or epigraphs engraved <str<strong>on</strong>g>in</str<strong>on</strong>g>to durable materials<br />

(e.g., st<strong>on</strong>e)” (Bauer et al. 2008). This digitally advanced discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>e 315 is well represented <strong>on</strong>l<str<strong>on</strong>g>in</str<strong>on</strong>g>e by<br />

numerous projects as well as by a relatively mature encod<str<strong>on</strong>g>in</str<strong>on</strong>g>g st<strong>and</strong>ard, EpiDoc. 316 Accord<str<strong>on</strong>g>in</str<strong>on</strong>g>g to the<br />

Corpus Inscripti<strong>on</strong> Lat<str<strong>on</strong>g>in</str<strong>on</strong>g>arum (CIL) project, “Inscripti<strong>on</strong>s, as direct evidence from the ancient world,<br />

are am<strong>on</strong>g the most important sources for <str<strong>on</strong>g>in</str<strong>on</strong>g>vestigat<str<strong>on</strong>g>in</str<strong>on</strong>g>g Roman history <strong>and</strong> everyday life <str<strong>on</strong>g>in</str<strong>on</strong>g> all their<br />

aspects.” 317 Bodard (2008) has offered further explanati<strong>on</strong> of the importance of <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s for<br />

classical scholarship:<br />

Inscripti<strong>on</strong>s, ancient texts <str<strong>on</strong>g>in</str<strong>on</strong>g>scribed <strong>on</strong> st<strong>on</strong>e or other durable materials, are an important source<br />

of access to various ancient societies, <strong>and</strong> particularly the worlds of ancient Greece <strong>and</strong> <str<strong>on</strong>g>Rome</str<strong>on</strong>g>.<br />

These texts survive <str<strong>on</strong>g>in</str<strong>on</strong>g> large numbers, <strong>and</strong> are widely used by historians as <strong>on</strong>e of the primary<br />

sources of direct evidence <strong>on</strong> the history, language, rituals, <strong>and</strong> practices of the ancient world.<br />

Words <str<strong>on</strong>g>in</str<strong>on</strong>g>scribed <strong>on</strong> st<strong>on</strong>e, a skilful <strong>and</strong> expensive process, may tend to be élite texts …<br />

(Bodard 2008).<br />

Bodard stated that <str<strong>on</strong>g>in</str<strong>on</strong>g> additi<strong>on</strong> to official documents there are many other types of <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s, such as<br />

gravest<strong>on</strong>es <strong>and</strong> curse tablets, all of which give <str<strong>on</strong>g>in</str<strong>on</strong>g>sight <str<strong>on</strong>g>in</str<strong>on</strong>g>to the everyday life of ord<str<strong>on</strong>g>in</str<strong>on</strong>g>ary people.<br />

Cayless et al. (2009) gave an overview of the state of the art <str<strong>on</strong>g>in</str<strong>on</strong>g> digital epigraphy 318 <strong>and</strong> the future of<br />

epigraphy as a discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>e. They stated that while most epigraphic publicati<strong>on</strong>s were still published <strong>on</strong>ly<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g> pr<str<strong>on</strong>g>in</str<strong>on</strong>g>t, by 2017 this situati<strong>on</strong> would have changed. The discipl<str<strong>on</strong>g>in</str<strong>on</strong>g>e of epigraphy grew greatly dur<str<strong>on</strong>g>in</str<strong>on</strong>g>g<br />

the eighteenth <strong>and</strong> n<str<strong>on</strong>g>in</str<strong>on</strong>g>eteenth centuries, Cayless et al. observed, as a st<strong>and</strong>ard educati<strong>on</strong> for gentlemen<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g> both Lat<str<strong>on</strong>g>in</str<strong>on</strong>g> <strong>and</strong> Greek, <strong>and</strong> travel <str<strong>on</strong>g>in</str<strong>on</strong>g> the eastern Mediterranean, <str<strong>on</strong>g>in</str<strong>on</strong>g>creased. Many <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s were<br />

transcribed by n<strong>on</strong>classical scholars, but a scientific approach for transcrib<str<strong>on</strong>g>in</str<strong>on</strong>g>g gradually developed as<br />

did st<strong>and</strong>ards for publicati<strong>on</strong>, albeit <str<strong>on</strong>g>in</str<strong>on</strong>g> a rather haphazard manner. In the early 1930s, a set of<br />

publish<str<strong>on</strong>g>in</str<strong>on</strong>g>g protocols called the Leiden c<strong>on</strong>venti<strong>on</strong>s (Van Gr<strong>on</strong><str<strong>on</strong>g>in</str<strong>on</strong>g>gen 1932) was agreed up<strong>on</strong>,<br />

c<strong>on</strong>venti<strong>on</strong>s that have been discussed <strong>and</strong> updated ever s<str<strong>on</strong>g>in</str<strong>on</strong>g>ce, accord<str<strong>on</strong>g>in</str<strong>on</strong>g>g to Cayless et al. (2009). The<br />

Leiden c<strong>on</strong>venti<strong>on</strong>s have been described as “a type of semantic encod<str<strong>on</strong>g>in</str<strong>on</strong>g>g, which c<strong>on</strong>sists of various<br />

brackets, underdots <strong>and</strong> other mark<str<strong>on</strong>g>in</str<strong>on</strong>g>gs relat<str<strong>on</strong>g>in</str<strong>on</strong>g>g to miss<str<strong>on</strong>g>in</str<strong>on</strong>g>g or broken characters, uncerta<str<strong>on</strong>g>in</str<strong>on</strong>g>ty, additi<strong>on</strong>s<br />

<strong>and</strong> correcti<strong>on</strong>s made by the editor of an ancient text” (Roued 2009). Despite the creati<strong>on</strong> of these<br />

c<strong>on</strong>venti<strong>on</strong>s, Roued (2009) noted that editi<strong>on</strong>s published before 1931 used vary<str<strong>on</strong>g>in</str<strong>on</strong>g>g c<strong>on</strong>venti<strong>on</strong>s, <strong>and</strong><br />

even after the creati<strong>on</strong> of Leiden, not all parts of the c<strong>on</strong>venti<strong>on</strong>s were applied evenly.<br />

One major issue with st<strong>and</strong>ard pr<str<strong>on</strong>g>in</str<strong>on</strong>g>t publicati<strong>on</strong> <str<strong>on</strong>g>in</str<strong>on</strong>g> epigraphy, Cayless et al. observed, was that it<br />

“tended to emphasize the role of epigraphy with<str<strong>on</strong>g>in</str<strong>on</strong>g> archaeology <strong>and</strong> history, <strong>and</strong> to distance it from the<br />

study of text <strong>and</strong> language.” Bodard (2008) has also emphasized this unique feature of <str<strong>on</strong>g>in</str<strong>on</strong>g>scripti<strong>on</strong>s:<br />

The texts themselves are an awkward category, neither poetry, history, or philosophy, nor even<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g> the same category as literature preserved by the direct manuscript traditi<strong>on</strong>, but documentary<br />

texts with very little beauty or elegance of language. The objects <strong>on</strong> which the texts are<br />

<str<strong>on</strong>g>in</str<strong>on</strong>g>scribed, the stelae, statues, wall panels, tablets, <strong>and</strong> grave m<strong>on</strong>uments, are studied by<br />

archaeologists <strong>and</strong> art historians for whom the written texts are little more than a footnote, if<br />

315 For <strong>on</strong>e look at an earlier approach to “digital epigraphy” <strong>and</strong> its advantages for Egyptology, see Manuelian (1998).<br />

316 http://epidoc.sourceforge.net/<br />

317 http://cil.bbaw.de/cil_en/dateien/forschung.html<br />

318 For an overview of state-of-the-art digital research methods specifically for Lat<str<strong>on</strong>g>in</str<strong>on</strong>g> epigraphy, see Feraudi-Gruénais (2010).

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