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In this Issue - The Japan Foundation, Manila

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10<br />

FEATURE<br />

<strong>The</strong> <strong>Japan</strong>-East Asia Network of Exchange for Students and Youths Programme (JENESYS) was<br />

launched by the Government of <strong>Japan</strong> as a result of the Second East Asia Summit (EAS) in January 2007<br />

during the term of former Prime Minister Shinzo Abe. It is a 35-billion-yen youth exchange program, inviting<br />

about 6,000 young people to <strong>Japan</strong> mainly from the EAS member states (ASEAN, Australia, China, <strong>In</strong>dia, New<br />

Zealand, the Republic of Korea) every year for five years with a view to establishing a basis of Asia’s stalwart<br />

solidarity by expanding youth exchange. <strong>The</strong> program is expected to deepen mutual understanding<br />

among young people who will assume important roles in the next generation in each East Asian country.<br />

Various kinds of exchange programs including inviting and dispatching youths have been implemented in<br />

cooperation with concerned countries and organizations.<br />

An Architect’s Perception<br />

from Travel to <strong>Japan</strong><br />

Text and Photo By<br />

Ramil B. Tibayan<br />

Travelling has been a hobby for me<br />

since I graduated from college. I have<br />

travelled the Philippines searching for the<br />

different architectural styles that the previous<br />

architects have used from the Spanish<br />

era up to the modern times. Travelling is<br />

also a way for me to learn the different<br />

customs and culture of the Philippines. I<br />

am an architect here in the Philippines and<br />

currently practicing my profession in the<br />

field of Construction Management and<br />

I am also an advocate of Philippine built<br />

heritage. When I was invited by the <strong>Japan</strong><br />

<strong>Foundation</strong> to visit <strong>Japan</strong>, I didn’t think twice<br />

about it. It is now my chance to see and learn<br />

the practices and methods that <strong>Japan</strong> is<br />

applying in preserving their heritage.<br />

Together with 25 delegates from East<br />

Asia and Pacific, we travelled <strong>Japan</strong> and<br />

stayed for 12 days to learn and experience<br />

their heritage and culture. Amazingly from<br />

these travels, it is good to see that <strong>Japan</strong>’s<br />

built heritages are exceptionally preserved.<br />

<strong>The</strong> temples of Kyoto, the machiya houses<br />

of Takayama, the Gassho-style houses of<br />

Shirakawa and the castle park of Kanazawa<br />

are some of the places we have visited that<br />

are all in good state of preservation. It is<br />

not only limited to built heritage but some<br />

customs and traditions of <strong>Japan</strong> are still in<br />

practice like the re-thatching of Gassho-style<br />

houses, the Owara dance and the traditional<br />

tea ceremony. <strong>In</strong> addition to these practices,<br />

we were also given the opportunity to have<br />

hands-on experience by participating in the<br />

pulling of the float at Kyoto’s Gion Festival.<br />

From my point of view, <strong>Japan</strong> has<br />

been successful in preserving their culture<br />

especially their built heritage. As I have<br />

observed through the lectures and site<br />

visits, there are 3 factors which led to <strong>Japan</strong>’s<br />

success in preserving and safeguarding their<br />

built heritage: community collaboration<br />

through the proper coordination of the<br />

local government units with the national<br />

government. Another factor is information<br />

drive. Through education, the local people<br />

have been educated with the importance<br />

of their heritage for the present and future<br />

generations. And lastly, patience is another<br />

key factor. Heritage preservation is not a<br />

short process, it takes time and thorough<br />

study to completely fulfil and realize a<br />

heritage preservation plan.<br />

Aside from the lectures and tours that<br />

opened me with the cultures and traditions<br />

of <strong>Japan</strong>, I also learned from the different<br />

perspectives of the 25 delegates that were<br />

invited to the program. Sharing insights<br />

and perspectives from different people<br />

with different cultures gave me the idea<br />

on their plans and point of views regarding<br />

heritage preservation. Though the delegates<br />

have different standpoints, we do share a<br />

common view that, “heritage is equally as<br />

important as a nation’s identity.” Without<br />

heritage, a nation has no identity. Heritage<br />

is something that we must be proud of. It<br />

is something that distinct us from other<br />

nations. That is why we need to take care<br />

of our own heritage and it must be passed<br />

on to the future generations. Although<br />

technological advancement and modernity<br />

has taken us, we must not forget our history<br />

and we should learn from it.<br />

Gassho style houses from Ainokura village<br />

the Owara dance<br />

detail from a float in Yatsuo Museum<br />

group workshop about<br />

Sannomachi area of Takayama<br />

eaves detail from a<br />

temple in Kyoto<br />

Kanazawa<br />

streetscape<br />

at chaya<br />

district<br />

mountain view from Ainokura village<br />

pulling of the float at Kyoto’s<br />

Gion Festival<br />

Ramil B. Tibayan is a licensed Architect, practicing in the field of Construction Management. An advocate of Philippine built heritage, he is a member of the Museum <strong>Foundation</strong> of the<br />

Philippines and the Heritage Conservation Society.

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