"Under the Sign of Scorpion" by Juri - Gnostic Liberation Front

Europe, since high-ranking Masonic brothers supported him. Nearly half
of the members of To True Harmony were aristocrats who helped Mozart,
for example Esterhazy. Mozart's publishers were also freemasons:
Pasquale Artaria, Cristophe Torricella and Franz Anton Hoffmeister.
Mozart could always count on the brotherly hospitality of the
freemasons, and during his sojourns abroad, he always received economic
support and free lodgings. During his travels 1787-1791, the freemasons
in Prague and other places helped Mozart in various ways. There is written
evidence which proves this. Friends among the freemasons played a
crucial role in aiding Mozart financially: Lichnowsky, Franz Hofdemel
and Michael Puchberg were among his most important creditors. Mozart,
in his turn, helped other freemasons by acquiring loans for them.
In December 1787, Mozart was appointed the imperial chamber
composer. This gave him requisitions for greater operas. The Illuminati
had become a state within the state. Despite all the prohibitions, they
continued with their subversive activities against society. At that time,
people lacked experience and resources to protect themselves against
freemasonry, which was under the influence of the Illuminati.
The prominent Austrian composer Franz Schubert was not a freemason
and he died poor and unappreciated.
As a gifted man, Mozart finally managed to see through the Illuminati's
evil, despite the fact that it appeared to be an angel of light. He intended to
protect society by founding a secret society with several of his friends, Die
Grotte ("The Cave"). Mozart was well aware of the deadly risk he was
taking. Already in April 1787, he wrote in a letter to his father that death
was actually the friend of man and that he could never lie down to sleep
without thinking that he, despite his youth, might not see another day.
(Maynard Solomon, "Mozart", Stockholm, 1995.)
He wished to expose the magic and the conspiracy of the freemasons to
the public. For this purpose he intended to use his opera "Die Zauberflote"
("The Magic Flute"), where Sarastro's prototype was the Grand Master of
the freemasons, Ignaz von Born. Mozart had a perfect memory. Once he
had heard a melody, he could play it again later without making any
mistakes. "The Magic Flute" (1791) contained many revelations about the
secrets of freemasonry. He used the pyramid of the Illuminati, the all-
seeing eye, the temple and other secret symbols. These metaphors were
later removed. Mozart also used musical means of expression by
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