"Under the Sign of Scorpion" by Juri - Gnostic Liberation Front
"Under the Sign of Scorpion" by Juri - Gnostic Liberation Front "Under the Sign of Scorpion" by Juri - Gnostic Liberation Front
must the Soviet Union detain an author who is not allowed to publish his work? Is the intention to destroy him?" In 1939, he had become desperate and wrote the play "Batum" - an apology (rather a smothered scream) and a tribute to the young revolutionary Stalin. This did him no good. He lacked the proper background! In his brilliant novel "The Master and Margarita", published only in 1966, he held cowardice as the deadliest sin. According to the myth, Trotsky also held liberal or avantgarde views on literature. It was even claimed that he was a very competent literary critic. In 1923, Trotsky published his collected articles on literature, along with his decisions, approved by the Party, regarding censorship. The title of this awful book is "Literature and Revolution" (published in English in 1991). According to this book, Trotsky's aim was to transform literature into a weapon of the revolution. He wrote that all ideas dangerous to Communism must be purged. He believed in using the forms of "dangerous" art, however, and thereby propagating the 'wholesome' Communist content. It is hard to imagine any idea more vile than this. This was the birth of propaganda art. The proletarian culture (which really means cultureless-ness) was enforced. Trotsky did not hide this fact. He stressed that the workers had no time left to take part in cultural life, since they had to fight for the revolution. The short pauses between the battles were not enough. He comforted them with a possible chance of enjoying these other values 50 years later, when the revolution was victorious. Only then could they devote themselves to proletarian culture, but until then the workers were first and foremost soldiers of the revolution. The Murder of Sergei Yesenin As if all this was not enough, Trotsky also had Russia's most prominent poet, Sergei Yesenin, murdered. Official cause of death: suicide. Despite the fact that his head had been crushed so that brain tissue had leaked out, Yesenin had still been able to hang himself, according to the death certificate of the Jewish professor Alexander Gilyarevsky. The principal reason for the murder was Yesenin's new poem, "Land of Crooks" in which he surprisingly describes a Jewish tyrant - Leibman- Chekistov. All his acquaintances recognised Bronstein-Trotsky by the description. Yesenin welcomed the "revolution" at the beginning but soon 172
grew disillusioned with it and managed to perceive the dark forces at work behind the political spectacle. That was why he wrote his revelatory poem in which he described how American businessmen took power in Russia with the help of political gangsters who became Soviet prospectors speculating in Marxism. He called the new power-mongers parasites and actually said that the Soviet republic was a bluff (this word was romanised!). He also described Trotsky's burning hatred of the Russian culture. Sergei Yesenin had declaimed passages from this poem to many of his acquaintances. Trotsky was informed about the content of the poem and was unable to forgive this. Yesenin's friend Alexei Ganin, who was also a poet, was arrested in March 1925. He was charged with the libel of comrade Leon Trotsky, sentenced to death and executed. He had, together with the other well- known poets Peter Oreshin, Sergei Klychkov and Yesenin, proclaimed officially that in Russia exclusively the Jews held power. These four had spoken loudly of the injustices of the Communist Jews against Russia in a bar at the end of 1923, according to a secret police report. Disposing of Yesenin was not so easy, however. He was already world famous. He had spent the years 1922-23 in several European countries and the United States of America, together with his American wife, Isadora Duncan, who was a ballet dancer. As early as the 20th of February 1924, Judge Kommissarov in Moscow had decided to arrest Yesenin for anti- Semitic statements. Yesenin learnt about this and went underground. In the beginning of September 1924, Yesenin was hiding in Baku when the GPU man Yakov Blumkin suddenly turned up at Yesenin's hotel and threatened him with a revolver and described what awaited such as him in the GPU cellar in Moscow. Yesenin escaped to Tiflis (Tbilisi) in Georgia, where he acquired a revolver, upon which he returned to Baku. On the 6th of September 1925, Yesenin took a train back to Moscow together with Sofia Tolstaya. Two Jews - A. Rog and Levit - suddenly turned up and provoked Yesenin to make statements critical of Jews. Levit and Rog held Yesenin at the station of Kursk and handed him over to the militia. Judge Lipkin demanded his arrest. But he was released, just as had been done in Moscow on the 23rd of March 1924, when the secret agents of the GPU, the Jewish brothers M. and I. Neiman wanted to charge him with anti-Semitism (pursuant to paragraphs 172 and 176 of the criminal 173
- Page 118 and 119: Lenin was entranced by violence - h
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- Page 126 and 127: 1960 when a sensational book was pu
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- Page 130 and 131: LEON TROTSKY - CYNIC AND SADIST Leo
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- Page 134 and 135: The author Maxim Gorky characterise
- Page 136 and 137: confirmed by the Finnish encyclopae
- Page 138 and 139: lodge in Austria is called Maimonid
- Page 140 and 141: The leaders of the revolution in 19
- Page 142 and 143: On the 11th of April 1906, Peter Ru
- Page 144 and 145: noble family and became the first c
- Page 146 and 147: Trotsky Abroad Neither Trotsky nor
- Page 148 and 149: chansky). The Canadians believed th
- Page 150 and 151: The only difference is that this ty
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- Page 154 and 155: All who dared criticise the only tr
- Page 156 and 157: The reader will understand that it
- Page 158 and 159: lind peasants and workers. Civil wa
- Page 160 and 161: should not surrender the fleet to t
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- Page 164 and 165: trapdoor into a waiting lorry. Then
- Page 166 and 167: speech in the Soviet Union.", "It w
- Page 170 and 171: code). The GPU had then gathered to
- Page 172 and 173: companions after this statement. So
- Page 174 and 175: deed. He later changed his name to
- Page 176 and 177: HOW THE COMMUNISTS SEIZED POWER The
- Page 178 and 179: The Jewish periodical Hammer was un
- Page 180 and 181: weakness." (Professor Z. A. B. Zema
- Page 182 and 183: successfully) defended themselves a
- Page 184 and 185: known as Astrakhan Tartars. Large a
- Page 186 and 187: The freemasons began making intense
- Page 188 and 189: The Austrian political scientist Ka
- Page 190 and 191: and freemason Piotr Rutenberg, also
- Page 192 and 193: The American press painted a monstr
- Page 194 and 195: According to the author Hans Bjorke
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- Page 200 and 201: The rabbi Isaac Wise (1819-1900), c
- Page 202 and 203: There was one small newspaper, The
- Page 204 and 205: Petrograd to Ganetsky in Stockholm
- Page 206 and 207: fact that the Soviet propaganda lat
- Page 208 and 209: Kerensky knew he had been exposed.
- Page 210 and 211: suitable astrological time for the
- Page 212 and 213: (Mikhail Heller and Alexander Nekri
- Page 214 and 215: another fabrication, for the Winter
- Page 216 and 217: of the women's battalion made no re
must <strong>the</strong> Soviet Union detain an author who is not allowed to publish his<br />
work? Is <strong>the</strong> intention to destroy him?" In 1939, he had become desperate<br />
and wrote <strong>the</strong> play "Batum" - an apology (ra<strong>the</strong>r a smo<strong>the</strong>red scream) and<br />
a tribute to <strong>the</strong> young revolutionary Stalin. This did him no good. He<br />
lacked <strong>the</strong> proper background! In his brilliant novel "The Master and<br />
Margarita", published only in 1966, he held cowardice as <strong>the</strong> deadliest sin.<br />
According to <strong>the</strong> myth, Trotsky also held liberal or avantgarde views on<br />
literature. It was even claimed that he was a very competent literary critic.<br />
In 1923, Trotsky published his collected articles on literature, along with<br />
his decisions, approved <strong>by</strong> <strong>the</strong> Party, regarding censorship. The title <strong>of</strong> this<br />
awful book is "Literature and Revolution" (published in English in 1991).<br />
According to this book, Trotsky's aim was to transform literature into a<br />
weapon <strong>of</strong> <strong>the</strong> revolution. He wrote that all ideas dangerous to<br />
Communism must be purged. He believed in using <strong>the</strong> forms <strong>of</strong><br />
"dangerous" art, however, and <strong>the</strong>re<strong>by</strong> propagating <strong>the</strong> 'wholesome'<br />
Communist content. It is hard to imagine any idea more vile than this. This<br />
was <strong>the</strong> birth <strong>of</strong> propaganda art. The proletarian culture (which really<br />
means cultureless-ness) was enforced. Trotsky did not hide this fact. He<br />
stressed that <strong>the</strong> workers had no time left to take part in cultural life, since<br />
<strong>the</strong>y had to fight for <strong>the</strong> revolution. The short pauses between <strong>the</strong> battles<br />
were not enough. He comforted <strong>the</strong>m with a possible chance <strong>of</strong> enjoying<br />
<strong>the</strong>se o<strong>the</strong>r values 50 years later, when <strong>the</strong> revolution was victorious. Only<br />
<strong>the</strong>n could <strong>the</strong>y devote <strong>the</strong>mselves to proletarian culture, but until <strong>the</strong>n <strong>the</strong><br />
workers were first and foremost soldiers <strong>of</strong> <strong>the</strong> revolution.<br />
The Murder <strong>of</strong> Sergei Yesenin<br />
As if all this was not enough, Trotsky also had Russia's most prominent<br />
poet, Sergei Yesenin, murdered. Official cause <strong>of</strong> death: suicide. Despite<br />
<strong>the</strong> fact that his head had been crushed so that brain tissue had leaked out,<br />
Yesenin had still been able to hang himself, according to <strong>the</strong> death<br />
certificate <strong>of</strong> <strong>the</strong> Jewish pr<strong>of</strong>essor Alexander Gilyarevsky.<br />
The principal reason for <strong>the</strong> murder was Yesenin's new poem, "Land <strong>of</strong><br />
Crooks" in which he surprisingly describes a Jewish tyrant - Leibman-<br />
Chekistov. All his acquaintances recognised Bronstein-Trotsky <strong>by</strong> <strong>the</strong><br />
description. Yesenin welcomed <strong>the</strong> "revolution" at <strong>the</strong> beginning but soon<br />
172