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Introduction to Tantra Sastra - Aghori

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84<br />

INTRODUCTION TO TANTRA ŚĀSTRA<br />

guage. The initiate, however, knows that their meaning<br />

is the own form (sva-rūpa) of the particular Devatā,<br />

whose mantra they are, and that they are the dhvani<br />

which makes all letters sound and which exists in all<br />

which we say or hear. Every mantra is, then, a form<br />

(rūpa) of the Brahman. Though, therefore, manifesting<br />

in the form and sound of the letters of the alphabet,<br />

Śāstra says that they go <strong>to</strong> Hell who think that the<br />

Guru is but a s<strong>to</strong>ne, and the mantra but letters of the<br />

alphabet.<br />

From manana, or thinking, arises the real understanding<br />

of the monistic truth, that the substance of the<br />

Brahman and the brahmāṇ ḍ a are one and the same.<br />

Man- of mantra comes from the first syllable of manana,<br />

and -tra from trāṇ a, or liberation from the bondage of<br />

the saṃsara or phenomenal world. By the combination<br />

of man- and -tra, that is called mantra which calls forth<br />

(āmantraṇ a), the catur-varga (vide post), or four aims of<br />

sentient being. 1 Whilst, therefore, mere prayer often<br />

ends in nothing but physical sound, mantra is a potent<br />

compelling force, a word of power (the fruit of which is<br />

mantra-siddhi), and is thus effective <strong>to</strong> produce caturvarga,<br />

advaitic perception, and mukti. Thus it is said<br />

that siddhi is the certain result of japa (q.v.).<br />

By mantra the sought-for (sādhya) Devatā is<br />

attained and compelled. By siddhi in mantra is opened<br />

the vision of the three worlds. Though the purpose of<br />

worship (pūjā), reading (pāṭ ha), hymn (stava), sacrifice<br />

(homa), dhyāna, dhāraṇ ā, and samādhi (vide post), and<br />

that of the dīkṣā-mantra are the same, yet the latter is<br />

1 See “The Garland of Letters” and chapter on Mantra-tattva in “The<br />

Principles of <strong>Tantra</strong>.”

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