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Introduction to Tantra Sastra - Aghori

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48<br />

INTRODUCTION TO TANTRA ŚĀSTRA<br />

extends from the Mūladhara lotus, the Tattvik earth<br />

centre, 1 <strong>to</strong> the cerebral region. Suṣumnā is in the form<br />

of Fire (vahni-svarūpa), and has within it the vajrininādi<br />

in the form of the sun (sūrya-svarūpā). Within the<br />

latter is the pale nectar-dropping citrā or citrinī nāḍ ī,<br />

which is also called Brahma-nāḍ ī, in the form of the<br />

moon (candra-svarūpā). Suṣumnā is thus triguṇ ā. The<br />

various lotuses in the different Cakras of the body (vide<br />

post) are all suspended from the citra-nāḍ ī, the cakras<br />

being described as knots in the nāḍ ī, which is as thin as<br />

the thousandth part of a hair. Outside the meru and on<br />

each side of suṣumnā are the nāḍ īs iḍ ā and pingalā. Iḍ ā<br />

is on the left side, and coiling round suṣumnā, has its<br />

exit in the left nostril. Pingalā is on the right, and<br />

similarly coiling, enters the right nostril. The suṣumnā,<br />

interlacing iḍ ā and pingalā and the ājnā-cakra round<br />

which they pass, thus form a representation of the<br />

caduceus of Mercury. Iḍ ā is of a pale colour, is moonlike<br />

(candra-svarūpā), and contains nectar. Pingalā is<br />

red, and is sun-like (sūrya-svarūpā), containing “venom,”<br />

the fluid of mortality. These three “rivers,” which are<br />

united at the ājnā-cakra, flow separately from that<br />

point, and for this reason the ājnā-cakra is called mukta<br />

triveni. The mūlādhāra is called Yuktā (united) triveni,<br />

since it is the meeting-place of the three nāḍ īs which are<br />

also called Ganga (Iḍ ā), Yamunā (Pingalā), and<br />

Sarasvati (suṣumnā), after the three sacred rivers of<br />

India. The opening at the end of the suṣumna in the<br />

mūlādhāra is called brahma-dvāra, which is closed by<br />

the coils of the sleeping Devī Kuṇ ḍ alinī.<br />

1 The Tattvas of “earth,” “water,” “fire,” “air,” and “ether,” are not <strong>to</strong> be<br />

identified with the so-called popular “elements” of those names.

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