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Introduction to Tantra Sastra - Aghori

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ŚIVA AND ŚAKTI 17<br />

all animals and inorganic things, the universe with all<br />

its beauties is, as the Devī Purāṇ a says but a part of<br />

Her. All this diversity of form is but the infinite manifestation<br />

of the flowering beauty of the One Supreme<br />

Life, 1 a doctrine which is nowhere else taught with<br />

greater wealth of illustration than in the Śākta-Śāstras<br />

and <strong>Tantra</strong>s. The great Bharga in the bright Sun and<br />

all devatas, and indeed, all life and being, are wonderful,<br />

and are worshipful but only as Her manifestations.<br />

And he who worships them otherwise is, in the words of<br />

the great Devī-bhāgavata, 2 “like un<strong>to</strong> a man who, with<br />

the light of a clear lamp in his hands, yet falls in<strong>to</strong> some<br />

waterless and terrible well.” The highest worship for<br />

which the sādhaka is qualified (adhikāri) only after<br />

external worship 3 and that internal form known as sādhāra,<br />

4 is described as nirādhārā. Therein Pure Intelligence<br />

is the Supreme Śakti who is worshipped as the<br />

very Self, the Witness freed of the glamour of the manifold<br />

Universe. By one’s own direct experience of Maheśvari<br />

as the Self She is with reverence made the object<br />

of that worship which leads <strong>to</strong> liberation. 5<br />

1 See the Third Chapter of the Śāktānanda-taranginī, where it is said<br />

“The Para-brahman, Devī, Śiva, and all other Deva and Devī are but one, and<br />

he who thinks them different from one another goes <strong>to</strong> Hell.”<br />

2 Hymn <strong>to</strong> Jagad-ambikā in Chapter XIX.<br />

3 Sūta-saṃ<br />

hitā, i.5.3, which divides such worship in<strong>to</strong> Vedic and Tāntrik<br />

(see Bhāskararāya’s Commentary on Lalitā, verse 43).<br />

4 In which Devī is worshipped in the form made up of sacred syllables<br />

according <strong>to</strong> the instructions of the Guru.<br />

5 See <strong>Introduction</strong> <strong>to</strong> Author’s “Hymns <strong>to</strong> the Goddess.”

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