Introduction to Tantra Sastra - Aghori
Introduction to Tantra Sastra - Aghori
Introduction to Tantra Sastra - Aghori
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132<br />
INTRODUCTION TO TANTRA ŚĀSTRA<br />
and the health resulting therefrom react upon the mind,<br />
and by the union of a perfect mind and body siddhi is by<br />
their means attained. The Gheraṇ ḍ a-Saṃhitā describes<br />
a number of mudrās of which those of importance may<br />
be selected. In the celebrated yonimudrā the yogī in<br />
siddhāsana s<strong>to</strong>ps with his fingers the ears, eyes, nostrils,<br />
and mouth. He inhales prāṇ āvāyu by kākinī-mudrā,<br />
and unites it with apānavāyu. Meditating in their order<br />
upon the six cakras, he arouses the sleeping Kulakuṇ<br />
ḍ alinī by the mantra “Hūṃ Haṃsa,” and raises Her<br />
<strong>to</strong> the Sahasrāra; then, deeming himself pervaded with<br />
the Śakti, and in blissful union (sangaṃa) with Śiva, he<br />
meditates upon himself as, by reason of that union,<br />
Bliss itself and the Brahman. 1 Aśvinimudrā consists of<br />
the repeated contraction and expansion of the anus for<br />
the purpose of śodhana or of contraction <strong>to</strong> restrain the<br />
apāna in ṣaṭ cakrabheda. Śakticālana employs the latter<br />
mudrā, which is repeated until vāyu manifests in the<br />
suṣumnā. The process is accompanied by inhalation and<br />
the union of prāṇ ā and apāna whilst in siddhāsana. 2<br />
DHAIRYA: PRATYĀHĀRA<br />
Dhairya, or steadiness, is produced by pratyāhāra.<br />
Pratyāhāra, is the restraint of the senses, the freeing of<br />
the mind from all distractions, and the keeping of it<br />
under the control of the Ātmā. The mind is withdrawn<br />
from whatsoever direction it may tend by the dominant<br />
and directing Self. Pratyāhāra destroys the six sins. 3<br />
1 Gheraṇḍa-Saṃ<br />
hitā, Third Upadeśa.<br />
2 Ibid., verses 37, 49, 82.<br />
3 Ibid., fourth Upadeśa. The Śāradātilaka defines pratyāhāra as indriyā-<br />
ṇām vicaratām viṣayeṣu balādāhāraṇam tebyah Pratyāhāro vidhiyate (pratyāhāra<br />
is known as the forcible abstraction of the senses wandering over<br />
their objects).