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Introduction to Tantra Sastra - Aghori

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110<br />

INTRODUCTION TO TANTRA ŚĀSTRA<br />

Svādhiṣṭ hāna Lotus baṃ, bhaṃ <strong>to</strong> laṃ; and, lastly, in<br />

the Mūlādhāra Lotus, vaṃ, śaṃ, 1 ṣaṃ, 2 saṃ. The external<br />

disposition then follows. The vowels in their order<br />

with anusvāra and visarga are placed on the forehead,<br />

face, right and left eye, right and left ear, right and left<br />

nostril, right and left cheek, upper and lower lip, upper<br />

and lower teeth, head, and hollow of the mouth. The consonants<br />

kaṃ <strong>to</strong> vaṃ are placed on the base of right arm<br />

and the elbow, wrist, base and tips of fingers, left arm,<br />

right and left leg, right and left side, back, navel, belly,<br />

heart, right and left shoulder, space between the shoulders<br />

(kakuda), and then from the heart <strong>to</strong> the right palm<br />

śaṃ is placed; and from the heart <strong>to</strong> the left palm the<br />

(second) ṣaṃ; from the heart <strong>to</strong> the right foot, saṃ; from<br />

the heart <strong>to</strong> the left foot, haṃ; and, lastly, from the heart<br />

<strong>to</strong> the belly, and from the heart <strong>to</strong> the mouth, kṣaṃ. In<br />

each case oṃ is said at the beginning and namah at the<br />

end. According <strong>to</strong> the <strong>Tantra</strong>sāra, matṛ ka-nyāsa is also<br />

classified in<strong>to</strong> four kinds, performed with different aims<br />

—viz: kevala where the matṛ ka is pronounced without<br />

bindu; bindu-saṃyuta with bindu; saṃsarga with<br />

visarga; and sobhya with visarga and bindu.<br />

Ṛ ṣ i-nyasa then follows for the attainment of the<br />

caturvarga. 3 The assignment of the mantra is <strong>to</strong> the<br />

head, mouth, heart, anus, the two feet, and all the body<br />

generally. The mantras commonly employed are: “In<br />

the head, salutation <strong>to</strong> the Ṛ ṣi (Revealer) Brahma; 4 in<br />

the mouth, salutation <strong>to</strong> the mantra Gāyatrī; 5 in the<br />

1 Tālvya śa—soft, palatal sh.<br />

2 Mūrdhanya ṣa—hard cerebral sh.<br />

3 Dharmārtha-Kāma-mokṣaye ṛ ṣi-nyāse viniyogah.<br />

4 Śirasi Brahmaṛ ṣaye namah.<br />

5 Mukhe Gāyattryai-cchandase namah.

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