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BILL MARTIN - Mendocino Art Center

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Jeff Hillier’s<br />

Eloquent Eye<br />

“All art is but a picture of certain basic relationships; an equivalent of the artist’s most<br />

profound experience of life.”<br />

– Alfred Stieglitz<br />

by Michael Potts<br />

The Serene Girl Is Pretty, Waiting For Me At The Corner<br />

Point Arena photographer Jeffery Hillier shoots<br />

what puzzles him. Meaning may come later, and<br />

when it does, it is tempered by a lifetime of invention<br />

and unexpected perspective.<br />

Jeff was born and raised on Chicago’s south side<br />

by a family that was always filming everything (at the<br />

end of an era characterized by pushcarts and neighborhoods).<br />

He doesn’t recall exactly when he started<br />

taking pictures. He remembers getting serious about<br />

photography during his senior year in high school,<br />

when he bought a Brownie box camera and turned in<br />

his film at the corner<br />

drugstore for developing.<br />

Jeff recalls, “I<br />

never doubted I was<br />

an artist, but I never<br />

got any encouragement<br />

from my family.<br />

Being an artist<br />

isn’t a job, you<br />

know.”<br />

Vietnam scooped<br />

Jeff off the loading<br />

docks of his father’s<br />

trucking firm, but<br />

he is uncharacteristically<br />

reticent about<br />

his years as a medical<br />

corpsman with the Marines. Despite the stress of<br />

long range patrols through the DMZ, he remembers<br />

having his camera with him all the time. Honorably<br />

discharged in 1970, he brought his skills to the<br />

Chicago chapter of Vietnam Veterans Against the<br />

War, coordinating its actions while taking pictures for<br />

its magazine Winter Soldier.<br />

Inventing his own version of Dorothea Lange’s style<br />

of photojournalism, Jeff did not make the theoretical<br />

connections between his work and that of photographic<br />

greats until he started studying photography<br />

in college on the GI bill. He pounced on an opportunity<br />

to pursue his studies at the San Francisco <strong>Art</strong><br />

Institute, where he<br />

got to work and<br />

study with several of<br />

those greats, including<br />

Ansel Adams,<br />

Edward Weston,<br />

and Imogene<br />

Cunningham.<br />

Like so many<br />

who came of age<br />

during the 1960s, Jeff<br />

rattled around for<br />

awhile, Manchester<br />

to Chicago to<br />

Santa Cruz, opening<br />

galleries wherever<br />

he went, but<br />

12

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