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ORPHEUM THEATRE<br />

MINNEAPOLIS, MINNESOTA<br />

PLAYBILL.COM


D<br />

o you hear the people sing? You will today, as our<br />

special guest at the Orpheum for the 25 th anniversary<br />

production of Les Misérables, the world’s longest<br />

running musical, with its timeless themes of grace, love and<br />

sacrifice. This powerful epic, winner of eight 1987 Tony Awards<br />

including Best Musical, keeps drawing people back. It was called<br />

“an unquestionably spectacular production from start to<br />

finish” by the New York Times and has been seen by nearly 60<br />

million people worldwide in 42 countries and translated into 21<br />

languages.<br />

Since an extremely successful run at the Orpheum in December<br />

2011 and the 2012 release of a lauded feature film starring Hugh<br />

Jackman, Russell Crowe and Anne Hathaway, I’ve been asked<br />

frequently about its return. On behalf of <strong>Hennepin</strong> <strong>Theatre</strong><br />

<strong>Trust</strong>, I am delighted to welcome this enduring musical back. You are some of the lucky few<br />

to get the chance to see this show before before it re-opens on Broadway next spring!<br />

In addition to bringing some of Broadway’s hottest shows to the Twin Cities, the <strong>Trust</strong> is also<br />

encouraging a diverse group of young patrons to explore their potential through our<br />

education and community engagement programs. Our Critical Review student reviewer<br />

program gives metro area high school students the opportunity to attend Broadway<br />

productions and write reviews to be posted on the <strong>Trust</strong>’s website and in community<br />

newspapers like the Twin Cities Daily Planet. After seeing War Horse recently, Madeline<br />

Bertch wrote, “It was unlike anything I’d ever seen before. Five Tony Awards form quite a<br />

resume but War Horse speaks for itself.”<br />

As part of the program, students receive the same professional press materials that are<br />

distributed to the Twin Cities media, attend Broadway Confidential talks for background on<br />

the shows and are offered behind-the-scenes historical theatre tours. They also participate in<br />

workshops with local theatre professionals such as Jeffrey Hatcher, an award-winning<br />

Broadway and Off-Broadway playwright and screenwriter, and Star Tribune theatre critic<br />

Graydon Royce.<br />

We extend a special thanks to long time <strong>Trust</strong> Donors Fred and Ann Moore for their ongoing<br />

financial support of Critical Review. Any metro area high school student is eligible to apply<br />

for this free program. Registration for the 2013-14 school year will begin in early September.<br />

To read student reviews or learn more about how you can help ensure that these experiences<br />

remain available for Twin Cities high school students, please visit our website at<br />

www.hennepintheatretrust.org.<br />

Thank you for being here to “dream the dream” with one of the greatest productions ever<br />

created. Enjoy the show!<br />

Yours truly,<br />

Thomas L. Hoch<br />

President/CEO, <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong><br />

<strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong>, owner of the historic Orpheum, State, Pantages and New Century <strong>Theatre</strong>s,<br />

is an independent, non-profit organization dedicated to arts-inspired community cultural development.<br />

2 PLAYBILL PLAYBILLVAULT.COM


The Board of Directors, staff and volunteers of <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong> would like to thank our donors for their contributions. Donations are used to<br />

support our community engagement programs as well as our efforts to preserve and enhance these historic theatres. In addition to the following<br />

major contributors, the <strong>Trust</strong> recognizes our entire donors base of nearly 3926, listed in the lobby of the theatre. For information on how you can<br />

support theatre programs and our community, please call 612.455.9516 or visit <strong>Hennepin</strong><strong>Theatre</strong><strong>Trust</strong>.org.<br />

Corporate Contributors<br />

Community Leaders<br />

($10,000+)<br />

Berger Transfer<br />

Best Buy Children’s<br />

Foundation<br />

Bradstreet Craftshouse<br />

Broadway Across America<br />

Clear Channel Outdoor<br />

Cosmos<br />

CRAVE<br />

Dunn Bros. Coffee<br />

Frauenshuh, Inc.<br />

Graves 601 Hotel<br />

Marin<br />

Mason’s<br />

McCormick and Schmick<br />

Mission American Kitchen<br />

Moore, Costello &<br />

Hart, P.L.L.P.<br />

Murrays<br />

Northwestern Mutual &<br />

The Columns Resource Group<br />

Nuveen<br />

Prairie Organic Vodka<br />

Priority Courier Experts<br />

Rock Bottom Restaurant &<br />

Brewery<br />

Rosa Mexicano<br />

Seven<br />

Solera<br />

Sony<br />

Summit Brewing Co.<br />

Target<br />

TCF Bank<br />

TCF Foundation<br />

Telecom Technologies, Inc.<br />

The Capital Grille<br />

Thomson Reuters<br />

Tommy Carverís Garden of<br />

Flowers<br />

Toshiba<br />

UNION<br />

W/Le Meridien Chambers<br />

Xcel Energy<br />

Zelo<br />

Downtown Benefactors<br />

($5,000-$9,999)<br />

Aveus, LLC<br />

Alphagraphics<br />

Brookfield Properties<br />

Candyland<br />

Doherty Employment Group<br />

Hays Agency Group/Hays<br />

Companies<br />

Mel-O-Glaze Bakery<br />

Metro Dogs<br />

Rye Delicatessen<br />

Star Exhibits & Environments<br />

The Grand Hotel<br />

The Marquette Hotel<br />

District Partners<br />

($2,500-$4,999)<br />

Filister Enterprises<br />

Michael A. Matheson,<br />

CFP, CFS, CRPC<br />

<strong>Theatre</strong> Supporters<br />

($750-$2,499)<br />

Atypical Title Inc.<br />

Carlson Family Foundation<br />

CPC Experiential<br />

Ergodyne Corporation<br />

ITR Group<br />

JRA Financial Advisors<br />

KJ International Resources,<br />

Ltd.<br />

McCollum, Crowley, Moschet<br />

& Miller, LTD<br />

Thrivent<br />

Individual Contributors<br />

Guarantors ($10,000+)<br />

Clay Family Foundation<br />

Steve & Barbara Cossack<br />

Cossack Foundation<br />

William & Terry Dircks<br />

Mike & Linda Kennedy<br />

Fred Krohn<br />

Tim & Lorie Line<br />

Fred & Ann Moore<br />

Jay & Rose Phillips Foundation<br />

Carl & Eloise Pohlad Family<br />

Foundation<br />

Bob & Celeste Rekieta<br />

Jeannine Rivet &<br />

Warren Herreid II<br />

Financiers<br />

($5,000-$9,999)<br />

Anonymous<br />

Vallie Brewster<br />

Janice Camp-Sweeney<br />

Dan & Cassie Cramer<br />

Dave & Chantel Erickson<br />

Kittie Fahey<br />

The Hanson Family<br />

Tom Hoch<br />

Linda Ireland<br />

Harry & Heather Janiski<br />

Jay & Jennifer Novak<br />

Foundation<br />

David & Robyn Lamm<br />

Joe W. Martin<br />

Dan & Heidi McKeown<br />

David & Jennifer Miller<br />

Jim & Linda Milow<br />

Courtnay Montgomery<br />

Patricia Ronning Family<br />

Foundation<br />

Ann Simonds<br />

Mary & Sherm Wood<br />

Benefactors<br />

($2,500-$4,999)<br />

Anonymous (2)<br />

Ranjit & Sara Ahlawalia<br />

Rich & Lisa Anderson<br />

Jeannine Bayard & Kip Lilly<br />

Bell Mortgage - Gary Kirt<br />

Barbara C. Bencini<br />

Scott Benson & Joe Andrews<br />

Greg & Sally Booth<br />

Priscilla Brewster<br />

Bud Rotter Family Foundation<br />

Klerissa & John Church<br />

Dr. Jay & Betsy Cutcliffe<br />

Martha Dayton &<br />

Thomas Nelson<br />

Wendy Dayton<br />

Friends of the State, Orpheum,<br />

& Pantages <strong>Theatre</strong>s<br />

Hanifl Family Foundation<br />

Joseph Gibbons<br />

Carol & Pat Goff<br />

Jon R. & Beverly S. Holt<br />

Barbara & Paul Klaas<br />

Ross & Bridget Levin<br />

Leland T. Lynch & Terry Saario<br />

Fund, The Mpls. Foundation<br />

Marianne Merriman<br />

Michele Mogged & Greg Sannan<br />

Jane & Paul Mortell<br />

Dr. Mark & Nancy Nelson<br />

Dr. Douglas S. Parker<br />

Hays Companies<br />

Michael & Brittany Reger<br />

Julie Reilly<br />

Rosen/Litman Family<br />

Schwei<br />

Douglas & Carol Skanse<br />

John P. Thysell<br />

Lee Tschetter<br />

Julie Beth McFall Vipperman<br />

Todd & Maria Vojta<br />

Michael J. Wilm<br />

Investors<br />

($1,000-$2,499)<br />

Anonymous (6)<br />

Bob & Nancy Anderson Family<br />

Fund, The Mpls. Foundation<br />

Chad Anderson<br />

Janet & Brad Anderson<br />

Michael & Alison Armstrong<br />

John & Patty Bailey<br />

Ray & MaryLou Barton<br />

Gail Be<br />

Elam Baer & Janis Clay<br />

Jennifer & Kevin Berg<br />

Jeanne & Jon Berget<br />

David & Janet Berry<br />

Richard & Debra Best<br />

David Bianchi<br />

Ruth Birkholz<br />

Anthony Boe, D.D.S.<br />

Mary Borgmann &<br />

Mickey Welle<br />

Peter Bell & Sharon Bottorff<br />

Beverly & Fosten Boyle<br />

William Brown & Amber Cain<br />

Jane Brownlee<br />

William & Susan Buesing<br />

Sonia & John Cairns<br />

Brad & Joanna Callahan<br />

David & Jane Christ<br />

Paul & Elaine Campbell<br />

Elizabeth Canis<br />

Peter & Barbara Capistrant<br />

Jane & Ogden Confer<br />

Jeff & Anita Donnelly<br />

Linda Donaldson<br />

Jacqueline Dorsey<br />

Don Drapeau & Betty Folliard<br />

Jack & Kay Dunne<br />

Ekstrand Family Fund<br />

Michael Finlon<br />

Greg & Marissa Frankenfield<br />

Ian & Carol Friendly<br />

Joe Fromm & Betsy Koonce<br />

Rebecca Frost<br />

John Gavin<br />

Shawn Gensch & Scott Steen<br />

Steve & Peni Gensler<br />

Paul G. Gertenbach &<br />

Katherine E. Reed<br />

Brian Gilligan<br />

Richard Ginsberg<br />

Angelo & Kristen Giovanis<br />

Catherine Gnatek<br />

Gray Plant Mooty Foundation<br />

Hunt Greene & Jane Piccard<br />

Kathy & Jerry Gregersen<br />

Richard & Lorraine Griffin<br />

Harrison & Marissa Grodnick<br />

Joan Anderson Growe<br />

Paul, Kate, Becca, Grace &<br />

Ben Habegger<br />

Mr. & Mrs. Steve Hari<br />

Ken Harris<br />

Sarah Harris & David Holmgren<br />

David Hartwell &<br />

Elizabeth De Baut<br />

Tim & Shanna Hawkinson<br />

Dr. Donna Hecker<br />

Steve & Lois Hensel<br />

Richard & Carrie Higgins<br />

Robert Hoch & Karen Krenik<br />

Ron Hoffman<br />

Bruce Hofstad & Judith Shea<br />

Richard & Gwendolyn Hopper<br />

B. & S. Hotchkiss<br />

Terry Houghtaling<br />

Bruce Hubbard<br />

Warren & Delores Huebner<br />

Julie Idelkope<br />

James & Sandra Jensen<br />

Jeannie & Paul Joas<br />

JRA Financial Advisors<br />

Stanley Karbowski<br />

Lu & Jane Karl<br />

Vincent Karschnia<br />

Thomas Kayser<br />

Susan Keilholz<br />

John & Lynda Kern<br />

Russell and Andrea King<br />

Barbara & Paul Klaas<br />

Priscilla Klabunde<br />

Bernie & June Knutson<br />

Brent Kompelien<br />

Richard & Janet Langlais<br />

Mr. & Mrs. William Laughlin<br />

Thomas Leach & Mary Kroon<br />

Joel Lebewitz<br />

Abby Leber<br />

Daniel & Corina Loes<br />

Ann Lowry & John Overton<br />

Phil & Nancy Ludemann<br />

Ted & Janna Lundberg<br />

Mary Maher<br />

Lisa Mahlum<br />

Mark Manbeck & Drew Spencer<br />

Laura & Kevin F. Marinan<br />

Mark Marjala<br />

Jane K. Mauer<br />

Jack & Terri McKeon<br />

Jerry & Mary McKoskey<br />

Annette & Jack Meeks<br />

Chuck & Carol Modell<br />

Jeff Monsrud<br />

Virginia Morris<br />

Karen Morrison<br />

Greg & Melissa Mortenson<br />

Brad R. Moser, MD<br />

Cindy Murphy<br />

Nolan/Mattison Family<br />

Jann & Renee Olsten<br />

John Pacheco<br />

Jim & Kathy Parsons<br />

JoAnne Pastel & Bill Dunlap<br />

Brian Pietsch<br />

Edward Pisarski<br />

Patricia Ploetz<br />

Pat & Anita Plunkett<br />

Norma Porter<br />

Will & Christopher Prather<br />

John & Debbie Pribnow<br />

Dave & Mary Pylipow<br />

Dr. Catherine Rahimi<br />

Howard & Jodi Rankin<br />

Steve & Julie Ransom<br />

Kevin & Jacqueline Rhodes<br />

John & Kirsten Rice<br />

Robb Richter<br />

Jolene Roehlkepartain<br />

Doug Ruth<br />

Wendy & Steve Rubin Family<br />

Fund, The St. Paul Foundation<br />

Carol Ryan<br />

Erica Sandey<br />

Ron & Sue Santrach<br />

T. Jay Salmen<br />

Dan & Nan Sawyer<br />

Susan & Mark Scharenbroich<br />

Wes & Kara Schultz<br />

Maryellen & Jeff Seeley<br />

Dr. Peter Sershon &<br />

Debbie Mastella-Sershon<br />

Rossy & Richard Shaller<br />

Lee Sheehy<br />

Ken Sherman<br />

Laura & Steve Silberfarb<br />

Jeff Slywka & Alex Cruz<br />

Gregory Snyder & Family<br />

Michael P. Spencer &<br />

Laurie Wilson Spencer<br />

Donald G. Soltis<br />

Jim Sorboro & Karla Gluek<br />

Doug & Jill Spong<br />

Jan & Wayne Stahl<br />

Ann & John Stauch<br />

Support <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong>: <strong>Hennepin</strong><strong>Theatre</strong><strong>Trust</strong>.org<br />

Ralph Strangis<br />

Floyd & Barbara Swanson<br />

Gary & Marsha Tankenoff<br />

Hindy & Scott Tankenoff<br />

Daniel & Jennifer Tenenbaum<br />

William Tilton<br />

Sandra Tofanelli<br />

Scott & Patti Tongen<br />

U.S. Bank,<br />

The Private Client Reserve<br />

Kevin Vanderaa<br />

Brian VanderWaal &<br />

Jeff Hlavacek<br />

Thomas Vitt<br />

Joanne Von Blon<br />

Thomas & Barbara Votel<br />

Steve & Dee Wagner<br />

David Warner<br />

Laurie Waterman<br />

Pamela Weinstein<br />

Mark, Carol & Grace Weitz<br />

Dick & Kathy Welander<br />

D. & C. Westerberg<br />

John & Cathy Wolf<br />

Kristian Wyrobek<br />

Ann Yaggie & Denny Rozeboom<br />

Larry & Diane Zavadil<br />

Ali & Carl Zinn<br />

Contributors as of<br />

July 12, 2013.<br />

We apologize for any errors or<br />

omissions. Please inform us and<br />

we will make corrections in<br />

subsequent listings.<br />

PLAYBILLVAULT.COM<br />

ORPHEUM THEATRE 3


ORPHEUM THEATRE<br />

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4 PLAYBILL


CAST<br />

In order of Appearance<br />

Jean Valjean . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PETER LOCKYER<br />

Javert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW VARELA<br />

Farmer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON<br />

Laborer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT ROSELL<br />

Innkeeper’s Wife . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NATALIE BECK<br />

Innkeeper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER<br />

The Bishop of Digne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ZANNELLI<br />

Constables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT MCMAHAN, ALAN SHAW<br />

Factory Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD TODD ADAMS<br />

Fantine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GENEVIEVE LECLERC<br />

Factory Girl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JESSICA KEENAN WYNN<br />

Old Woman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KATIE BEETHAM<br />

Wigmaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CORNELIA LUNA<br />

Bamatabois . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON<br />

Fauchelevent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC VAN TIELEN<br />

Champmathieu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE<br />

Little Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIN CEARLOCK, AVA DELLA PIETRA<br />

Madame Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SHAWNA M. HAMIC<br />

Young Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIN CEARLOCK, AVA DELLA PIETRA<br />

Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIMOTHY GULAN<br />

Young Whore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRITTNEY JOHNSON<br />

Crazy Whore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDRÉANE BOULADIER<br />

Gavroche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GATEN MATARAZZO, JULIAN SILVA<br />

Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIANA CARSON-GOODMAN<br />

Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LAUREN WILEY<br />

Thénardier’s Gang<br />

Montparnasse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT ROSELL<br />

Babet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ZANNELLI<br />

Brujon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE<br />

Claquesous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON<br />

Students<br />

Enjolras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JASON FORBACH<br />

Marius . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DEVIN ILAW<br />

Combeferre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC VAN TIELEN<br />

Feuilly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . WESTON WELLS OLSON<br />

Courfeyrac . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN BRINK<br />

Joly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALAN SHAW<br />

Grantaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER<br />

Lesgles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD TODD ADAMS<br />

Jean Prouvaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT MCMAHAN<br />

Loud Hailer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE<br />

Major Domo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER<br />

Ensemble . . . . . . . . . . . . . . . . . . . . . . NATALIE BECK, KATIE BEETHAM, ANDRÉANE BOULADIER,<br />

ERIN CLEMONS, MIA SINCLAIR JENNESS, BRITTNEY JOHNSON,<br />

CORNELIA LUNA, ALEXANDRA MELROSE, JESSICA KEENAN WYNN<br />

Swings . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD BARTH, BEN GUNDERSON, JASON OSTROWSKI,<br />

RACHEL RINCIONE, NATALIE WEISS<br />

Dance & Fight Captain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BEN GUNDERSON<br />

Assistant Fight Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HEATHER CHOCKLEY<br />

UNDERSTUDIES<br />

For Jean Valjean - RICHARD TODD ADAMS, JOHN BRINK, AARON WALPOLE; for Javert - RICHARD<br />

TODD ADAMS, JOSEPH SPIELDENNER; for Cosette - NATALIE BECK, ANDRÉANE BOULADIER; for<br />

Fantine- CORNELIA LUNA, JESSICA KEENAN WYNN; for Thénardier - JOHN RAPSON, JAMES<br />

ZANNELLI; for Madame Thénardier - KATIE BEETHAM, ALEXANDRA MELROSE; for Éponine – ERIN<br />

CLEMONS, BRITTNEY JOHNSON; for Marius - MATT MCMAHAN, MATT ROSELL; for Enjolras - JOHN<br />

BRINK, WESTON WELLS OLSON, ALAN SHAW; for Little Cosette/Young Éponine - MIA SINCLAIR<br />

JENNESS; for the Bishop of Digne – JOHN RAPSON, JOSEPH SPIELDENNER; for the Factory Foreman -<br />

JASON OSTROWSKI, JOSEPH SPIELDENNER; for the Factory Girl - ALEXANDRA MELROSE,<br />

RACHEL RINCIONE; for Bamatabois - RICHARD BARTH, JOSEPH SPIELDENNER; for Grantaire - BEN<br />

GUNDERSON, ERIC VAN TIELEN.<br />

PLAYBILLVAULT.COM<br />

ORPHEUM THEATRE 5


MUSICAL NUMBERS<br />

PROLOGUE: 1815, DIGNE<br />

PROLOGUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company<br />

SOLILOQUY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Valjean<br />

1823, MONTREUIL-SUR-MER<br />

AT THE END OF THE DAY . . . . . . . . . . . . . . . . . . . . . . . . . .Unemployed and Factory Workers<br />

I DREAMED A DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fantine<br />

LOVELY LADIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Clients<br />

WHO AM I? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Valjean<br />

FANTINE’S DEATH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fantine and Valjean<br />

CASTLE ON A CLOUD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette<br />

1823, MONTFERMEIL<br />

MASTER OF THE HOUSE . . . . . . . . . . . . . . . . . . . . . . . . .Thénardier, his Wife and Customers<br />

THE BARGAIN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M and Mme Thénardier and Valjean<br />

1832, PARIS<br />

PARIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Gavroche and the Beggars<br />

STARS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Javert<br />

ABC CAFÉ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Enjolras, Marius and the Students<br />

THE PEOPLE’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . .Enjolras, the Students and the Citizens<br />

IN MY LIFE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette, Valjean, Marius and Éponine<br />

A HEART FULL OF LOVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette, Marius and Éponine<br />

ONE DAY MORE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company<br />

INTERMISSION<br />

ON MY OWN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Éponine<br />

A LITTLE FALL OF RAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Éponine and Marius<br />

DRINK WITH ME TO DAYS GONE BY . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Feuilly, Grantaire,<br />

Students and Women<br />

BRING HIM HOME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Valjean<br />

DOG EATS DOG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thénardier<br />

SOLILOQUY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Javert<br />

TURNING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Women<br />

EMPTY CHAIRS AT EMPTY TABLES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Marius<br />

WEDDING CHORALE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Guests<br />

BEGGARS AT THE FEAST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M and Mme Thénardier<br />

FINALE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company<br />

The Orchestra<br />

Music Director/Conductor – LAWRENCE GOLDBERG;<br />

Associate Conductor/Keyboards – TOM WHIDDON;<br />

Assistant Conductor/Viola – WILL CURRY;<br />

Concertmaster – MICHELLE MARUYAMA;<br />

Keyboards – ADAM LAIRD;<br />

Cello - IRA GLANSBEEK; Bass - BRAD LOVELACE;<br />

Flute / Piccolo / Alto Flute / Recorder - RYU CIPRIS;<br />

Oboe / Cor Anglais - DAVID GARCIA;<br />

Clarinet in Bb / Clarinet in Eb / Bass Clarinet / Recorder - HOLLY KASSEL;<br />

Horn 1 - RYAN STEWART; Horn 2 - SHARON JONES;<br />

Trumpet in Bb / Flugel Horn / Piccolo Trumpet - KEN MULLIN;<br />

Bass Trombone / Tenor Trombone / Tuba - JIM GRAY;<br />

Percussion - ERIC BORGHI;<br />

Music Coordinator - MICHAEL KELLER.<br />

The use of any recording device, either<br />

audio or video, and the taking of<br />

photographs, either with or without flash,<br />

is strictly prohibited.<br />

Please turn off your cell phones and<br />

pagers prior to the beginning of the<br />

performance.<br />

6 PLAYBILL PLAYBILLVAULT.COM


SYNOPSIS<br />

ACT ONE<br />

PROLOGUE: 1815, DIGNE<br />

After 19 years on the chain gang, Jean Valjean<br />

finds that the ticket-of-leave he must display condemns<br />

him to be an outcast. Only the Bishop of<br />

Digne treats him kindly and Valjean, embittered<br />

by years of hardship, repays him by stealing some<br />

silver. Valjean is caught and brought back by the<br />

police and is astonished when the Bishop lies to<br />

the police to save him. Valjean decides to start his<br />

life anew.<br />

1823, MONTREUIL-SUR-MER<br />

Eight years have passed and Valjean, having broken<br />

his parole and changed his name to Monsieur<br />

Madeleine, has become a factory owner and<br />

Mayor. One of his workers, Fantine, has a secret<br />

illegitimate child. When the other women discover<br />

this, they demand her dismissal.<br />

Desperate for money to pay for medicines for<br />

her daughter, Fantine sells her locket, her hair, and<br />

then joins the whores in selling herself. Utterly<br />

degraded, she gets into a fight with a prospective<br />

customer and is about to be taken to prison by<br />

Javert when the ‘Mayor’ arrives and demands she<br />

be taken to the hospital instead.<br />

The Mayor then rescues a man pinned beneath<br />

a cart. Javert is reminded of the abnormal strength<br />

of convict 24601 Jean Valjean, who, he says, has<br />

just been recaptured. Valjean, unable to see an innocent<br />

man go to prison, confesses that he is prisoner<br />

24601. At the hospital, Valjean promises the<br />

dying Fantine to find and look after her daughter<br />

Cosette. Javert arrives to arrest him, but Valjean<br />

escapes.<br />

1823, MONTFERMEIL<br />

Cosette has been lodged with the Thénardiers,<br />

who horribly abuse her while indulging their own<br />

daughter, Éponine. Valjean pays the Thénardiers<br />

to let him take her away to Paris.<br />

1832, PARIS<br />

Nine years later, there is unrest in the city because<br />

of the likely demise of the popular leader General<br />

Lamarque, the only man left in the government<br />

who shows any feeling for the poor. A street gang<br />

led by Thénardier and his wife sets upon Jean Valjean<br />

and Cosette. They are rescued by Javert, who<br />

does not recognise Valjean until he has gone.<br />

The Thénardiers’ daughter Éponine, who is secretly<br />

in love with the student Marius, reluctantly<br />

agrees to help him find Cosette, with whom he<br />

has fallen in love.<br />

News of General Lamarque’s death circulates<br />

in the city and a group of politically-minded students<br />

stream out into the streets to whip up support<br />

for a revolution.<br />

Cosette is consumed by thoughts of Marius,<br />

with whom she has fallen in love. Éponine brings<br />

Marius to Cosette and then prevents an attempt by<br />

her father’s gang to rob Valjean’s house. Valjean,<br />

convinced it was Javert lurking outside his house,<br />

tells Cosette they must prepare to flee the country.<br />

ACT TWO<br />

The students prepare to build the barricade. Marius,<br />

noticing that Éponine has joined the insurrection,<br />

sends her away with a letter to Cosette,<br />

which is intercepted by Valjean. Éponine decides<br />

to rejoin her love at the barricade.<br />

The barricade is built and the revolutionaries<br />

defy an army warning to give up or die. Javert is<br />

exposed as a police spy. In trying to return to the<br />

barricade, Éponine is killed.<br />

Valjean arrives at the barricade in search of<br />

Marius. He is given the chance to kill Javert but<br />

instead lets him go. The students settle down for<br />

a night on the barricade and, in the quiet of the<br />

night, Valjean prays to God to save Marius. The<br />

next day the rebels are all killed.<br />

Valjean escapes into the sewers with the unconscious<br />

Marius. After meeting Thénardier, who<br />

is robbing the corpses of the rebels, he comes<br />

across Javert once more. He pleads for time to deliver<br />

the young man to the hospital. Javert lets Valjean<br />

go and, his unbending principles of justice<br />

having been shattered by Valjean’s own mercy, he<br />

kills himself.<br />

Unaware of the identity of his rescuer, Marius<br />

recovers in Cosette’s care. Valjean confesses the<br />

truth of his past to Marius and insists he must go<br />

away.<br />

At Marius and Cosette’s wedding, the Thénardiers<br />

try to blackmail Marius. Thénardier says<br />

Cosette’s ‘father’ is a murderer and as proof produces<br />

a ring which he stole from the corpse the<br />

night the barricade fell. It is Marius’s own ring<br />

and he realizes it was Valjean who rescued him<br />

that night. He and Cosette go to Valjean where<br />

Cosette learns for the first time of her own history<br />

before the old man dies.<br />

PLAYBILLVAULT.COM<br />

ORPHEUM THEATRE 7


WHO’S WHO IN THE CAST<br />

RICHARD TODD ADAMS (Factory<br />

Foreman, Lesgles, u/s Jean Valjean, u/s Javert).<br />

Broadway: The Woman in White, The Pirate<br />

Queen. National tour: The Phantom of the<br />

Opera (Phantom). 2008 Jeff Award winner for<br />

Javert in Les Misérables in Chicago.<br />

RICHARD BARTH (Swing, u/s Bamatabois).<br />

Off-Broadway: Beowulf (title role), Irish<br />

Repertory. National Tour: Miss Saigon.<br />

Regional: Goodspeed, Signature, Old Globe,<br />

Cincinnati Playhouse, St. Louis Rep & Arrow<br />

Rock Lyceum. Training: Hartt School.<br />

NATALIE BECK (Innkeeper's Wife, Ensemble,<br />

u/s Cosette) is excited to be making her<br />

professional debut in Les Misérables. She<br />

recently received her B.M. in Music <strong>Theatre</strong><br />

from Westminster College of the Arts of Rider<br />

University after studying Vocal Performance at<br />

Lawrence University.<br />

KATIE BEETHAM (Old Woman, Ensemble,<br />

u/s Madame Thénardier) is over the moon to be<br />

joining the incredible cast of Les Misérables! So<br />

much love to friends and family who have<br />

supported and believed. Mom, Dad and BenZ,<br />

this is going to be an awfully big adventure!<br />

www.katiebeetham.com<br />

ANDRÉANE BOULADIER (Crazy Whore,<br />

Ensemble, u/s Cosette) is so grateful to make her<br />

American debut with Les Misérables! Credits:<br />

French premieres of Beauty and the Beast,<br />

Annie and Québec à la Carte, Johanna in<br />

Sweeney Todd, RENT, Blood Brothers and<br />

Amadeus. Merci à la vie!<br />

JOHN BRINK (Courfeyrac, u/s Jean Valjean, u/s<br />

Enjolras) Minnesota native, Hartt School graduate,<br />

thrilled to join this epic production. Credits: TSO;<br />

Music Man (Ens.), West Side Story (Tony), Life On<br />

The Mississippi (Henry). Thanks: God, Bobbie<br />

Merritt (TEG), Hartt School, family and friends.<br />

BRIANA CARLSON-GOODMAN (Éponine):<br />

Broadway: Tony Award Winning Revival of HAIR<br />

(Sheila & Crissy u/s). Off-Broadway: Wanda’s<br />

World. Regional: Calvin Berger (Rosanna),<br />

Fiddler on the Roof (Hodel), Company (Marta).<br />

TV: Person of Interest. For Justin.<br />

brianacarlsongoodman.com. Twitter: @BCeeGee.<br />

8 PLAYBILL PLAYBILLVAULT.COM<br />

ERIN CEARLOCK (Little Cosette/Young<br />

Éponine at some performances) age 9, is from<br />

Houston, TX. She is thrilled to be a part of Les<br />

Misérables. Her favorite credit is White Christmas<br />

(Susan Waverly). Thanks to HSMC, Destination<br />

Broadway, HMTA, and everyone else<br />

who made this opportunity possible.<br />

ERIN CLEMONS (Ensemble, u/s Éponine).<br />

National Tour Debut! Regional: Music <strong>Theatre</strong><br />

of Wichita, OKC Rep. Special thanks to<br />

Harden-Curtis, Merri and Les Mis team. Love<br />

to God, Dad, Mom, Collin, James, family and<br />

friends! For you Grandma!<br />

AVA DELLA PIETRA (Little Cosette/Young<br />

Éponine) age 8, from Long Island, NY. Ava is<br />

delighted to be in Les Mis. She has previously<br />

been seen in community productions. Special<br />

thanks to Nancy Carson, Michael Livering and<br />

Kenneth Robersen. Love and thanks to her family,<br />

friends and teachers.<br />

JASON FORBACH (Enjolras) Previous credits:<br />

The Phantom Of The Opera. (Raoul u/s) Off<br />

Broadway: The Music Teacher, A.W.O.L., As You<br />

Like It. Regional: SMC, NSMT, Paper Mill Playhouse,<br />

Kennedy Center, Carnegie Hall. Albums: A<br />

New Leading Man, Remembering to Dream on<br />

iTunes. jasonforbach.com. Twitter: @jtforbach.<br />

TIMOTHY GULAN (Thénardier). Tours/<br />

B’Way: South Pacific, Dirty Rotten Scoundrels,<br />

Some Like It Hot, Picasso at the Lapine Agile,<br />

Carousel, Les Misérables (19 years ago!),<br />

Falsetto’s, The Lion King, Blood Brothers, Passion,<br />

The Frogs. Premieres: For the Boys,<br />

Emma, Houdini, Eliot Ness in Cleveland, the<br />

King Stag, Just So. Movies/TV: South Pacific<br />

(Carnegie Hall), LCT’s Passion, Salt, MacGruber,<br />

Ice Age, Boardwalk Empire, EL&IC, The<br />

Producers. timothygulan.com<br />

BEN GUNDERSON (Swing, Dance & Fight<br />

Captain, u/s Grantaire). Fiddler, Engeman;<br />

Cabaret, Hilton Head; West Side Story, Ravinia;<br />

Dream of the Burning Boy & House of Gold,<br />

O'Neill. BFA: UNCSA.<br />

SHAWNA M. HAMIC (Madame Thénardier).<br />

NY Workshops: The Toymaker, Screams of Kitty<br />

Genovese, Glen or Glenda. Regional: Twist<br />

(Directed / Choreographed by Debbie Allen),<br />

Les Misérables, Ragtime, Hello Dolly, The


WHO’S WHO IN THE CAST<br />

Molly Maguires, Genesis, My Fair Lady, Mame,<br />

Kismet, Once Upon…, H2$, Guys and Dolls (in<br />

Macao, China). “A&A, F&AD, TMF!”<br />

ShawnaHamic.com<br />

DEVIN ILAW (Marius) Favorites: Miss Saigon<br />

(Thuy, Toronto revival), M. Butterfly (Song<br />

Liling), Carousel (Billy Bigelow), The Rockae<br />

(Dionysus), Wanda’s World (Jake). Owner, DCI<br />

Vocal Studio in NYC. Co-founder, GET U. IN,<br />

a college coaching company. BFA Carnegie<br />

Mellon. Love to Mom and Dad, TKO, and Les<br />

Mis team. Life is awesome. Mabuhay!<br />

MIA SINCLAIR JENNESS (Little Girl, u/s<br />

Little Cosette/Young Éponine) age 7, National<br />

Tour debut! A NJ first grader, credits include<br />

And A Child Shall Lead (Jana), Seussical (JoJo),<br />

and Gypsy (Balloon Girl). Thanks to Mallory &<br />

CESD, Adrienne McKeown, Grandma & Papa<br />

Mike, Brady, & Mom! www.MiaSinclair.com<br />

BRITTNEY JOHNSON (Young Whore,<br />

Ensemble, u/s Éponine) is thrilled to be part of<br />

this epic production! Regional: HAIR, Ragtime,<br />

South Pacific, Bye Bye Birdie. Cast Recording:<br />

Sympathy Jones. B.F.A. NYU Tisch School of<br />

the Arts. Greatest thanks to God, Mom,<br />

Grandma, Craig, family, and friends!<br />

GENEVIEVE LECLERC (Fantine) Canada:<br />

Les Enfants de Donquichote, Devant Les Maîtres,<br />

Bliss, Les Déesses, A Chorus Line, Side Show,<br />

Guys & Dolls, Lies My Father Told Me (alongside<br />

Theodore Bikel and Patsy Gallant.) NYC: A Cycle<br />

of Love Songs at the Laurie Beechman <strong>Theatre</strong>.<br />

Special thanks to my family, friends and Sandie<br />

Newton for believing in me! genevieveleclerc.com<br />

PETER LOCKYER (Jean Valjean) is honored<br />

to be back in Les Mis! Broadway: South Pacific;<br />

The Phantom of the Opera; Baz Luhrmann’s La<br />

Bohème (Rodolfo); Les Misérables (Marius, 10 th<br />

Anniversary Production and China Premiere);<br />

Miss Saigon (Chris); Cyrano The Musical. Barbra<br />

Streisand’s European Concert Tour (Special<br />

Guest Star). TV: Gypsy starring Bette Midler.<br />

Symphony Concerts across the US including the<br />

Premiere of Boublil/ Schönberg’s Do You Hear<br />

the People Sing! Heartfelt thanks to the Creative<br />

Team. For Melanie. Twitter: @Peter_Lockyer.<br />

CORNELIA LUNA (Wigmaker, Ensemble, u/s<br />

Fantine) is honored to be back in Les Misérables!<br />

PLAYBILLVAULT.COM<br />

Kim in Miss Saigon (Toronto); Tuptim in The King<br />

and I (Broadway and West End); Les Misérables<br />

(US National Tour, Korea, and China Premiere);<br />

Ellen in Miss Saigon (UK Tour), Principal vocalist<br />

in Hey! Mr. Producer and Andrew Lloyd Webber’s<br />

The Music of The Night (JAR/CML); Self-titled<br />

CD (BMG Records). Psalm 13:6.<br />

GATEN MATARAZZO (Gavroche) is playing<br />

his dream role! Credits include: Broadway-Priscilla<br />

Queen of the Desert, Godspell<br />

cast of 2032. Tour-Radio City Christmas Spectacular.<br />

Thanks to Carson Kolker, Parkside<br />

Talent, Mom, Dad, Sabrina, Carmen, family<br />

and friends.<br />

MATT MCMAHAN (Constable, Jean<br />

Prouvaire, u/s Marius) is grateful to be joining<br />

the Les Mis Company. Regional: Lyric Theater<br />

Oklahoma, Arts Center Coastal Carolina, and<br />

Disney Cruise Lines. Graduate of Oklahoma<br />

City University. Love to Mom and Pops, Jen<br />

Waldman, IB, and DGRW.<br />

ALEXANDRA MELROSE (Ensemble, u/s<br />

Madame Thénardier, u/s Factory Girl). NYC:<br />

Songs for a New World, Escape from Pterodactyl<br />

Island, Radio City Sinatra. Regional:<br />

Caraboo, Master Class, Oliver, …Forum.<br />

Thanks to the Les Mis team, Merri, the extended<br />

Jersey Boys family, my family, and my wonderful<br />

husband, Ron.<br />

WESTON WELLS OLSON (Feuilly, u/s<br />

Enjolras). New York: Camelot (Lincoln Center),<br />

Where's Charley? (ENCORES!). Regional:<br />

Sweeney Todd (Geva Theater), Les Mis (North<br />

Shore). Readings: Tuck Everlasting. BM<br />

Chapman University, MM Boston Conservatory.<br />

Much love to friends and family.<br />

JASON OSTROWSKI (Swing, u/s Factory<br />

Foreman). Broadway: Company (Tony Award®winner<br />

2007 Best Revival). National tours:<br />

Whistle Down the Wind, Forever Plaid. Regional:<br />

Les Misérables (TOTS & TUTS), Hello<br />

Dolly, Oklahoma!, An O.Henry Christmas. Love<br />

to my family and Elizabeth. Jasono.net<br />

JOHN RAPSON (Farmer, Bamatabois,<br />

Claquesous, u/s Thénardier, u/s Bishop of Digne)<br />

is thrilled to be back on the barricade! Tour: Disney<br />

On Classic (Tokyo Philharmonic). Regional:<br />

Sweeney Todd (Barrington Stage), Brigadoon<br />

ORPHEUM THEATRE 9


WHO’S WHO IN THE CAST<br />

(Wagon Wheel <strong>Theatre</strong>). BFA- University of<br />

Michigan. So much love to my incredible family<br />

and the remarkable Les Mis team!<br />

RACHEL RINCIONE (Swing, u/s Factory<br />

Girl). B.F.A-Acting, Chapman Univ, MM-<br />

Voice, Univ. of Denver. Credits: NY Camelot<br />

(Nimue) WPPAC, Suor Angelica (Cercatrice)<br />

Chelsea Opera, Regional: Camelot (Nimue u/s)<br />

Goodspeed Opera, Les Misérables (Mme. Thénardier<br />

u/s) MGR.<br />

MATT ROSELL (Laborer, Montparnasse,<br />

u/s Marius) is thrilled to join this amazing<br />

show for his National Tour debut. Regional:<br />

South Pacific, HAIR, Ragtime. Recent<br />

Graduate of CAP21. Many thanks to the Les<br />

Mis team, Family, Friends, and Mallory!<br />

www.mattrosell.com<br />

ALAN SHAW (Constable, Joly, u/s Enjolras) is<br />

honored to be a part of the Les Mis family.<br />

Graduate of Interlochen Arts Academy and<br />

Circle In The Square. Love to Trinity and my<br />

amazing Family.<br />

JULIAN SILVA (Gavroche) makes his National<br />

tour debut with Les Misérables. His credits<br />

include: Seussical (Jojo), Aladdin (Aladdin),<br />

Mulan (Mushu), and Alice in Wonderland (White<br />

Rabbit). Julian would like to thank God and his<br />

parents for their love, support and encouragement.<br />

JOSEPH SPIELDENNER (Innkeeper,<br />

Grantaire, Major Domo, u/s Bishop, u/s<br />

Bamatabois, u/s Javert) is from Maine. BFA-<br />

Florida State. Tour: South Pacific (Cable).<br />

Regional: Miss Saigon (Chris), Seaside Music<br />

<strong>Theatre</strong>; Children of Eden (Adam/Noah), Astoria<br />

PAC. Dedicated to Grandma Margaret, Lauren,<br />

Gale, and, especially, Jason! Twitter: @joespiel.<br />

ERIC VAN TIELEN (Combeferre, Fauchelevent,<br />

u/s Grantaire) is a Salt Lake City native.<br />

Broadway/Nat’l Tours: A Tale of Two Cities,<br />

Fiddler on the Roof (Fyedka) Regional: Utah<br />

Shakespeare Festival, HMS Pinafore (Ralph), The<br />

Matchmaker (Cornelius), Lend Me a Tenor, the<br />

Musical (Rupp, World Premiere), Indiana<br />

Repertory <strong>Theatre</strong>, The Fantasticks (Matt), Pioneer<br />

<strong>Theatre</strong>, Syracuse Stage. MFA, Indiana University.<br />

George (Jules). Other Broadway/National tours:<br />

Little Women (Prof Bhaer), Les Misérables (Jean<br />

Valjean), The Phantom of the Opera (Phantom),<br />

Cats (Gus/Growltiger), Evita, Disney’s King<br />

David. Other roles: The Pirate King in Pirates!,<br />

Sky in Guys and Dolls, Jud in Oklahoma!, The<br />

Prince in The Student Prince. Follow me on<br />

Facebook and Twitter (@AndrewVarela525) and<br />

check out AndrewVarela.com. For Susan.<br />

AARON WALPOLE (Champmathieu, Brujon,<br />

Loud Hailer, u/s Jean Valjean) is happy to be<br />

joining Les Mis. Broadway: Jesus Christ<br />

Superstar (Annas). Mirvish: Rock of Ages<br />

(Lonny). Stratford Festival: Guys ‘N Dolls,<br />

Anything Goes, Camelot, Jesus Christ Superstar<br />

and many regional theatrical, film, television and<br />

recording artist credits.<br />

NATALIE WEISS (Swing). Broadway:<br />

Everyday Rapture (u/s for Menonettes). Tour:<br />

Wicked 2 nd national (ensemble, u/s Elphaba).<br />

Regional: Pittsburgh CLO, North Shore Music<br />

<strong>Theatre</strong>. TV: American Idol season 4 semifinalist.<br />

natalieweiss.net.<br />

LAUREN WILEY (Cosette). NYC: Title role in<br />

Madame Bovary (<strong>Theatre</strong> 5), Villa Diodati<br />

(NYMF). Favorite Regional: Les Misérables at<br />

NSMT (Head Whore) and Merry-Go-Round<br />

Playhouse (Cosette), Mrs. Lyons in Blood Brothers<br />

with Andrea McArdle (<strong>Theatre</strong>Zone). University<br />

of Alabama Grad. Heartfelt thanks to the Les<br />

Mis team, and my dear Clint. LaurenEWiley.com.<br />

Twitter: @LaureneWiley.<br />

JESSICA KEENAN WYNN (Ensemble, Factory<br />

Girl, u/s Fantine) is thrilled to be making<br />

her National Tour debut in Les Mis! Regional:<br />

Hairspray at The Hollywood Bowl, Life Could<br />

Be a Dream (Ovation-Nominated). BA from<br />

UCLA. Love to KSR, my family, and Luke.<br />

JAMES ZANNELLI (Bishop of Digne, Babet,<br />

u/s Thénardier) is thrilled to be on tour with Les<br />

Mis. Regional credits: Les Misérables<br />

(Thenardier), Chess (Molokov), Jesus Christ<br />

Superstar (Caiaphas), Jekyll & Hyde (Simon<br />

Stride), Tommy (Uncle Ernie), Peter Pan<br />

(Captain Hook). MM from Arizona State.<br />

Dreams DO come true!!!!<br />

ANDREW VARELA (Javert) was last seen on<br />

Broadway in Sondheim’s Sunday in the Park with<br />

ALAIN BOUBLIL (Author/Dramatist) wrote<br />

librettos and original lyrics for La Révolution<br />

10 PLAYBILL PLAYBILLVAULT.COM


WHO’S WHO IN THE CAST<br />

Française, Les Misérables, Miss Saigon, Martin<br />

Guerre and The Pirate Queen, in collaboration<br />

with Claude-Michel Schönberg, and Marguerite<br />

with Claude-Michel Schönberg and Michel<br />

Legrand. He received two Tonys ® (Best Score,<br />

Best Book), two Grammys ® , two Victoire de la<br />

Musique Awards, a Molière Award (Les<br />

Misérables), an Evening Standard Award (Miss<br />

Saigon) and an Olivier Award (Martin Guerre). He<br />

is author/librettist of Abbacadabra with songs by<br />

Abba, the play The Diary of Adam and Eve, and<br />

prize-winning novel Les Dessous de Soi.<br />

CLAUDE-MICHEL SCHÖNBERG (Book and<br />

Music). Born in 1944 of Hungarian parents,<br />

Claude-Michel Schönberg began his career in<br />

France as a singer, writer and producer of pop<br />

songs. In collaboration with Alain Boublil he is the<br />

book co-writer and the composer of La Révolution<br />

Française, Les Misérables, Miss Saigon, Martin<br />

Guerre and The Pirate Queen. In 2008 his new<br />

musical, Marguerite, in collaboration with Alain<br />

Boublil, Herbert Kretzmer and Michel Legrand<br />

opened at the Haymarket <strong>Theatre</strong> in London.<br />

Claude-Michel has supervised overseas productions<br />

and co-produced several international cast albums<br />

of his shows. In 2001 he composed his first<br />

ballet score, Wuthering Heights, which was created<br />

by the Northern Ballet in 2002. His new ballet,<br />

Cleopatra, which opened in early 2011, is his<br />

second collaboration with David Nixon and his<br />

seventh complete score. Claude-Michel co-wrote<br />

the screenplay and reconceived the music for the<br />

musical movie version of Les Misérables (release<br />

2012). In 2003 Claude-Michel married the English<br />

ballerina, Charlotte Talbot. He is the father of one<br />

son and two daughters.<br />

CAMERON MACKINTOSH (Producer)<br />

produces musicals.<br />

HERBERT KRETZMER (Lyricist) was a<br />

London journalist when Cameron Mackintosh<br />

invited him to write the English lyrics for Les<br />

Misérables epochal West End production in<br />

1985. A part-time songwriter, he contributed<br />

regular lyrics for the BBC’s famous satire series<br />

“That Was the Week That Was” and had also<br />

written lyrics for the French singer Charles<br />

Aznavour (“Yesterday When I Was Young,”<br />

“She,” etc.). It was Kretzmer’s work with<br />

Aznavour which led to Cameron’s invitation.<br />

Herbert Kretzmer was born in South Africa to<br />

PLAYBILLVAULT.COM<br />

immigrant parents from Lithuania. He now lives<br />

in London with his (American) wife Sybil.”<br />

TREVOR NUNN AND JOHN CAIRD<br />

(Adaptors). Trevor Nunn started directing in 1962<br />

when he won an ABC Director’s scholarship to<br />

become the resident director of the Belgrade<br />

<strong>Theatre</strong>, Coventry. In 1964 he joined the RSC<br />

and in 1968 was made the company’s youngest<br />

ever artistic director. Trevor was responsible for<br />

running the RSC until he retired from the post in<br />

1986. From 1997 – 2003 Trevor was director of<br />

the National <strong>Theatre</strong>. Trevor has worked<br />

extensively in theatre, opera and musical theatre.<br />

John Caird is a freelance director and writer<br />

working worldwide in theatre, opera and musical<br />

theatre. He has worked at the National <strong>Theatre</strong><br />

and is an honourary associate director of the RSC<br />

where he has directed over 20 plays. John has<br />

published several works as a librettist and lyricist.<br />

Together John and Trevor have directed Nicholas<br />

Nickleby (winner of five Tony Awards ® ), JM<br />

Barrie’s Peter Pan and the original production of<br />

Les Misérables (winner of eight Tony Awards ® ).<br />

LAURENCE CONNOR (Director) has worked<br />

as a resident and associate director on several<br />

shows in London including The King & I,<br />

Phantom of the Opera and Oliver! In 2005,<br />

Laurence directed a new touring production of<br />

Miss Saigon, which has been recreated in Korea<br />

and Australia winning major awards including<br />

The Manchester Evening News award for best<br />

touring musical and Green Room award for best<br />

director, co-director of the 25th Anniversary tour<br />

of Les Misérables on which this production is<br />

based and the 25th Anniversary concert of Les<br />

Misérables at the O2. Laurence recently directed<br />

The Phantom if the Opera at the Royal Albert<br />

Hall, Oliver! National UK tour, The Phantom of<br />

the Opera 25th anniversary production and an<br />

Arena tour of Jesus Christ Superstar, which is<br />

due for a world tour later this year.<br />

JAMES POWELL (Director) was appearing in<br />

Les Misérables at London’s Palace <strong>Theatre</strong> when<br />

he was offered the position of resident director in<br />

1996. London: Singin’ in the Rain (staff director).<br />

For Cameron Mackintosh: The Witches of<br />

Eastwick (resident director), Les Misérables<br />

(associate director, also Scandinavia, Berlin),<br />

Mary Poppins (London, Broadway, UK tour,<br />

Holland, Australia). For Jacobsen Entertainments:<br />

The Witches of Eastwick (Director; Melbourne,<br />

ORPHEUM THEATRE 11


WHO’S WHO IN THE CAST<br />

Australia) and Dirty Dancing (Director; London’s<br />

West End, Toronto, Utrecht, Chicago, US tour,<br />

Berlin) James is honored to work on Cameron’s<br />

new production of Les Misérables, and has just<br />

recovered from directing the 25 th anniversary<br />

concert at London’s O2 arena.<br />

MATT KINLEY (Scenic and Image Designer)<br />

worked as freelance costume and prop-maker for<br />

stage, film and video with Robert Allsopp<br />

Associates. A graduate of the Motley <strong>Theatre</strong><br />

design course, he enjoyed a long relationship<br />

with the National <strong>Theatre</strong> as designer, design<br />

associate and draughtsman on over 40<br />

productions, including Jerry Springer: the Opera,<br />

The Coast of Utopia and My Fair Lady. Most<br />

recently he worked as associate designer on<br />

shows including: The Woman in White, My Fair<br />

Lady (UK/US tours), Chitty Chitty Bang Bang<br />

(UK tour), Les Misérables (Broadway &<br />

Holland), Equus (West End), Mary Poppins<br />

(UK/US/AUS/Holland tours), Les Misérables<br />

25 th Anniversary Concert (O2 Arena).<br />

ANDREANE NEOFITOU (Costume Designer).<br />

Les Misérables (Tony ® nomination) and Miss<br />

Saigon London, Broadway and worldwide.<br />

London credits: Grease, Gone With The Wind, The<br />

Far Pavilions, The Baker’s Wife, Timon Of Athens,<br />

Peter Pan (National <strong>Theatre</strong>) Carmen (Royal<br />

Albert Hall). Royal Shakespeare Company: The<br />

Changeling, The Merchant Of Venice, Fair Maid<br />

Of The West, Hedda Gabler, (also Canada/USA),<br />

Once In A Lifetime, Peter Pan and Nicholas<br />

Nickleby (Outer Critics Circle nomination<br />

Outstanding Achievement). Additionally: Nabucco<br />

(Metropolitan Opera), Miss Julie (Athens), Jane<br />

Eyre the musical (Broadway - nomination Outer<br />

Critics Circle), Cameron Mackintosh’s revised<br />

version of Martin Guerre (USA). Films:<br />

Rosencrantz And Guildenstern Are Dead, Still Life.<br />

PAULE CONSTABLE (Lighting Designer) has<br />

designed extensively at the National <strong>Theatre</strong><br />

(including Warhorse, Phaedre, St. Joan), the<br />

RSC, the Donmar Warehouse (Othello, Chalk<br />

Garden, Ivanov), the Royal Court (Clybourne<br />

Park, The Weir) and in the West End (Evita, Don<br />

Carlos, Oliver, Love Never Dies). She is a three<br />

times Olivier Award winner. Opera includes<br />

productions for: the Royal Opera House,<br />

Glyndebourne, ENO, Opera North, Salzburg<br />

Festival and in the major houses of Europe, North<br />

America, Australia and New Zealand. Dance<br />

12 PLAYBILL PLAYBILLVAULT.COM<br />

includes: the Royal Ballet, Ballet Boyz and New<br />

Adventures for Matthew Bourne. Paule is an<br />

associate of the National <strong>Theatre</strong>.<br />

MICK POTTER (Sound Designer) Saturday<br />

Night Fever (London, New York and a further 10<br />

productions worldwide), Starlight Express (Las<br />

Vegas, US/UK/Scandinavian-Tour), Tell Me On<br />

a Sunday (London/UK-Tour), Scrooge The<br />

Musical (London, US/ UK-Tour), Jesus Christ<br />

Superstar (UK Tour), Bombay Dreams (London,<br />

New York), The Woman in White (London, New<br />

York, 2005 Laurence Olivier Award for best<br />

Sound Design), Hair (London), Whistle Down<br />

the Wind (London), Revival of Evita (London),<br />

The Sound of Music (London/Toronto/UK-Tour),<br />

Joseph ... Dreamcoat (London), Phantom – The<br />

Las Vegas Spectacular (Las Vegas, 2006 Parnelli<br />

Award best Sound Design), Ich war noch niemals<br />

in New York (Hamburg, Stuttgart), Der Schuh des<br />

Manitu (Berlin), Zorro (London/Paris/ Japan),<br />

Sister Act (London, Hamburg), Les Misérables -<br />

25 th Anniversary production (O2 Arena,<br />

UK/Spain/tour), Love Never Dies (London).<br />

CHRISTINE ROWLAND (Additional<br />

Costumes) has worked in both subsidized and<br />

commercial theatre. She was resident costume<br />

supervisor at the National <strong>Theatre</strong> for several years<br />

and was head of costume at the Royal Shakespeare<br />

Company. Work for Cameron Mackintosh<br />

includes: Carousel (London, New York, Japan);<br />

Oliver! (London, Toronto, Sydney); The Witches<br />

of Eastwick (London, Melbourne); My Fair Lady<br />

(London, USA tour) and Mary Poppins (London,<br />

New York). Other musicals include: The Secret<br />

Garden (RSC, London); Chitty Chitty Bang Bang<br />

(London, New York) and Gypsy (New York).<br />

MICHAEL ASHCROFT (Musical Staging). As<br />

a performer includes: DV8’s Enter Achilles,<br />

ManActs’s The Sweatlodge, Kosh’s Dinner and<br />

his own solo shows The Crooner, Ropeman, Le<br />

Baton. Credits as movement director include: The<br />

Power of Yes (National <strong>Theatre</strong>), Life is a Dream<br />

(Donmar Warehouse), Resurrection Blues (The<br />

Old Vic), Cosi Fan Tutti (English National<br />

Opera), Romans in Britain, (Sheffield Crucible),<br />

The Lost Child Project (David Glass Ensemble,<br />

Cambodia). For the Royal Shakespeare<br />

Company: Richard III, Measure For Measure,<br />

Othello, A Midsummer Night’s Dream, Julius<br />

Caesar, The Tempest, Antony and Cleopatra,


Macbeth, Merry Wives of Windsor, A Comedy of<br />

Errors, Love’s Labours Lost and Hamlet.<br />

LAWRENCE GOLDBERG (Musical<br />

Director/Conductor): Broadway: How to<br />

Succeed in Business…, The Drowsy Chaperone,<br />

Thoroughly Modern Millie, The Phantom of the<br />

Opera, Carousel. Tours: South Pacific, The<br />

Producers, Les Misérables, Sunset Blvd., Cats,<br />

Chess. Regional: Next to Normal, My Fair Lady<br />

(Pioneer <strong>Theatre</strong>); My One and Only (St. Louis<br />

MUNY); Pal Joey (Prince Music <strong>Theatre</strong>), to<br />

name a few. Arranger/vocal coach/pianist with<br />

Boston Pops. Composer/lyricist of the shows<br />

Big Bad Wolf and the Endangered Forest and<br />

Grounded For Life, and the Pittsburgh TV show<br />

“Let’s Read a Story”.<br />

DAVID CADDICK (Music Supervisor) has<br />

been the Music Director for: Evita, Cats, Song<br />

& Dance, Starlight Express, The Phantom of the<br />

Opera, Miss Saigon, Sunset Boulevard and<br />

Mary Poppins. He was Music Director for the<br />

world premiere of Stephen Sondheim’s Bounce<br />

and Music Director for the film of Evita starring<br />

Madonna. He’s won two Grammy Awards for<br />

producing the cast album recordings of Les Misérables<br />

and West Side Story and a further three<br />

Grammy nominations for producing the recordings<br />

of A Chorus Line, South Pacific and Promises,<br />

Promises. He’s a member of t he Tony<br />

Nominating Committee for the current Broadway<br />

season.<br />

JOHN CAMERON (Original Orchestrations)<br />

arranged the Orchestral Score for all the original<br />

productions of Les Misérables, Paris, London,<br />

Broadway, the Symphonic recordings, the<br />

Concert, 10 th Anniversary and 2006 Queen’s<br />

<strong>Theatre</strong> versions. As a composer his extensive<br />

film and television film score credits include the<br />

Academy Nominated A Touch of Class and the<br />

Emmy nominated Path to 9-11. John cocomposed<br />

Zorro the Musical, nominated for an<br />

Olivier Award for Best New Musical 2009,<br />

which is currently playing in Tokyo and Moscow<br />

followed by Amsterdam, Rio, Shanghai, Seoul<br />

& Berlin. Other arranging credits include Joseph<br />

& the Amazing Technicolor Dreamcoat.<br />

CHRISTOPHER JAHNKE (New<br />

Orchestrations). Orchestrations: Legally Blonde<br />

(Broadway), Grease (You’re the One That I<br />

Want - 2007 Broadway Revival), Cry Baby, A<br />

WHO’S WHO<br />

PLAYBILLVAULT.COM<br />

Man of No Importance, Dessa Rose, Tom Jones<br />

(George Stiles/Paul Leigh), Just So (George<br />

Stiles/Anthony Drewe), Chasing Nicolette,<br />

Rufus Wainwright at Carnegie Hall and the new<br />

orchestrations for the 2006 Broadway revival of<br />

Les Misérables. As a Dance Music Arranger:<br />

The Witches of Eastwick (London/West End).<br />

Music Supervisor for Bon Jovi keyboardist<br />

David Bryan: Memphis and The Toxic Avenger<br />

Musical. Conductor: Aida (Broadway). Assistant<br />

to Tony Award ® -winning Orchestrator William<br />

David Brohn: Wicked, Ragtime, Sweet Smell of<br />

Success, The Three Musketeers, Mary Poppins.<br />

STEPHEN METCALFE (Additional<br />

Orchestrations) is an arranger and orchestrator for<br />

film and theatre. For the past ten years he worked<br />

as Head of Musical Development at Cameron<br />

Mackintosh Ltd., where he has developed, edited<br />

and contributed orchestrations to the scores of all<br />

Cameron Mackintosh’s productions in the UK<br />

and worldwide, most recently providing<br />

orchestrations for the current UK tour of Les<br />

Misérables and the 25 th birthday celebrations at<br />

London’s O2 Arena. Stephen has produced the<br />

2008 London cast album of Oliver!, the new UK<br />

Tour cast album of Les Misérables and the DVD<br />

release of the Les Misérables concert at the O2.<br />

STEPHEN BROOKER (Additional<br />

Orchestrations). <strong>Theatre</strong> includes: Betty Blue<br />

Eyes, Oliver! My Fair Lady, The Woman In<br />

White, Les Misérables, The Phantom Of The<br />

Opera, Miss Saigon, South Pacific, The Secret<br />

Garden, Lautrec, Cats, Saturday Night Fever,<br />

Grease, Fame. Conductor includes: Atlanta<br />

Symphony, West Australian Symphony, Royal<br />

Philharmonic, London Mozart Players, Haifa<br />

Symphony, Hamburg Sinfonia, Royal<br />

Liverpool, Royal Scottish National. Corporate<br />

Composer: Coca Cola, BMW Cars, Ford<br />

Motors, British Airways, Toyota Cars and Walt<br />

Disney. Producer: Oliver! - Live starring Rowan<br />

Atkinson, Les Misérables 25 th Anniversary Tour,<br />

Mary Poppins (Holland). Stephen recently<br />

supervised the Les Misérables 25 th Anniversary<br />

Concert at the O2 Arena. stephenbrooker.co.uk<br />

JEAN-MARC NATEL (Original French Text)<br />

was born in 1942. He studied art at the Beaux<br />

Arts in Toulon before turning to poetry and has<br />

published two volumes of his poems. In 1968<br />

he moved to Paris where he met Alain Boublil,<br />

who introduced him to songwriting with the<br />

ORPHEUM THEATRE 13


daunting task of co-writing the lyrics for Les<br />

Misérables. Since then, he has written songs for<br />

a variety of artists and, recently, some of his<br />

poetry has been set to music by Franck Pourcel.<br />

JAMES FENTON (Additional Material) was<br />

born in 1949. He was educated at the Durham<br />

Choristers’ School, Repton and Magdalen<br />

College, Oxford, where he won the Newdigate<br />

Prize for Poetry. He has worked as a political<br />

and literary journalist, drama critic, book<br />

reviewer, war correspondent and columnist.<br />

James Fenton was made Fellow of the Royal<br />

Society of Literature in 1983 and he was<br />

Professor of Poetry at Oxford from 1994 to<br />

1999. James was awarded the Queen’s Medal<br />

for Poetry in 2007.<br />

ANTHONY LYN (Associate Director). From<br />

South Wales, trained at RWCMD and<br />

University of London. London theatre: Anything<br />

Goes, Les Misérables, Joseph …, Miss Saigon,<br />

Oklahoma!, Damn Yankees (with Jerry Lewis).<br />

TV: “Tony Awards,” “The Tonight Show,”<br />

“Regis and Kelly,” “An American Celebration”<br />

(for the President and First Lady) and 5 Royal<br />

Command performances in England. Taught at<br />

the Royal Academy. Founding member, West<br />

End Cares. Associate Director: The Lion King<br />

(worldwide), Mary Poppins (Broadway,<br />

directed current US tour). Anthony is delighted<br />

to be Associate of this brand new production of<br />

Les Misérables. For C.C.<br />

CHRISTOPHER KEY (UK Associate<br />

Director) trained at Guildford School of Acting<br />

graduating with a first class BA (Hons). He is<br />

currently Resident Director on the London<br />

production of Les Misérables and Associate<br />

Director of the 25 th Anniversary Production in<br />

the UK and Spain. Christopher was also<br />

Resident Director on Avenue Q, London. Acting<br />

credits include Les Misérables, Chucky in Jerry<br />

Springer The Opera, Alice in Wonderland for<br />

The Royal Shakespeare Company and The<br />

Beautiful Game. Concerts include Les<br />

Misérables 25 th Anniversary at The O2, Sweeney<br />

Todd at The Royal Festival Hall and Sondheim<br />

Tonight at The Barbican.<br />

TARA RUBIN CASTING (Casting).<br />

Broadway/tours: Promises, Promises; A Little<br />

Night Music; Guys and Dolls; Billy Elliot;<br />

Shrek; The Country Girl; Rock ‘n’ Roll (US<br />

WHO’S WHO<br />

14 PLAYBILL PLAYBILLVAULT.COM<br />

casting); The Farnsworth Invention; Young<br />

Frankenstein; Little Mermaid; Mary Poppins;<br />

My Fair Lady; Pirate Queen; Les Misérables;<br />

History Boys (US casting); Spamalot; Jersey<br />

Boys; …Spelling Bee; Producers; Mamma<br />

Mia!; The Phantom of the Opera; Good<br />

Vibrations; Bombay Dreams; Oklahoma!;<br />

Happiness; Flower Drum Song; Imaginary<br />

Friends; Frogs; Contact; Metamorphoses; Thou<br />

Shall Not; Man of No Importance.<br />

JOEL T. HERBST (Company Manager) is a<br />

proud NETworks company manager from<br />

Wisconsin. Go Goslings!<br />

MICHAEL O’DONNELL (Resident Director)<br />

comes to Les Misérables after restaging Sam<br />

Mendes and Rob Marshall’s Cabaret in Paris.<br />

Associate director of the national tour of Monty<br />

Python’s Spamalot. Observing Director on Weeds<br />

and Brothers and Sisters. Writer/Director of the<br />

feature comedy Moving Mike. Mr. O’Donnell has<br />

also performed in six Broadway musicals<br />

including Cabaret, Spamalot and Victor/Victoria.<br />

TRINITY WHEELER (Production Stage Manager)<br />

is thrilled to be part of this legendary musical.<br />

In addition to Les Misérables, he is currently<br />

the Production Supervisor for the first Spanish-language<br />

production of Mary Poppins in Mexico City.<br />

Other credits include Rent - The Broadway Tour<br />

(Adam Pascal and Anthony Rapp), Mel Brooks’<br />

Young Frankenstein (Roger Bart), Trevor Nunn’s<br />

Oklahoma! and The Producers. Love to Alan, Big<br />

Mac and Ricky. trinitywheeleronline.com<br />

HEATHER CHOCKLEY (Stage Manager) is a<br />

proud member of AEA and IATSE. She has toured<br />

extensively, nationally and internationally, with<br />

The Sound of Music, Joseph… Dreamcoat, Cats,<br />

Sweet Charity, The King and I and Fiddler on the<br />

Roof to name a few. Thank you to her husband,<br />

family and friends.<br />

MITCHELL B. HODGES (Assistant Stage<br />

Manager) Les Misérables 25th Anniversary Tour,<br />

West Side Story National tour, The Phantom of the<br />

Opera National tour, Music <strong>Theatre</strong> of Wichita,<br />

Fort Worth Opera, Glimmerglass Opera and Motor<br />

City Lyric Opera. Thanks to Nancy and his parents<br />

for their love and support! Go Blue! Proud<br />

member of Actors’ Equity. mbhodges.com


BROADWAY BOOKING OFFICE NYC (Tour<br />

Booking, Engagement Management, Press &<br />

Marketing) is a leading theatrical tour booking,<br />

marketing and press company, representing musicals,<br />

plays and theatrical productions. Currently:<br />

Jersey Boys, War Horse, Matilda, The New 25th<br />

Anniversary Production of Les Misérables,<br />

Cameron Mackintosh’s spectacular new production<br />

of Andrew Lloyd Webber’s The Phantom of<br />

the Opera, Mary Poppins, NETworks presents<br />

Disney’s Beauty and the Beast, Hair, Do You Hear<br />

the People Sing, Holland Taylor in Ann, Backbeat,<br />

50 Shades! The Musical, The Rat Pack is Back!,<br />

MJ Live, Scooby Doo Live! Musical Mysteries,<br />

and Magic Tree House® The Musical.<br />

www.bbonyc.com<br />

SETH WENIG (Executive Producer) has been<br />

with NETworks since its inception in 1995. He<br />

spearheaded the international tours of Fosse<br />

starring Ben Vereen/Ruthie Henshall as well as<br />

the U.K. regional tour of Rodgers &<br />

Hammerstein’s The King and I. Together with<br />

Cameron Mackintosh, Seth served as executive<br />

producer of a 40 week UK regional tour of the<br />

National <strong>Theatre</strong>’s My Fair Lady, which also ran<br />

in the United States. He is currently serving as<br />

Executive Producer on The New Mel Brooks<br />

Musical Young Frankenstein, Disney’s Beauty<br />

and the Beast and Rodgers & Hammerstein’s<br />

South Pacific. He is most proud of his greatest<br />

productions, Marlo and Camden.<br />

NETworks PRESENTATIONS, LLC<br />

(Producer). Since 1995, NETworks has produced<br />

and managed over 70 touring productions in the<br />

US, UK and internationally. Current productions<br />

include Disney’s Beauty and the Beast, Young<br />

Frankenstein, and the Lincoln Center’s production<br />

of Rodgers and Hammerstein’s South Pacific,<br />

Handel’s Messiah Rocks, Spring Awakening, A<br />

Chorus Line, Blue Man Group National tour and<br />

The New 25 th Anniversary Production of Les<br />

Misérables touring the U.S.<br />

ACTORS’ EQUITY ASSOCIATION (AEA),<br />

founded in 1913, represents more than 48,000<br />

actors and stage managers in the United States.<br />

Equity seeks to advance, promote and foster the<br />

art of live theatre as an essential component of our<br />

society. Equity negotiates wages and working<br />

conditions, providing a wide range of benefits,<br />

including health and pension plans. AEA is a<br />

member of the AFL-CIO, and is affiliated with<br />

WHO’S WHO<br />

PLAYBILLVAULT.COM<br />

FIA, an international organization of performing<br />

arts unions. The Equity emblem is our mark of<br />

excellence. actorsequity.org<br />

STAFF FOR Les Misérables<br />

EXECUTIVE PRODUCER<br />

Seth Wenig<br />

GENERAL MANAGEMENT<br />

Gentry & Associates, Inc.<br />

Scott W. Jackson, Gregory Vander Ploeg<br />

COMPANY MANAGER<br />

Joel T. Herbst<br />

TOUR BOOKING,<br />

ENGAGEMENT MANAGEMENT<br />

PRESS AND MARKETING<br />

Broadway Booking Office NYC<br />

Steven Schnepp, Temah Higgins<br />

Kent McIngvale, Jenny Bates, David Freeland<br />

Judith Hoenig Adelson, Zach Stevenson,<br />

Julia D’Angelo, Scott Praefke, Jim Lanahan<br />

BBONYC.com<br />

CASTING<br />

Tara Rubin Casting<br />

Tara Rubin, CSA, Merri Sugarman, CSA<br />

Eric Woodall, CSA, Laura Schutzel, CSA,<br />

Paige Blansfield, Dale Brown, Kaitlin Shaw<br />

US ASSOC. DIRECTOR ..........................ANTHONY LYN<br />

UK ASSOC. DIRECTOR..................CHRISTOPHER KEY<br />

FIGHT DIRECTOR................................RICK SORDELET<br />

Resident Director....................................Michael O’Donnell<br />

Ass’t. to the Director ........................................Trey Gerrald<br />

Production Stage Manger ............................Trinity Wheeler<br />

Stage Manager ..........................................Heather Chockley<br />

Ass’t. Stage Manager..............................Mitchell B. Hodges<br />

Ass’t. Company Manager..............................Justin Sweeney<br />

Ass’t. to the General Manager....................Kristin Netzband<br />

Dance Captain ..............................................Ben Gunderson<br />

Fight Captain ................................................Ben Gunderson<br />

Ass’t. Fight Captain ..................................Heather Chockley<br />

Assoc. Scenic Designer ................................Christine Peters<br />

U.S. Costume Assistant ..................................Jimm Halliday<br />

Costume Assistants ..................David Kaley, John Saunders<br />

Assoc. Lighting Designer/Programmer ..............Jane Dutton<br />

Ass't. Lighting Designer....................................Karen Spahn<br />

Assoc. Sound Designer ................................Paul Gatehouse<br />

Ass’t. Sound Designer ........................................Garth Helm<br />

Music Preparation ....................David Hague, Dakota Music<br />

Emily Grishman<br />

Keyboard Programming ................................Stuart Andrews<br />

Head Carpenter ....................................................John Ward<br />

ORPHEUM THEATRE 15


Automation Carpenter ............................................Greg Pott<br />

Carpenter..........................................................George Munz<br />

Flyman ..................................................Timothy P. Callahan<br />

Production Electricians ..................Barb Bartel, Ian Moulds<br />

Head Electrician..........................................Leslie Bindeman<br />

Ass’t. Electricians................................R. Warren Bishop, Mark Leslie<br />

Head Audio ......................................................Chris Walters<br />

Ass’t. Audio ......................................................Shelly Franz<br />

Props Supervisor ..............................................Lisa Buckley<br />

Head Props................................................Andrew Crawford<br />

Ass't. Props....................................................David Summey<br />

Head Wardrobe ..............................................Sally M. Howe<br />

Ass't. Wardrobe ..............................................Emily Staloch<br />

Hair Designer ....................................................Bernie Ardia<br />

Head Wigs......................................................Rudy Guerrero<br />

Ass't. Wigs ................................................Bryon McDonald<br />

Dialect Coach ..........................................Shane-Ann Younts<br />

Tutor ..................................................................Leah Osborn<br />

Print/Advertising Design..................................................aka<br />

Radio and Television Spot Production ..................Steam UK<br />

Website ................................................................Dewynters<br />

Social Media............................................Pit Bull Interactive<br />

Production Photography................................Deen Van Meer<br />

Merchandising ............................Platypus Productions, LLC<br />

Accounting ..........................NETworks Presentations, LLC<br />

Legal ................................................F. Richard Pappas, Esq.<br />

Payroll Services ............................................................ADP<br />

Insurance................................................DeWitt Stern Group<br />

Travel Agency ............................................Carlson Wagonlit<br />

Tax Consultant ................Brent A. Turner, One Source PSG<br />

IT Services ..................George W. Wilson, One Source PSG<br />

Trucking..........................................................Clark Transfer<br />

For Cameron Mackintosh LTD<br />

Directors ..........................Cameron Mackintosh (Chairman)<br />

Nicholas Allott (Chief Executive)<br />

Richard Johnston<br />

Deputy Managing Director ..............................Robert Noble<br />

Financial Controller........................................Richard Knibb<br />

Executive Producer ........................................Trevor Jackson<br />

Associate Producer..................................Thomas Schönberg<br />

Production Manager ....................................Jerry Donaldson<br />

Music Supervisor ..........................................David Caddick<br />

Head of Marketing..........................................David Dolman<br />

Ass’t. to Cameron Mackintosh............................Jane Austin<br />

Ass’t. to Nicholas Allott ..................................Claire Mistry<br />

Ass’t. to Robert Noble ....................................Rachel Atkins<br />

For NETworks Presentations<br />

Chief Executive Officer ......................................Ken Gentry<br />

Chief Operating Officer ..............................Scott W. Jackson<br />

Director of Finance..............................................John Kinna<br />

Executive Producers ..........................................Seth Wenig,<br />

Kary M. Walker, Dani Davis<br />

Associate Producer ........................................Angela Rowles<br />

Assistant Producers ............................Charmaine McVicker,<br />

Mary Witte<br />

Assistant to the CEO ..........................................Curt Owens<br />

Senior General Manager ....................Gregory Vander Ploeg<br />

16 PLAYBILL<br />

WHO’S WHO<br />

PLAYBILLVAULT.COM<br />

General Managers......................Dawn Kusinski, Kim Reiter<br />

Associate General Manager................................Curt Owens<br />

Assistant General Managers........................Penelope Lopez,<br />

Bobby Maglaughlin<br />

Production Manager ........................................Jason Juenker<br />

Associate Production Managers ....................Hector Guivas,<br />

Ben Neafus<br />

Assistant Production Manager..........................Evan Rooney<br />

Warehouse Manager ............................................Brad Korff<br />

Marketing/PR ..................................................Heather Hess<br />

Music Coordinator ............................................John Mezzio<br />

Assistant Controller......................................Jennifer Gifford<br />

Accounts Payables ............................................Laura Carey<br />

Accountant............................................................Lisa Blank<br />

Office Manager ..........................................Buddy Piccolino<br />

Office Assistant ..................................................Carol Jewell<br />

Credits<br />

Lighting Equipment supplied by Epic; Sound Equipment<br />

supplied by Sound Associates; Set by F&D Scene Changes;<br />

Show control and scenic motion control featuring stage<br />

command systems ® by PRG-Scenic Technologies, a division<br />

of Production Resource Group, L.L.C., New Windsor, NY;<br />

Video Projection System Provided by Scharff Weisberg, Inc.;<br />

Costumes constructed by Scafati, John Schneeman Studio,<br />

Sara Timberlake Studio, Claire Johanson and Dale<br />

DiBernardo and Jennifer Love.<br />

Rehearsed at New 42nd Street Studios<br />

Special Thanks to<br />

Paper Mill Playhouse and Mark Hoebee<br />

Todd Schmidt, Mimi Intagliata, Rick Reiser.<br />

The producers wish to thank Fred Hanson for his<br />

contribution to the development of this<br />

new 25 th anniversary production.<br />

Financial Services and banking arrangements by<br />

M&T Bank<br />

Visit the Les Misérables website at<br />

www.lesmis.com<br />

Own Les Misérables, the 25 th Anniversary Concert, featuring<br />

Tony ® Award-winner Lea Salonga and Nick Jonas on Blu-ray<br />

and DVD!<br />

The Actors and Stage Managers employed in this production<br />

are members of Actors’ Equity Association, the union of professional<br />

actors and stage managers in the United States.<br />

All stage work performed by employees represented by IATSE.<br />

UNITED SCENIC ARTISTS represents the designers and scenic<br />

painters for the American <strong>Theatre</strong>.<br />

The Musicians employed in this production are members of the American<br />

Federation of Musicians of the United States and Canada.<br />

The Director and Choreographer are members of the Stage Directors<br />

and Choreographers Society, an independent national labor union.<br />

The Press Agents, Company and House Managers employed in this<br />

production are represented by the Association of Theatrical Press<br />

Agents & Managers.<br />

This production is produced by a member of The<br />

Broadway League in collaboration with our<br />

professional union-represented employees.


THANK YOU TO OUR CORPORATE,<br />

FOUNDATION AND GOVERNMENT PARTNERS<br />

PRINCIPAL PARTNERS $100,000+<br />

This project is supported in part<br />

by an award from the National<br />

Endowment for the Arts.<br />

This activity is made<br />

possible by the<br />

voters of Minnesota<br />

through a Minnesota<br />

State Arts Board<br />

Operating Support<br />

grant, thanks<br />

to a legislative<br />

appropriation from<br />

the arts and cultural<br />

heritage fund.<br />

MAJOR PARTNERS $30,000 - $99,999<br />

SUPPORTING PARTNERS $15,000 - $29,999<br />

MEDIA SPONSORS<br />

DOWNTOWN BUSINESS PARTNERSHIPS<br />

<strong>Hennepin</strong><strong>Theatre</strong><strong>Trust</strong>.org


BOARD OF DIRECTORS<br />

Dan Cramer, Chairperson<br />

Thomas L. Hoch, President/CEO<br />

Scott Benson<br />

Daniel Pierce Bergin<br />

John Blackshaw<br />

Ralph W. Burnet<br />

Sonia Cairns<br />

Wendy Dayton<br />

Julie Idelkope<br />

Linda C. Ireland<br />

Jeannie Joas<br />

Barbara Klaas<br />

Jim Linnett<br />

Mark Marjala<br />

Annette Thompson Meeks<br />

Jann L. Olsten<br />

Brian J. Pietsch<br />

Edward Pisarski<br />

Thomas J. Rosen<br />

Doug Ruth<br />

T. Jay Salmen<br />

Ann Simonds<br />

Julie Beth Vipperman<br />

Tom Vitt<br />

ADMINISTRATION<br />

President/CEO<br />

Thomas L. Hoch<br />

<br />

Kjirsten Johnson<br />

Accounting Associate<br />

Debbie Hunt<br />

Executive Assistant<br />

Kelly Armenta<br />

New Century <strong>Theatre</strong> Manager<br />

Jason Capra<br />

<br />

Coordinator<br />

Robie Hayek<br />

<br />

Director of Resource<br />

Development<br />

Lisa Lane<br />

Individual Giving Manager<br />

Kathryn Tjaden<br />

Donor Relations Coordinator<br />

Helen Kouba<br />

Development Associate<br />

Jesse Daniels<br />

Event Coordinator<br />

Julie Gotlieb<br />

EDUCATION<br />

Director of Education and<br />

Community Engagement<br />

Melissa Koch<br />

<br />

Whitney Rhodes<br />

Education and Community<br />

Engagement Coordinator<br />

Olivia Plaine<br />

Critical Review Program<br />

Manager<br />

Dudley Voigt<br />

MARKETING<br />

Director of Marketing and<br />

Theatrical Programming<br />

Carl Lee<br />

Director of Marketing<br />

Lisa Krohn<br />

Marketing Manager<br />

Anna Pitera<br />

Interactive Marketing<br />

Coordinator<br />

Sam Anderson<br />

Marketing Associate<br />

Nick Vanderheyden<br />

NCT Marketing & Group Sales<br />

Associate<br />

Jessica Brooks<br />

COMMUNICATIONS<br />

Director of Communications<br />

Karen R. Nelson<br />

Communications Manager<br />

Sarah Johnson<br />

HISTORIC THEATRE<br />

<br />

The State, Orpheum and Pantages <strong>Theatre</strong>s<br />

are managed on behalf of <strong>Hennepin</strong> <strong>Theatre</strong><br />

<strong>Trust</strong> by Historic <strong>Theatre</strong> Group, LLC.<br />

ADMINISTRATION<br />

President<br />

Jim Sheeley<br />

<br />

Gail Nelson<br />

Senior Director of Booking<br />

LeeAnn Weimar<br />

Business Manager for<br />

Event Operations<br />

Scott Rahja<br />

Administrative Assistant<br />

Katrina Baxter<br />

THEATRE OPERATIONS<br />

ORPHEUM THEATRE<br />

Operations Coordinator<br />

David Marietta<br />

Head Properties Master<br />

Robert C. Miller<br />

Head Electrician<br />

Bill Devins<br />

Head Sound Engineer<br />

Spencer Wasilowski<br />

Head Carpenter<br />

Levi Houkom<br />

STATE THEATRE<br />

Operations Coordinator<br />

Mark Kroening<br />

Head Properties Master<br />

Vincent Fish<br />

Head Electrician<br />

Amy Nguyen<br />

Head Sound Engineer<br />

Jay Perlman<br />

Head Carpenter<br />

Frank Drown<br />

PANTAGES THEATRE<br />

Operations Coordinator<br />

Steve Olson<br />

<br />

House Services Manager<br />

Jerry Knock<br />

Maintenance Technicians<br />

Ernest Hansen, James Breiter,<br />

Tyler Fiala<br />

Event Managers<br />

Cheryl Hanson, Carrie Meyer,<br />

Patrick Braucher, Julie<br />

Montgomery, John Santelmann<br />

Food and Beverage Director<br />

Brian Strom<br />

<br />

Director of Ticket Operations<br />

Nichole Cassavant<br />

Group Sales Manager<br />

Kelli Hoskins<br />

Group Sales Associate<br />

Debra Detloff-Johnson<br />

Performance Managers<br />

Kristy Reid, Anneliese Stuht<br />

<br />

Jenni Amis<br />

<br />

Alec Barniskis, Joe Heiland<br />

BROADWAY ACROSS<br />

<br />

is presented by <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong> in<br />

consultation with Broadway Across America.<br />

Senior Regional Sales<br />

Operations Manager<br />

Eric-Michael Bauer<br />

Operations Manager<br />

Paula Schuebel<br />

Ticketing Manager<br />

<br />

18 PLAYBILL PLAYBILLVAULT.COM


THE STATE, ORPHEUM & PANTAGES THEATRES<br />

The following information is provided to help you familiarize yourself with our facilities and services. Our goal is to provide you with personalized service to ensure<br />

that your theatre experience exceeds your expectations. In order to serve you most effectively, please do not hesitate to address questions, comments, or requests<br />

for specific assistance to any of the ushering staff.<br />

CAMERAS • The use of cameras or other types of recording equipment<br />

is strictly prohibited.<br />

CANCELLATIONS • For one night events, please check the event description<br />

for postponements or cancellations.<br />

CELLULAR PHONES AND PAGERS • The ringing of cellular phones<br />

or pagers can be highly disruptive during a performance. These devices<br />

should be turned off or turned to vibrate mode while at the theatre. If necessary,<br />

a cellular phone or pager can be monitored by the Event Manager.<br />

CHILDREN • Children under the age of six are encouraged to attend<br />

the theatres only for special children’s events. Everyone entering the theatre<br />

must have a ticket. For the comfort and enjoyment of all guests, children<br />

who are disruptive to other guests will be asked to leave the seating<br />

area. Infants will not be allowed admission to Broadway performances.<br />

DONOR PROGRAM • <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong> Donors experience special<br />

benefits and have access to exclusive events while also supporting<br />

the <strong>Trust</strong>’s education programming and the preservation of the State, Orpheum<br />

and Pantages <strong>Theatre</strong>s. Visit our website to learn more about becoming<br />

a Donor.<br />

DRESS CODE • While our theatres have no specific dress code, we<br />

find that many of our patrons like to dress up to celebrate attending<br />

a special event. The most important thing is to dress appropriately for<br />

a special occasion.<br />

EDUCATION • <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong>’s education department strives to<br />

engage audiences of all ages through a variety of educational and outreach<br />

programs. Visit our website to learn more.<br />

EMERGENCIES • The telephone number for emergency messages is:<br />

(612) 339-7007, ext 450. Emergency messages are delivered immediately<br />

during performances when seat locations are known. Persons expecting<br />

emergency messages are asked to leave their seat locations in<br />

advance with the calling party and with the Box Office upon arrival.<br />

EXCHANGES • Tickets may be exchanged to another performance of<br />

the same show in person at the box office at least 24 hours prior to the<br />

currently scheduled performance. Exchanges are subject to availability,<br />

and are assessed a $5.00 per ticket exchange fee. If the patron exchanges<br />

into a more expensive performance, they must pay the difference<br />

in ticket price. There is no refund for exchanging into a less<br />

expensive performance. There are NO exchanges on Group Sales or<br />

Comp tickets.<br />

FIRST AID • First aid supplies are available at all theatres. Ask any<br />

usher for assistance. There is a security officer trained in CPR and First<br />

Aid on duty at every performance from the time the lobbies open until<br />

all guests have exited.<br />

FOOD AND BEVERAGES • A variety of beverages including wine,<br />

beer and soft drinks and light snacks including mints and cookies are<br />

available for purchase in the theatre. No outside food or beverages are<br />

allowed in the theatre.<br />

HENNEPIN THEATRE TRUST • <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong>, non-profit<br />

owner of the historic Orpheum, State, Pantages and the newly developed<br />

New Century <strong>Theatre</strong>s, is dedicated to enriching the vibrant cultural atmosphere<br />

of the Twin Cities. We present a rich array of live performances,<br />

create inspiring arts education experiences and advance a thriving cultural<br />

destination in downtown Minneapolis. Our programs include Broadway<br />

touring productions, the Broadway Confidential series, our SpotLight<br />

Musical <strong>Theatre</strong> Program for high schools, the Critical View student reviewer<br />

program, our free ticket Access Program and Kids’ Night and<br />

leading the planning for the cultural corridor that will extend from the<br />

Walker Art Center to the Mississippi Riverfront.<br />

LOBBIES • Lobbies are open to the public approximately one hour prior to<br />

showtime. <strong>Theatre</strong> seating traditionally begins 30 minutes prior to showtime.<br />

LOST AND FOUND • Please notify any usher immediately upon discovery<br />

of lost or found articles. After a performance, you may call the<br />

Box Office at 612. 339.7007.<br />

RE-ENTRY INTO THE THEATRE • Please see an usher if you would<br />

like to exit and re-enter the theatre.<br />

RESTROOM LOCATIONS • Restrooms are located inside the ticketed area<br />

of each theatre, please see an usher for direction to the nearest restroom.<br />

SEASON TICKETS • Season Tickets and flexible Pick Your Package<br />

options are available for <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong>’s Broadway series. Visit<br />

our website to learn more.<br />

SECONDARY TICKET MARKET • Consumer Warning - the State,<br />

Orpheum and Pantages <strong>Theatre</strong>s use bar code scanning for ticket admissions.<br />

As a result, patrons should be careful when purchasing tickets<br />

and should make sure the seller is a State, Orpheum or Pantages <strong>Theatre</strong><br />

licensed contractor, otherwise, you may be purchasing a ticket that<br />

is invalid and will be denied admission.<br />

Ticketmaster is the ONLY authorized ticketing agent outside of the State <strong>Theatre</strong><br />

Box Office. If you purchase tickets from an unauthorized agent in the<br />

secondary market (Scalper, Ticket Broker, eBay, Craigslist, etc.), you risk<br />

purchasing counterfeit or invalid tickets. If you wish to purchase tickets from<br />

the secondary market, we encourage the use of TicketExchange.<br />

TicketExchange is Ticketmaster’s online service that enables premium<br />

and fan-to-fan transactions. Only Ticketmaster can guarantee<br />

100% legitimate secondary market tickets, because the tickets sold<br />

through TicketExchange are linked to Ticketmaster’s barcoded ticketing<br />

systems. Visit our website for more information on TicketExchange.<br />

SEATING • Guests arriving after the start of the performance will be<br />

seated at the discretion of management, in accordance to the wishes of<br />

the performing company. These times vary with each production. Please<br />

plan to allow plenty of time for parking.<br />

SMOKING • The State, Orpheum & Pantages <strong>Theatre</strong>s & their lobbies<br />

are entirely smoke-free.<br />

TICKETS • Tickets can be purchased in person at the State <strong>Theatre</strong> Box<br />

Office, by phone through the Ticketmaster Artsline, online through Ticketmaster.com<br />

or through Ticketmaster outlets.<br />

GROUP SALES • Bringing your group to the <strong>Hennepin</strong> <strong>Theatre</strong> District WEATHER • In cases of inclement weather, most shows will go on as<br />

is easy! Our standard group minimum is 15 people, but may vary with scheduled. Visit our website for the show you are scheduled to attend or<br />

each performance.<br />

call the box office at 612.339.7007 for the latest updates.<br />

For complete information on our services for Accessible Seating, ASL Interpreted Performances, Assisted Listening and Audio Described<br />

performances and Open Captioning, please visit our website at www.<strong>Hennepin</strong><strong>Theatre</strong><strong>Trust</strong>.org or call us at 612.339.7007.<br />

PLAYBILLVAULT.COM<br />

ORPHEUM THEATRE 19


CREATE YOUR OWN<br />

BROADWAY FLEX PACKAGE *<br />

YOU PICK THE SHOWS. YOU PICK THE DATES.<br />

SEPT. 18 – OCT. 27, 2013<br />

OCT. 22–26, 2013<br />

NOV. 19–24, 2013<br />

DEC. 13, 2013 – JAN. 5, 2014<br />

BROADWAY<br />

RE-IMAGINED<br />

JAN. 15 – FEB. 9, 2014<br />

JAN. 28 – FEB. 2, 2014 FEB. 18–23, 2014 MAR. 11–16, 2014<br />

APR. 1–6, 2014<br />

MAY 27 – JUNE 1, 2014 JUNE 18–23, 2014<br />

FLEX PACKAGES ON SALE NOW!<br />

1.800.859.SHOW (7469)<br />

MONDAY–FRIDAY 10AM–5PM CST<br />

HENNEPINTHEATRETRUST.ORG<br />

GROUPS SAVE! CALL 612.373.5665<br />

SEASON<br />

SPONSORS:<br />

*Must purchase a minimum of three shows. Package price and seating location vary by performance. Subject to availability. Dates, times, artists and prices<br />

are subject to change without notice. Additional handling fees apply. If you have already purchased Les Misérables, Wicked, Billy Crystal’s 700 Sundays or<br />

The Phantom of the Opera

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