Download Playbill - Hennepin Theatre Trust
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ORPHEUM THEATRE<br />
MINNEAPOLIS, MINNESOTA<br />
PLAYBILL.COM
D<br />
o you hear the people sing? You will today, as our<br />
special guest at the Orpheum for the 25 th anniversary<br />
production of Les Misérables, the world’s longest<br />
running musical, with its timeless themes of grace, love and<br />
sacrifice. This powerful epic, winner of eight 1987 Tony Awards<br />
including Best Musical, keeps drawing people back. It was called<br />
“an unquestionably spectacular production from start to<br />
finish” by the New York Times and has been seen by nearly 60<br />
million people worldwide in 42 countries and translated into 21<br />
languages.<br />
Since an extremely successful run at the Orpheum in December<br />
2011 and the 2012 release of a lauded feature film starring Hugh<br />
Jackman, Russell Crowe and Anne Hathaway, I’ve been asked<br />
frequently about its return. On behalf of <strong>Hennepin</strong> <strong>Theatre</strong><br />
<strong>Trust</strong>, I am delighted to welcome this enduring musical back. You are some of the lucky few<br />
to get the chance to see this show before before it re-opens on Broadway next spring!<br />
In addition to bringing some of Broadway’s hottest shows to the Twin Cities, the <strong>Trust</strong> is also<br />
encouraging a diverse group of young patrons to explore their potential through our<br />
education and community engagement programs. Our Critical Review student reviewer<br />
program gives metro area high school students the opportunity to attend Broadway<br />
productions and write reviews to be posted on the <strong>Trust</strong>’s website and in community<br />
newspapers like the Twin Cities Daily Planet. After seeing War Horse recently, Madeline<br />
Bertch wrote, “It was unlike anything I’d ever seen before. Five Tony Awards form quite a<br />
resume but War Horse speaks for itself.”<br />
As part of the program, students receive the same professional press materials that are<br />
distributed to the Twin Cities media, attend Broadway Confidential talks for background on<br />
the shows and are offered behind-the-scenes historical theatre tours. They also participate in<br />
workshops with local theatre professionals such as Jeffrey Hatcher, an award-winning<br />
Broadway and Off-Broadway playwright and screenwriter, and Star Tribune theatre critic<br />
Graydon Royce.<br />
We extend a special thanks to long time <strong>Trust</strong> Donors Fred and Ann Moore for their ongoing<br />
financial support of Critical Review. Any metro area high school student is eligible to apply<br />
for this free program. Registration for the 2013-14 school year will begin in early September.<br />
To read student reviews or learn more about how you can help ensure that these experiences<br />
remain available for Twin Cities high school students, please visit our website at<br />
www.hennepintheatretrust.org.<br />
Thank you for being here to “dream the dream” with one of the greatest productions ever<br />
created. Enjoy the show!<br />
Yours truly,<br />
Thomas L. Hoch<br />
President/CEO, <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong><br />
<strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong>, owner of the historic Orpheum, State, Pantages and New Century <strong>Theatre</strong>s,<br />
is an independent, non-profit organization dedicated to arts-inspired community cultural development.<br />
2 PLAYBILL PLAYBILLVAULT.COM
The Board of Directors, staff and volunteers of <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong> would like to thank our donors for their contributions. Donations are used to<br />
support our community engagement programs as well as our efforts to preserve and enhance these historic theatres. In addition to the following<br />
major contributors, the <strong>Trust</strong> recognizes our entire donors base of nearly 3926, listed in the lobby of the theatre. For information on how you can<br />
support theatre programs and our community, please call 612.455.9516 or visit <strong>Hennepin</strong><strong>Theatre</strong><strong>Trust</strong>.org.<br />
Corporate Contributors<br />
Community Leaders<br />
($10,000+)<br />
Berger Transfer<br />
Best Buy Children’s<br />
Foundation<br />
Bradstreet Craftshouse<br />
Broadway Across America<br />
Clear Channel Outdoor<br />
Cosmos<br />
CRAVE<br />
Dunn Bros. Coffee<br />
Frauenshuh, Inc.<br />
Graves 601 Hotel<br />
Marin<br />
Mason’s<br />
McCormick and Schmick<br />
Mission American Kitchen<br />
Moore, Costello &<br />
Hart, P.L.L.P.<br />
Murrays<br />
Northwestern Mutual &<br />
The Columns Resource Group<br />
Nuveen<br />
Prairie Organic Vodka<br />
Priority Courier Experts<br />
Rock Bottom Restaurant &<br />
Brewery<br />
Rosa Mexicano<br />
Seven<br />
Solera<br />
Sony<br />
Summit Brewing Co.<br />
Target<br />
TCF Bank<br />
TCF Foundation<br />
Telecom Technologies, Inc.<br />
The Capital Grille<br />
Thomson Reuters<br />
Tommy Carverís Garden of<br />
Flowers<br />
Toshiba<br />
UNION<br />
W/Le Meridien Chambers<br />
Xcel Energy<br />
Zelo<br />
Downtown Benefactors<br />
($5,000-$9,999)<br />
Aveus, LLC<br />
Alphagraphics<br />
Brookfield Properties<br />
Candyland<br />
Doherty Employment Group<br />
Hays Agency Group/Hays<br />
Companies<br />
Mel-O-Glaze Bakery<br />
Metro Dogs<br />
Rye Delicatessen<br />
Star Exhibits & Environments<br />
The Grand Hotel<br />
The Marquette Hotel<br />
District Partners<br />
($2,500-$4,999)<br />
Filister Enterprises<br />
Michael A. Matheson,<br />
CFP, CFS, CRPC<br />
<strong>Theatre</strong> Supporters<br />
($750-$2,499)<br />
Atypical Title Inc.<br />
Carlson Family Foundation<br />
CPC Experiential<br />
Ergodyne Corporation<br />
ITR Group<br />
JRA Financial Advisors<br />
KJ International Resources,<br />
Ltd.<br />
McCollum, Crowley, Moschet<br />
& Miller, LTD<br />
Thrivent<br />
Individual Contributors<br />
Guarantors ($10,000+)<br />
Clay Family Foundation<br />
Steve & Barbara Cossack<br />
Cossack Foundation<br />
William & Terry Dircks<br />
Mike & Linda Kennedy<br />
Fred Krohn<br />
Tim & Lorie Line<br />
Fred & Ann Moore<br />
Jay & Rose Phillips Foundation<br />
Carl & Eloise Pohlad Family<br />
Foundation<br />
Bob & Celeste Rekieta<br />
Jeannine Rivet &<br />
Warren Herreid II<br />
Financiers<br />
($5,000-$9,999)<br />
Anonymous<br />
Vallie Brewster<br />
Janice Camp-Sweeney<br />
Dan & Cassie Cramer<br />
Dave & Chantel Erickson<br />
Kittie Fahey<br />
The Hanson Family<br />
Tom Hoch<br />
Linda Ireland<br />
Harry & Heather Janiski<br />
Jay & Jennifer Novak<br />
Foundation<br />
David & Robyn Lamm<br />
Joe W. Martin<br />
Dan & Heidi McKeown<br />
David & Jennifer Miller<br />
Jim & Linda Milow<br />
Courtnay Montgomery<br />
Patricia Ronning Family<br />
Foundation<br />
Ann Simonds<br />
Mary & Sherm Wood<br />
Benefactors<br />
($2,500-$4,999)<br />
Anonymous (2)<br />
Ranjit & Sara Ahlawalia<br />
Rich & Lisa Anderson<br />
Jeannine Bayard & Kip Lilly<br />
Bell Mortgage - Gary Kirt<br />
Barbara C. Bencini<br />
Scott Benson & Joe Andrews<br />
Greg & Sally Booth<br />
Priscilla Brewster<br />
Bud Rotter Family Foundation<br />
Klerissa & John Church<br />
Dr. Jay & Betsy Cutcliffe<br />
Martha Dayton &<br />
Thomas Nelson<br />
Wendy Dayton<br />
Friends of the State, Orpheum,<br />
& Pantages <strong>Theatre</strong>s<br />
Hanifl Family Foundation<br />
Joseph Gibbons<br />
Carol & Pat Goff<br />
Jon R. & Beverly S. Holt<br />
Barbara & Paul Klaas<br />
Ross & Bridget Levin<br />
Leland T. Lynch & Terry Saario<br />
Fund, The Mpls. Foundation<br />
Marianne Merriman<br />
Michele Mogged & Greg Sannan<br />
Jane & Paul Mortell<br />
Dr. Mark & Nancy Nelson<br />
Dr. Douglas S. Parker<br />
Hays Companies<br />
Michael & Brittany Reger<br />
Julie Reilly<br />
Rosen/Litman Family<br />
Schwei<br />
Douglas & Carol Skanse<br />
John P. Thysell<br />
Lee Tschetter<br />
Julie Beth McFall Vipperman<br />
Todd & Maria Vojta<br />
Michael J. Wilm<br />
Investors<br />
($1,000-$2,499)<br />
Anonymous (6)<br />
Bob & Nancy Anderson Family<br />
Fund, The Mpls. Foundation<br />
Chad Anderson<br />
Janet & Brad Anderson<br />
Michael & Alison Armstrong<br />
John & Patty Bailey<br />
Ray & MaryLou Barton<br />
Gail Be<br />
Elam Baer & Janis Clay<br />
Jennifer & Kevin Berg<br />
Jeanne & Jon Berget<br />
David & Janet Berry<br />
Richard & Debra Best<br />
David Bianchi<br />
Ruth Birkholz<br />
Anthony Boe, D.D.S.<br />
Mary Borgmann &<br />
Mickey Welle<br />
Peter Bell & Sharon Bottorff<br />
Beverly & Fosten Boyle<br />
William Brown & Amber Cain<br />
Jane Brownlee<br />
William & Susan Buesing<br />
Sonia & John Cairns<br />
Brad & Joanna Callahan<br />
David & Jane Christ<br />
Paul & Elaine Campbell<br />
Elizabeth Canis<br />
Peter & Barbara Capistrant<br />
Jane & Ogden Confer<br />
Jeff & Anita Donnelly<br />
Linda Donaldson<br />
Jacqueline Dorsey<br />
Don Drapeau & Betty Folliard<br />
Jack & Kay Dunne<br />
Ekstrand Family Fund<br />
Michael Finlon<br />
Greg & Marissa Frankenfield<br />
Ian & Carol Friendly<br />
Joe Fromm & Betsy Koonce<br />
Rebecca Frost<br />
John Gavin<br />
Shawn Gensch & Scott Steen<br />
Steve & Peni Gensler<br />
Paul G. Gertenbach &<br />
Katherine E. Reed<br />
Brian Gilligan<br />
Richard Ginsberg<br />
Angelo & Kristen Giovanis<br />
Catherine Gnatek<br />
Gray Plant Mooty Foundation<br />
Hunt Greene & Jane Piccard<br />
Kathy & Jerry Gregersen<br />
Richard & Lorraine Griffin<br />
Harrison & Marissa Grodnick<br />
Joan Anderson Growe<br />
Paul, Kate, Becca, Grace &<br />
Ben Habegger<br />
Mr. & Mrs. Steve Hari<br />
Ken Harris<br />
Sarah Harris & David Holmgren<br />
David Hartwell &<br />
Elizabeth De Baut<br />
Tim & Shanna Hawkinson<br />
Dr. Donna Hecker<br />
Steve & Lois Hensel<br />
Richard & Carrie Higgins<br />
Robert Hoch & Karen Krenik<br />
Ron Hoffman<br />
Bruce Hofstad & Judith Shea<br />
Richard & Gwendolyn Hopper<br />
B. & S. Hotchkiss<br />
Terry Houghtaling<br />
Bruce Hubbard<br />
Warren & Delores Huebner<br />
Julie Idelkope<br />
James & Sandra Jensen<br />
Jeannie & Paul Joas<br />
JRA Financial Advisors<br />
Stanley Karbowski<br />
Lu & Jane Karl<br />
Vincent Karschnia<br />
Thomas Kayser<br />
Susan Keilholz<br />
John & Lynda Kern<br />
Russell and Andrea King<br />
Barbara & Paul Klaas<br />
Priscilla Klabunde<br />
Bernie & June Knutson<br />
Brent Kompelien<br />
Richard & Janet Langlais<br />
Mr. & Mrs. William Laughlin<br />
Thomas Leach & Mary Kroon<br />
Joel Lebewitz<br />
Abby Leber<br />
Daniel & Corina Loes<br />
Ann Lowry & John Overton<br />
Phil & Nancy Ludemann<br />
Ted & Janna Lundberg<br />
Mary Maher<br />
Lisa Mahlum<br />
Mark Manbeck & Drew Spencer<br />
Laura & Kevin F. Marinan<br />
Mark Marjala<br />
Jane K. Mauer<br />
Jack & Terri McKeon<br />
Jerry & Mary McKoskey<br />
Annette & Jack Meeks<br />
Chuck & Carol Modell<br />
Jeff Monsrud<br />
Virginia Morris<br />
Karen Morrison<br />
Greg & Melissa Mortenson<br />
Brad R. Moser, MD<br />
Cindy Murphy<br />
Nolan/Mattison Family<br />
Jann & Renee Olsten<br />
John Pacheco<br />
Jim & Kathy Parsons<br />
JoAnne Pastel & Bill Dunlap<br />
Brian Pietsch<br />
Edward Pisarski<br />
Patricia Ploetz<br />
Pat & Anita Plunkett<br />
Norma Porter<br />
Will & Christopher Prather<br />
John & Debbie Pribnow<br />
Dave & Mary Pylipow<br />
Dr. Catherine Rahimi<br />
Howard & Jodi Rankin<br />
Steve & Julie Ransom<br />
Kevin & Jacqueline Rhodes<br />
John & Kirsten Rice<br />
Robb Richter<br />
Jolene Roehlkepartain<br />
Doug Ruth<br />
Wendy & Steve Rubin Family<br />
Fund, The St. Paul Foundation<br />
Carol Ryan<br />
Erica Sandey<br />
Ron & Sue Santrach<br />
T. Jay Salmen<br />
Dan & Nan Sawyer<br />
Susan & Mark Scharenbroich<br />
Wes & Kara Schultz<br />
Maryellen & Jeff Seeley<br />
Dr. Peter Sershon &<br />
Debbie Mastella-Sershon<br />
Rossy & Richard Shaller<br />
Lee Sheehy<br />
Ken Sherman<br />
Laura & Steve Silberfarb<br />
Jeff Slywka & Alex Cruz<br />
Gregory Snyder & Family<br />
Michael P. Spencer &<br />
Laurie Wilson Spencer<br />
Donald G. Soltis<br />
Jim Sorboro & Karla Gluek<br />
Doug & Jill Spong<br />
Jan & Wayne Stahl<br />
Ann & John Stauch<br />
Support <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong>: <strong>Hennepin</strong><strong>Theatre</strong><strong>Trust</strong>.org<br />
Ralph Strangis<br />
Floyd & Barbara Swanson<br />
Gary & Marsha Tankenoff<br />
Hindy & Scott Tankenoff<br />
Daniel & Jennifer Tenenbaum<br />
William Tilton<br />
Sandra Tofanelli<br />
Scott & Patti Tongen<br />
U.S. Bank,<br />
The Private Client Reserve<br />
Kevin Vanderaa<br />
Brian VanderWaal &<br />
Jeff Hlavacek<br />
Thomas Vitt<br />
Joanne Von Blon<br />
Thomas & Barbara Votel<br />
Steve & Dee Wagner<br />
David Warner<br />
Laurie Waterman<br />
Pamela Weinstein<br />
Mark, Carol & Grace Weitz<br />
Dick & Kathy Welander<br />
D. & C. Westerberg<br />
John & Cathy Wolf<br />
Kristian Wyrobek<br />
Ann Yaggie & Denny Rozeboom<br />
Larry & Diane Zavadil<br />
Ali & Carl Zinn<br />
Contributors as of<br />
July 12, 2013.<br />
We apologize for any errors or<br />
omissions. Please inform us and<br />
we will make corrections in<br />
subsequent listings.<br />
PLAYBILLVAULT.COM<br />
ORPHEUM THEATRE 3
ORPHEUM THEATRE<br />
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4 PLAYBILL
CAST<br />
In order of Appearance<br />
Jean Valjean . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PETER LOCKYER<br />
Javert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW VARELA<br />
Farmer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON<br />
Laborer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT ROSELL<br />
Innkeeper’s Wife . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NATALIE BECK<br />
Innkeeper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER<br />
The Bishop of Digne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ZANNELLI<br />
Constables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT MCMAHAN, ALAN SHAW<br />
Factory Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD TODD ADAMS<br />
Fantine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GENEVIEVE LECLERC<br />
Factory Girl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JESSICA KEENAN WYNN<br />
Old Woman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KATIE BEETHAM<br />
Wigmaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CORNELIA LUNA<br />
Bamatabois . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON<br />
Fauchelevent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC VAN TIELEN<br />
Champmathieu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE<br />
Little Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIN CEARLOCK, AVA DELLA PIETRA<br />
Madame Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SHAWNA M. HAMIC<br />
Young Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIN CEARLOCK, AVA DELLA PIETRA<br />
Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIMOTHY GULAN<br />
Young Whore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRITTNEY JOHNSON<br />
Crazy Whore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDRÉANE BOULADIER<br />
Gavroche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GATEN MATARAZZO, JULIAN SILVA<br />
Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIANA CARSON-GOODMAN<br />
Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LAUREN WILEY<br />
Thénardier’s Gang<br />
Montparnasse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT ROSELL<br />
Babet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ZANNELLI<br />
Brujon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE<br />
Claquesous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON<br />
Students<br />
Enjolras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JASON FORBACH<br />
Marius . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DEVIN ILAW<br />
Combeferre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC VAN TIELEN<br />
Feuilly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . WESTON WELLS OLSON<br />
Courfeyrac . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN BRINK<br />
Joly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALAN SHAW<br />
Grantaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER<br />
Lesgles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD TODD ADAMS<br />
Jean Prouvaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT MCMAHAN<br />
Loud Hailer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE<br />
Major Domo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER<br />
Ensemble . . . . . . . . . . . . . . . . . . . . . . NATALIE BECK, KATIE BEETHAM, ANDRÉANE BOULADIER,<br />
ERIN CLEMONS, MIA SINCLAIR JENNESS, BRITTNEY JOHNSON,<br />
CORNELIA LUNA, ALEXANDRA MELROSE, JESSICA KEENAN WYNN<br />
Swings . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD BARTH, BEN GUNDERSON, JASON OSTROWSKI,<br />
RACHEL RINCIONE, NATALIE WEISS<br />
Dance & Fight Captain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BEN GUNDERSON<br />
Assistant Fight Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HEATHER CHOCKLEY<br />
UNDERSTUDIES<br />
For Jean Valjean - RICHARD TODD ADAMS, JOHN BRINK, AARON WALPOLE; for Javert - RICHARD<br />
TODD ADAMS, JOSEPH SPIELDENNER; for Cosette - NATALIE BECK, ANDRÉANE BOULADIER; for<br />
Fantine- CORNELIA LUNA, JESSICA KEENAN WYNN; for Thénardier - JOHN RAPSON, JAMES<br />
ZANNELLI; for Madame Thénardier - KATIE BEETHAM, ALEXANDRA MELROSE; for Éponine – ERIN<br />
CLEMONS, BRITTNEY JOHNSON; for Marius - MATT MCMAHAN, MATT ROSELL; for Enjolras - JOHN<br />
BRINK, WESTON WELLS OLSON, ALAN SHAW; for Little Cosette/Young Éponine - MIA SINCLAIR<br />
JENNESS; for the Bishop of Digne – JOHN RAPSON, JOSEPH SPIELDENNER; for the Factory Foreman -<br />
JASON OSTROWSKI, JOSEPH SPIELDENNER; for the Factory Girl - ALEXANDRA MELROSE,<br />
RACHEL RINCIONE; for Bamatabois - RICHARD BARTH, JOSEPH SPIELDENNER; for Grantaire - BEN<br />
GUNDERSON, ERIC VAN TIELEN.<br />
PLAYBILLVAULT.COM<br />
ORPHEUM THEATRE 5
MUSICAL NUMBERS<br />
PROLOGUE: 1815, DIGNE<br />
PROLOGUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company<br />
SOLILOQUY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Valjean<br />
1823, MONTREUIL-SUR-MER<br />
AT THE END OF THE DAY . . . . . . . . . . . . . . . . . . . . . . . . . .Unemployed and Factory Workers<br />
I DREAMED A DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fantine<br />
LOVELY LADIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Clients<br />
WHO AM I? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Valjean<br />
FANTINE’S DEATH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fantine and Valjean<br />
CASTLE ON A CLOUD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette<br />
1823, MONTFERMEIL<br />
MASTER OF THE HOUSE . . . . . . . . . . . . . . . . . . . . . . . . .Thénardier, his Wife and Customers<br />
THE BARGAIN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M and Mme Thénardier and Valjean<br />
1832, PARIS<br />
PARIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Gavroche and the Beggars<br />
STARS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Javert<br />
ABC CAFÉ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Enjolras, Marius and the Students<br />
THE PEOPLE’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . .Enjolras, the Students and the Citizens<br />
IN MY LIFE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette, Valjean, Marius and Éponine<br />
A HEART FULL OF LOVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette, Marius and Éponine<br />
ONE DAY MORE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company<br />
INTERMISSION<br />
ON MY OWN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Éponine<br />
A LITTLE FALL OF RAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Éponine and Marius<br />
DRINK WITH ME TO DAYS GONE BY . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Feuilly, Grantaire,<br />
Students and Women<br />
BRING HIM HOME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Valjean<br />
DOG EATS DOG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thénardier<br />
SOLILOQUY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Javert<br />
TURNING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Women<br />
EMPTY CHAIRS AT EMPTY TABLES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Marius<br />
WEDDING CHORALE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Guests<br />
BEGGARS AT THE FEAST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M and Mme Thénardier<br />
FINALE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company<br />
The Orchestra<br />
Music Director/Conductor – LAWRENCE GOLDBERG;<br />
Associate Conductor/Keyboards – TOM WHIDDON;<br />
Assistant Conductor/Viola – WILL CURRY;<br />
Concertmaster – MICHELLE MARUYAMA;<br />
Keyboards – ADAM LAIRD;<br />
Cello - IRA GLANSBEEK; Bass - BRAD LOVELACE;<br />
Flute / Piccolo / Alto Flute / Recorder - RYU CIPRIS;<br />
Oboe / Cor Anglais - DAVID GARCIA;<br />
Clarinet in Bb / Clarinet in Eb / Bass Clarinet / Recorder - HOLLY KASSEL;<br />
Horn 1 - RYAN STEWART; Horn 2 - SHARON JONES;<br />
Trumpet in Bb / Flugel Horn / Piccolo Trumpet - KEN MULLIN;<br />
Bass Trombone / Tenor Trombone / Tuba - JIM GRAY;<br />
Percussion - ERIC BORGHI;<br />
Music Coordinator - MICHAEL KELLER.<br />
The use of any recording device, either<br />
audio or video, and the taking of<br />
photographs, either with or without flash,<br />
is strictly prohibited.<br />
Please turn off your cell phones and<br />
pagers prior to the beginning of the<br />
performance.<br />
6 PLAYBILL PLAYBILLVAULT.COM
SYNOPSIS<br />
ACT ONE<br />
PROLOGUE: 1815, DIGNE<br />
After 19 years on the chain gang, Jean Valjean<br />
finds that the ticket-of-leave he must display condemns<br />
him to be an outcast. Only the Bishop of<br />
Digne treats him kindly and Valjean, embittered<br />
by years of hardship, repays him by stealing some<br />
silver. Valjean is caught and brought back by the<br />
police and is astonished when the Bishop lies to<br />
the police to save him. Valjean decides to start his<br />
life anew.<br />
1823, MONTREUIL-SUR-MER<br />
Eight years have passed and Valjean, having broken<br />
his parole and changed his name to Monsieur<br />
Madeleine, has become a factory owner and<br />
Mayor. One of his workers, Fantine, has a secret<br />
illegitimate child. When the other women discover<br />
this, they demand her dismissal.<br />
Desperate for money to pay for medicines for<br />
her daughter, Fantine sells her locket, her hair, and<br />
then joins the whores in selling herself. Utterly<br />
degraded, she gets into a fight with a prospective<br />
customer and is about to be taken to prison by<br />
Javert when the ‘Mayor’ arrives and demands she<br />
be taken to the hospital instead.<br />
The Mayor then rescues a man pinned beneath<br />
a cart. Javert is reminded of the abnormal strength<br />
of convict 24601 Jean Valjean, who, he says, has<br />
just been recaptured. Valjean, unable to see an innocent<br />
man go to prison, confesses that he is prisoner<br />
24601. At the hospital, Valjean promises the<br />
dying Fantine to find and look after her daughter<br />
Cosette. Javert arrives to arrest him, but Valjean<br />
escapes.<br />
1823, MONTFERMEIL<br />
Cosette has been lodged with the Thénardiers,<br />
who horribly abuse her while indulging their own<br />
daughter, Éponine. Valjean pays the Thénardiers<br />
to let him take her away to Paris.<br />
1832, PARIS<br />
Nine years later, there is unrest in the city because<br />
of the likely demise of the popular leader General<br />
Lamarque, the only man left in the government<br />
who shows any feeling for the poor. A street gang<br />
led by Thénardier and his wife sets upon Jean Valjean<br />
and Cosette. They are rescued by Javert, who<br />
does not recognise Valjean until he has gone.<br />
The Thénardiers’ daughter Éponine, who is secretly<br />
in love with the student Marius, reluctantly<br />
agrees to help him find Cosette, with whom he<br />
has fallen in love.<br />
News of General Lamarque’s death circulates<br />
in the city and a group of politically-minded students<br />
stream out into the streets to whip up support<br />
for a revolution.<br />
Cosette is consumed by thoughts of Marius,<br />
with whom she has fallen in love. Éponine brings<br />
Marius to Cosette and then prevents an attempt by<br />
her father’s gang to rob Valjean’s house. Valjean,<br />
convinced it was Javert lurking outside his house,<br />
tells Cosette they must prepare to flee the country.<br />
ACT TWO<br />
The students prepare to build the barricade. Marius,<br />
noticing that Éponine has joined the insurrection,<br />
sends her away with a letter to Cosette,<br />
which is intercepted by Valjean. Éponine decides<br />
to rejoin her love at the barricade.<br />
The barricade is built and the revolutionaries<br />
defy an army warning to give up or die. Javert is<br />
exposed as a police spy. In trying to return to the<br />
barricade, Éponine is killed.<br />
Valjean arrives at the barricade in search of<br />
Marius. He is given the chance to kill Javert but<br />
instead lets him go. The students settle down for<br />
a night on the barricade and, in the quiet of the<br />
night, Valjean prays to God to save Marius. The<br />
next day the rebels are all killed.<br />
Valjean escapes into the sewers with the unconscious<br />
Marius. After meeting Thénardier, who<br />
is robbing the corpses of the rebels, he comes<br />
across Javert once more. He pleads for time to deliver<br />
the young man to the hospital. Javert lets Valjean<br />
go and, his unbending principles of justice<br />
having been shattered by Valjean’s own mercy, he<br />
kills himself.<br />
Unaware of the identity of his rescuer, Marius<br />
recovers in Cosette’s care. Valjean confesses the<br />
truth of his past to Marius and insists he must go<br />
away.<br />
At Marius and Cosette’s wedding, the Thénardiers<br />
try to blackmail Marius. Thénardier says<br />
Cosette’s ‘father’ is a murderer and as proof produces<br />
a ring which he stole from the corpse the<br />
night the barricade fell. It is Marius’s own ring<br />
and he realizes it was Valjean who rescued him<br />
that night. He and Cosette go to Valjean where<br />
Cosette learns for the first time of her own history<br />
before the old man dies.<br />
PLAYBILLVAULT.COM<br />
ORPHEUM THEATRE 7
WHO’S WHO IN THE CAST<br />
RICHARD TODD ADAMS (Factory<br />
Foreman, Lesgles, u/s Jean Valjean, u/s Javert).<br />
Broadway: The Woman in White, The Pirate<br />
Queen. National tour: The Phantom of the<br />
Opera (Phantom). 2008 Jeff Award winner for<br />
Javert in Les Misérables in Chicago.<br />
RICHARD BARTH (Swing, u/s Bamatabois).<br />
Off-Broadway: Beowulf (title role), Irish<br />
Repertory. National Tour: Miss Saigon.<br />
Regional: Goodspeed, Signature, Old Globe,<br />
Cincinnati Playhouse, St. Louis Rep & Arrow<br />
Rock Lyceum. Training: Hartt School.<br />
NATALIE BECK (Innkeeper's Wife, Ensemble,<br />
u/s Cosette) is excited to be making her<br />
professional debut in Les Misérables. She<br />
recently received her B.M. in Music <strong>Theatre</strong><br />
from Westminster College of the Arts of Rider<br />
University after studying Vocal Performance at<br />
Lawrence University.<br />
KATIE BEETHAM (Old Woman, Ensemble,<br />
u/s Madame Thénardier) is over the moon to be<br />
joining the incredible cast of Les Misérables! So<br />
much love to friends and family who have<br />
supported and believed. Mom, Dad and BenZ,<br />
this is going to be an awfully big adventure!<br />
www.katiebeetham.com<br />
ANDRÉANE BOULADIER (Crazy Whore,<br />
Ensemble, u/s Cosette) is so grateful to make her<br />
American debut with Les Misérables! Credits:<br />
French premieres of Beauty and the Beast,<br />
Annie and Québec à la Carte, Johanna in<br />
Sweeney Todd, RENT, Blood Brothers and<br />
Amadeus. Merci à la vie!<br />
JOHN BRINK (Courfeyrac, u/s Jean Valjean, u/s<br />
Enjolras) Minnesota native, Hartt School graduate,<br />
thrilled to join this epic production. Credits: TSO;<br />
Music Man (Ens.), West Side Story (Tony), Life On<br />
The Mississippi (Henry). Thanks: God, Bobbie<br />
Merritt (TEG), Hartt School, family and friends.<br />
BRIANA CARLSON-GOODMAN (Éponine):<br />
Broadway: Tony Award Winning Revival of HAIR<br />
(Sheila & Crissy u/s). Off-Broadway: Wanda’s<br />
World. Regional: Calvin Berger (Rosanna),<br />
Fiddler on the Roof (Hodel), Company (Marta).<br />
TV: Person of Interest. For Justin.<br />
brianacarlsongoodman.com. Twitter: @BCeeGee.<br />
8 PLAYBILL PLAYBILLVAULT.COM<br />
ERIN CEARLOCK (Little Cosette/Young<br />
Éponine at some performances) age 9, is from<br />
Houston, TX. She is thrilled to be a part of Les<br />
Misérables. Her favorite credit is White Christmas<br />
(Susan Waverly). Thanks to HSMC, Destination<br />
Broadway, HMTA, and everyone else<br />
who made this opportunity possible.<br />
ERIN CLEMONS (Ensemble, u/s Éponine).<br />
National Tour Debut! Regional: Music <strong>Theatre</strong><br />
of Wichita, OKC Rep. Special thanks to<br />
Harden-Curtis, Merri and Les Mis team. Love<br />
to God, Dad, Mom, Collin, James, family and<br />
friends! For you Grandma!<br />
AVA DELLA PIETRA (Little Cosette/Young<br />
Éponine) age 8, from Long Island, NY. Ava is<br />
delighted to be in Les Mis. She has previously<br />
been seen in community productions. Special<br />
thanks to Nancy Carson, Michael Livering and<br />
Kenneth Robersen. Love and thanks to her family,<br />
friends and teachers.<br />
JASON FORBACH (Enjolras) Previous credits:<br />
The Phantom Of The Opera. (Raoul u/s) Off<br />
Broadway: The Music Teacher, A.W.O.L., As You<br />
Like It. Regional: SMC, NSMT, Paper Mill Playhouse,<br />
Kennedy Center, Carnegie Hall. Albums: A<br />
New Leading Man, Remembering to Dream on<br />
iTunes. jasonforbach.com. Twitter: @jtforbach.<br />
TIMOTHY GULAN (Thénardier). Tours/<br />
B’Way: South Pacific, Dirty Rotten Scoundrels,<br />
Some Like It Hot, Picasso at the Lapine Agile,<br />
Carousel, Les Misérables (19 years ago!),<br />
Falsetto’s, The Lion King, Blood Brothers, Passion,<br />
The Frogs. Premieres: For the Boys,<br />
Emma, Houdini, Eliot Ness in Cleveland, the<br />
King Stag, Just So. Movies/TV: South Pacific<br />
(Carnegie Hall), LCT’s Passion, Salt, MacGruber,<br />
Ice Age, Boardwalk Empire, EL&IC, The<br />
Producers. timothygulan.com<br />
BEN GUNDERSON (Swing, Dance & Fight<br />
Captain, u/s Grantaire). Fiddler, Engeman;<br />
Cabaret, Hilton Head; West Side Story, Ravinia;<br />
Dream of the Burning Boy & House of Gold,<br />
O'Neill. BFA: UNCSA.<br />
SHAWNA M. HAMIC (Madame Thénardier).<br />
NY Workshops: The Toymaker, Screams of Kitty<br />
Genovese, Glen or Glenda. Regional: Twist<br />
(Directed / Choreographed by Debbie Allen),<br />
Les Misérables, Ragtime, Hello Dolly, The
WHO’S WHO IN THE CAST<br />
Molly Maguires, Genesis, My Fair Lady, Mame,<br />
Kismet, Once Upon…, H2$, Guys and Dolls (in<br />
Macao, China). “A&A, F&AD, TMF!”<br />
ShawnaHamic.com<br />
DEVIN ILAW (Marius) Favorites: Miss Saigon<br />
(Thuy, Toronto revival), M. Butterfly (Song<br />
Liling), Carousel (Billy Bigelow), The Rockae<br />
(Dionysus), Wanda’s World (Jake). Owner, DCI<br />
Vocal Studio in NYC. Co-founder, GET U. IN,<br />
a college coaching company. BFA Carnegie<br />
Mellon. Love to Mom and Dad, TKO, and Les<br />
Mis team. Life is awesome. Mabuhay!<br />
MIA SINCLAIR JENNESS (Little Girl, u/s<br />
Little Cosette/Young Éponine) age 7, National<br />
Tour debut! A NJ first grader, credits include<br />
And A Child Shall Lead (Jana), Seussical (JoJo),<br />
and Gypsy (Balloon Girl). Thanks to Mallory &<br />
CESD, Adrienne McKeown, Grandma & Papa<br />
Mike, Brady, & Mom! www.MiaSinclair.com<br />
BRITTNEY JOHNSON (Young Whore,<br />
Ensemble, u/s Éponine) is thrilled to be part of<br />
this epic production! Regional: HAIR, Ragtime,<br />
South Pacific, Bye Bye Birdie. Cast Recording:<br />
Sympathy Jones. B.F.A. NYU Tisch School of<br />
the Arts. Greatest thanks to God, Mom,<br />
Grandma, Craig, family, and friends!<br />
GENEVIEVE LECLERC (Fantine) Canada:<br />
Les Enfants de Donquichote, Devant Les Maîtres,<br />
Bliss, Les Déesses, A Chorus Line, Side Show,<br />
Guys & Dolls, Lies My Father Told Me (alongside<br />
Theodore Bikel and Patsy Gallant.) NYC: A Cycle<br />
of Love Songs at the Laurie Beechman <strong>Theatre</strong>.<br />
Special thanks to my family, friends and Sandie<br />
Newton for believing in me! genevieveleclerc.com<br />
PETER LOCKYER (Jean Valjean) is honored<br />
to be back in Les Mis! Broadway: South Pacific;<br />
The Phantom of the Opera; Baz Luhrmann’s La<br />
Bohème (Rodolfo); Les Misérables (Marius, 10 th<br />
Anniversary Production and China Premiere);<br />
Miss Saigon (Chris); Cyrano The Musical. Barbra<br />
Streisand’s European Concert Tour (Special<br />
Guest Star). TV: Gypsy starring Bette Midler.<br />
Symphony Concerts across the US including the<br />
Premiere of Boublil/ Schönberg’s Do You Hear<br />
the People Sing! Heartfelt thanks to the Creative<br />
Team. For Melanie. Twitter: @Peter_Lockyer.<br />
CORNELIA LUNA (Wigmaker, Ensemble, u/s<br />
Fantine) is honored to be back in Les Misérables!<br />
PLAYBILLVAULT.COM<br />
Kim in Miss Saigon (Toronto); Tuptim in The King<br />
and I (Broadway and West End); Les Misérables<br />
(US National Tour, Korea, and China Premiere);<br />
Ellen in Miss Saigon (UK Tour), Principal vocalist<br />
in Hey! Mr. Producer and Andrew Lloyd Webber’s<br />
The Music of The Night (JAR/CML); Self-titled<br />
CD (BMG Records). Psalm 13:6.<br />
GATEN MATARAZZO (Gavroche) is playing<br />
his dream role! Credits include: Broadway-Priscilla<br />
Queen of the Desert, Godspell<br />
cast of 2032. Tour-Radio City Christmas Spectacular.<br />
Thanks to Carson Kolker, Parkside<br />
Talent, Mom, Dad, Sabrina, Carmen, family<br />
and friends.<br />
MATT MCMAHAN (Constable, Jean<br />
Prouvaire, u/s Marius) is grateful to be joining<br />
the Les Mis Company. Regional: Lyric Theater<br />
Oklahoma, Arts Center Coastal Carolina, and<br />
Disney Cruise Lines. Graduate of Oklahoma<br />
City University. Love to Mom and Pops, Jen<br />
Waldman, IB, and DGRW.<br />
ALEXANDRA MELROSE (Ensemble, u/s<br />
Madame Thénardier, u/s Factory Girl). NYC:<br />
Songs for a New World, Escape from Pterodactyl<br />
Island, Radio City Sinatra. Regional:<br />
Caraboo, Master Class, Oliver, …Forum.<br />
Thanks to the Les Mis team, Merri, the extended<br />
Jersey Boys family, my family, and my wonderful<br />
husband, Ron.<br />
WESTON WELLS OLSON (Feuilly, u/s<br />
Enjolras). New York: Camelot (Lincoln Center),<br />
Where's Charley? (ENCORES!). Regional:<br />
Sweeney Todd (Geva Theater), Les Mis (North<br />
Shore). Readings: Tuck Everlasting. BM<br />
Chapman University, MM Boston Conservatory.<br />
Much love to friends and family.<br />
JASON OSTROWSKI (Swing, u/s Factory<br />
Foreman). Broadway: Company (Tony Award®winner<br />
2007 Best Revival). National tours:<br />
Whistle Down the Wind, Forever Plaid. Regional:<br />
Les Misérables (TOTS & TUTS), Hello<br />
Dolly, Oklahoma!, An O.Henry Christmas. Love<br />
to my family and Elizabeth. Jasono.net<br />
JOHN RAPSON (Farmer, Bamatabois,<br />
Claquesous, u/s Thénardier, u/s Bishop of Digne)<br />
is thrilled to be back on the barricade! Tour: Disney<br />
On Classic (Tokyo Philharmonic). Regional:<br />
Sweeney Todd (Barrington Stage), Brigadoon<br />
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WHO’S WHO IN THE CAST<br />
(Wagon Wheel <strong>Theatre</strong>). BFA- University of<br />
Michigan. So much love to my incredible family<br />
and the remarkable Les Mis team!<br />
RACHEL RINCIONE (Swing, u/s Factory<br />
Girl). B.F.A-Acting, Chapman Univ, MM-<br />
Voice, Univ. of Denver. Credits: NY Camelot<br />
(Nimue) WPPAC, Suor Angelica (Cercatrice)<br />
Chelsea Opera, Regional: Camelot (Nimue u/s)<br />
Goodspeed Opera, Les Misérables (Mme. Thénardier<br />
u/s) MGR.<br />
MATT ROSELL (Laborer, Montparnasse,<br />
u/s Marius) is thrilled to join this amazing<br />
show for his National Tour debut. Regional:<br />
South Pacific, HAIR, Ragtime. Recent<br />
Graduate of CAP21. Many thanks to the Les<br />
Mis team, Family, Friends, and Mallory!<br />
www.mattrosell.com<br />
ALAN SHAW (Constable, Joly, u/s Enjolras) is<br />
honored to be a part of the Les Mis family.<br />
Graduate of Interlochen Arts Academy and<br />
Circle In The Square. Love to Trinity and my<br />
amazing Family.<br />
JULIAN SILVA (Gavroche) makes his National<br />
tour debut with Les Misérables. His credits<br />
include: Seussical (Jojo), Aladdin (Aladdin),<br />
Mulan (Mushu), and Alice in Wonderland (White<br />
Rabbit). Julian would like to thank God and his<br />
parents for their love, support and encouragement.<br />
JOSEPH SPIELDENNER (Innkeeper,<br />
Grantaire, Major Domo, u/s Bishop, u/s<br />
Bamatabois, u/s Javert) is from Maine. BFA-<br />
Florida State. Tour: South Pacific (Cable).<br />
Regional: Miss Saigon (Chris), Seaside Music<br />
<strong>Theatre</strong>; Children of Eden (Adam/Noah), Astoria<br />
PAC. Dedicated to Grandma Margaret, Lauren,<br />
Gale, and, especially, Jason! Twitter: @joespiel.<br />
ERIC VAN TIELEN (Combeferre, Fauchelevent,<br />
u/s Grantaire) is a Salt Lake City native.<br />
Broadway/Nat’l Tours: A Tale of Two Cities,<br />
Fiddler on the Roof (Fyedka) Regional: Utah<br />
Shakespeare Festival, HMS Pinafore (Ralph), The<br />
Matchmaker (Cornelius), Lend Me a Tenor, the<br />
Musical (Rupp, World Premiere), Indiana<br />
Repertory <strong>Theatre</strong>, The Fantasticks (Matt), Pioneer<br />
<strong>Theatre</strong>, Syracuse Stage. MFA, Indiana University.<br />
George (Jules). Other Broadway/National tours:<br />
Little Women (Prof Bhaer), Les Misérables (Jean<br />
Valjean), The Phantom of the Opera (Phantom),<br />
Cats (Gus/Growltiger), Evita, Disney’s King<br />
David. Other roles: The Pirate King in Pirates!,<br />
Sky in Guys and Dolls, Jud in Oklahoma!, The<br />
Prince in The Student Prince. Follow me on<br />
Facebook and Twitter (@AndrewVarela525) and<br />
check out AndrewVarela.com. For Susan.<br />
AARON WALPOLE (Champmathieu, Brujon,<br />
Loud Hailer, u/s Jean Valjean) is happy to be<br />
joining Les Mis. Broadway: Jesus Christ<br />
Superstar (Annas). Mirvish: Rock of Ages<br />
(Lonny). Stratford Festival: Guys ‘N Dolls,<br />
Anything Goes, Camelot, Jesus Christ Superstar<br />
and many regional theatrical, film, television and<br />
recording artist credits.<br />
NATALIE WEISS (Swing). Broadway:<br />
Everyday Rapture (u/s for Menonettes). Tour:<br />
Wicked 2 nd national (ensemble, u/s Elphaba).<br />
Regional: Pittsburgh CLO, North Shore Music<br />
<strong>Theatre</strong>. TV: American Idol season 4 semifinalist.<br />
natalieweiss.net.<br />
LAUREN WILEY (Cosette). NYC: Title role in<br />
Madame Bovary (<strong>Theatre</strong> 5), Villa Diodati<br />
(NYMF). Favorite Regional: Les Misérables at<br />
NSMT (Head Whore) and Merry-Go-Round<br />
Playhouse (Cosette), Mrs. Lyons in Blood Brothers<br />
with Andrea McArdle (<strong>Theatre</strong>Zone). University<br />
of Alabama Grad. Heartfelt thanks to the Les<br />
Mis team, and my dear Clint. LaurenEWiley.com.<br />
Twitter: @LaureneWiley.<br />
JESSICA KEENAN WYNN (Ensemble, Factory<br />
Girl, u/s Fantine) is thrilled to be making<br />
her National Tour debut in Les Mis! Regional:<br />
Hairspray at The Hollywood Bowl, Life Could<br />
Be a Dream (Ovation-Nominated). BA from<br />
UCLA. Love to KSR, my family, and Luke.<br />
JAMES ZANNELLI (Bishop of Digne, Babet,<br />
u/s Thénardier) is thrilled to be on tour with Les<br />
Mis. Regional credits: Les Misérables<br />
(Thenardier), Chess (Molokov), Jesus Christ<br />
Superstar (Caiaphas), Jekyll & Hyde (Simon<br />
Stride), Tommy (Uncle Ernie), Peter Pan<br />
(Captain Hook). MM from Arizona State.<br />
Dreams DO come true!!!!<br />
ANDREW VARELA (Javert) was last seen on<br />
Broadway in Sondheim’s Sunday in the Park with<br />
ALAIN BOUBLIL (Author/Dramatist) wrote<br />
librettos and original lyrics for La Révolution<br />
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WHO’S WHO IN THE CAST<br />
Française, Les Misérables, Miss Saigon, Martin<br />
Guerre and The Pirate Queen, in collaboration<br />
with Claude-Michel Schönberg, and Marguerite<br />
with Claude-Michel Schönberg and Michel<br />
Legrand. He received two Tonys ® (Best Score,<br />
Best Book), two Grammys ® , two Victoire de la<br />
Musique Awards, a Molière Award (Les<br />
Misérables), an Evening Standard Award (Miss<br />
Saigon) and an Olivier Award (Martin Guerre). He<br />
is author/librettist of Abbacadabra with songs by<br />
Abba, the play The Diary of Adam and Eve, and<br />
prize-winning novel Les Dessous de Soi.<br />
CLAUDE-MICHEL SCHÖNBERG (Book and<br />
Music). Born in 1944 of Hungarian parents,<br />
Claude-Michel Schönberg began his career in<br />
France as a singer, writer and producer of pop<br />
songs. In collaboration with Alain Boublil he is the<br />
book co-writer and the composer of La Révolution<br />
Française, Les Misérables, Miss Saigon, Martin<br />
Guerre and The Pirate Queen. In 2008 his new<br />
musical, Marguerite, in collaboration with Alain<br />
Boublil, Herbert Kretzmer and Michel Legrand<br />
opened at the Haymarket <strong>Theatre</strong> in London.<br />
Claude-Michel has supervised overseas productions<br />
and co-produced several international cast albums<br />
of his shows. In 2001 he composed his first<br />
ballet score, Wuthering Heights, which was created<br />
by the Northern Ballet in 2002. His new ballet,<br />
Cleopatra, which opened in early 2011, is his<br />
second collaboration with David Nixon and his<br />
seventh complete score. Claude-Michel co-wrote<br />
the screenplay and reconceived the music for the<br />
musical movie version of Les Misérables (release<br />
2012). In 2003 Claude-Michel married the English<br />
ballerina, Charlotte Talbot. He is the father of one<br />
son and two daughters.<br />
CAMERON MACKINTOSH (Producer)<br />
produces musicals.<br />
HERBERT KRETZMER (Lyricist) was a<br />
London journalist when Cameron Mackintosh<br />
invited him to write the English lyrics for Les<br />
Misérables epochal West End production in<br />
1985. A part-time songwriter, he contributed<br />
regular lyrics for the BBC’s famous satire series<br />
“That Was the Week That Was” and had also<br />
written lyrics for the French singer Charles<br />
Aznavour (“Yesterday When I Was Young,”<br />
“She,” etc.). It was Kretzmer’s work with<br />
Aznavour which led to Cameron’s invitation.<br />
Herbert Kretzmer was born in South Africa to<br />
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immigrant parents from Lithuania. He now lives<br />
in London with his (American) wife Sybil.”<br />
TREVOR NUNN AND JOHN CAIRD<br />
(Adaptors). Trevor Nunn started directing in 1962<br />
when he won an ABC Director’s scholarship to<br />
become the resident director of the Belgrade<br />
<strong>Theatre</strong>, Coventry. In 1964 he joined the RSC<br />
and in 1968 was made the company’s youngest<br />
ever artistic director. Trevor was responsible for<br />
running the RSC until he retired from the post in<br />
1986. From 1997 – 2003 Trevor was director of<br />
the National <strong>Theatre</strong>. Trevor has worked<br />
extensively in theatre, opera and musical theatre.<br />
John Caird is a freelance director and writer<br />
working worldwide in theatre, opera and musical<br />
theatre. He has worked at the National <strong>Theatre</strong><br />
and is an honourary associate director of the RSC<br />
where he has directed over 20 plays. John has<br />
published several works as a librettist and lyricist.<br />
Together John and Trevor have directed Nicholas<br />
Nickleby (winner of five Tony Awards ® ), JM<br />
Barrie’s Peter Pan and the original production of<br />
Les Misérables (winner of eight Tony Awards ® ).<br />
LAURENCE CONNOR (Director) has worked<br />
as a resident and associate director on several<br />
shows in London including The King & I,<br />
Phantom of the Opera and Oliver! In 2005,<br />
Laurence directed a new touring production of<br />
Miss Saigon, which has been recreated in Korea<br />
and Australia winning major awards including<br />
The Manchester Evening News award for best<br />
touring musical and Green Room award for best<br />
director, co-director of the 25th Anniversary tour<br />
of Les Misérables on which this production is<br />
based and the 25th Anniversary concert of Les<br />
Misérables at the O2. Laurence recently directed<br />
The Phantom if the Opera at the Royal Albert<br />
Hall, Oliver! National UK tour, The Phantom of<br />
the Opera 25th anniversary production and an<br />
Arena tour of Jesus Christ Superstar, which is<br />
due for a world tour later this year.<br />
JAMES POWELL (Director) was appearing in<br />
Les Misérables at London’s Palace <strong>Theatre</strong> when<br />
he was offered the position of resident director in<br />
1996. London: Singin’ in the Rain (staff director).<br />
For Cameron Mackintosh: The Witches of<br />
Eastwick (resident director), Les Misérables<br />
(associate director, also Scandinavia, Berlin),<br />
Mary Poppins (London, Broadway, UK tour,<br />
Holland, Australia). For Jacobsen Entertainments:<br />
The Witches of Eastwick (Director; Melbourne,<br />
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WHO’S WHO IN THE CAST<br />
Australia) and Dirty Dancing (Director; London’s<br />
West End, Toronto, Utrecht, Chicago, US tour,<br />
Berlin) James is honored to work on Cameron’s<br />
new production of Les Misérables, and has just<br />
recovered from directing the 25 th anniversary<br />
concert at London’s O2 arena.<br />
MATT KINLEY (Scenic and Image Designer)<br />
worked as freelance costume and prop-maker for<br />
stage, film and video with Robert Allsopp<br />
Associates. A graduate of the Motley <strong>Theatre</strong><br />
design course, he enjoyed a long relationship<br />
with the National <strong>Theatre</strong> as designer, design<br />
associate and draughtsman on over 40<br />
productions, including Jerry Springer: the Opera,<br />
The Coast of Utopia and My Fair Lady. Most<br />
recently he worked as associate designer on<br />
shows including: The Woman in White, My Fair<br />
Lady (UK/US tours), Chitty Chitty Bang Bang<br />
(UK tour), Les Misérables (Broadway &<br />
Holland), Equus (West End), Mary Poppins<br />
(UK/US/AUS/Holland tours), Les Misérables<br />
25 th Anniversary Concert (O2 Arena).<br />
ANDREANE NEOFITOU (Costume Designer).<br />
Les Misérables (Tony ® nomination) and Miss<br />
Saigon London, Broadway and worldwide.<br />
London credits: Grease, Gone With The Wind, The<br />
Far Pavilions, The Baker’s Wife, Timon Of Athens,<br />
Peter Pan (National <strong>Theatre</strong>) Carmen (Royal<br />
Albert Hall). Royal Shakespeare Company: The<br />
Changeling, The Merchant Of Venice, Fair Maid<br />
Of The West, Hedda Gabler, (also Canada/USA),<br />
Once In A Lifetime, Peter Pan and Nicholas<br />
Nickleby (Outer Critics Circle nomination<br />
Outstanding Achievement). Additionally: Nabucco<br />
(Metropolitan Opera), Miss Julie (Athens), Jane<br />
Eyre the musical (Broadway - nomination Outer<br />
Critics Circle), Cameron Mackintosh’s revised<br />
version of Martin Guerre (USA). Films:<br />
Rosencrantz And Guildenstern Are Dead, Still Life.<br />
PAULE CONSTABLE (Lighting Designer) has<br />
designed extensively at the National <strong>Theatre</strong><br />
(including Warhorse, Phaedre, St. Joan), the<br />
RSC, the Donmar Warehouse (Othello, Chalk<br />
Garden, Ivanov), the Royal Court (Clybourne<br />
Park, The Weir) and in the West End (Evita, Don<br />
Carlos, Oliver, Love Never Dies). She is a three<br />
times Olivier Award winner. Opera includes<br />
productions for: the Royal Opera House,<br />
Glyndebourne, ENO, Opera North, Salzburg<br />
Festival and in the major houses of Europe, North<br />
America, Australia and New Zealand. Dance<br />
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includes: the Royal Ballet, Ballet Boyz and New<br />
Adventures for Matthew Bourne. Paule is an<br />
associate of the National <strong>Theatre</strong>.<br />
MICK POTTER (Sound Designer) Saturday<br />
Night Fever (London, New York and a further 10<br />
productions worldwide), Starlight Express (Las<br />
Vegas, US/UK/Scandinavian-Tour), Tell Me On<br />
a Sunday (London/UK-Tour), Scrooge The<br />
Musical (London, US/ UK-Tour), Jesus Christ<br />
Superstar (UK Tour), Bombay Dreams (London,<br />
New York), The Woman in White (London, New<br />
York, 2005 Laurence Olivier Award for best<br />
Sound Design), Hair (London), Whistle Down<br />
the Wind (London), Revival of Evita (London),<br />
The Sound of Music (London/Toronto/UK-Tour),<br />
Joseph ... Dreamcoat (London), Phantom – The<br />
Las Vegas Spectacular (Las Vegas, 2006 Parnelli<br />
Award best Sound Design), Ich war noch niemals<br />
in New York (Hamburg, Stuttgart), Der Schuh des<br />
Manitu (Berlin), Zorro (London/Paris/ Japan),<br />
Sister Act (London, Hamburg), Les Misérables -<br />
25 th Anniversary production (O2 Arena,<br />
UK/Spain/tour), Love Never Dies (London).<br />
CHRISTINE ROWLAND (Additional<br />
Costumes) has worked in both subsidized and<br />
commercial theatre. She was resident costume<br />
supervisor at the National <strong>Theatre</strong> for several years<br />
and was head of costume at the Royal Shakespeare<br />
Company. Work for Cameron Mackintosh<br />
includes: Carousel (London, New York, Japan);<br />
Oliver! (London, Toronto, Sydney); The Witches<br />
of Eastwick (London, Melbourne); My Fair Lady<br />
(London, USA tour) and Mary Poppins (London,<br />
New York). Other musicals include: The Secret<br />
Garden (RSC, London); Chitty Chitty Bang Bang<br />
(London, New York) and Gypsy (New York).<br />
MICHAEL ASHCROFT (Musical Staging). As<br />
a performer includes: DV8’s Enter Achilles,<br />
ManActs’s The Sweatlodge, Kosh’s Dinner and<br />
his own solo shows The Crooner, Ropeman, Le<br />
Baton. Credits as movement director include: The<br />
Power of Yes (National <strong>Theatre</strong>), Life is a Dream<br />
(Donmar Warehouse), Resurrection Blues (The<br />
Old Vic), Cosi Fan Tutti (English National<br />
Opera), Romans in Britain, (Sheffield Crucible),<br />
The Lost Child Project (David Glass Ensemble,<br />
Cambodia). For the Royal Shakespeare<br />
Company: Richard III, Measure For Measure,<br />
Othello, A Midsummer Night’s Dream, Julius<br />
Caesar, The Tempest, Antony and Cleopatra,
Macbeth, Merry Wives of Windsor, A Comedy of<br />
Errors, Love’s Labours Lost and Hamlet.<br />
LAWRENCE GOLDBERG (Musical<br />
Director/Conductor): Broadway: How to<br />
Succeed in Business…, The Drowsy Chaperone,<br />
Thoroughly Modern Millie, The Phantom of the<br />
Opera, Carousel. Tours: South Pacific, The<br />
Producers, Les Misérables, Sunset Blvd., Cats,<br />
Chess. Regional: Next to Normal, My Fair Lady<br />
(Pioneer <strong>Theatre</strong>); My One and Only (St. Louis<br />
MUNY); Pal Joey (Prince Music <strong>Theatre</strong>), to<br />
name a few. Arranger/vocal coach/pianist with<br />
Boston Pops. Composer/lyricist of the shows<br />
Big Bad Wolf and the Endangered Forest and<br />
Grounded For Life, and the Pittsburgh TV show<br />
“Let’s Read a Story”.<br />
DAVID CADDICK (Music Supervisor) has<br />
been the Music Director for: Evita, Cats, Song<br />
& Dance, Starlight Express, The Phantom of the<br />
Opera, Miss Saigon, Sunset Boulevard and<br />
Mary Poppins. He was Music Director for the<br />
world premiere of Stephen Sondheim’s Bounce<br />
and Music Director for the film of Evita starring<br />
Madonna. He’s won two Grammy Awards for<br />
producing the cast album recordings of Les Misérables<br />
and West Side Story and a further three<br />
Grammy nominations for producing the recordings<br />
of A Chorus Line, South Pacific and Promises,<br />
Promises. He’s a member of t he Tony<br />
Nominating Committee for the current Broadway<br />
season.<br />
JOHN CAMERON (Original Orchestrations)<br />
arranged the Orchestral Score for all the original<br />
productions of Les Misérables, Paris, London,<br />
Broadway, the Symphonic recordings, the<br />
Concert, 10 th Anniversary and 2006 Queen’s<br />
<strong>Theatre</strong> versions. As a composer his extensive<br />
film and television film score credits include the<br />
Academy Nominated A Touch of Class and the<br />
Emmy nominated Path to 9-11. John cocomposed<br />
Zorro the Musical, nominated for an<br />
Olivier Award for Best New Musical 2009,<br />
which is currently playing in Tokyo and Moscow<br />
followed by Amsterdam, Rio, Shanghai, Seoul<br />
& Berlin. Other arranging credits include Joseph<br />
& the Amazing Technicolor Dreamcoat.<br />
CHRISTOPHER JAHNKE (New<br />
Orchestrations). Orchestrations: Legally Blonde<br />
(Broadway), Grease (You’re the One That I<br />
Want - 2007 Broadway Revival), Cry Baby, A<br />
WHO’S WHO<br />
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Man of No Importance, Dessa Rose, Tom Jones<br />
(George Stiles/Paul Leigh), Just So (George<br />
Stiles/Anthony Drewe), Chasing Nicolette,<br />
Rufus Wainwright at Carnegie Hall and the new<br />
orchestrations for the 2006 Broadway revival of<br />
Les Misérables. As a Dance Music Arranger:<br />
The Witches of Eastwick (London/West End).<br />
Music Supervisor for Bon Jovi keyboardist<br />
David Bryan: Memphis and The Toxic Avenger<br />
Musical. Conductor: Aida (Broadway). Assistant<br />
to Tony Award ® -winning Orchestrator William<br />
David Brohn: Wicked, Ragtime, Sweet Smell of<br />
Success, The Three Musketeers, Mary Poppins.<br />
STEPHEN METCALFE (Additional<br />
Orchestrations) is an arranger and orchestrator for<br />
film and theatre. For the past ten years he worked<br />
as Head of Musical Development at Cameron<br />
Mackintosh Ltd., where he has developed, edited<br />
and contributed orchestrations to the scores of all<br />
Cameron Mackintosh’s productions in the UK<br />
and worldwide, most recently providing<br />
orchestrations for the current UK tour of Les<br />
Misérables and the 25 th birthday celebrations at<br />
London’s O2 Arena. Stephen has produced the<br />
2008 London cast album of Oliver!, the new UK<br />
Tour cast album of Les Misérables and the DVD<br />
release of the Les Misérables concert at the O2.<br />
STEPHEN BROOKER (Additional<br />
Orchestrations). <strong>Theatre</strong> includes: Betty Blue<br />
Eyes, Oliver! My Fair Lady, The Woman In<br />
White, Les Misérables, The Phantom Of The<br />
Opera, Miss Saigon, South Pacific, The Secret<br />
Garden, Lautrec, Cats, Saturday Night Fever,<br />
Grease, Fame. Conductor includes: Atlanta<br />
Symphony, West Australian Symphony, Royal<br />
Philharmonic, London Mozart Players, Haifa<br />
Symphony, Hamburg Sinfonia, Royal<br />
Liverpool, Royal Scottish National. Corporate<br />
Composer: Coca Cola, BMW Cars, Ford<br />
Motors, British Airways, Toyota Cars and Walt<br />
Disney. Producer: Oliver! - Live starring Rowan<br />
Atkinson, Les Misérables 25 th Anniversary Tour,<br />
Mary Poppins (Holland). Stephen recently<br />
supervised the Les Misérables 25 th Anniversary<br />
Concert at the O2 Arena. stephenbrooker.co.uk<br />
JEAN-MARC NATEL (Original French Text)<br />
was born in 1942. He studied art at the Beaux<br />
Arts in Toulon before turning to poetry and has<br />
published two volumes of his poems. In 1968<br />
he moved to Paris where he met Alain Boublil,<br />
who introduced him to songwriting with the<br />
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daunting task of co-writing the lyrics for Les<br />
Misérables. Since then, he has written songs for<br />
a variety of artists and, recently, some of his<br />
poetry has been set to music by Franck Pourcel.<br />
JAMES FENTON (Additional Material) was<br />
born in 1949. He was educated at the Durham<br />
Choristers’ School, Repton and Magdalen<br />
College, Oxford, where he won the Newdigate<br />
Prize for Poetry. He has worked as a political<br />
and literary journalist, drama critic, book<br />
reviewer, war correspondent and columnist.<br />
James Fenton was made Fellow of the Royal<br />
Society of Literature in 1983 and he was<br />
Professor of Poetry at Oxford from 1994 to<br />
1999. James was awarded the Queen’s Medal<br />
for Poetry in 2007.<br />
ANTHONY LYN (Associate Director). From<br />
South Wales, trained at RWCMD and<br />
University of London. London theatre: Anything<br />
Goes, Les Misérables, Joseph …, Miss Saigon,<br />
Oklahoma!, Damn Yankees (with Jerry Lewis).<br />
TV: “Tony Awards,” “The Tonight Show,”<br />
“Regis and Kelly,” “An American Celebration”<br />
(for the President and First Lady) and 5 Royal<br />
Command performances in England. Taught at<br />
the Royal Academy. Founding member, West<br />
End Cares. Associate Director: The Lion King<br />
(worldwide), Mary Poppins (Broadway,<br />
directed current US tour). Anthony is delighted<br />
to be Associate of this brand new production of<br />
Les Misérables. For C.C.<br />
CHRISTOPHER KEY (UK Associate<br />
Director) trained at Guildford School of Acting<br />
graduating with a first class BA (Hons). He is<br />
currently Resident Director on the London<br />
production of Les Misérables and Associate<br />
Director of the 25 th Anniversary Production in<br />
the UK and Spain. Christopher was also<br />
Resident Director on Avenue Q, London. Acting<br />
credits include Les Misérables, Chucky in Jerry<br />
Springer The Opera, Alice in Wonderland for<br />
The Royal Shakespeare Company and The<br />
Beautiful Game. Concerts include Les<br />
Misérables 25 th Anniversary at The O2, Sweeney<br />
Todd at The Royal Festival Hall and Sondheim<br />
Tonight at The Barbican.<br />
TARA RUBIN CASTING (Casting).<br />
Broadway/tours: Promises, Promises; A Little<br />
Night Music; Guys and Dolls; Billy Elliot;<br />
Shrek; The Country Girl; Rock ‘n’ Roll (US<br />
WHO’S WHO<br />
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casting); The Farnsworth Invention; Young<br />
Frankenstein; Little Mermaid; Mary Poppins;<br />
My Fair Lady; Pirate Queen; Les Misérables;<br />
History Boys (US casting); Spamalot; Jersey<br />
Boys; …Spelling Bee; Producers; Mamma<br />
Mia!; The Phantom of the Opera; Good<br />
Vibrations; Bombay Dreams; Oklahoma!;<br />
Happiness; Flower Drum Song; Imaginary<br />
Friends; Frogs; Contact; Metamorphoses; Thou<br />
Shall Not; Man of No Importance.<br />
JOEL T. HERBST (Company Manager) is a<br />
proud NETworks company manager from<br />
Wisconsin. Go Goslings!<br />
MICHAEL O’DONNELL (Resident Director)<br />
comes to Les Misérables after restaging Sam<br />
Mendes and Rob Marshall’s Cabaret in Paris.<br />
Associate director of the national tour of Monty<br />
Python’s Spamalot. Observing Director on Weeds<br />
and Brothers and Sisters. Writer/Director of the<br />
feature comedy Moving Mike. Mr. O’Donnell has<br />
also performed in six Broadway musicals<br />
including Cabaret, Spamalot and Victor/Victoria.<br />
TRINITY WHEELER (Production Stage Manager)<br />
is thrilled to be part of this legendary musical.<br />
In addition to Les Misérables, he is currently<br />
the Production Supervisor for the first Spanish-language<br />
production of Mary Poppins in Mexico City.<br />
Other credits include Rent - The Broadway Tour<br />
(Adam Pascal and Anthony Rapp), Mel Brooks’<br />
Young Frankenstein (Roger Bart), Trevor Nunn’s<br />
Oklahoma! and The Producers. Love to Alan, Big<br />
Mac and Ricky. trinitywheeleronline.com<br />
HEATHER CHOCKLEY (Stage Manager) is a<br />
proud member of AEA and IATSE. She has toured<br />
extensively, nationally and internationally, with<br />
The Sound of Music, Joseph… Dreamcoat, Cats,<br />
Sweet Charity, The King and I and Fiddler on the<br />
Roof to name a few. Thank you to her husband,<br />
family and friends.<br />
MITCHELL B. HODGES (Assistant Stage<br />
Manager) Les Misérables 25th Anniversary Tour,<br />
West Side Story National tour, The Phantom of the<br />
Opera National tour, Music <strong>Theatre</strong> of Wichita,<br />
Fort Worth Opera, Glimmerglass Opera and Motor<br />
City Lyric Opera. Thanks to Nancy and his parents<br />
for their love and support! Go Blue! Proud<br />
member of Actors’ Equity. mbhodges.com
BROADWAY BOOKING OFFICE NYC (Tour<br />
Booking, Engagement Management, Press &<br />
Marketing) is a leading theatrical tour booking,<br />
marketing and press company, representing musicals,<br />
plays and theatrical productions. Currently:<br />
Jersey Boys, War Horse, Matilda, The New 25th<br />
Anniversary Production of Les Misérables,<br />
Cameron Mackintosh’s spectacular new production<br />
of Andrew Lloyd Webber’s The Phantom of<br />
the Opera, Mary Poppins, NETworks presents<br />
Disney’s Beauty and the Beast, Hair, Do You Hear<br />
the People Sing, Holland Taylor in Ann, Backbeat,<br />
50 Shades! The Musical, The Rat Pack is Back!,<br />
MJ Live, Scooby Doo Live! Musical Mysteries,<br />
and Magic Tree House® The Musical.<br />
www.bbonyc.com<br />
SETH WENIG (Executive Producer) has been<br />
with NETworks since its inception in 1995. He<br />
spearheaded the international tours of Fosse<br />
starring Ben Vereen/Ruthie Henshall as well as<br />
the U.K. regional tour of Rodgers &<br />
Hammerstein’s The King and I. Together with<br />
Cameron Mackintosh, Seth served as executive<br />
producer of a 40 week UK regional tour of the<br />
National <strong>Theatre</strong>’s My Fair Lady, which also ran<br />
in the United States. He is currently serving as<br />
Executive Producer on The New Mel Brooks<br />
Musical Young Frankenstein, Disney’s Beauty<br />
and the Beast and Rodgers & Hammerstein’s<br />
South Pacific. He is most proud of his greatest<br />
productions, Marlo and Camden.<br />
NETworks PRESENTATIONS, LLC<br />
(Producer). Since 1995, NETworks has produced<br />
and managed over 70 touring productions in the<br />
US, UK and internationally. Current productions<br />
include Disney’s Beauty and the Beast, Young<br />
Frankenstein, and the Lincoln Center’s production<br />
of Rodgers and Hammerstein’s South Pacific,<br />
Handel’s Messiah Rocks, Spring Awakening, A<br />
Chorus Line, Blue Man Group National tour and<br />
The New 25 th Anniversary Production of Les<br />
Misérables touring the U.S.<br />
ACTORS’ EQUITY ASSOCIATION (AEA),<br />
founded in 1913, represents more than 48,000<br />
actors and stage managers in the United States.<br />
Equity seeks to advance, promote and foster the<br />
art of live theatre as an essential component of our<br />
society. Equity negotiates wages and working<br />
conditions, providing a wide range of benefits,<br />
including health and pension plans. AEA is a<br />
member of the AFL-CIO, and is affiliated with<br />
WHO’S WHO<br />
PLAYBILLVAULT.COM<br />
FIA, an international organization of performing<br />
arts unions. The Equity emblem is our mark of<br />
excellence. actorsequity.org<br />
STAFF FOR Les Misérables<br />
EXECUTIVE PRODUCER<br />
Seth Wenig<br />
GENERAL MANAGEMENT<br />
Gentry & Associates, Inc.<br />
Scott W. Jackson, Gregory Vander Ploeg<br />
COMPANY MANAGER<br />
Joel T. Herbst<br />
TOUR BOOKING,<br />
ENGAGEMENT MANAGEMENT<br />
PRESS AND MARKETING<br />
Broadway Booking Office NYC<br />
Steven Schnepp, Temah Higgins<br />
Kent McIngvale, Jenny Bates, David Freeland<br />
Judith Hoenig Adelson, Zach Stevenson,<br />
Julia D’Angelo, Scott Praefke, Jim Lanahan<br />
BBONYC.com<br />
CASTING<br />
Tara Rubin Casting<br />
Tara Rubin, CSA, Merri Sugarman, CSA<br />
Eric Woodall, CSA, Laura Schutzel, CSA,<br />
Paige Blansfield, Dale Brown, Kaitlin Shaw<br />
US ASSOC. DIRECTOR ..........................ANTHONY LYN<br />
UK ASSOC. DIRECTOR..................CHRISTOPHER KEY<br />
FIGHT DIRECTOR................................RICK SORDELET<br />
Resident Director....................................Michael O’Donnell<br />
Ass’t. to the Director ........................................Trey Gerrald<br />
Production Stage Manger ............................Trinity Wheeler<br />
Stage Manager ..........................................Heather Chockley<br />
Ass’t. Stage Manager..............................Mitchell B. Hodges<br />
Ass’t. Company Manager..............................Justin Sweeney<br />
Ass’t. to the General Manager....................Kristin Netzband<br />
Dance Captain ..............................................Ben Gunderson<br />
Fight Captain ................................................Ben Gunderson<br />
Ass’t. Fight Captain ..................................Heather Chockley<br />
Assoc. Scenic Designer ................................Christine Peters<br />
U.S. Costume Assistant ..................................Jimm Halliday<br />
Costume Assistants ..................David Kaley, John Saunders<br />
Assoc. Lighting Designer/Programmer ..............Jane Dutton<br />
Ass't. Lighting Designer....................................Karen Spahn<br />
Assoc. Sound Designer ................................Paul Gatehouse<br />
Ass’t. Sound Designer ........................................Garth Helm<br />
Music Preparation ....................David Hague, Dakota Music<br />
Emily Grishman<br />
Keyboard Programming ................................Stuart Andrews<br />
Head Carpenter ....................................................John Ward<br />
ORPHEUM THEATRE 15
Automation Carpenter ............................................Greg Pott<br />
Carpenter..........................................................George Munz<br />
Flyman ..................................................Timothy P. Callahan<br />
Production Electricians ..................Barb Bartel, Ian Moulds<br />
Head Electrician..........................................Leslie Bindeman<br />
Ass’t. Electricians................................R. Warren Bishop, Mark Leslie<br />
Head Audio ......................................................Chris Walters<br />
Ass’t. Audio ......................................................Shelly Franz<br />
Props Supervisor ..............................................Lisa Buckley<br />
Head Props................................................Andrew Crawford<br />
Ass't. Props....................................................David Summey<br />
Head Wardrobe ..............................................Sally M. Howe<br />
Ass't. Wardrobe ..............................................Emily Staloch<br />
Hair Designer ....................................................Bernie Ardia<br />
Head Wigs......................................................Rudy Guerrero<br />
Ass't. Wigs ................................................Bryon McDonald<br />
Dialect Coach ..........................................Shane-Ann Younts<br />
Tutor ..................................................................Leah Osborn<br />
Print/Advertising Design..................................................aka<br />
Radio and Television Spot Production ..................Steam UK<br />
Website ................................................................Dewynters<br />
Social Media............................................Pit Bull Interactive<br />
Production Photography................................Deen Van Meer<br />
Merchandising ............................Platypus Productions, LLC<br />
Accounting ..........................NETworks Presentations, LLC<br />
Legal ................................................F. Richard Pappas, Esq.<br />
Payroll Services ............................................................ADP<br />
Insurance................................................DeWitt Stern Group<br />
Travel Agency ............................................Carlson Wagonlit<br />
Tax Consultant ................Brent A. Turner, One Source PSG<br />
IT Services ..................George W. Wilson, One Source PSG<br />
Trucking..........................................................Clark Transfer<br />
For Cameron Mackintosh LTD<br />
Directors ..........................Cameron Mackintosh (Chairman)<br />
Nicholas Allott (Chief Executive)<br />
Richard Johnston<br />
Deputy Managing Director ..............................Robert Noble<br />
Financial Controller........................................Richard Knibb<br />
Executive Producer ........................................Trevor Jackson<br />
Associate Producer..................................Thomas Schönberg<br />
Production Manager ....................................Jerry Donaldson<br />
Music Supervisor ..........................................David Caddick<br />
Head of Marketing..........................................David Dolman<br />
Ass’t. to Cameron Mackintosh............................Jane Austin<br />
Ass’t. to Nicholas Allott ..................................Claire Mistry<br />
Ass’t. to Robert Noble ....................................Rachel Atkins<br />
For NETworks Presentations<br />
Chief Executive Officer ......................................Ken Gentry<br />
Chief Operating Officer ..............................Scott W. Jackson<br />
Director of Finance..............................................John Kinna<br />
Executive Producers ..........................................Seth Wenig,<br />
Kary M. Walker, Dani Davis<br />
Associate Producer ........................................Angela Rowles<br />
Assistant Producers ............................Charmaine McVicker,<br />
Mary Witte<br />
Assistant to the CEO ..........................................Curt Owens<br />
Senior General Manager ....................Gregory Vander Ploeg<br />
16 PLAYBILL<br />
WHO’S WHO<br />
PLAYBILLVAULT.COM<br />
General Managers......................Dawn Kusinski, Kim Reiter<br />
Associate General Manager................................Curt Owens<br />
Assistant General Managers........................Penelope Lopez,<br />
Bobby Maglaughlin<br />
Production Manager ........................................Jason Juenker<br />
Associate Production Managers ....................Hector Guivas,<br />
Ben Neafus<br />
Assistant Production Manager..........................Evan Rooney<br />
Warehouse Manager ............................................Brad Korff<br />
Marketing/PR ..................................................Heather Hess<br />
Music Coordinator ............................................John Mezzio<br />
Assistant Controller......................................Jennifer Gifford<br />
Accounts Payables ............................................Laura Carey<br />
Accountant............................................................Lisa Blank<br />
Office Manager ..........................................Buddy Piccolino<br />
Office Assistant ..................................................Carol Jewell<br />
Credits<br />
Lighting Equipment supplied by Epic; Sound Equipment<br />
supplied by Sound Associates; Set by F&D Scene Changes;<br />
Show control and scenic motion control featuring stage<br />
command systems ® by PRG-Scenic Technologies, a division<br />
of Production Resource Group, L.L.C., New Windsor, NY;<br />
Video Projection System Provided by Scharff Weisberg, Inc.;<br />
Costumes constructed by Scafati, John Schneeman Studio,<br />
Sara Timberlake Studio, Claire Johanson and Dale<br />
DiBernardo and Jennifer Love.<br />
Rehearsed at New 42nd Street Studios<br />
Special Thanks to<br />
Paper Mill Playhouse and Mark Hoebee<br />
Todd Schmidt, Mimi Intagliata, Rick Reiser.<br />
The producers wish to thank Fred Hanson for his<br />
contribution to the development of this<br />
new 25 th anniversary production.<br />
Financial Services and banking arrangements by<br />
M&T Bank<br />
Visit the Les Misérables website at<br />
www.lesmis.com<br />
Own Les Misérables, the 25 th Anniversary Concert, featuring<br />
Tony ® Award-winner Lea Salonga and Nick Jonas on Blu-ray<br />
and DVD!<br />
The Actors and Stage Managers employed in this production<br />
are members of Actors’ Equity Association, the union of professional<br />
actors and stage managers in the United States.<br />
All stage work performed by employees represented by IATSE.<br />
UNITED SCENIC ARTISTS represents the designers and scenic<br />
painters for the American <strong>Theatre</strong>.<br />
The Musicians employed in this production are members of the American<br />
Federation of Musicians of the United States and Canada.<br />
The Director and Choreographer are members of the Stage Directors<br />
and Choreographers Society, an independent national labor union.<br />
The Press Agents, Company and House Managers employed in this<br />
production are represented by the Association of Theatrical Press<br />
Agents & Managers.<br />
This production is produced by a member of The<br />
Broadway League in collaboration with our<br />
professional union-represented employees.
THANK YOU TO OUR CORPORATE,<br />
FOUNDATION AND GOVERNMENT PARTNERS<br />
PRINCIPAL PARTNERS $100,000+<br />
This project is supported in part<br />
by an award from the National<br />
Endowment for the Arts.<br />
This activity is made<br />
possible by the<br />
voters of Minnesota<br />
through a Minnesota<br />
State Arts Board<br />
Operating Support<br />
grant, thanks<br />
to a legislative<br />
appropriation from<br />
the arts and cultural<br />
heritage fund.<br />
MAJOR PARTNERS $30,000 - $99,999<br />
SUPPORTING PARTNERS $15,000 - $29,999<br />
MEDIA SPONSORS<br />
DOWNTOWN BUSINESS PARTNERSHIPS<br />
<strong>Hennepin</strong><strong>Theatre</strong><strong>Trust</strong>.org
BOARD OF DIRECTORS<br />
Dan Cramer, Chairperson<br />
Thomas L. Hoch, President/CEO<br />
Scott Benson<br />
Daniel Pierce Bergin<br />
John Blackshaw<br />
Ralph W. Burnet<br />
Sonia Cairns<br />
Wendy Dayton<br />
Julie Idelkope<br />
Linda C. Ireland<br />
Jeannie Joas<br />
Barbara Klaas<br />
Jim Linnett<br />
Mark Marjala<br />
Annette Thompson Meeks<br />
Jann L. Olsten<br />
Brian J. Pietsch<br />
Edward Pisarski<br />
Thomas J. Rosen<br />
Doug Ruth<br />
T. Jay Salmen<br />
Ann Simonds<br />
Julie Beth Vipperman<br />
Tom Vitt<br />
ADMINISTRATION<br />
President/CEO<br />
Thomas L. Hoch<br />
<br />
Kjirsten Johnson<br />
Accounting Associate<br />
Debbie Hunt<br />
Executive Assistant<br />
Kelly Armenta<br />
New Century <strong>Theatre</strong> Manager<br />
Jason Capra<br />
<br />
Coordinator<br />
Robie Hayek<br />
<br />
Director of Resource<br />
Development<br />
Lisa Lane<br />
Individual Giving Manager<br />
Kathryn Tjaden<br />
Donor Relations Coordinator<br />
Helen Kouba<br />
Development Associate<br />
Jesse Daniels<br />
Event Coordinator<br />
Julie Gotlieb<br />
EDUCATION<br />
Director of Education and<br />
Community Engagement<br />
Melissa Koch<br />
<br />
Whitney Rhodes<br />
Education and Community<br />
Engagement Coordinator<br />
Olivia Plaine<br />
Critical Review Program<br />
Manager<br />
Dudley Voigt<br />
MARKETING<br />
Director of Marketing and<br />
Theatrical Programming<br />
Carl Lee<br />
Director of Marketing<br />
Lisa Krohn<br />
Marketing Manager<br />
Anna Pitera<br />
Interactive Marketing<br />
Coordinator<br />
Sam Anderson<br />
Marketing Associate<br />
Nick Vanderheyden<br />
NCT Marketing & Group Sales<br />
Associate<br />
Jessica Brooks<br />
COMMUNICATIONS<br />
Director of Communications<br />
Karen R. Nelson<br />
Communications Manager<br />
Sarah Johnson<br />
HISTORIC THEATRE<br />
<br />
The State, Orpheum and Pantages <strong>Theatre</strong>s<br />
are managed on behalf of <strong>Hennepin</strong> <strong>Theatre</strong><br />
<strong>Trust</strong> by Historic <strong>Theatre</strong> Group, LLC.<br />
ADMINISTRATION<br />
President<br />
Jim Sheeley<br />
<br />
Gail Nelson<br />
Senior Director of Booking<br />
LeeAnn Weimar<br />
Business Manager for<br />
Event Operations<br />
Scott Rahja<br />
Administrative Assistant<br />
Katrina Baxter<br />
THEATRE OPERATIONS<br />
ORPHEUM THEATRE<br />
Operations Coordinator<br />
David Marietta<br />
Head Properties Master<br />
Robert C. Miller<br />
Head Electrician<br />
Bill Devins<br />
Head Sound Engineer<br />
Spencer Wasilowski<br />
Head Carpenter<br />
Levi Houkom<br />
STATE THEATRE<br />
Operations Coordinator<br />
Mark Kroening<br />
Head Properties Master<br />
Vincent Fish<br />
Head Electrician<br />
Amy Nguyen<br />
Head Sound Engineer<br />
Jay Perlman<br />
Head Carpenter<br />
Frank Drown<br />
PANTAGES THEATRE<br />
Operations Coordinator<br />
Steve Olson<br />
<br />
House Services Manager<br />
Jerry Knock<br />
Maintenance Technicians<br />
Ernest Hansen, James Breiter,<br />
Tyler Fiala<br />
Event Managers<br />
Cheryl Hanson, Carrie Meyer,<br />
Patrick Braucher, Julie<br />
Montgomery, John Santelmann<br />
Food and Beverage Director<br />
Brian Strom<br />
<br />
Director of Ticket Operations<br />
Nichole Cassavant<br />
Group Sales Manager<br />
Kelli Hoskins<br />
Group Sales Associate<br />
Debra Detloff-Johnson<br />
Performance Managers<br />
Kristy Reid, Anneliese Stuht<br />
<br />
Jenni Amis<br />
<br />
Alec Barniskis, Joe Heiland<br />
BROADWAY ACROSS<br />
<br />
is presented by <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong> in<br />
consultation with Broadway Across America.<br />
Senior Regional Sales<br />
Operations Manager<br />
Eric-Michael Bauer<br />
Operations Manager<br />
Paula Schuebel<br />
Ticketing Manager<br />
<br />
18 PLAYBILL PLAYBILLVAULT.COM
THE STATE, ORPHEUM & PANTAGES THEATRES<br />
The following information is provided to help you familiarize yourself with our facilities and services. Our goal is to provide you with personalized service to ensure<br />
that your theatre experience exceeds your expectations. In order to serve you most effectively, please do not hesitate to address questions, comments, or requests<br />
for specific assistance to any of the ushering staff.<br />
CAMERAS • The use of cameras or other types of recording equipment<br />
is strictly prohibited.<br />
CANCELLATIONS • For one night events, please check the event description<br />
for postponements or cancellations.<br />
CELLULAR PHONES AND PAGERS • The ringing of cellular phones<br />
or pagers can be highly disruptive during a performance. These devices<br />
should be turned off or turned to vibrate mode while at the theatre. If necessary,<br />
a cellular phone or pager can be monitored by the Event Manager.<br />
CHILDREN • Children under the age of six are encouraged to attend<br />
the theatres only for special children’s events. Everyone entering the theatre<br />
must have a ticket. For the comfort and enjoyment of all guests, children<br />
who are disruptive to other guests will be asked to leave the seating<br />
area. Infants will not be allowed admission to Broadway performances.<br />
DONOR PROGRAM • <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong> Donors experience special<br />
benefits and have access to exclusive events while also supporting<br />
the <strong>Trust</strong>’s education programming and the preservation of the State, Orpheum<br />
and Pantages <strong>Theatre</strong>s. Visit our website to learn more about becoming<br />
a Donor.<br />
DRESS CODE • While our theatres have no specific dress code, we<br />
find that many of our patrons like to dress up to celebrate attending<br />
a special event. The most important thing is to dress appropriately for<br />
a special occasion.<br />
EDUCATION • <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong>’s education department strives to<br />
engage audiences of all ages through a variety of educational and outreach<br />
programs. Visit our website to learn more.<br />
EMERGENCIES • The telephone number for emergency messages is:<br />
(612) 339-7007, ext 450. Emergency messages are delivered immediately<br />
during performances when seat locations are known. Persons expecting<br />
emergency messages are asked to leave their seat locations in<br />
advance with the calling party and with the Box Office upon arrival.<br />
EXCHANGES • Tickets may be exchanged to another performance of<br />
the same show in person at the box office at least 24 hours prior to the<br />
currently scheduled performance. Exchanges are subject to availability,<br />
and are assessed a $5.00 per ticket exchange fee. If the patron exchanges<br />
into a more expensive performance, they must pay the difference<br />
in ticket price. There is no refund for exchanging into a less<br />
expensive performance. There are NO exchanges on Group Sales or<br />
Comp tickets.<br />
FIRST AID • First aid supplies are available at all theatres. Ask any<br />
usher for assistance. There is a security officer trained in CPR and First<br />
Aid on duty at every performance from the time the lobbies open until<br />
all guests have exited.<br />
FOOD AND BEVERAGES • A variety of beverages including wine,<br />
beer and soft drinks and light snacks including mints and cookies are<br />
available for purchase in the theatre. No outside food or beverages are<br />
allowed in the theatre.<br />
HENNEPIN THEATRE TRUST • <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong>, non-profit<br />
owner of the historic Orpheum, State, Pantages and the newly developed<br />
New Century <strong>Theatre</strong>s, is dedicated to enriching the vibrant cultural atmosphere<br />
of the Twin Cities. We present a rich array of live performances,<br />
create inspiring arts education experiences and advance a thriving cultural<br />
destination in downtown Minneapolis. Our programs include Broadway<br />
touring productions, the Broadway Confidential series, our SpotLight<br />
Musical <strong>Theatre</strong> Program for high schools, the Critical View student reviewer<br />
program, our free ticket Access Program and Kids’ Night and<br />
leading the planning for the cultural corridor that will extend from the<br />
Walker Art Center to the Mississippi Riverfront.<br />
LOBBIES • Lobbies are open to the public approximately one hour prior to<br />
showtime. <strong>Theatre</strong> seating traditionally begins 30 minutes prior to showtime.<br />
LOST AND FOUND • Please notify any usher immediately upon discovery<br />
of lost or found articles. After a performance, you may call the<br />
Box Office at 612. 339.7007.<br />
RE-ENTRY INTO THE THEATRE • Please see an usher if you would<br />
like to exit and re-enter the theatre.<br />
RESTROOM LOCATIONS • Restrooms are located inside the ticketed area<br />
of each theatre, please see an usher for direction to the nearest restroom.<br />
SEASON TICKETS • Season Tickets and flexible Pick Your Package<br />
options are available for <strong>Hennepin</strong> <strong>Theatre</strong> <strong>Trust</strong>’s Broadway series. Visit<br />
our website to learn more.<br />
SECONDARY TICKET MARKET • Consumer Warning - the State,<br />
Orpheum and Pantages <strong>Theatre</strong>s use bar code scanning for ticket admissions.<br />
As a result, patrons should be careful when purchasing tickets<br />
and should make sure the seller is a State, Orpheum or Pantages <strong>Theatre</strong><br />
licensed contractor, otherwise, you may be purchasing a ticket that<br />
is invalid and will be denied admission.<br />
Ticketmaster is the ONLY authorized ticketing agent outside of the State <strong>Theatre</strong><br />
Box Office. If you purchase tickets from an unauthorized agent in the<br />
secondary market (Scalper, Ticket Broker, eBay, Craigslist, etc.), you risk<br />
purchasing counterfeit or invalid tickets. If you wish to purchase tickets from<br />
the secondary market, we encourage the use of TicketExchange.<br />
TicketExchange is Ticketmaster’s online service that enables premium<br />
and fan-to-fan transactions. Only Ticketmaster can guarantee<br />
100% legitimate secondary market tickets, because the tickets sold<br />
through TicketExchange are linked to Ticketmaster’s barcoded ticketing<br />
systems. Visit our website for more information on TicketExchange.<br />
SEATING • Guests arriving after the start of the performance will be<br />
seated at the discretion of management, in accordance to the wishes of<br />
the performing company. These times vary with each production. Please<br />
plan to allow plenty of time for parking.<br />
SMOKING • The State, Orpheum & Pantages <strong>Theatre</strong>s & their lobbies<br />
are entirely smoke-free.<br />
TICKETS • Tickets can be purchased in person at the State <strong>Theatre</strong> Box<br />
Office, by phone through the Ticketmaster Artsline, online through Ticketmaster.com<br />
or through Ticketmaster outlets.<br />
GROUP SALES • Bringing your group to the <strong>Hennepin</strong> <strong>Theatre</strong> District WEATHER • In cases of inclement weather, most shows will go on as<br />
is easy! Our standard group minimum is 15 people, but may vary with scheduled. Visit our website for the show you are scheduled to attend or<br />
each performance.<br />
call the box office at 612.339.7007 for the latest updates.<br />
For complete information on our services for Accessible Seating, ASL Interpreted Performances, Assisted Listening and Audio Described<br />
performances and Open Captioning, please visit our website at www.<strong>Hennepin</strong><strong>Theatre</strong><strong>Trust</strong>.org or call us at 612.339.7007.<br />
PLAYBILLVAULT.COM<br />
ORPHEUM THEATRE 19
CREATE YOUR OWN<br />
BROADWAY FLEX PACKAGE *<br />
YOU PICK THE SHOWS. YOU PICK THE DATES.<br />
SEPT. 18 – OCT. 27, 2013<br />
OCT. 22–26, 2013<br />
NOV. 19–24, 2013<br />
DEC. 13, 2013 – JAN. 5, 2014<br />
BROADWAY<br />
RE-IMAGINED<br />
JAN. 15 – FEB. 9, 2014<br />
JAN. 28 – FEB. 2, 2014 FEB. 18–23, 2014 MAR. 11–16, 2014<br />
APR. 1–6, 2014<br />
MAY 27 – JUNE 1, 2014 JUNE 18–23, 2014<br />
FLEX PACKAGES ON SALE NOW!<br />
1.800.859.SHOW (7469)<br />
MONDAY–FRIDAY 10AM–5PM CST<br />
HENNEPINTHEATRETRUST.ORG<br />
GROUPS SAVE! CALL 612.373.5665<br />
SEASON<br />
SPONSORS:<br />
*Must purchase a minimum of three shows. Package price and seating location vary by performance. Subject to availability. Dates, times, artists and prices<br />
are subject to change without notice. Additional handling fees apply. If you have already purchased Les Misérables, Wicked, Billy Crystal’s 700 Sundays or<br />
The Phantom of the Opera