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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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Chap. II. FRESCOES IN THE HOSPITAL, MILAN 39<br />

laid with great ceremony by Francesco and Bianca Maria on April 12,<br />

<strong>the</strong> building being dedicated to <strong>the</strong> SS. Annunziata."<br />

1457,'<br />

All <strong>the</strong> incidents relating to t<strong>his</strong> ceremony were, according to Filarete,<br />

depicted on <strong>the</strong> walls <strong>of</strong> <strong>the</strong> colonnade "by <strong>the</strong> hand <strong>of</strong> good masters."'<br />

T<strong>his</strong> writer does not name <strong>the</strong> painters, but in <strong>the</strong> second edition <strong>of</strong><br />

Vasari's Life <strong>of</strong> Filarete it is stated that under <strong>the</strong> colonnade <strong>the</strong>se<br />

incidents were depicted by <strong>the</strong> hand <strong>of</strong> Master "<strong>Vincenzo</strong> di Zoppa<br />

<strong>Lombard</strong>o, because no better painter was found in <strong>the</strong> land."* As,<br />

however, <strong>the</strong> building progressed very slowly, it is probable that <strong>the</strong><br />

paintings were only executed some five or six years after <strong>the</strong> laying <strong>of</strong><br />

<strong>the</strong> stone. In 1457 Filarete was occupied in rebuilding <strong>the</strong> Church <strong>of</strong><br />

S. Maria Maggiore at Bergamo, which he looked upon as one <strong>of</strong> <strong>the</strong><br />

great achievements <strong>of</strong> <strong>his</strong> <strong>life</strong>, though nothing now remains to prove<br />

<strong>his</strong> share in <strong>the</strong> building, and throughout <strong>the</strong> winters <strong>of</strong> 1458 and<br />

1459 <strong>the</strong> works ceased altoge<strong>the</strong>r. It was only in February, 1460, that<br />

Filarete was appointed architect <strong>of</strong> <strong>the</strong> building at a fixed salary,' and <strong>the</strong><br />

work seems <strong>the</strong>n to have proceeded more energetically. In 1460-61 a<br />

frieze, columns, and o<strong>the</strong>r stonework were furnished for <strong>the</strong> ** portico " and<br />

"facciata del portico verso il Cascinotto, " and in 1463 and 1464 Filarete was<br />

still providing columns and fur<strong>the</strong>r materials for <strong>the</strong> same colonnade, while<br />

'<br />

Oettingen, Uber das Leben u. die Werke von . . . Filarete, p. 22, and Trattato,<br />

pp. 366, 367; L. Corio in II Politecnico, 1873, p. 728, and o<strong>the</strong>rs. Considerable<br />

difference <strong>of</strong> opinion exists as to <strong>the</strong> date <strong>of</strong> <strong>the</strong> foundation, but April 12, 1457 (<strong>the</strong><br />

date given by Filarete and Vasari), seems from every point <strong>of</strong> view <strong>the</strong> most likely to be<br />

correct (see Oettingen, Filarete, note 44, p. 59 Meyer, Oberitalienische Fruhrenaissance,<br />

;<br />

I, 81 ; and Munoz, op. cit., p. 187.<br />

-<br />

Ave and Ave Maria is continually repeated in <strong>the</strong> decorative work throughout <strong>the</strong><br />

building, and <strong>the</strong> arms <strong>of</strong> <strong>the</strong> hospital are a dove with a spray <strong>of</strong> olive in its beak.<br />

According to some Milanese writers (Corio, Stor. di Milano, Pt. V, 400-1 ;<br />

Latuada,<br />

Descrizione di Milano, I, 332; Sormani, Giornata T, etc., 77), Francesco Sforza, who<br />

had been proclaimed Duke <strong>of</strong> Milan in February, 1450, made <strong>his</strong> state entry into <strong>the</strong><br />

city on March 25, in commemoration <strong>of</strong> which he placed <strong>the</strong> hospital under <strong>the</strong> special<br />

protection <strong>of</strong> <strong>the</strong> Virgin <strong>of</strong> <strong>the</strong> Annunciation ;<br />

Colombo {Arch. Stor. Lamb., 1905,<br />

pp. 52 and 95) has, however, proved conclusively from contemporary records that <strong>the</strong><br />

actual day <strong>of</strong> <strong>the</strong> ceremony was March 22.<br />

* Trattato, Bk. XI, 367 ("fatte per mano di buoni maestri ").<br />

*<br />

Vasari, ed. 1568, p. 348, and ed. Mil., II, 457. " Furono poi dipinte nel portico<br />

queste storie, da Maestro <strong>Vincenzo</strong> di Zoppa <strong>Lombard</strong>o per non essersi trovato in<br />

paesi miglior maestro."<br />

'><br />

T<strong>his</strong> salary was, however, to date from 1457 (see Canetta, Cronologia dell' Ospedale<br />

Maggiore, 1460, February 29. Cf. also Oett., Filarete, 31, 32 and note 52; and<br />

Munoz, op. cit., p. 187, note i).<br />

quei

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