01.12.2014 Views

Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

26 VINCENZO FOPPA<br />

Lomazzo,^ but as he also includes Civerchio, who could scarcely have been<br />

born at that date, <strong>his</strong> mention <strong>of</strong> <strong>Foppa</strong> proves nothing. It is certain, however,<br />

that before 1461 <strong>Vincenzo</strong> must have executed some works for Francesco<br />

Sforza in which he gave pro<strong>of</strong> <strong>of</strong> <strong>his</strong> ability, o<strong>the</strong>rwise <strong>the</strong> Duke would<br />

scarcely have recommended him in such eulogistic terms to <strong>the</strong> Genoese<br />

(Doc. No. 4). Moreover Filarete's allusion to him as one <strong>of</strong> <strong>the</strong> few painters<br />

capable <strong>of</strong> decorating <strong>the</strong> palace <strong>of</strong> a prince" makes it probable that he would<br />

not have been passed over for t<strong>his</strong> work.<br />

We may assume <strong>the</strong>n that <strong>his</strong> first employment in <strong>the</strong> service <strong>of</strong> <strong>the</strong> Duke<br />

was in <strong>the</strong> Castello <strong>of</strong> Pavia, though being at that time wholly unknown as<br />

an artist and as it were merely on trial, he finds no mention in documents <strong>of</strong><br />

t<strong>his</strong> date dealing with <strong>the</strong> paintings in that city. His work <strong>the</strong>re must at<br />

once have established <strong>his</strong> reputation, and gained him fur<strong>the</strong>r orders and a few<br />

years later he had so far outstripped all <strong>his</strong> rivals that he was universally<br />

acknowledged to be "<strong>the</strong> best painter in <strong>the</strong> whole land."<br />

On May 15, 1458, we have <strong>the</strong> earliest reference to <strong>Foppa</strong> in a legal<br />

document (see App. II, Doc. No. 2) ; here he is called <strong>the</strong> "son <strong>of</strong> <strong>the</strong> late<br />

Johannis," and a citizen and inhabitant <strong>of</strong> <strong>Brescia</strong>. T<strong>his</strong> latter statement<br />

seems at first sight to contradict a passage in a letter <strong>of</strong> Galeazzo Maria<br />

Sforza,^ according to which <strong>the</strong> painter was living at Pavia in 1456. <strong>Vincenzo</strong>'s<br />

mo<strong>the</strong>r-in-law had, however, at some date unknown to us bestowed<br />

upon him a house at <strong>Brescia</strong> in <strong>the</strong> Contrada S. Agata,^ and we may assume<br />

that he was already <strong>the</strong>n <strong>the</strong> owner <strong>of</strong> it, and was <strong>the</strong>refore perfectly justified<br />

in describing himself as an inhabitant or householder <strong>of</strong> <strong>Brescia</strong>, though at<br />

that time actually living at Pavia ; it is probable also that even if he had <strong>the</strong>n<br />

been living for some years at Pavia, he had not as yet definitely decided to<br />

quit <strong>Brescia</strong> altoge<strong>the</strong>r.<br />

With him is named in t<strong>his</strong> document ano<strong>the</strong>r painter, who is also designated<br />

a citizen and inhabitant <strong>of</strong> <strong>Brescia</strong>, " Paul us de' Calino, <strong>the</strong> son <strong>of</strong> <strong>the</strong> late<br />

Petri." There is no doubt that t<strong>his</strong> " Paulus " was a bro<strong>the</strong>r <strong>of</strong> <strong>Foppa</strong>'s wife,'<br />

though <strong>the</strong> Pavian notary has misspelt <strong>the</strong> surname. The Calini were a noble<br />

family <strong>of</strong> <strong>Brescia</strong> who filled many public <strong>of</strong>fices <strong>the</strong>re but never, so far as we<br />

have been able to discover, numbered a painter among <strong>the</strong>ir ranks. The<br />

1 Tmttato deir Arte della Pittura, p. 405.<br />

^ The painters mentioned by Filarete as capable, in <strong>his</strong> estimation, <strong>of</strong> decorating<br />

<strong>the</strong> palace <strong>of</strong> a prince are : Filippo da Firenze (Filippo Lippi) ; Piero del Burgo (P.<br />

della Francesca) ; Andrea da Padova detto Squarcione (? Mantegna) ; Gusme da Ferrara<br />

(Cosimo Tura) ; and Vincentio <strong>Brescia</strong>no (<strong>Foppa</strong>) {Tratt., ed. Oetdngen, p. 302).<br />

3 App. I, Note I, p. 279 and App. II, Doc. No. 15.<br />

* Chap. VI, p. 136, and App. II, No. 2,^,^<br />

^ Chap. VI, p. 137.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!