Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

GENERAL INDEX 413
Moiraghi, Don Pietro, his theory as to the
Pavian origin of Foppa, 30, 278
wrongly derived the name of Foppa from
Foppa di Bascapd near Pavia, 278, 284
Money value, Brescia, 183 note i, 223 note 3,
227 note 2
in the Duchy of Milan, 11 1 note 2, 140
note 2
Monger!, G., 43 note 3 (articles by), 50, 53, 55
note 3, 60 note 3, 62 note i, 64 note i, 66
note 3, 93 note 4 (art. by), 147, 206, 367
Monte, Giov. Battista de, 227 note 3
Montorfano, Battista, values frescoes with
Foppa at Milan, 80
Giov. Donato, pupil of Foppa (?), 152
note I, 252, 253, 381
Monza, Cathedral, Chapel of Queen Theodolinda,
23, 383. See also Zavattari
Monza, Foppa's altarpiece for, 388
Mora, La, Byzantine altarpiece of Spinola
Chapel, at Genoa, removed in 1477, 135, 387
Moracavalli, Girolamo, notary of Pavia, 139
Margarita, wife of Bartolomeo Caylina,
139, 282 note 2. See Caylina
Morbio, Caracossa, 20
Morelli, the late Senatore Giovanni (Ivan
LermoliefT), xiii, 82, 365, 366, 367
ascribed Brera altarpiece definitely to
Foppa, first to prove its identity with work
mentioned by the Anonimo, 120
ascribed frescoes S. Pietro in Gessate to
Montorfano, 253 note 2
ascribed pictures at Bergamo and Dresden
to Bevilacqua, 252 notes 3 and 4
ascribed portrait of Francesco Brivio da
Melegnano to Ambrogio de Predis, 176 note 2
considered Luini a pupil of Bergognone,
254, 255 and note i
considered Macrino d' Alba a pupil of
Foppa, 257 and note
—
i
discovered a painting at Orzinuovi and
ascribed to Foppa, unaware that it was a
banner, 214 and note i, 215
— on altarpiece of Cantu, 250 and notes 3
and 4
on art of Bergognone, 248
— on Bramantino at Milan, 253 note 6
— on frescoes of S. M. della Pace, now
Brera, 213 note i
— on Foppa's position in the development
of Italian art, 150
Morelli on Pieti, S. M. della Passione, Milan,
254 note 2
on St. Catherine, Milanese school, Munich,
td.
opinion as to date of Sir M. Conway's
Pieti by Foppa, 90 note i
Moretto, Alessandro Bonvicino called, his influence
at Brescia, 262, 263 note, 265
Cristoforo, of Cremona, 23 and note 2,
25. 80. 3^3
Pietro, paintings by, valued by Foppa
at Brescia, 187
Morigia, Paolo, 144 note i, 244, 277, 367
Morimondo, Cistercian Abbey of, 33
Mortara, 27 note 4, 28 and note i, 388
S. Mostiola, Pavia, 21 note 4, 389
Motta, E., 23 note 2, 367
MSS., faulty transcription of, responsible for the
misspelling of painters' names, 204, 260 note
4, 280, 281 note I
Mucius, A., 233 note 3, 367
Miintz, Eugene, 11 note i, 47, 51 and note 3,
150 note 3, 367 and 368
Munoz, A., and Lazzaroni, M., 25 note 3, 39
note I, 40 notes i and 2, 42 note 2, 43 note
3. 365
Mutio, Mario, 119 note i, 122 note i, 368
N
Nagler, G. C, 24 note 3, 368
Nassino, Pandolfo, writer of XVI c. , 351 and
note 2
his diary of events at Brescia, 118 and
note 3, 164 and notes i and 2, 263 and note i,
287 and note 5
National Gallery. See London, 381
Nava, Ambrogio, ascribes frescoes of Sala
Capitolare, Milan, to Bergognone, 286, 368, 388
SS. Nazzaro e Celso, Brescia, 28 note i, 262,
380
S. Niccol6, Treviso, 35 note 4, 384
Nicola da Vaprio, painter of Pavia, 20
Nicoli-Cristiani, F., 368
on tradition of Foppa being alive in 1505,
230 note 5
S. Nicol6 da Tolentino, Chapel of, in Church
of Santa Mostiola, Pavia, 22 note 4, 389
North Italian school, triptych in Louvre ascribed
to, showing traces of Foppa's influence,
258, 383