Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

404 VINCENZO FOPPA
Foppa, Vincenzo, 1489 (Feb. 23, date of payment),
the Doria altarpiece for the Chapel of payment to, for altarpiece, 193, 218, 331
Foppa, Vincenzo, 1499 (Dec. 13), at Pavia,
SS. Stephen and Anne in Certosa of Rivarolo, 1501-2, " livello " paid by him at Brescia
154-56, 275, 318
to quarter of S. Alessandro, 222, 332
1489 (April 9), the Fornari altarpiece for
1502, yearly payments of " livello " for his
Certosa of S. Maria di Loreto, 159-62
house up to the end of his life, 223-26, 332,
1489 (April 28), at Genoa ; arrest, imprisonment
for debt, and release, 163, 318
site and position of house, 224 notes,
333
1489 (July 10, date of valuation), his unfinished
altarpiece in S. M. di Castello valued 1504 (May 31), property at Pavia sold by
225 notes, 333
by two painters of Genoa, 163, 275, 319
his representative Paolo Caylina acting on
— 1489 probable return to Brescia, fresco behalf of Foppa, 219, 336
in new Loggetta, Piazza Maggiore, 164 and 1513 (Sept. -Oct.), his workshop at Brescia,
note 2, 275
227 and note 2, 335
1489, desires to settle at Brescia and 1513 (Nov. 10), money transactions at
obtain employment there, 165
Pavia referring to him, 220, 337
at Pavia, dispute with Bart. Caylina
1516, probable date of death, 137, 229
submitted to arbitration, 169-71, 320-3
and note i, 230 and notes, 231, 282 and
1489 (Nov. 3), admonished by Erasmo note 2, 336
Trivulzio to finish Cathedral altarpiece and
I5I7> ^'^ will, references to and dispositions
of, 229 and notes i and 3, 231-33,
threatened with imprisonment, 169, 320, 321
1489 (Dec. 5), sentence on Foppa and 337-39- 340
Caylina, 170 and note i, 171, 321-323
notices relating to his heirs, 220,
1489 (Dec. 18), appointed official painter 231-33. 337-41
to the Brescian Commune at a fixed salary, Foppa, Vincenzo, his art : position among his
183, 324
contemporaries, and influence, 14, 24, 26, 65,
1490 (April 14), sued by A. della Canonica 69. 99> "3. 133. 134. 155. 245-265
at Pavia, 172, 324
reputation at the Court of the Sforza, 26,
— 1490, at Savona, working on Cathedral 30. 72, 73. 74. 76. 99. 153
altarpiece with assistants, completed Aug. 5,
characteristics of his art :
7, 8, 13, 14, 47,
172-81, 324
52. 53. 82, 83, 85-90, 122-3, 126, 129, 131,
settles at Brescia, frescoes in Loggetta
(Oct.-Nov.), 182-84, 325
161, 174, 198, 199, 207-g, 211, 212 note I,
132, 142, 144, 145, 148, 152, 156, 158, 159,
-— 1491, granted a month's leave to return to 214. 215, 244, 245
Pavia; pays his " livello " Nov. 11, 185-87,
colouring, 7, 52, 66, 83, 86, 124, 131,
326
132, 142, 14s, 146, 152, 157, 176, 208, 209,
— 1492 (June 20), payment to, at Pavia, 211, 214, 215
187, 326
drapery, 83, 124, 131,142, 152, 157,
— 1492 (Nov. 23), values frescoes at Brescia, 161, 174, 198, 211, 215
187. 327
expression, 83, 89, 123, 129, 131,
— 1495, appointment at Brescia cancelled 132, 142, 145- 148, 152. 157. 174-6. 198, 215
and salary stopped (May 15, June 12)
flesh-tones,
—
7, 13, 52, 86, 88, 125,
payment of a debt by Brescian 129, 208, 215
Commune (July 16), 189-91, 327, 328
deterioration of colour in Foppa's
1498, registered at Brescia as inhabiting a paintings, 125 and note i, 148, 178 note i,
house in quarter of S. Alessandro, 191, 329 197
1498 (?), altarpiece of S. Maria Gualtieri
form and pose of hand, 8, 85, 86, 87,
by Foppa and assistants at Pavia, 191-95 ;
123, 129, 131, 132, 142, 146, 157, 161, 174,
date of completion (?), 193
175. 198, 207, 208, 234
1499 (Oct. 30), litigation relating to landscape, 15, 85, 129, 146, 148, 198,
altarpiece S. M. Gualtieri, 192-94, 329-31
208, 209, 211, 237