Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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402 VINCENZO FOPPA
Finazzi
Giov. , 1 19 note i, 122 notes 2 and 3,
364
Flares, Ugo, 257 note 2, 364
Florence, 380
Archivio di Stato, 352
Florentine ambassadors at Pavia and Milan, 25,
45 note I
Folperti family, the, of Pavia, 35 note 3
Fondulo, Gabrino, ig note i
Foppa, meaning of the word, 284 and note 4,
285
spelling of, in Brescian dialect, 285 and
note 2
— in Milanese dialect, ib. and note 3
Brescian form used by Foppa as signature
of a letter, 285, 294
Foppa di Bascapd, hamlet near Pavia, 278 and
note 2, 284
Foppa, places bearing this name in N. Italy
and elsewhere, 284
Foppa, surname frequently found in N. Italy,
examples in Archives of Bergamo and Brescia,
284, 348 note I
Foppa, patrician family of Milan, 284
Foppa, Bartolomeo, son of Giovanni da, painter
mentioned by Campori, 278
Foppa, Caradosso, 206
Foppa, Giovanni Evangelista, son of Vincenzo,
139 note 4
pays his father's " Hvello," 153 note 2, 186
note 4
traceable up to 1502, 139 note 4, 219, 347
his father's representative at Pavia, 219,
220, 341-47
predeceased his father, 219
Foppa, Giovanni Francesco, son of Vincenzo,
possibly a painter, 139 note 4
traceable between 1479 and 1489, ib.^ 219,
341. 342
predeceased his father, 219
Foppa, Paolo. See Paolo Caylina the Younger
Foppa, Vincenzo, his life : a Venetian subject
by birth, 2 note i
born at Brescia (?), 283
date of birth, 1427 (?), xii, i, 281-S3
son of a tailor, Giov. da Bagnolo, i,
282, 283
early history unknown before 1456, xii,
1-4
not a pupil of Squarcione, 4, 5 note 2, 15,
17
Foppa, Vincenzo, his earliest known work,I
Noseda Collection, Milan, 5-8
no trace of Paduan tendencies, 5
evidence of connection with the school of
Verona, ib.
first training perhaps under Pisanello or
his followers, 6, 7, 17 note 2
points of contact with Pisanello and the
early school of Verona, 8, 9, 14, 15, 86, 123,
130, 209
indirectly affected by the art of Gentile
da Fabriano, 6, 17 note 2
Jacopo Bellini probably his true master,
xii, 9, 10, 14 note i, 15, 17 and note 2, 27
note I, 63, 86, 148
points of contact with Jacopo Bellini, 12,
13, 14 note I, 15, 47, 60, 83, 85, 89, 123 note
I, 145 note I, 146, 152, 161 note 2, 199 note
I, 209
date when apprenticeship ended unknown,
18
at Brescia soon after 1450 (?),
citizen of Brescia by right of birth, 279
his marriage with the daughter of Caterina
ib.
de Bolis and Pietro Caylina, 18, 137, 186
C. 1456, removal to the Duchy of Milan,
18-20, 279
^
settles at Pavia, 20 "
1456 (April), his earliest signed and dated
work the Crucifixion, Bergamo, proof of a
fully developed artist, 9-17
first works unknown, possibly frescoes
in the Castello at Pavia and the Arengo
Palace, Milan, 24, 28
1458 (May), first documentary notice of.
at Pavia, 26-28, 289
— 1461, at Genoa, 31. 290, 291,
contracts to paint a chapel in the Cathedral,
29-30, 290
his letter of recommendation from
the Duke of Milan, 30, 290
1462 (May), at Pavia, altarpiece for the
Abbot of Morimondo, 32-34, 291
frescoes in the Chapel of the B.
Isnardo, date unknown, 35, 36
1462 (June), summoned to Milan by the
Duke, 37, 291
a house with a workshop at
Pavia for four years, 37, 292
1463 (March), summoned to Milan, 38,
292