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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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GENERAL INDEX 399<br />

Caylina, Pasquina, wife <strong>of</strong> Paolo, 219 note 2,<br />

337. 338<br />

Pietro, fa<strong>the</strong>r <strong>of</strong> <strong>the</strong> painters Paolo <strong>the</strong><br />

Elder and Bartolomeo, and fa<strong>the</strong>r <strong>of</strong> <strong>Foppa</strong>'s<br />

wife, 18, 26, 71, 137 and note 2, 138 and<br />

note 4<br />

a tailor (?) by pr<strong>of</strong>ession, 137, 283<br />

<strong>Vincenzo</strong>, (Gian) son <strong>of</strong> Paolo Caylina'<br />

<strong>the</strong> Younger and great-nephew <strong>of</strong> <strong>Foppa</strong>, 229<br />

note 3, 337, 338<br />

Cazzago, Giov., Crist<strong>of</strong>oro da, 165, 182<br />

Cella, Delia, 160 notes i and 2, 353<br />

Census. See Polizza d' Estimo<br />

Cernuschi Collection, pictures ascribed to<br />

Bergognone in, 249 note i, 388<br />

pictures ascribed to <strong>Foppa</strong> in, 203, 241<br />

and note 3, 388<br />

sale <strong>of</strong>, in 1900, 203, 241 and note 3<br />

Certosa near Pavia, 19 and note 6, 20, 60, 70,<br />

71. 138, 139 "Ote 4, 384, 389. See also<br />

S. Maria di Loreto and Rivarolo<br />

Cervetto, Luigi A., 29 note 5, 363<br />

Cesariano, Cesare, ig and note 5, 40 note 3,<br />

363. 388<br />

Chapel <strong>of</strong> <strong>the</strong> Relics, Pavia, 93-103, 107, no,<br />

III, US, 389<br />

ancona for.<br />

See Ancona<br />

ceiling paintings, designs for, 98, 99, 100,<br />

loi ; entrusted to company <strong>of</strong> P. Marchesi<br />

and Gian Pietro da Corte, 100, loi and<br />

note<br />

I<br />

estimate <strong>of</strong> cost, 100, loi<br />

position <strong>of</strong> Chapel, 93, 103<br />

Charles VIII <strong>of</strong> France, <strong>his</strong> defeat at Fornovo,<br />

190<br />

Cheramy, M., work by <strong>Foppa</strong> in collection <strong>of</strong>,<br />

132, 134 (illustr.), 268, 383. See Ecce Homo<br />

Chiari near <strong>Brescia</strong>, 116 note 2, 337, 338<br />

Chiarissimi, Angelo, 200<br />

Chizzola.<br />

See Carboni<br />

Christian, King <strong>of</strong> Denmark, at Pavia in 1474,<br />

93 note 3<br />

Ciaccio, Lisetta, 112 note 2, 257 note 2, 363<br />

Cignaroli,<br />

12 note i<br />

^ We have no clue to <strong>the</strong> later <strong>his</strong>tory <strong>of</strong> <strong>the</strong> sons <strong>of</strong><br />

Paolo Caylina, but if Gian X'incenzo was a painter, it is<br />

possible that as <strong>the</strong> son <strong>of</strong> Paolo " <strong>Foppa</strong> ''<br />

he mig-ht have<br />

been knownat <strong>Brescia</strong>as"<strong>Vincenzo</strong> <strong>Foppa</strong> <strong>the</strong> younger,"<br />

but <strong>the</strong> only information at present known relating' to<br />

him is contained in <strong>the</strong> Polizza d'listimo <strong>of</strong> 1517 (p. 338),<br />

where he is registered as "aged 3," and beyond t<strong>his</strong> we<br />

have not succeeded in tracing him.<br />

Civerchio, V., 9, 20, 26, 61, 118 and note 2,<br />

144 note 2, 255 note 7, 262 note 3<br />

called also <strong>Vincenzo</strong> da Crema, 222 note<br />

4, 281<br />

confused with <strong>Foppa</strong> and called Civerchio<br />

il Vecchio by Lomazzo and o<strong>the</strong>rs, 61 and<br />

note 3, 65 note i. See also V. Verchio<br />

existing works at <strong>Brescia</strong>, 205, 206, 248,<br />

249, 282, 379, 380, 386<br />

frescoes at <strong>Brescia</strong> between 1493 and<br />

"497. 187. 248, 282<br />

late works atLovere and elsewhere, 249, 381<br />

not to be confused with <strong>Vincenzo</strong> da<br />

Bagnolo nor with painter spoken <strong>of</strong> as<br />

<strong>Vincenzo</strong> <strong>Brescia</strong>no, 222 note 4, 282, 286<br />

—— works ascribed to him at <strong>Brescia</strong>, 205,<br />

249 note I, 380<br />

St. Clara, 122, 126, 128, 269<br />

Codagli, <strong>his</strong> <strong>his</strong>tory <strong>of</strong> Orzinuovi, 215,<br />

216 and<br />

note I, 363<br />

Codazza, Giacomo, 27<br />

Colleoni Chapel, Bergamo, 48<br />

Cologna, Avvocato, collection <strong>of</strong>, 23 note 3 ;<br />

owner <strong>of</strong> Madonna and Saints ascribed to<br />

<strong>Foppa</strong>, 241, 383<br />

Colombo, A., 39 note 2, 363<br />

Colombo, G., 284 note i, 363<br />

Colonna Gallery, 6, 7, 384<br />

Coltrino, Giov., 273 note, 386<br />

Comolli, A., 355 note i,<br />

363<br />

Confraternity <strong>of</strong> S. Barnaba, <strong>Brescia</strong>, 386.<br />

<strong>Brescia</strong>, Disciplina <strong>of</strong> S. Barnaba<br />

Confraternity <strong>of</strong> St. Bridget, Genoa, 134, 387<br />

See<br />

Confraternity <strong>of</strong> <strong>the</strong> Crucified, Gallarate, 171<br />

note I, 387<br />

Confraternity <strong>of</strong> SS. Faustino and Giovita,<br />

<strong>Brescia</strong>, 217 note 5, 235 note i, 386<br />

Confraternity <strong>of</strong> <strong>the</strong> Immaculate Conception,<br />

instituted in S. Maria delle Grazie, Bergamo,<br />

by <strong>the</strong> Bishop L. Donato, 118, 119<br />

Confraternity <strong>of</strong> St. John Baptist, Genoa, 29,<br />

78, 133<br />

Confraternity <strong>of</strong> S. M. di Castello, Savona, 179<br />

Confraternity <strong>of</strong> St. Sebastian, Genoa, 153 and<br />

note 3<br />

Consolani, Adolfo, 63 note<br />

Conte, Ambrogio del, 40 and note i<br />

Conti, Bernardino de', 253, 255 note 6<br />

Conway, Sir Martin, 265 note i, 363<br />

work by <strong>Foppa</strong> in collection <strong>of</strong>, 87-91,<br />

239, 266, 268, 379

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