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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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GENERAL INDEX 397<br />

Buttinone, Bernardino, o<strong>the</strong>r works, Milan and<br />

Parma, 'IVeviglio (in collaboration with<br />

Zenale), and elsewhere, 250, 382-84<br />

Caccia, Matteo, <strong>Foppa</strong>'s predecessor in <strong>the</strong><br />

house at <strong>Brescia</strong>, 215 note 2, 223, 225 note i<br />

Caffi, Michele, 20 note 6, 24 notes i and 3<br />

(articles by), 38 note 4, 61, 63 note i, 68,<br />

70 note 5, 71, 113, 147 notes 4 and 9, 202,<br />

203 and note i, 241, 255 note 5, 361 ; App. II,<br />

Nos. 4, 7, 10, II, 23, 26, 28<br />

Caimi, Antonio, 152 note i, 362<br />

Caimi, G., 41 note 5, 362<br />

Caironi, Agostino, restored frescoes Portinari<br />

Chapel, 62 note i, 63<br />

Calepino, A., <strong>of</strong> Bergamo (Augustinian), 362<br />

<strong>his</strong> mention <strong>of</strong> <strong>Foppa</strong> with living painters<br />

in 1502-3, 230 note 5, 280<br />

praise <strong>of</strong> him, 234 note<br />

speaks <strong>of</strong> him as a <strong>Brescia</strong>n, 280<br />

Calfurnio, Giov. , <strong>of</strong> <strong>Brescia</strong>, poem on Beato<br />

Simonino, ii5 note 2, 362<br />

Caliari, Paolo, engraver, early XIX c, 11<br />

Calini, noble familj' <strong>of</strong> <strong>Brescia</strong>, 26<br />

Calino, Paulus de'.<br />

See Caylina<br />

Calogieri, A., 116 note 2, 362<br />

Calvi, D., 119 note i, 260 note 4, 362<br />

Calvi, Nobile Gerolamo, Albuzzio's MS. in<br />

<strong>his</strong> possession at Milan, 147 note i, 228 note<br />

1. 355<br />

Calvi, Girolamo Luigi,<br />

Milanese writer on art,<br />

21 note 2, 23 note i, 33 note 2, 41 and note<br />

2, 69 note I, 75 note 3, 196 note 3, 249 note<br />

2, 250 note 4, 362 ; App. II, No 48<br />

Cambiaso, Luca, said to have owned book <strong>of</strong><br />

drawings by Bramante, 244 ; wrongly stated<br />

to have been drawings by <strong>Foppa</strong>, 244 note i<br />

Campagnola, Girolamo, <strong>his</strong> letter relating to<br />

<strong>Lombard</strong> artists, 4 and notes 1 and 4, 281<br />

note I, <strong>his</strong> praise <strong>of</strong> <strong>Brescia</strong>, 184<br />

Campagnola, Giulio, son <strong>of</strong> Girolamo, 4 note<br />

4<br />

Campanari family and Chapel <strong>of</strong> St.<br />

John <strong>the</strong><br />

Baptist, Genoa, 29 note 5<br />

Campori, G. , <strong>his</strong> suggestions relating to Bartolomeo<br />

da <strong>Foppa</strong> and <strong>Vincenzo</strong> <strong>Foppa</strong>,<br />

278, 362 ; erroneous deductions <strong>of</strong> later<br />

writers, 278<br />

Campo Santo, Pisa, 76, 77<br />

Candida, Giov., medallist, <strong>his</strong> portrait <strong>of</strong><br />

Giuliano della Rovere, 176, 381<br />

Canetta, P., <strong>his</strong> writings, 39 note 5, 40 note 1,41<br />

note 3, 95 note i, 362<br />

Canone Enfiteutico. See " Livello"<br />

Canonica, Agostino della, <strong>his</strong> transactions with<br />

<strong>Foppa</strong>, 136, 171, 172<br />

Canonica, Bertolino della, painter and carver<br />

<strong>of</strong> Pavia working at Genoa, 38, no note 1,<br />

'54<br />

empowers <strong>his</strong> bro<strong>the</strong>r Agostino to remove<br />

certain goods from <strong>the</strong> custody <strong>of</strong><br />

<strong>Foppa</strong> at Pavia, 171, 172<br />

head <strong>of</strong> Painters' Guild, Genoa, 1481, 162<br />

and note i<br />

<strong>his</strong> relations with <strong>Foppa</strong>, 71, 133 note i,<br />

139. 161, 172<br />

possible collaborator in<br />

carvings <strong>of</strong> altarpiece,<br />

Savona, 180<br />

—-— prosecutes <strong>Foppa</strong>, 162, 163<br />

surety for <strong>Foppa</strong> at Genoa, 136, 153<br />

work in <strong>the</strong> Certosa, near Pavia, 71,<br />

139<br />

workshop at Genoa shared by <strong>Foppa</strong>,<br />

133 note I, 154, i6i<br />

not identical with B. Caylina.<br />

See Caylina<br />

Cantoni, Signor, Milanese picture dealer, 8<br />

Capilupi, A., 185 note 2, 222 note i<br />

<strong>his</strong>tory<strong>of</strong> quarter<strong>of</strong> S. Alessandro, <strong>Brescia</strong>,<br />

by, 183 note i, 225 note<br />

——<br />

3<br />

views on position <strong>of</strong> certain houses at<br />

<strong>Brescia</strong>, 226 note<br />

Capriolo, Elia, 2, 19, 115 note 2, 164 note 2,<br />

183, 184, 190 note 2, 362<br />

<strong>his</strong> <strong>his</strong>tory <strong>of</strong> <strong>Brescia</strong>, date <strong>of</strong> first<br />

edition, 190 note 2, 230 note 3<br />

<strong>his</strong> praise <strong>of</strong> <strong>Foppa</strong>, 190 note 2, 234 note<br />

on painting <strong>of</strong> B. Simonino at <strong>Brescia</strong>, 1<br />

14<br />

speaks <strong>of</strong> <strong>Foppa</strong> as a <strong>Brescia</strong>n, 280<br />

Capriolo, <strong>Vincenzo</strong>, painter at <strong>Brescia</strong>, XVI c,<br />

287<br />

Caracci, <strong>the</strong>, <strong>of</strong> Pavia, 138<br />

Caravaggio. See S. Maria di<br />

Caravati, Signor Agostino, 51 and note i,<br />

54<br />

and note 2<br />

Carboni, G. B., 116, 236, 362<br />

on painter whom he calls Paolo Zotto or<br />

Zoppo, 204 and note 2<br />

Carmine, Pavia, cross <strong>of</strong> <strong>the</strong>, by <strong>Foppa</strong>, Caylina,<br />

and C. Rocchi(?), 170 and note 1,171 note i,<br />

179 note 2, 388

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