01.12.2014 Views

Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

GENERAL INDEX 393<br />

Averoldi, Giulio Antonio, So, 360<br />

first to ascribe painting- <strong>of</strong> Beato Simonino<br />

to <strong>Foppa</strong>, 1 16<br />

Averlino.<br />

Sfc Filarete<br />

B<br />

Badile, Giovanni, painter <strong>of</strong> Verona, 15, 385<br />

Bagnadore, Pietro Maria, painter and architect,<br />

216 note I, 236, 237, 386<br />

Bagnolo, Commune <strong>of</strong>, creditors <strong>of</strong> <strong>Foppa</strong> or<br />

Paolo Caylina, 232, 2S3, 337<br />

place <strong>of</strong> origin <strong>of</strong> <strong>the</strong> <strong>Foppa</strong> family, i,<br />

282, 283. See also Giovanni and <strong>Vincenzo</strong> da<br />

Bagnolo<br />

Baldassare, painter in Castelio, Milan, 75<br />

Balducci, Giov.<br />

, 57<br />

Ballini, Andrea, 236<br />

Banners, painted by <strong>Foppa</strong> and <strong>his</strong> <strong>school</strong>,<br />

213-16, 217 and note 5<br />

Barbagelata, Giov., painter at Genoa, 133, 134,<br />

277 note I<br />

<strong>his</strong> altarpiece at Candiasco, 258, 380<br />

ordered to take <strong>Foppa</strong> as <strong>his</strong> model, 134,<br />

135. 251<br />

work for L. Fornari, Bishop <strong>of</strong> Mariana<br />

in Corsica,<br />

160 note i<br />

Barbauschi, Giov. Antonio, 169<br />

Barbi, Barnaba, 53<br />

" Bards," painters <strong>of</strong>, 68 and note 4<br />

S. Barnaba. See <strong>Brescia</strong><br />

St. Barnabas, 203, 276<br />

St. Bartholomew, 134, 154, 156, 157, 158 and<br />

note I, 271, 275<br />

Bartoli, Francesco, 35 and note 1, 195, 360<br />

Bartolomeo da Bergamo, painter at <strong>Brescia</strong>, 3<br />

note I<br />

Bartolomeo <strong>Brescia</strong>no. See Caylina<br />

Bartolomeo Brexano, 68 and note 6 ; is he<br />

identical with B. Caylina ?<br />

Bartolomeo de Brisia, 71 note 4, no note i.<br />

Sec Caylina<br />

Bartolomeo Prato or da Prato <strong>of</strong> <strong>Brescia</strong>,<br />

painter <strong>of</strong> " bards," 68 and notes<br />

doubtful if he was a fresco painter, ib.<br />

not identical with B. Caylina, 138<br />

Bartsch, A., 49 note i, 360<br />

Battilana, N., 134 note 2, 135 note 4, 360<br />

Battistella, A., 2 note i, 360<br />

Beccaria, Count Augusto, 108<br />

benefactions to Pa via, ib.<br />

Beccaria, inscriptions in S. Giacomo in praise<br />

<strong>of</strong>, 108 note 3, log and note<br />

portraits <strong>of</strong>, mentioned by L. Boni, 108<br />

note 4, 109<br />

Beccaria, Girolamo, <strong>his</strong> loan to <strong>Foppa</strong> for<br />

<strong>the</strong> purchase <strong>of</strong> a house, 140, 141<br />

Beccaria, Zaccarina Lonati, wife <strong>of</strong> Count<br />

Augusto, 108<br />

commissioned frescoes for Church <strong>of</strong> S.<br />

Giacomo, Pavia, from <strong>Foppa</strong> and <strong>his</strong> company,<br />

102, 107, 113 note 2<br />

formal protest against conduct <strong>of</strong> painters,<br />

109, no and note I, in<br />

in<br />

petition to Duke <strong>of</strong> Milan,<br />

work for, in S. Giacomo completed and<br />

paid for by, in, 112<br />

Beckerath, Herr v., 47<br />

Belgioioso near Cereda.<br />

See S. Giacomo<br />

Belgrano, L., 298; App. II, No. 19, 360<br />

Bellini, Gentile, 9, 17, 152, 384<br />

Bellini, Giovanni, 9, 16, 17, 83, 89, 204, 205,<br />

261 note, 381<br />

Bellini, Jacopo, 9-17, 28 and note i, 37 note,<br />

47 and notes 5 and 7, 50, 63, 83, 89 and<br />

note, 130 note i, 145 note, 146, 152, 161<br />

note, 199 note, 209<br />

Annunciation, <strong>Brescia</strong>, probably by,<br />

wrongly ascribed to Fra Angelico, 28 note i,<br />

362 and note i, 379<br />

competition with Pisanello,<br />

10 and notes<br />

3 and 4<br />

fresco in <strong>the</strong> Ca<strong>the</strong>dral, Verona (destroyed<br />

1759), 9, n and notes 2 and 3, 12<br />

note, 13, 390; late picture formerly Albarelli<br />

and Albrizzi collections, perhaps an altered<br />

copy <strong>of</strong> t<strong>his</strong> composition, 10 (illustr.), 11, 12<br />

and note i, 390<br />

influence on <strong>Foppa</strong>, probably <strong>his</strong> master,<br />

xii, 9-17, 27 note i, 28, 47, 63, S3, 85, 86,<br />

89 note, 123 note i, 148, 149, 209<br />

sketch-books, London and Paris, 381, 383<br />

works, 10 and note, n and note 2, 12 and<br />

note I, 379, 381<br />

— workshop at Venice, 9, 10, 17<br />

Belriguardo, Chapel <strong>of</strong>, 6 note i<br />

Beltrami, Senatore Luca, 43 note 2, 58, 67<br />

note I, 72 notes 2 and 4, 75 notes 2 and 4,<br />

76 notes, 80 and notes, 81 note, 92 note i,<br />

93 note I, 94 notes, 95 note 3, 96 note 2,<br />

150 note 3, 156, 165, 166, 196 note 3, 247<br />

note 2, 278 note 7, 360; App. II, Nos. 10, 46

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!