Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

More documents

Recommendations

Info

3o6 VINCENZO FOPPA 25. Foppa deposits twenty-five gold ducats with Giovanni Antonio de Martis of Varese, who promises to repay the same within six years from the coming Michaelmas. August 6, 1474, Pavia. In domo . . . mei notarii ... in Parochia Sancte Marie in Pertica. . . . Johannes Antonius de Martis de Varixio, filius quondam domini Pauli, civis Papie . . . confitetur versus magistrum Vincentium de Foppa, pictorem, filium quondam Johannis ibi presentem . . . se ipsum Johannem Antonium ab eo magistro Vincencio . . . recepisse ducatos viginti quinque auri largos, . . . et hoc in deposito, custodia at guardia . . . Quas quidem pecunias dictus Johannes Antonius . . . restituere . . . promittit et convenit suprascripto magistro Vincentio . . . infra sex annos proxime futures et incepturos in festo Sancti Michaelis proxime future, etc. Et inde, etc. Presentibus egregio (arcium et) medicine doctore domino magistro Matheo de . . . filio quondam Johannis, Vincentio de Subinago filio magistri Filipini et Aluisio de Rambosiis filio quondam domini Donati, inde testibus. Arch. Not. Pavia, Atti di Agostino Gravanago. Chap. VI, p. 140, note 2. 26. Letter of the Duke to Foppa commanding him to come to Pavia. May 22, 1475, Pavia. Dux Mediolani, etc. Magistro Vincentio de Fopa depinctori. Volendote nuy adoperare in alcune depincture, che volimo far fare, vogli, ricevuta questa, montare ad cavallo et venire qui da nuy, mossa ogni rasone. Papie, die 22 Maii, 1475. Arch, di State Mil., Miss. Due, No. 123, 1475-76, f. 33. Caffi in Arch. Sfor. Lomb., 1878, p. 105. Chaps. IV, p. loi, and v, p. 114. The Duke of Milan, etc., to Master Vincentio de Fopa the painter. It being our wish to employ you in certain paintings which we desire to have executed, we command you on receipt of this to mount your horse and come hither to us, putting aside all other engagements. Pavia, May 22, 1475. 27. Protest of Dame Zaccarina Lonati Beccaria against the behaviour of Vincenzo Foppa and the painters of his company, who had failed to execute the frescoes commissioned by her in the Church of S. Giacomo near Pavia within the time specified in their contract. August 5, 1476, Pavia. In nomine Domini, amen. Anno nativitatis eiusdem millesimo quadringentesimo septuagesimo sexto, indictione nona, die quinto mensis augusti, hora none, in civitate Papie, videlicet in domo habitacionis infrascripte domine Zacharine, Porte Pallacensis, Parochie Sancti Quirici, Ibique, etc. Cum hoc sit quod magnifica domina Zacharina, relicta quondam magnifici militis domini Augustini de Becharia, dederit magistris
APPENDIX II, A 307 Bonifacio de Bembis, Vincencio, Constantino de Vaprio, Jacobino de Vicemala et Zaneto de Bugatis, omnibus depinctoribus, et ipsi magistri depinctores acceperint ab ipsa domina Zacharina, ad depingendum in ecclesia Sancti Jacobi extra et prope Papiam, Passionem Domini nostri Jhesu Christi, ab Annuntiatione usque ad Mortem inclusive, per et ad terminum ac juxta et prout continetur in lista pactorum ac convencionum factorum inter ipsas partes, et subscripta manu propria suprascriptorum magistrorum depinctorum, in qua promisserunt et se obligaverunt in solidum : Et quod suprascripti magistri Bonifacius, Vincencius, Jacobinus et Zanetus inceperunt dictum opus et prosequuntur, dictusque magister Constantinus ipsum opus non videtur facere nee attentare, seu dare operam faciendi et seu perficiendi juxta capitula pactorum et convencionum predictorum : Quodque etiam per dictum magistrum Constantinum et nee magistrum Bertolameum depinctorem, eius nomine, nee etiam per suprascriptos alios magistros, opus suprascriptum non fuit perfectum et finitum ad terminum prefixum . , . et juxta principia ipsi operi, per ipsos magistros seu aliquos ex eis, pro parte facta seu inchoata, prout tenebantur . . . Modo autem prefata domina Zacharina protestatur contra ipsos et quemlibet ipsorum in solidum . . . de omni mora et negligentia hinc retro et usque in presencia commissis . . . volens ipsa domina Zacharina videre qualis sit ipsorum magistrorum voluntas et citra animum ipsos liberandi a promissionibus et pactis factis inter ipsas partes . . . volens sibi attend! et observari promissa per ipsos magistros, juxta juris et dictorum pactorum formam, petiit et requisivit suprascriptis magistris Bonifacio, Vincencio, et Jacobino, suis et nomine suprascripti magistri Constantini licet absentis et aliorum sociorum^ suorum et in solidum obligatis ut supra, ibi presentibus, audientibus et intelligentibus, ac petit et requirit ut ipsi magistri in solidum vellintopus per ipsos inceptum, per ipsos magistros et seu saltern de eisdem manibus cum quibus illud inceptum fuit, finiri et perfici facere ad terminum ac juxta listam pactorum et convencionum predictorum, et seu saltern infra tale congruum tempus, infra quod verisimiliter deinceps finiri poterit per tot magistros. Alioquin ipsa domina Zacharina protestata fuit et protestatur contra ipsos magistros Bonifacium, Vincencium et Jacobinum, ibidem presentes, audientes et intelligentes et in solidum obligates ut supra, de inobservancia dictorum pactorum et convencionum et de omnibus suis damnis, interesse et expensis passis et factis ac fiendis et paciendis predicta occasione, et quod dictum opus perfici et finiri faciet juxta ipsius voluntatem, in aliquo non attentis pactis et convencionibus predictis, attento quod non implenti non est implendum. Cuius quidem requisicionis et protestacionis copia in scriptis dimissa fuit suprascriptis magistris Bonifacio, Vincencio et Jacobino ibidem presentibus et predictis non consencientibus, quatenus sint et faciant in eorum preiudicium et in aliis pro se facientibus acceptantibus et non aliter nee alio modo, et offerentibus sese paratos facere quicquid tenentur et debent de jure et secundum formam dictorum pactorum et convencionum, protestantes quod per sese non stetit, nee stat nee stabit quominus faciant et adimpleant ea ad que tenentur per formam juris et dictorum pactorum et convencionum. Et inde, &c. Presentibus Bertolameo de Brisia filio quondam magistri Petri - depinctore, Petro de Crivelis filio quondam domini Stefani et Francischino de Duglolis filio Petri dicti Gavardi, inde testibus. Arch. Not. Pavia, Atti di Giov. Pietro Imodelli. Chap. IV, p. log. * Costantino was at Milan and Zanetto was dead. - This painter is without doubt identical with Bartolomeo Caylina.
Page 2 and 3:
lA^ iti^n mf ^^°" > ^ )i I? '=' ^
Page 8 and 9:
THIS EDITION
Page 12 and 13:
^'^((Xti^£
Page 14 and 15:
V\-M. BRENDON AND SON, LTD., PRINTE
Page 17:
ERRATA Page 25, line 16 from above,
Page 20 and 21:
X PREFACE views regarding a lost fr
Page 22 and 23:
xii INTRODUCTION The year of Foppa'
Page 24 and 25:
xiv INTRODUCTION remains to be give
Page 26 and 27:
: : xvi BIBLIOGRAPHY: CONTENTS PAGE
Page 28 and 29:
xviii PHOTOGRAVURES 13. The Martyrd
Page 30 and 31:
XX BLACK AND WHITE ILLUSTRATIONS PA
Page 32 and 33:
: xxii BLACK AND WHITE ILLUSTRATION
Page 35 and 36:
VINCENZO FOPPA OF BRESCIA, FOUNDER
Page 37 and 38:
— Chap. I. PAINTERS AT BRESCIA EA
Page 39 and 40:
Chap. I. EARLIEST KNOWN WORK 5 The
Page 41 and 42:
Chap. I. CONNECTION WITH THE SCHOOL
Page 43:
THE MADONNA it C'.HIl.l) WITH iVNGE
Page 46 and 47:
lo VINCENZO FOPPA were taught, and
Page 49 and 50:
: Chap. I. JACOPO BELLINI'S FRESCO
Page 51:
!»T^' o •J. o "H" 9 I ^ =3 y a -
Page 54 and 55:
14 VINCENZO FOPPA phases of emotion
Page 57 and 58:
Chap. I. THE CRUCIFIXION AT BERGAMO
Page 59 and 60:
CRUCIFIXION AT BERGAMO 17 "M" ; the
Page 61 and 62:
Chap. I. REMOVAL TO PAVIA c. 1456 1
Page 63 and 64:
Chap. I. PAINTERS AT PAVIA IN 1456
Page 65 and 66:
Chap. I. PAINTERS AT MILAN 23 at th
Page 67 and 68:
Chap. I. FRESCOES OF THE ARENGO PAL
Page 69 and 70:
: Chap. I. FIRST DOCUMENTARY NOTICE
Page 71 and 72:
; Chap. I. AT GENOA, 1 46 29 Viscon
Page 73 and 74:
Chap. I. WORK IN A CHAPEL AT GENOA
Page 75 and 76:
Chap. II. ALTARPIECE FOR ABBOT OF M
Page 77 and 78:
Chap. II. FRESCOES IN S. TOMMASO 35
Page 79 and 80:
Chap. II. SUMMONED TO MILAN BY THE
Page 81 and 82:
Chap. II. FRESCOES IN THE HOSPITAL,
Page 83 and 84:
'•> Caimi, ; Chap. II. CANVASES O
Page 85 and 86:
Chap. II. THE MEDICI BANK 43 latter
Page 87 and 88:
Chap. II. THE MEDICI BANK 45 This p
Page 89 and 90:
Cap. II. JUSTICE OF TRAJAN, DRAWING
Page 91:
o o H D
Page 94 and 95:
- — 50 VINCENZO FOPPA connection
Page 97 and 98:
Chap. II. FRESCO AT HERTFORD HOUSE
Page 99:
— « o ^1g S z o u
Page 102 and 103:
54 VINCENZO FOPPA It is almost impo
Page 105 and 106:
Chap. II. FRESCO AT HERTFORD HOUSE
Page 107 and 108:
— CHAPTER III C. 1465—C. 1473 A
Page 109:
Photo. THE TOMB OF ST. TETER MARTYR
Page 112 and 113:
6o VINCENZO FOPPA Pazzi Chapel. The
Page 115 and 116:
Chap. III. THE PORTINARI CHAPEL 6i
Page 117:
A Ml) ROSE ST. A MIRACLE OE ST. PET
Page 121 and 122:
Chap. III. THE PORTINARI CHAPEL 63
Page 123:
Photo, THE ['RKACIIIXG OF ST. PETER
Page 127:
Photo. THE DEATH ()E ST. PETEK ^t.\
Page 130 and 131:
66 VINCENZO FOPPA may only have exe
Page 133 and 134:
; Chap. III. THE PORTINARI CHAPEL 6
Page 137 and 138:
— Chap. III. THE PORTINARI CHAPEL
Page 139 and 140:
Chap. III. FOPPA'S BROTHER-IN-LAW 7
Page 141 and 142:
Chap. III. FOPPA'S LETTER TO PIGELL
Page 143 and 144:
Chap. III. THE CASTLES OF PAVIA AND
Page 145 and 146:
Chap. III. FOPPA TAKES A HOUSE AT P
Page 147 and 148:
Chap. III. FOPPA'S ALTARPIECE AT BR
Page 149:
Phot TIIK MADONNA AND CHILD MILAN:
Page 152 and 153:
82 VINCENZO FOPPA istic example, an
Page 155 and 156:
Chap. III. MADONNA IN THE CASTELLO
Page 157:
itoio. THK MADONNA AND CHILD MILAN:
Page 161 and 162:
Chap. III. MADONNA, TRIVULZIO COLLE
Page 163:
JOHNSON THE MAIWNNA & CHILD PHILADE
Page 166 and 167:
88 VINCENZO FOPPA version. The earl
Page 169 and 170:
; Chap. III. MADONNA, DAVIS COLL.,
Page 171:
THE DEAD CHRIST IN THE TOMB AUDLING
Page 174 and 175:
— CHAPTER IV 1473— c. 1477 Pain
Page 176 and 177:
94 VINCENZO FOPPA ber 20, 1473/ Gad
Page 178 and 179:
96 VINCENZO FOPPA evening of Novemb
Page 180 and 181:
98 VINCENZO FOPPA height of each of
Page 182 and 183:
loo VINCENZO FOPPA he does not spec
Page 184 and 185:
I02 VINCENZO FOPPA of certain paint
Page 186 and 187:
I04 VINCENZO FOPPA formerly kept .
Page 188 and 189:
io6 VINCENZO FOPPA were being prepa
Page 190 and 191:
io8 VINCENZO FOPPA a branch of his
Page 192 and 193:
no VINCENZO FOPPA of the Relics, un
Page 194 and 195:
112 VINCENZO FOPPA Bonifazio Bembo
Page 196 and 197:
CHAPTER V Paintings c. 1470- 1480 T
Page 199:
J J ClilLING FRESCO, DETAIL (Asaihe
Page 202 and 203:
ii6 VINCENZO FOPPA addressed to all
Page 205 and 206:
Chap. V. CEILING OF THE AVEROLDI CH
Page 207:
THE MADONNA & CHILD WITH ANGELS. MI
Page 210 and 211:
I20 VINCENZO FOPPA Foppa's altarpie
Page 213:
ST. \IXCF.XT ST. ANTIIdW ok PADUA M
Page 216 and 217:
— 122 VINCENZO FOPPA even to the
Page 219:
^M^\>nlMv/s. Photo. ST. LOUIS OF TO
Page 222 and 223:
124 VINCENZO FOPPA outline in the d
Page 225 and 226:
Chap. V. BRERA ALTARPIECE 125 of hi
Page 227:
z Q I w X H a. g
Page 230 and 231:
128 VINCENZO FOPPA these saints are
Page 233 and 234:
; Chap. V. ST. JEROME, BERGAMO GALL
Page 237:
BERGAMO ST. JliROME flAI.LKRY (LOCH
Page 240 and 241:
132 VINCENZO FOPPA this panel is un
Page 243 and 244:
— CHAPTER VI c. 1478-1489 Foppa's
Page 245:
THE ECCE HOMO IRAKIS CHKKAMY COLLEC
Page 248 and 249:
136 VINCENZO FOPPA Barbagelata. We
Page 250 and 251:
138 VINCENZO FOPPA Brescia are refe
Page 252 and 253:
I40 VINCENZO FOPPA since he left th
Page 254 and 255:
142 VINCENZO FOPPA of the Church in
Page 257 and 258:
; Chap. VI. ST. SEBASTIAN, BRERA 14
Page 259:
THE MARTYRDOM OF S'' SEBASTIAN fI'r
Page 262 and 263:
— 146 VINCENZO FOPPA recognized B
Page 265 and 266:
'•" The Chap. VI. ST. SEBASTIAN,
Page 267:
Photo. THE MARTYRDOM OF ST. SEBASTI
Page 270 and 271:
I50 VINCENZO FOPPA impossible, thou
Page 273 and 274:
Chap. VI. FRESCOES FOR S. MARIA DEL
Page 275:
ST. JOHN liAl'TIST (Fresco traiisfe
Page 278 and 279:
— 154 VINCENZO FOPPA was to be he
Page 281 and 282:
Chap. VI. ALTARPIECE FOR DORIA CHAP
Page 283:
Pftoto. MILAN: Ermini, Milan A BISH
Page 287 and 288:
Chap. VI. FRAGMENTS OF ALTARPIECES
Page 289:
PliOla. GREGURV ST. BASLE: SARASIN-
Page 293 and 294:
CHAPTER VII I 489- I 490 Foppa in L
Page 295:
Pholo. Xoiti /,- /\iiîiit/ni THE M
Page 298 and 299:
i62 VINCENZO FOPPA the two works fo
Page 301 and 302:
Chap. VII. AN UNFINISHED ALTARPIECE
Page 303:
'to. itncili, /ic'^âmo THE LOGGETT
Page 307 and 308:
Chap. VII. FOPPA'S CONTRACT WITH GR
Page 311 and 312:
Chap. VII. FRESCOES BY GIOV. PIETRO
Page 313 and 314:
Chap. VII. FOPPA ORDERED TO RETURN
Page 315 and 316:
Chap. VII. DISPUTE WITH BARTOLOMEO
Page 317:
J'hotfl, Noaik-Paganini ALTAKl'IIXl
Page 320 and 321:
174 VINCENZO FOPPA so much in many
Page 323 and 324:
Chap. VII. ALTARPIECE, SAVONA 175 o
Page 325:
OKATORY I'URTRAIT UF CARDINAL GIL'L
Page 328 and 329:
— 1 78 VINCENZO FOPPA beneath the
Page 331:
si O - o J) o > 1! o -• s ^ 3 =1
Page 334:
i8o VINCENZO FOPPA Ratti in 1780 sa
Page 339 and 340:
Chap. VII. ALTARPIECE, SAVONA i8i m
Page 341 and 342:
Chap. VIII. OFFICIAL PAINTER TO BRE
Page 343 and 344:
Chap. VIII. APPLIES FOR LEAVE TO RE
Page 345 and 346:
Chap. VIII. FOPPA PAYS HIS "LIVELLO
Page 347 and 348:
Chap. VIII. APPOINTMENT AT BRESCIA
Page 349:
^^^s?i-'s.^t-f^WPP^^ Y 1% JiîMue x
Page 352 and 353:
192 VINCENZO FOPPA allotted to them
Page 354 and 355:
194 VINCENZO FOPPA io6 lire, referr
Page 356 and 357:
196 VINCENZO FOPPA tell, but we kno
Page 359 and 360:
Cap. VIII. THE PIETA, BERLIN 197 pa
Page 361 and 362:
Chap. VIII. ROSSI CHAPEL, S. PIETRO
Page 363 and 364:
Chap. VIII. THE ALTARPIECE OF THE R
Page 365 and 366:
Chap. VIII. PI ETA, CERNUSCHI COLLE
Page 367:
THE DEAD CHRIST IN THE TOM15, SUPPO
Page 370 and 371:
2o6 VINCENZO FOPPA The central grou
Page 373 and 374:
Chap. VIII. ADORATION OF THE MAGI,
Page 375 and 376:
Chap. VIII. ADORATION OF THE MAGI,
Page 377 and 378:
Chap. VIII. ALTARPIECE, VERSAILLES
Page 379:
iwio. THE .MAIJONNA AMJ CHILI), ST.
Page 382 and 383:
214 VINCENZO FOPPA formerly been de
Page 385 and 386:
Chap. VIII. PROCESSIONAL BANNER, OR
Page 387:
I'hoUi. Ca/'itaniii, Brescia vSS. S
Page 390 and 391:
— CHAPTER IX 1499 TO c. 1515-1516
Page 392 and 393:
220 VINCENZO FOPPA master. We have
Page 394 and 395:
222 VINCENZO FOPPA 1 501.' This boo
Page 397 and 398:
Chap. IX. FOPPA'S PAYMENTS FOR HIS
Page 399:
i£Bg&ifiatsm Till!: SITH Ol-' I'Ol
Page 402 and 403:
226 VINCENZO FOPPA The list of Fopp
Page 405 and 406:
Chap. IX. FOPPA'S ACCOUNTS 227 The
Page 407 and 408:
Chap. IX. FOPPA'S DEATH AND BURIAL
Page 409 and 410:
Chap. IX. POT.IZZA D'ESTIMO OF PAOL
Page 411:
,. I,' ..U-l [ ,. I ' ' > ( t C"8~~
Page 414 and 415:
234 VINCENZO FOPPA for the relative
Page 417 and 418:
Chap. IX. SCHOOL PICTURES : CAMERA
Page 419:
WSiW^ rhoto. TIU; MADONNA AM) CHILD
Page 422 and 423:
238 VINCENZO FOPPA hand, the type o
Page 425:
J ^ < ^
Page 429 and 430:
Chap. IX. SCHOOL PICTURES: MILAN AN
Page 433 and 434:
— Chap. IX. SCHOOL PICTURES: MILA
Page 435:
I Jîa^&Jtl^Jm'] M 4 THE ENTOMBMKNT
Page 438 and 439:
244 VINCENZO FOPPA again on p. 320
Page 440 and 441:
246 VINCENZO FOPPA course unchecked
Page 442 and 443:
248 VINCENZO FOPPA which, in spite
Page 445 and 446:
Chap. X. CIVERCIIIO, BUTTINONE, ZEN
Page 447:
ST. AMBROSE (By a folloxver of J'op
Page 451:
ST. AiNTilUNY (.)¥ I'ADUA {By a fo
Page 454 and 455:
252 VINCENZO FOPPA other works by t
Page 457:
J'hoio. Bci traiui, Pijon THE MADON
Page 460 and 461:
254 VINCENZO FOPPA beggar, from the
Page 463 and 464: Chap. X. LOMBARDO-MILANESE PICTURES
Page 465 and 466: Chap. X. INFLUENCE ON PIEDMONTESE P
Page 467 and 468: — Chap. X. INFLUENCE IN LIGURIA;
Page 469 and 470: Chap. X. PAOLO ZOPPO & " V. FOPPA T
Page 471 and 472: ; Chap. X. FERRAMOLA AND PAOLO CAYL
Page 473 and 474: Chap. X. CONCLUSION 265 heritage wh
Page 475 and 476: 1 CHRONOLOGICAL LIST OF WORKS 267 A
Page 477 and 478: CATALOGUE OF WORKS 269 ITALY Arcore
Page 479 and 480: CATALOGUE OF WORKS 271 Savona : Gal
Page 481 and 482: LOST OR MISSING WORKS KNOWN TO HAVE
Page 483 and 484: LOST OR MISSING WORKS 275 Between 1
Page 485 and 486: APPENDIXES APPENDIX I Note i.— Vi
Page 487 and 488: APPENDIX I 279 On the other hand th
Page 489 and 490: APPENDIX I 281 history; Brescia was
Page 491 and 492: APPENDIX I 283 was born at Brescia
Page 493 and 494: — APPENDIX I 285 name " De Fopa"
Page 495 and 496: APPENDIX I 287 mentioned in the Cus
Page 497 and 498: APPENDIX II, A Documents relating t
Page 499 and 500: APPENDIX II, A 291 non ambigimus, t
Page 501 and 502: APPENDIX II, A 293 To Vinccnzo of B
Page 503 and 504: APPENDIX II, A 295 fuisse servanda.
Page 505 and 506: 16. Foppa appears as a witness. APP
Page 507 and 508: APPENDIX II, A 299 deliberatione ch
Page 509 and 510: APPENDIX II, A 301 My Illustrious a
Page 511 and 512: APPENDIX II, A 303 Sancti Inventii,
Page 513: APPENDIX II, A 305 aminuire qualche
Page 517 and 518: Pavia. APPENDIX II, A 309 29. Lette
Page 519 and 520: APPENDIX II. A 311 et suprascriptum
Page 521 and 522: : APPENDIX II, A 313 in civitate Pa
Page 523 and 524: APPENDIX II, A 315 denaiiis numerat
Page 525 and 526: APPENDIX II, A 317 39. Dated Fresco
Page 527 and 528: APPENDIX II, A 319 in Palacio Comun
Page 529 and 530: APPENDIX II, A 321 si trovera male
Page 531 and 532: APPENDIX II, A 323 dictum magistrum
Page 533 and 534: APPENDIX II, A 325 55. The General
Page 535 and 536: APPENDIX II, A 327 per dominum Rain
Page 537 and 538: : APPENDIX II, A 329 67. A receipt
Page 539 and 540: APPENDIX II, A 331 dominum Francisc
Page 541 and 542: APPENDIX II, A 333 Item per lo anno
Page 543 and 544: APPENDIX II, A 6. It. numerati a mi
Page 545 and 546: APPENDIX II, A 337 76. Foppa's acco
Page 547 and 548: APPENDIX II, A 339 (Part II.) Debts
Page 549 and 550: 83. Foppa's garden sold by his heir
Page 551 and 552: . APPENDIX II, B 343 affirm that th
Page 553 and 554: APPENDIX II, B 345 same place and i
Page 555 and 556: APPENDIX II, B 347 14. Evangelista
Page 557 and 558: MANUSCRIPTS REFERRED TO IN THE TEXT
Page 565 and 566:
MANUSCRIPTS REFERRED TO IN THE TEXT
Page 567 and 568:
BOOKS AND PERIODICALS REFERRED TO I
Page 569 and 570:
BOOKS ETC. REFERRED TO IN THE TEXT
Page 571 and 572:
Page 573 and 574:
Page 575 and 576:
Page 577 and 578:
Page 579 and 580:
Page 581 and 582:
Page 583:
POSTSCRIPT While the last proofs of
Page 587 and 588:
: : : INDEX OF PLACES, I Where exis
Page 589 and 590:
— : : : Frankfurt a/M con. Staede
Page 591 and 592:
: : : : : : : INDEX OF PLACES, I 38
Page 593 and 594:
: INDEX OF PLACES, I 385 Venice. Ac
Page 595 and 596:
: 1: Foppa, 153, 154 : : INDEX OF P
Page 597 and 598:
: ' : : : (see : INDEX OF PLACES, I
Page 599 and 600:
GENERAL INDEX Abate, A., 353, 359 A
Page 601 and 602:
GENERAL INDEX 393 Averoldi, Giulio
Page 603 and 604:
GENERAL INDEX 395 Bossi, Girolamo,
Page 605 and 606:
GENERAL INDEX 397 Buttinone, Bernar
Page 607 and 608:
GENERAL INDEX 399 Caylina, Pasquina
Page 609 and 610:
GENERAL INDEX 401 Doria, Stefano, p
Page 611 and 612:
GENERAL INDEX 403 Foppa, Vincenzo,
Page 613 and 614:
—— — — — — GENERAL INDE
Page 615 and 616:
GENERAL INDEX 407 Frizzoni, Dr. G.,
Page 617 and 618:
GENERAL INDEX 409 S. Invenzio, Hosp
Page 619 and 620:
GENERAL INDEX 411 Mangano, Torre de
Page 621 and 622:
GENERAL INDEX 413 Moiraghi, Don Pie
Page 623 and 624:
• Statutes GENERAL INDEX 4T5 Pavi
Page 625 and 626:
, GENERAL INDEX 417 Sartori, Pia (a
Page 627 and 628:
GENERAL INDEX 419 S. Tommaso, Pavia
Page 629:
GENERAL INDEX 421 Zenoni da Vaprio,
Page 632:
: : : "A MONUMENTAL WORK" HUBERT &
Page 637:
I J IBHAICic./^ ^x^.u,..v.^wy^- ,
show all

Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?