Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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288 VINCENZO FOPPA glazes. This leaf gilding may underlie the whole of the three kings' robes and the borders of the draperies, as it certainly does the white robe where the horizontal lines of the pattern are made by scratching down to it through the paint with a pointed instrument. At the present time, however, the rich brocade pattern on the tawny robe is ground gold paint put on with a brush. This may be seen near the leaf-gilt collar as some strokes overlap it, and all over this drapery there seem to be indications of gold lines underneath the present work. The enrichment of the red dress may be partly gold recovered by scraping, and partly brush work. There are a few brush touches on the white robe. It seems probable that this brush work, which is paler in colour than the rest, is a restoration. The gilding of the collars is laid over embossed plaster work, and precious stones are simulated in this by small sunk hollows glazed with appropriate colours to represent rubies and sapphires. The brush method is the usual accompaniment of oil-painting, and the gold leaf method, of tempera. Gold patterns are sometimes also laid on the surface of the picture (especially in tempera) by painting the design with an adhesive mordaunt and pressing the leaf upon it which, of course, only remains where there is this preparation. The fresco in the Wallace Collection presents a different technique, which of course is inevitable. In tempera the flesh is always hatched. The treatment in fresco is bolder and much more au premier coup and blended. This is fine work of the best quality on rough plaster. The head and face, which are in perfect condition, are very admirably painted with both freedom and delicacy. The construction of the features and the texture and massing of the hair, especially the angle where it divides on the forehead, recall the angel on the left in the Brera altarpiece. The hand on the book is much damaged. The outline of the right hand is blurred, and there is an injury to the first finger ; otherwise it is in good condition, and is a well-painted hand, and seems of the same type as the hands of the Brera altarpiece. The red overdress seems to be original work. The blue of the underdress is painted originally in all probability with a bluish terra-verde, but seems to have been a little retouched on the right arm with a water-colour blue pigment or distemper, and perhaps also on the right leg. The blue of the leg on the bench appears to be only terra-verde. To obtain a blue effect with a greenish pigment may seem impossible of belief to the uninitiated, nevertheless it can be done. There is water-colour retouching on the upper pile of books, but not on the open book nor on the one beneath it. The foot which is on the seat is much injured. The right foot is in good condition except a mark across the toe ; and the stone seat is also in good condition. The landscape is fine in quality and well preserved ; the tree edges are probably painted in original tempera, but except for this there is throughout the clearness and transparency of fresco proper as opposed to tempera. The architecture on the left and the pavement are the least satisfactory and suggest the possibility of some thin distemper washes by a restorer ; but it is not easy to be certain. The black lines in the pavement are rather rigid and unsympathetic. In many places there are cracks which have been carefully tinted with distemper colour which slightly overpasses the edge of the cracks, and there are many fine cracks not tinted. Numerous little holes are filled up, but there is nothing which destroys the clear tone of the fresco. Here and there the surface has lost some quality through age and has a blurred look.
APPENDIX II, A Documents relating to Foppa 1. Signature and date of the picture of the Crucifixion at Bergamo. MCCCCLVI Die Mensis Aprilis Vincencius Brixiensis pinxit. April, 1456. Accademia Carrara, No. 154. Chap. I, p. 16. 2. Vincenzo Foppa and Paolo de Calino, painters, settle their debit and credit accounts with Nicolo de' Franceschi of Venice. May 15, 1458, Pavia. quondam Confessio generalis facta per magistrum Nicolaum de Francischo, filium domini Georgii, civem et habitatorem civitatis Venetiarum, versus Vincentium de Fopa, filium quondam Johannis et versus Paulum de Calino filium quondam Petri, ambos pictores, cives et habitatores civitatis Brixie, ibi presentes. . . . se ipsum magistrum Nicolaum habuisse et recepisse ab ipsis Vincentio et Paulo libras viginti duas, solidos novem et denarium unum imperiales . . . pro plena . . . solutione et satisfactione totius eius quod ipse magister Nicolaus a dictis Vincentio et Paulo habere debet . . . quovis modo . . . ab hodie retro. Et versa vice suprascripti Vincentius de Fopa et Paulus de Calino . . . confitentur versus dictum magistrum Nicolaum de Francischo presentem . . . sese ab eo habuisse et recepisse plenam . . . satisfactionem totius eius quod ipsi Vincentius et Paulus ab ipso magistro Nicolao habere debent . . . quovis modo . . . ab hodie retro. . . . Et hanc confessionem . . . faciunt . . . renuntiando prius cuidam compromisso per ipsas partes facto in egregium iuris utriusque doctorem dominum Jacobum de Codatiis, de quo rogatum fuit instrumentum, anno, indictione et mense presentibus, per Dominichum de Tinctoribus notarium papiensem, etc. Testes : MCCCCLVIII, indictione sexta, die quintodecimo mensis maij, hora tertiarum . . . magister Jacobus de Tibolderiis de Mortario, caligarius, filius quondam magistri Otti, habitator Papie ; Franciscus de Tibolderiis, speziarius, filius suprascripti magistri Jacobi et Jacobinus de Meliis, pictor, filius quondam Johannis similiter habitator Papie. In civitate Papie, videlicet in domo habitationis suprascripti magistri Jacobi de Tibolderiis, sita in Porta Laudensi, in Parochia S. Martini in Petra Lata. Archivio Notarile di Pavia, Atti di Giov. Ludovico Strazzapatti. Moiraghi, Almanacco Sacro di Pavia, 1897, pp. 305, 333.* Chap. I, p. 26. ' The references are in every case to the archives where the document in question is preserved and to the writer who first published it ; where several publications are referred to it u 289
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lA^ iti^n mf ^^°" > ^ )i I? '=' ^
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THIS EDITION
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^'^((Xti^£
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V\-M. BRENDON AND SON, LTD., PRINTE
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ERRATA Page 25, line 16 from above,
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X PREFACE views regarding a lost fr
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xii INTRODUCTION The year of Foppa'
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xiv INTRODUCTION remains to be give
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: : xvi BIBLIOGRAPHY: CONTENTS PAGE
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xviii PHOTOGRAVURES 13. The Martyrd
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XX BLACK AND WHITE ILLUSTRATIONS PA
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: xxii BLACK AND WHITE ILLUSTRATION
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VINCENZO FOPPA OF BRESCIA, FOUNDER
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— Chap. I. PAINTERS AT BRESCIA EA
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Chap. I. EARLIEST KNOWN WORK 5 The
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Chap. I. CONNECTION WITH THE SCHOOL
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THE MADONNA it C'.HIl.l) WITH iVNGE
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lo VINCENZO FOPPA were taught, and
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: Chap. I. JACOPO BELLINI'S FRESCO
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!»T^' o •J. o "H" 9 I ^ =3 y a -
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14 VINCENZO FOPPA phases of emotion
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Chap. I. THE CRUCIFIXION AT BERGAMO
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CRUCIFIXION AT BERGAMO 17 "M" ; the
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Chap. I. REMOVAL TO PAVIA c. 1456 1
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Chap. I. PAINTERS AT PAVIA IN 1456
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Chap. I. PAINTERS AT MILAN 23 at th
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Chap. I. FRESCOES OF THE ARENGO PAL
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: Chap. I. FIRST DOCUMENTARY NOTICE
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; Chap. I. AT GENOA, 1 46 29 Viscon
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Chap. I. WORK IN A CHAPEL AT GENOA
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Chap. II. ALTARPIECE FOR ABBOT OF M
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Chap. II. FRESCOES IN S. TOMMASO 35
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Chap. II. SUMMONED TO MILAN BY THE
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Chap. II. FRESCOES IN THE HOSPITAL,
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'•> Caimi, ; Chap. II. CANVASES O
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Chap. II. THE MEDICI BANK 43 latter
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Chap. II. THE MEDICI BANK 45 This p
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Cap. II. JUSTICE OF TRAJAN, DRAWING
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o o H D
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- — 50 VINCENZO FOPPA connection
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Chap. II. FRESCO AT HERTFORD HOUSE
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— « o ^1g S z o u
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54 VINCENZO FOPPA It is almost impo
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Chap. II. FRESCO AT HERTFORD HOUSE
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— CHAPTER III C. 1465—C. 1473 A
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Photo. THE TOMB OF ST. TETER MARTYR
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6o VINCENZO FOPPA Pazzi Chapel. The
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Chap. III. THE PORTINARI CHAPEL 6i
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A Ml) ROSE ST. A MIRACLE OE ST. PET
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Chap. III. THE PORTINARI CHAPEL 63
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Photo, THE ['RKACIIIXG OF ST. PETER
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Photo. THE DEATH ()E ST. PETEK ^t.\
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66 VINCENZO FOPPA may only have exe
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; Chap. III. THE PORTINARI CHAPEL 6
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— Chap. III. THE PORTINARI CHAPEL
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Chap. III. FOPPA'S BROTHER-IN-LAW 7
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Chap. III. FOPPA'S LETTER TO PIGELL
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Chap. III. THE CASTLES OF PAVIA AND
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Chap. III. FOPPA TAKES A HOUSE AT P
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Chap. III. FOPPA'S ALTARPIECE AT BR
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Phot TIIK MADONNA AND CHILD MILAN:
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82 VINCENZO FOPPA istic example, an
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Chap. III. MADONNA IN THE CASTELLO
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itoio. THK MADONNA AND CHILD MILAN:
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Chap. III. MADONNA, TRIVULZIO COLLE
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JOHNSON THE MAIWNNA & CHILD PHILADE
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88 VINCENZO FOPPA version. The earl
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; Chap. III. MADONNA, DAVIS COLL.,
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THE DEAD CHRIST IN THE TOMB AUDLING
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— CHAPTER IV 1473— c. 1477 Pain
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94 VINCENZO FOPPA ber 20, 1473/ Gad
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96 VINCENZO FOPPA evening of Novemb
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98 VINCENZO FOPPA height of each of
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loo VINCENZO FOPPA he does not spec
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I02 VINCENZO FOPPA of certain paint
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I04 VINCENZO FOPPA formerly kept .
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io6 VINCENZO FOPPA were being prepa
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io8 VINCENZO FOPPA a branch of his
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no VINCENZO FOPPA of the Relics, un
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112 VINCENZO FOPPA Bonifazio Bembo
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CHAPTER V Paintings c. 1470- 1480 T
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J J ClilLING FRESCO, DETAIL (Asaihe
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ii6 VINCENZO FOPPA addressed to all
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Chap. V. CEILING OF THE AVEROLDI CH
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THE MADONNA & CHILD WITH ANGELS. MI
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I20 VINCENZO FOPPA Foppa's altarpie
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ST. \IXCF.XT ST. ANTIIdW ok PADUA M
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— 122 VINCENZO FOPPA even to the
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^M^\>nlMv/s. Photo. ST. LOUIS OF TO
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124 VINCENZO FOPPA outline in the d
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Chap. V. BRERA ALTARPIECE 125 of hi
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z Q I w X H a. g
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128 VINCENZO FOPPA these saints are
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; Chap. V. ST. JEROME, BERGAMO GALL
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BERGAMO ST. JliROME flAI.LKRY (LOCH
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132 VINCENZO FOPPA this panel is un
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— CHAPTER VI c. 1478-1489 Foppa's
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THE ECCE HOMO IRAKIS CHKKAMY COLLEC
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136 VINCENZO FOPPA Barbagelata. We
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138 VINCENZO FOPPA Brescia are refe
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I40 VINCENZO FOPPA since he left th
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142 VINCENZO FOPPA of the Church in
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; Chap. VI. ST. SEBASTIAN, BRERA 14
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THE MARTYRDOM OF S'' SEBASTIAN fI'r
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— 146 VINCENZO FOPPA recognized B
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'•" The Chap. VI. ST. SEBASTIAN,
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Photo. THE MARTYRDOM OF ST. SEBASTI
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I50 VINCENZO FOPPA impossible, thou
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Chap. VI. FRESCOES FOR S. MARIA DEL
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ST. JOHN liAl'TIST (Fresco traiisfe
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— 154 VINCENZO FOPPA was to be he
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Chap. VI. ALTARPIECE FOR DORIA CHAP
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Pftoto. MILAN: Ermini, Milan A BISH
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Chap. VI. FRAGMENTS OF ALTARPIECES
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PliOla. GREGURV ST. BASLE: SARASIN-
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CHAPTER VII I 489- I 490 Foppa in L
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Pholo. Xoiti /,- /\iiîiit/ni THE M
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i62 VINCENZO FOPPA the two works fo
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Chap. VII. AN UNFINISHED ALTARPIECE
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'to. itncili, /ic'^âmo THE LOGGETT
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Chap. VII. FOPPA'S CONTRACT WITH GR
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Chap. VII. FRESCOES BY GIOV. PIETRO
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Chap. VII. FOPPA ORDERED TO RETURN
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Chap. VII. DISPUTE WITH BARTOLOMEO
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J'hotfl, Noaik-Paganini ALTAKl'IIXl
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174 VINCENZO FOPPA so much in many
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Chap. VII. ALTARPIECE, SAVONA 175 o
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OKATORY I'URTRAIT UF CARDINAL GIL'L
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— 1 78 VINCENZO FOPPA beneath the
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si O - o J) o > 1! o -• s ^ 3 =1
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i8o VINCENZO FOPPA Ratti in 1780 sa
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Chap. VII. ALTARPIECE, SAVONA i8i m
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Chap. VIII. OFFICIAL PAINTER TO BRE
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Chap. VIII. APPLIES FOR LEAVE TO RE
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Chap. VIII. FOPPA PAYS HIS "LIVELLO
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Chap. VIII. APPOINTMENT AT BRESCIA
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^^^s?i-'s.^t-f^WPP^^ Y 1% JiîMue x
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192 VINCENZO FOPPA allotted to them
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194 VINCENZO FOPPA io6 lire, referr
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196 VINCENZO FOPPA tell, but we kno
Page 359 and 360:
Cap. VIII. THE PIETA, BERLIN 197 pa
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Chap. VIII. ROSSI CHAPEL, S. PIETRO
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Chap. VIII. THE ALTARPIECE OF THE R
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Chap. VIII. PI ETA, CERNUSCHI COLLE
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THE DEAD CHRIST IN THE TOM15, SUPPO
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2o6 VINCENZO FOPPA The central grou
Page 373 and 374:
Chap. VIII. ADORATION OF THE MAGI,
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Chap. VIII. ADORATION OF THE MAGI,
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Chap. VIII. ALTARPIECE, VERSAILLES
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iwio. THE .MAIJONNA AMJ CHILI), ST.
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214 VINCENZO FOPPA formerly been de
Page 385 and 386:
Chap. VIII. PROCESSIONAL BANNER, OR
Page 387:
I'hoUi. Ca/'itaniii, Brescia vSS. S
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— CHAPTER IX 1499 TO c. 1515-1516
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220 VINCENZO FOPPA master. We have
Page 394 and 395:
222 VINCENZO FOPPA 1 501.' This boo
Page 397 and 398:
Chap. IX. FOPPA'S PAYMENTS FOR HIS
Page 399:
i£Bg&ifiatsm Till!: SITH Ol-' I'Ol
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226 VINCENZO FOPPA The list of Fopp
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Chap. IX. FOPPA'S ACCOUNTS 227 The
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Chap. IX. FOPPA'S DEATH AND BURIAL
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Chap. IX. POT.IZZA D'ESTIMO OF PAOL
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,. I,' ..U-l [ ,. I ' ' > ( t C"8~~
Page 414 and 415:
234 VINCENZO FOPPA for the relative
Page 417 and 418:
Chap. IX. SCHOOL PICTURES : CAMERA
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WSiW^ rhoto. TIU; MADONNA AM) CHILD
Page 422 and 423:
238 VINCENZO FOPPA hand, the type o
Page 425:
J ^ < ^
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Chap. IX. SCHOOL PICTURES: MILAN AN
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— Chap. IX. SCHOOL PICTURES: MILA
Page 435:
I Jîa^&Jtl^Jm'] M 4 THE ENTOMBMKNT
Page 438 and 439:
244 VINCENZO FOPPA again on p. 320
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246 VINCENZO FOPPA course unchecked
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248 VINCENZO FOPPA which, in spite
Page 445 and 446: Chap. X. CIVERCIIIO, BUTTINONE, ZEN
Page 447: ST. AMBROSE (By a folloxver of J'op
Page 451: ST. AiNTilUNY (.)¥ I'ADUA {By a fo
Page 454 and 455: 252 VINCENZO FOPPA other works by t
Page 457: J'hoio. Bci traiui, Pijon THE MADON
Page 460 and 461: 254 VINCENZO FOPPA beggar, from the
Page 463 and 464: Chap. X. LOMBARDO-MILANESE PICTURES
Page 465 and 466: Chap. X. INFLUENCE ON PIEDMONTESE P
Page 467 and 468: — Chap. X. INFLUENCE IN LIGURIA;
Page 469 and 470: Chap. X. PAOLO ZOPPO & " V. FOPPA T
Page 471 and 472: ; Chap. X. FERRAMOLA AND PAOLO CAYL
Page 473 and 474: Chap. X. CONCLUSION 265 heritage wh
Page 475 and 476: 1 CHRONOLOGICAL LIST OF WORKS 267 A
Page 477 and 478: CATALOGUE OF WORKS 269 ITALY Arcore
Page 479 and 480: CATALOGUE OF WORKS 271 Savona : Gal
Page 481 and 482: LOST OR MISSING WORKS KNOWN TO HAVE
Page 483 and 484: LOST OR MISSING WORKS 275 Between 1
Page 485 and 486: APPENDIXES APPENDIX I Note i.— Vi
Page 487 and 488: APPENDIX I 279 On the other hand th
Page 489 and 490: APPENDIX I 281 history; Brescia was
Page 491 and 492: APPENDIX I 283 was born at Brescia
Page 493 and 494: — APPENDIX I 285 name " De Fopa"
Page 495: APPENDIX I 287 mentioned in the Cus
Page 499 and 500: APPENDIX II, A 291 non ambigimus, t
Page 501 and 502: APPENDIX II, A 293 To Vinccnzo of B
Page 503 and 504: APPENDIX II, A 295 fuisse servanda.
Page 505 and 506: 16. Foppa appears as a witness. APP
Page 507 and 508: APPENDIX II, A 299 deliberatione ch
Page 509 and 510: APPENDIX II, A 301 My Illustrious a
Page 511 and 512: APPENDIX II, A 303 Sancti Inventii,
Page 513 and 514: APPENDIX II, A 305 aminuire qualche
Page 515 and 516: APPENDIX II, A 307 Bonifacio de Bem
Page 517 and 518: Pavia. APPENDIX II, A 309 29. Lette
Page 519 and 520: APPENDIX II. A 311 et suprascriptum
Page 521 and 522: : APPENDIX II, A 313 in civitate Pa
Page 523 and 524: APPENDIX II, A 315 denaiiis numerat
Page 525 and 526: APPENDIX II, A 317 39. Dated Fresco
Page 527 and 528: APPENDIX II, A 319 in Palacio Comun
Page 529 and 530: APPENDIX II, A 321 si trovera male
Page 531 and 532: APPENDIX II, A 323 dictum magistrum
Page 533 and 534: APPENDIX II, A 325 55. The General
Page 535 and 536: APPENDIX II, A 327 per dominum Rain
Page 537 and 538: : APPENDIX II, A 329 67. A receipt
Page 539 and 540: APPENDIX II, A 331 dominum Francisc
Page 541 and 542: APPENDIX II, A 333 Item per lo anno
Page 543 and 544: APPENDIX II, A 6. It. numerati a mi
Page 545 and 546: APPENDIX II, A 337 76. Foppa's acco
Page 547 and 548:
APPENDIX II, A 339 (Part II.) Debts
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83. Foppa's garden sold by his heir
Page 551 and 552:
. APPENDIX II, B 343 affirm that th
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APPENDIX II, B 345 same place and i
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APPENDIX II, B 347 14. Evangelista
Page 557 and 558:
MANUSCRIPTS REFERRED TO IN THE TEXT
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Page 561 and 562:
Page 563 and 564:
Page 565 and 566:
Page 567 and 568:
BOOKS AND PERIODICALS REFERRED TO I
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BOOKS ETC. REFERRED TO IN THE TEXT
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Page 581 and 582:
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POSTSCRIPT While the last proofs of
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: : : INDEX OF PLACES, I Where exis
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— : : : Frankfurt a/M con. Staede
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: : : : : : : INDEX OF PLACES, I 38
Page 593 and 594:
: INDEX OF PLACES, I 385 Venice. Ac
Page 595 and 596:
: 1: Foppa, 153, 154 : : INDEX OF P
Page 597 and 598:
: ' : : : (see : INDEX OF PLACES, I
Page 599 and 600:
GENERAL INDEX Abate, A., 353, 359 A
Page 601 and 602:
GENERAL INDEX 393 Averoldi, Giulio
Page 603 and 604:
GENERAL INDEX 395 Bossi, Girolamo,
Page 605 and 606:
GENERAL INDEX 397 Buttinone, Bernar
Page 607 and 608:
GENERAL INDEX 399 Caylina, Pasquina
Page 609 and 610:
GENERAL INDEX 401 Doria, Stefano, p
Page 611 and 612:
GENERAL INDEX 403 Foppa, Vincenzo,
Page 613 and 614:
—— — — — — GENERAL INDE
Page 615 and 616:
GENERAL INDEX 407 Frizzoni, Dr. G.,
Page 617 and 618:
GENERAL INDEX 409 S. Invenzio, Hosp
Page 619 and 620:
GENERAL INDEX 411 Mangano, Torre de
Page 621 and 622:
GENERAL INDEX 413 Moiraghi, Don Pie
Page 623 and 624:
• Statutes GENERAL INDEX 4T5 Pavi
Page 625 and 626:
, GENERAL INDEX 417 Sartori, Pia (a
Page 627 and 628:
GENERAL INDEX 419 S. Tommaso, Pavia
Page 629:
GENERAL INDEX 421 Zenoni da Vaprio,
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: : : "A MONUMENTAL WORK" HUBERT &
Page 637:
I J IBHAICic./^ ^x^.u,..v.^wy^- ,
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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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