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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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LOST OR MISSING WORKS KNOWN TO HAVE BEEN<br />

EXECUTED BY FOPPA, AND OTHERS OF DOUBTFUL<br />

AUTHENTICITY ASCRIBED TO HIM BY BRESCIAN'<br />

AND MILANESE WRITERS<br />

1461.<br />

Ceiling fresco, Chapel <strong>of</strong> St. John Baptist, Ca<strong>the</strong>dral, Genoa. Docs. 3 and<br />

4, App. II, A; ch. I, pp. 29-31. Destroyed.<br />

May, 1462.<br />

Signed work, altarpiece (?) for <strong>the</strong> Abbot <strong>of</strong> Morimondo in <strong>the</strong> Carmine,<br />

Pavia. Subject unknown, probably Madonna and Saints, see ch. 11, pp.<br />

32-35. Missing.<br />

After June, 1462.<br />

Hospital, Milan. Frescoes under <strong>the</strong> Colonnade : ceremonies relating to<br />

<strong>the</strong> laying <strong>of</strong> <strong>the</strong> stone by Francesco and Bianca Maria Sforza, with<br />

numerous portraits. Ch. 11, p. 40. Destroyed.<br />

Begun 1462-1464 {?).<br />

Medici Bank, Milan. Frescoes in <strong>the</strong> Loggia, left-hand side <strong>of</strong> principal<br />

Cortile : Episodes from <strong>the</strong> <strong>his</strong>tory (The Justice ?) <strong>of</strong> Trajan, eight figures <strong>of</strong><br />

Emperors, portraits <strong>of</strong> Francesco and Bianca Maria Sforza and <strong>the</strong>ir children,<br />

and o<strong>the</strong>r paintings. Ch. 11, p. 45 and foil. Destroyed.<br />

1<br />

We have not included in t<strong>his</strong> list <strong>the</strong> frescoes <strong>of</strong> <strong>the</strong> crypt <strong>of</strong> S. Faustino<br />

Maggiore at <strong>Brescia</strong>, ascribed to <strong>Foppa</strong> by Rossi {Hist., etc., de' . . SS. Mart. Fatist.<br />

e. Giov., p. 70), who was followed by Faini and o<strong>the</strong>rs. According to Faini (Vita<br />

etc., de' SS. Faust, e. Giovita, p. 104), <strong>the</strong> series was painted to celebrate <strong>the</strong> rediscovery<br />

<strong>of</strong> <strong>the</strong> sarcophagus containing <strong>the</strong> remains <strong>of</strong> <strong>the</strong> saints in 1455. Yet <strong>the</strong><br />

painter associated with <strong>Foppa</strong> in t<strong>his</strong> work is stated to have been Testorino, who died,<br />

as we saw (p. 2), before 1430. O<strong>the</strong>r writers name Coltrino as <strong>the</strong> associate <strong>of</strong> <strong>Foppa</strong>,<br />

a well-known architect in <strong>the</strong> last decades <strong>of</strong> <strong>the</strong> fifteenth century but not a painter,<br />

though erroneously described as such by late writers <strong>of</strong> <strong>Brescia</strong>. The whole story is<br />

so improbable that we have omitted all mention <strong>of</strong> <strong>the</strong>se frescoes, which perished when<br />

<strong>the</strong> crypt was destroyed in 1620, as stated in ch. i (p. 2, note 5).<br />

T 273

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