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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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228 VINCENZO FOPPA<br />

Master <strong>Vincenzo</strong>, i.e. 1. 2 s. 5, on September 12, 1513/ and <strong>the</strong> remaining 1. 2<br />

on October 13 ; <strong>the</strong> embroiderer's workshop having apparently been let to<br />

<strong>Foppa</strong>, who seems to have taken it on a repairing lease. The next item,<br />

No. 10, is <strong>of</strong> great interest, for it states (f. 3) that on March 4, 15 14, a certain<br />

sum was paid by "<strong>his</strong> [<strong>Vincenzo</strong>'s] nephew M Paulo" to <strong>the</strong> massaro Ludovico<br />

Zerbini, while from f. 163 v. we learn that <strong>the</strong> sum was from "Master<br />

<strong>Vincenzo</strong> <strong>the</strong> painter," and we are referred to f, 3. T<strong>his</strong> little sentence on f. 3,<br />

which without <strong>the</strong> double entry in <strong>the</strong> account-book and without due understanding<br />

<strong>of</strong> <strong>the</strong> context on t<strong>his</strong> page would convey nothing to <strong>the</strong> casual reader, is <strong>of</strong><br />

<strong>the</strong> greatest importance, as being <strong>the</strong> final link in <strong>the</strong> chain <strong>of</strong> evidence which<br />

indubitably proves <strong>the</strong> identity <strong>of</strong> t<strong>his</strong> <strong>Vincenzo</strong> with <strong>the</strong> painter <strong>of</strong> 1495 and<br />

earlier ; for "Paulo <strong>his</strong> nephew" is <strong>the</strong> same as "Paulus de Caylina, " mentioned<br />

in <strong>the</strong> note at <strong>the</strong> foot <strong>of</strong> f. 2 v. (Doc. No. 72), to whom we have constantly had<br />

occasion to refer in <strong>the</strong>se pages and whom we can trace as <strong>Foppa</strong>'s heir and<br />

successor in rent-books, account-books, and Estimi up to 1545 and later. In<br />

<strong>the</strong> Estimo <strong>of</strong> 1517 and in <strong>his</strong> own Polizza d' Estimo <strong>of</strong> <strong>the</strong> same year (Docs.<br />

Nos. 77 and 78) he is entered as <strong>the</strong> son <strong>of</strong> Bartolomeo.^ T<strong>his</strong> entry is<br />

separated from <strong>the</strong> preceding one, as we see on referring to <strong>the</strong> illustration, by<br />

a dash, marking as it were <strong>the</strong> close <strong>of</strong> a chapter or paragraph, which, so far<br />

as <strong>Vincenzo</strong> is concerned, is actually <strong>the</strong> case ; for <strong>his</strong> name never occurs again<br />

on f. 3, and instead it is always M" Paulo who ei<strong>the</strong>r makes <strong>the</strong> payments in<br />

person or sends <strong>the</strong>m by a neighbour. T<strong>his</strong> apparent closing <strong>of</strong> <strong>Foppa</strong>'s<br />

account and <strong>the</strong> substitution <strong>of</strong> M" Paulo's name for that <strong>of</strong> M'° <strong>Vincenzo</strong> on<br />

f. 3 might lead to <strong>the</strong> conclusion that <strong>Foppa</strong> must have died after October,<br />

1513; in point <strong>of</strong> fact however it has no reference to <strong>Foppa</strong>, but merely marks<br />

<strong>the</strong> advent <strong>of</strong> a new massaro whose tenure <strong>of</strong> <strong>of</strong>fice was one <strong>of</strong> unusual length,<br />

having extended from 1514 to 1520. The entries in <strong>the</strong> account-book exclude<br />

<strong>the</strong> possibility <strong>of</strong> <strong>Vincenzo</strong>'s death having occurred in 15 13, for we could<br />

scarcely infer from <strong>the</strong> mention <strong>of</strong> him in Items 10 to 15 that he was <strong>the</strong>n no<br />

longer living ;<br />

and fur<strong>the</strong>r, we have <strong>the</strong> allusion to him in <strong>the</strong> Pavian Archives<br />

1 It may here be mentioned that in one <strong>of</strong> Albuzzio's MSS. in <strong>the</strong> library <strong>of</strong> <strong>the</strong><br />

Marchese Soragna at Milan is <strong>the</strong> following note :<br />

" It is said that <strong>the</strong>re is at Milan a<br />

panel picture in <strong>the</strong> old style, with <strong>the</strong> name <strong>Vincenzo</strong> <strong>Foppa</strong> and <strong>the</strong> date, if I am not<br />

mistaken, <strong>of</strong> 1513."<br />

(" Unatavola di maniera antica col nome di <strong>Vincenzo</strong> <strong>Foppa</strong> e colla<br />

data, se non erro, di 1513.") Unfortunately Albuzzio's annotator gives us no clue as to<br />

<strong>the</strong> subject treated, nor does he state whe<strong>the</strong>r <strong>the</strong> picture was in a church or in a private<br />

collection. We have no fur<strong>the</strong>r information relating to t<strong>his</strong> picture, which was ostensibly<br />

<strong>of</strong> <strong>the</strong> year 1513, and it is not mentioned in <strong>the</strong> copy <strong>of</strong> Albuzzio's MS. belonging to<br />

Dr. Gerolamo Calvi at Milan. For <strong>the</strong> <strong>Vincenzo</strong> da <strong>Brescia</strong> who in November, 1513,<br />

was paid for work executed at Milan, see App. I, Note 5.<br />

- He was <strong>the</strong> son <strong>the</strong>refore <strong>of</strong> Bartolomeo Caylina and Margarita Moracavalli <strong>of</strong><br />

Favia, and was <strong>Foppa</strong>'s nephew by marriage.

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