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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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226 VINCENZO FOPPA<br />

The list <strong>of</strong> <strong>Foppa</strong>'s payments to <strong>the</strong> quarter occupies, as we have seen, <strong>the</strong><br />

whole <strong>of</strong> f. 2 V. in <strong>the</strong> rent-book ; <strong>the</strong> next page (f. 3) is entirely filled with<br />

statements <strong>of</strong> accounts, principally payments made to different massari<br />

between <strong>the</strong> years 1502 and 15 17. T<strong>his</strong> page has no heading, and were it<br />

not for <strong>the</strong> duplicate entries <strong>of</strong> <strong>the</strong> account-book we should be entirely in <strong>the</strong><br />

dark as to <strong>the</strong> persons referred to on t<strong>his</strong> sheet.<br />

The first entry on f.<br />

3 (see illustration) states that on June 16, 1502,<br />

Hippolytus received 48 soldi, or lire 2, soldi 8. Turning to <strong>the</strong> accountbook<br />

we find on f. 148 that <strong>the</strong> person who collected t<strong>his</strong> sum was <strong>the</strong><br />

massaro <strong>of</strong> <strong>the</strong> quarter, Francesco da Mantua, whose surname we know<br />

from t<strong>his</strong> and o<strong>the</strong>r entries to have been Hippolyto ; while <strong>the</strong> money which<br />

he here acknowledges to have received was from " <strong>Vincenzo</strong> <strong>the</strong> painter."<br />

The importance <strong>of</strong> t<strong>his</strong> system <strong>of</strong> double entry adopted by <strong>the</strong> massari <strong>of</strong><br />

<strong>the</strong> quarter will be seen at a glance if we turn to <strong>the</strong> Appendix (II, Doc.<br />

No. 74), where <strong>the</strong> entries on f. 3 <strong>of</strong> <strong>the</strong> rent-book and <strong>the</strong> corresponding<br />

memoranda in <strong>the</strong> account-book will be found printed in parallel columns.<br />

On f. 3 <strong>Foppa</strong> is but twice mentioned by name as Master <strong>Vincenzo</strong>, in <strong>the</strong><br />

years 1505 and 1513 (Items 2 and 9), and we should be unable to point<br />

with any certainty to <strong>the</strong> identity <strong>of</strong> <strong>the</strong> persons whose payments are<br />

here recorded, but <strong>the</strong> entries in <strong>the</strong> account-book leave us in no doubt ;<br />

twelve times he is <strong>the</strong>re spoken <strong>of</strong> as Master <strong>Vincenzo</strong> <strong>the</strong> painter and twice<br />

as Master <strong>Vincenzo</strong> <strong>Foppa</strong> <strong>the</strong> painter (Items 13 and 14). It is not necessary<br />

to discuss each item, but a few require some comment, and for clearness sake<br />

all <strong>the</strong> entries in Doc. 74 have been numbered.<br />

Items i« and ib have no duplicates in <strong>the</strong> account-book, and <strong>the</strong> massaro<br />

<strong>of</strong> that year, Apollonio Botano, had evidently omitted to enter <strong>the</strong>m. From<br />

Item lb, October, 1503, we learn that <strong>Foppa</strong> had a wife living at t<strong>his</strong> date who<br />

paid her husband's "livello" to <strong>the</strong> quarter in person, and she is referred to<br />

in <strong>the</strong>se rent and account books as acting in t<strong>his</strong> capacity on her husband's<br />

behalf in <strong>the</strong> years 1505, 1509, and 15 10.<br />

(f. 145) took a different view, and considered that <strong>the</strong> house <strong>of</strong> Venturino de' Sali stood<br />

on <strong>the</strong> site <strong>of</strong> <strong>the</strong> house known in <strong>his</strong> day as Casa Fontana, at <strong>the</strong> corner <strong>of</strong> Via Porta<br />

Nuova and Via delle Antiche Mura, <strong>the</strong> aspect being <strong>the</strong> same as in <strong>the</strong> house<br />

mentioned above. In that case <strong>Foppa</strong>'s house would have been practically built upon<br />

<strong>the</strong> old Roman wall, which was still<br />

south towards Contrada Bruttanome, <strong>the</strong> present Corso Magenta<br />

;<br />

in existence at that period, and would have looked<br />

but such a position<br />

would scarcely have been permitted by <strong>the</strong> <strong>Brescia</strong>n law, which prohibited <strong>the</strong> erection<br />

<strong>of</strong> any buildings whatsoever in <strong>the</strong> immediate vicinity <strong>of</strong> <strong>the</strong> walls (see <strong>the</strong> Statutes<br />

<strong>of</strong> <strong>Brescia</strong> <strong>of</strong> 1470, first printed in 1490 and reprinted in 1557, Nos. 60 and 67). It<br />

seems <strong>the</strong>refore from every point <strong>of</strong> view more reasonable to identify <strong>the</strong> site with that<br />

now occupied by <strong>the</strong> house at <strong>the</strong> corner <strong>of</strong> Via Pendente and Via Porta Nuova.

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