Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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— 1 78 VINCENZO FOPPA beneath the pilaster with carved figures in niches of the framework, we have : (i) the Decollation of St, John Baptist; then follows, beneath the full-length figure of the same saint, (2) the banquet of Herod ; (3) the Adoration of the Magi under the central panel of the Madonna ; on either side of this are two small panels (4 and 5) containing the Arms of Giuliano della Rovere—the oak tree surmounted by the cardinal's hat ; beneath the full-length figure of St. John the Evangelist we have (6) the saint in Patmos ; and (7) St. John about to be lifted up to heaven—the tomb, from which issue golden rays, is seen to the right of the altar, and near it is the saint kneeling on clouds. In the general scheme of the compositions and in many individual types and motives^ these panels show great affinity with the works of Foppa and his bottega. The executioner in the panel of the Decollation, the page with the head of St. John Baptist in the banquet of Herod, the young man about to mount his horse in the retinue of the Three Kings, and many incidents in the composition of the Adoration of the Magi, are closely connected with the types, figures, and motives of Foppa ; the treatment and technique of the brocaded stuffs, the design and colouring of the carpet covering the steps of the dais in the banquet of Herod, and numerous other particulars link these panels with the master, but in execution they fall far below the level of his art and can only be regarded as products of his workshop. On the 5th of August, 1490, Vincenzo inscribed the central composition as follows : ANNO SRLVTIS I49O DIE VAVCjVSTIIVLEPS OSTIENCARDS , P-AOVINCVLA/ÂIORA- NITENTVICENaV5 PINXIT and five days later Lodovico Brea signed his name upon the large panel on the right side with St. John the Evangelist : " Ludovicus Brea Niciesis pinxit hac parte 1490 die X augusti coplecta." This, the best preserved of all the compositions,^ has little connection in style with the other large panels, but shows the hand of a painter who has much in common with Bergognone, and who, like that master, was attracted by the softer side of Foppa's art rather than by its more severe and virile qualities. For fifty years the picture remained in its place over the High Altar ; but in 1542 the Government declared it imperative that the defences of ' The fact that Brea's panel, which was subjected, we assume, to the same treatment as the remainder of the altarpiece, has come down to us in so good a state of preservation confirms us in the belief that there must have been some defect either in the mediums used by Foppa or in his manipulation of the colours, which has resulted in the deterioration and decay which we so frequently have to deplore in his works. - Brea, when he collaborated with Foppa, was already a mature artist ; a signed work by him is known of 1475 (AHzeri, II, 276).
ST. JOHX BAPTIST SAVONA: OUAIORV OK S. MARIA Ul CASTEI.LO A'cttL/,- J'agijft
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lA^ iti^n mf ^^°" > ^ )i I? '=' ^
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THIS EDITION
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^'^((Xti^£
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V\-M. BRENDON AND SON, LTD., PRINTE
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ERRATA Page 25, line 16 from above,
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X PREFACE views regarding a lost fr
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xii INTRODUCTION The year of Foppa'
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xiv INTRODUCTION remains to be give
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: : xvi BIBLIOGRAPHY: CONTENTS PAGE
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xviii PHOTOGRAVURES 13. The Martyrd
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XX BLACK AND WHITE ILLUSTRATIONS PA
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: xxii BLACK AND WHITE ILLUSTRATION
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VINCENZO FOPPA OF BRESCIA, FOUNDER
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— Chap. I. PAINTERS AT BRESCIA EA
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Chap. I. EARLIEST KNOWN WORK 5 The
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Chap. I. CONNECTION WITH THE SCHOOL
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THE MADONNA it C'.HIl.l) WITH iVNGE
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lo VINCENZO FOPPA were taught, and
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: Chap. I. JACOPO BELLINI'S FRESCO
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!»T^' o •J. o "H" 9 I ^ =3 y a -
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14 VINCENZO FOPPA phases of emotion
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Chap. I. THE CRUCIFIXION AT BERGAMO
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CRUCIFIXION AT BERGAMO 17 "M" ; the
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Chap. I. REMOVAL TO PAVIA c. 1456 1
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Chap. I. PAINTERS AT PAVIA IN 1456
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Chap. I. PAINTERS AT MILAN 23 at th
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Chap. I. FRESCOES OF THE ARENGO PAL
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: Chap. I. FIRST DOCUMENTARY NOTICE
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; Chap. I. AT GENOA, 1 46 29 Viscon
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Chap. I. WORK IN A CHAPEL AT GENOA
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Chap. II. ALTARPIECE FOR ABBOT OF M
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Chap. II. FRESCOES IN S. TOMMASO 35
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Chap. II. SUMMONED TO MILAN BY THE
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Chap. II. FRESCOES IN THE HOSPITAL,
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'•> Caimi, ; Chap. II. CANVASES O
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Chap. II. THE MEDICI BANK 43 latter
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Chap. II. THE MEDICI BANK 45 This p
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Cap. II. JUSTICE OF TRAJAN, DRAWING
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o o H D
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- — 50 VINCENZO FOPPA connection
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Chap. II. FRESCO AT HERTFORD HOUSE
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— « o ^1g S z o u
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54 VINCENZO FOPPA It is almost impo
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Chap. II. FRESCO AT HERTFORD HOUSE
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— CHAPTER III C. 1465—C. 1473 A
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Photo. THE TOMB OF ST. TETER MARTYR
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6o VINCENZO FOPPA Pazzi Chapel. The
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Chap. III. THE PORTINARI CHAPEL 6i
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A Ml) ROSE ST. A MIRACLE OE ST. PET
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Chap. III. THE PORTINARI CHAPEL 63
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Photo, THE ['RKACIIIXG OF ST. PETER
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Photo. THE DEATH ()E ST. PETEK ^t.\
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66 VINCENZO FOPPA may only have exe
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; Chap. III. THE PORTINARI CHAPEL 6
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— Chap. III. THE PORTINARI CHAPEL
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Chap. III. FOPPA'S BROTHER-IN-LAW 7
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Chap. III. FOPPA'S LETTER TO PIGELL
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Chap. III. THE CASTLES OF PAVIA AND
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Chap. III. FOPPA TAKES A HOUSE AT P
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Chap. III. FOPPA'S ALTARPIECE AT BR
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Phot TIIK MADONNA AND CHILD MILAN:
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82 VINCENZO FOPPA istic example, an
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Chap. III. MADONNA IN THE CASTELLO
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itoio. THK MADONNA AND CHILD MILAN:
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Chap. III. MADONNA, TRIVULZIO COLLE
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JOHNSON THE MAIWNNA & CHILD PHILADE
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88 VINCENZO FOPPA version. The earl
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; Chap. III. MADONNA, DAVIS COLL.,
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THE DEAD CHRIST IN THE TOMB AUDLING
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— CHAPTER IV 1473— c. 1477 Pain
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94 VINCENZO FOPPA ber 20, 1473/ Gad
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96 VINCENZO FOPPA evening of Novemb
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98 VINCENZO FOPPA height of each of
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loo VINCENZO FOPPA he does not spec
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I02 VINCENZO FOPPA of certain paint
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I04 VINCENZO FOPPA formerly kept .
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io6 VINCENZO FOPPA were being prepa
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io8 VINCENZO FOPPA a branch of his
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no VINCENZO FOPPA of the Relics, un
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112 VINCENZO FOPPA Bonifazio Bembo
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CHAPTER V Paintings c. 1470- 1480 T
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J J ClilLING FRESCO, DETAIL (Asaihe
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ii6 VINCENZO FOPPA addressed to all
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Chap. V. CEILING OF THE AVEROLDI CH
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THE MADONNA & CHILD WITH ANGELS. MI
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I20 VINCENZO FOPPA Foppa's altarpie
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ST. \IXCF.XT ST. ANTIIdW ok PADUA M
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— 122 VINCENZO FOPPA even to the
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^M^\>nlMv/s. Photo. ST. LOUIS OF TO
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124 VINCENZO FOPPA outline in the d
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Chap. V. BRERA ALTARPIECE 125 of hi
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z Q I w X H a. g
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128 VINCENZO FOPPA these saints are
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; Chap. V. ST. JEROME, BERGAMO GALL
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BERGAMO ST. JliROME flAI.LKRY (LOCH
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132 VINCENZO FOPPA this panel is un
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— CHAPTER VI c. 1478-1489 Foppa's
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THE ECCE HOMO IRAKIS CHKKAMY COLLEC
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136 VINCENZO FOPPA Barbagelata. We
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138 VINCENZO FOPPA Brescia are refe
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I40 VINCENZO FOPPA since he left th
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142 VINCENZO FOPPA of the Church in
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; Chap. VI. ST. SEBASTIAN, BRERA 14
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THE MARTYRDOM OF S'' SEBASTIAN fI'r
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— 146 VINCENZO FOPPA recognized B
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'•" The Chap. VI. ST. SEBASTIAN,
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Photo. THE MARTYRDOM OF ST. SEBASTI
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I50 VINCENZO FOPPA impossible, thou
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Chap. VI. FRESCOES FOR S. MARIA DEL
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ST. JOHN liAl'TIST (Fresco traiisfe
Page 278 and 279: — 154 VINCENZO FOPPA was to be he
Page 281 and 282: Chap. VI. ALTARPIECE FOR DORIA CHAP
Page 283: Pftoto. MILAN: Ermini, Milan A BISH
Page 287 and 288: Chap. VI. FRAGMENTS OF ALTARPIECES
Page 289: PliOla. GREGURV ST. BASLE: SARASIN-
Page 293 and 294: CHAPTER VII I 489- I 490 Foppa in L
Page 295: Pholo. Xoiti /,- /\iiîiit/ni THE M
Page 298 and 299: i62 VINCENZO FOPPA the two works fo
Page 301 and 302: Chap. VII. AN UNFINISHED ALTARPIECE
Page 303: 'to. itncili, /ic'^âmo THE LOGGETT
Page 307 and 308: Chap. VII. FOPPA'S CONTRACT WITH GR
Page 311 and 312: Chap. VII. FRESCOES BY GIOV. PIETRO
Page 313 and 314: Chap. VII. FOPPA ORDERED TO RETURN
Page 315 and 316: Chap. VII. DISPUTE WITH BARTOLOMEO
Page 317: J'hotfl, Noaik-Paganini ALTAKl'IIXl
Page 320 and 321: 174 VINCENZO FOPPA so much in many
Page 323 and 324: Chap. VII. ALTARPIECE, SAVONA 175 o
Page 325: OKATORY I'URTRAIT UF CARDINAL GIL'L
Page 331: si O - o J) o > 1! o -• s ^ 3 =1
Page 334: i8o VINCENZO FOPPA Ratti in 1780 sa
Page 339 and 340: Chap. VII. ALTARPIECE, SAVONA i8i m
Page 341 and 342: Chap. VIII. OFFICIAL PAINTER TO BRE
Page 343 and 344: Chap. VIII. APPLIES FOR LEAVE TO RE
Page 345 and 346: Chap. VIII. FOPPA PAYS HIS "LIVELLO
Page 347 and 348: Chap. VIII. APPOINTMENT AT BRESCIA
Page 349: ^^^s?i-'s.^t-f^WPP^^ Y 1% JiîMue x
Page 352 and 353: 192 VINCENZO FOPPA allotted to them
Page 354 and 355: 194 VINCENZO FOPPA io6 lire, referr
Page 356 and 357: 196 VINCENZO FOPPA tell, but we kno
Page 359 and 360: Cap. VIII. THE PIETA, BERLIN 197 pa
Page 361 and 362: Chap. VIII. ROSSI CHAPEL, S. PIETRO
Page 363 and 364: Chap. VIII. THE ALTARPIECE OF THE R
Page 365 and 366: Chap. VIII. PI ETA, CERNUSCHI COLLE
Page 367: THE DEAD CHRIST IN THE TOM15, SUPPO
Page 370 and 371: 2o6 VINCENZO FOPPA The central grou
Page 373 and 374: Chap. VIII. ADORATION OF THE MAGI,
Page 375 and 376: Chap. VIII. ADORATION OF THE MAGI,
Page 377 and 378: Chap. VIII. ALTARPIECE, VERSAILLES
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iwio. THE .MAIJONNA AMJ CHILI), ST.
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214 VINCENZO FOPPA formerly been de
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Chap. VIII. PROCESSIONAL BANNER, OR
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I'hoUi. Ca/'itaniii, Brescia vSS. S
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— CHAPTER IX 1499 TO c. 1515-1516
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220 VINCENZO FOPPA master. We have
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222 VINCENZO FOPPA 1 501.' This boo
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Chap. IX. FOPPA'S PAYMENTS FOR HIS
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i£Bg&ifiatsm Till!: SITH Ol-' I'Ol
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226 VINCENZO FOPPA The list of Fopp
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Chap. IX. FOPPA'S ACCOUNTS 227 The
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Chap. IX. FOPPA'S DEATH AND BURIAL
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Chap. IX. POT.IZZA D'ESTIMO OF PAOL
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,. I,' ..U-l [ ,. I ' ' > ( t C"8~~
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234 VINCENZO FOPPA for the relative
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Chap. IX. SCHOOL PICTURES : CAMERA
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WSiW^ rhoto. TIU; MADONNA AM) CHILD
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238 VINCENZO FOPPA hand, the type o
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J ^ < ^
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Chap. IX. SCHOOL PICTURES: MILAN AN
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— Chap. IX. SCHOOL PICTURES: MILA
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I Jîa^&Jtl^Jm'] M 4 THE ENTOMBMKNT
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244 VINCENZO FOPPA again on p. 320
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246 VINCENZO FOPPA course unchecked
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248 VINCENZO FOPPA which, in spite
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Chap. X. CIVERCIIIO, BUTTINONE, ZEN
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ST. AMBROSE (By a folloxver of J'op
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ST. AiNTilUNY (.)¥ I'ADUA {By a fo
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252 VINCENZO FOPPA other works by t
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J'hoio. Bci traiui, Pijon THE MADON
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254 VINCENZO FOPPA beggar, from the
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Chap. X. LOMBARDO-MILANESE PICTURES
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Chap. X. INFLUENCE ON PIEDMONTESE P
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— Chap. X. INFLUENCE IN LIGURIA;
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Chap. X. PAOLO ZOPPO & " V. FOPPA T
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; Chap. X. FERRAMOLA AND PAOLO CAYL
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Chap. X. CONCLUSION 265 heritage wh
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1 CHRONOLOGICAL LIST OF WORKS 267 A
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CATALOGUE OF WORKS 269 ITALY Arcore
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CATALOGUE OF WORKS 271 Savona : Gal
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LOST OR MISSING WORKS KNOWN TO HAVE
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LOST OR MISSING WORKS 275 Between 1
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APPENDIXES APPENDIX I Note i.— Vi
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APPENDIX I 279 On the other hand th
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APPENDIX I 281 history; Brescia was
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APPENDIX I 283 was born at Brescia
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— APPENDIX I 285 name " De Fopa"
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APPENDIX I 287 mentioned in the Cus
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APPENDIX II, A Documents relating t
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APPENDIX II, A 291 non ambigimus, t
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APPENDIX II, A 293 To Vinccnzo of B
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APPENDIX II, A 295 fuisse servanda.
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16. Foppa appears as a witness. APP
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APPENDIX II, A 299 deliberatione ch
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APPENDIX II, A 301 My Illustrious a
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APPENDIX II, A 303 Sancti Inventii,
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APPENDIX II, A 305 aminuire qualche
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APPENDIX II, A 307 Bonifacio de Bem
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Pavia. APPENDIX II, A 309 29. Lette
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APPENDIX II. A 311 et suprascriptum
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: APPENDIX II, A 313 in civitate Pa
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APPENDIX II, A 315 denaiiis numerat
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APPENDIX II, A 317 39. Dated Fresco
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APPENDIX II, A 319 in Palacio Comun
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APPENDIX II, A 321 si trovera male
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APPENDIX II, A 323 dictum magistrum
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APPENDIX II, A 325 55. The General
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APPENDIX II, A 327 per dominum Rain
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: APPENDIX II, A 329 67. A receipt
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APPENDIX II, A 331 dominum Francisc
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APPENDIX II, A 333 Item per lo anno
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APPENDIX II, A 6. It. numerati a mi
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APPENDIX II, A 337 76. Foppa's acco
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APPENDIX II, A 339 (Part II.) Debts
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83. Foppa's garden sold by his heir
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. APPENDIX II, B 343 affirm that th
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APPENDIX II, B 345 same place and i
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APPENDIX II, B 347 14. Evangelista
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MANUSCRIPTS REFERRED TO IN THE TEXT
Page 559 and 560:
Page 561 and 562:
Page 563 and 564:
Page 565 and 566:
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BOOKS AND PERIODICALS REFERRED TO I
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BOOKS ETC. REFERRED TO IN THE TEXT
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Page 575 and 576:
Page 577 and 578:
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Page 581 and 582:
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POSTSCRIPT While the last proofs of
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: : : INDEX OF PLACES, I Where exis
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— : : : Frankfurt a/M con. Staede
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: : : : : : : INDEX OF PLACES, I 38
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: INDEX OF PLACES, I 385 Venice. Ac
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: 1: Foppa, 153, 154 : : INDEX OF P
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: ' : : : (see : INDEX OF PLACES, I
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GENERAL INDEX Abate, A., 353, 359 A
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GENERAL INDEX 393 Averoldi, Giulio
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GENERAL INDEX 395 Bossi, Girolamo,
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GENERAL INDEX 397 Buttinone, Bernar
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GENERAL INDEX 399 Caylina, Pasquina
Page 609 and 610:
GENERAL INDEX 401 Doria, Stefano, p
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GENERAL INDEX 403 Foppa, Vincenzo,
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—— — — — — GENERAL INDE
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GENERAL INDEX 407 Frizzoni, Dr. G.,
Page 617 and 618:
GENERAL INDEX 409 S. Invenzio, Hosp
Page 619 and 620:
GENERAL INDEX 411 Mangano, Torre de
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GENERAL INDEX 413 Moiraghi, Don Pie
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• Statutes GENERAL INDEX 4T5 Pavi
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, GENERAL INDEX 417 Sartori, Pia (a
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GENERAL INDEX 419 S. Tommaso, Pavia
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GENERAL INDEX 421 Zenoni da Vaprio,
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: : : "A MONUMENTAL WORK" HUBERT &
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I J IBHAICic./^ ^x^.u,..v.^wy^- ,
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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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