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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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Chap. VI. FOPPA'S PETITION TO THE DUKE OF MILAN 137<br />

time <strong>of</strong> her marriage, and was <strong>the</strong>n to defray all expenses connected with<br />

<strong>the</strong> marriage and provide <strong>the</strong> dowry. Fur<strong>the</strong>r, he was to pay to Bartolomeo<br />

Caylina, son <strong>of</strong> Caterina de Bolis, a certain sum <strong>of</strong> money, being <strong>the</strong><br />

equivalent <strong>of</strong> Bartolomeo's share <strong>of</strong> <strong>the</strong> inheritance to which he was entitled.<br />

<strong>Foppa</strong>, it appears, had only fulfilled <strong>his</strong> obligations towards <strong>his</strong> bro<strong>the</strong>r-in-law<br />

in part, at which <strong>the</strong> latter was justly indignant, and retaliated by endeavouring<br />

to sell <strong>the</strong> house in order to obtain <strong>the</strong> money due to him, though in point<br />

<strong>of</strong> fact he had admitted <strong>Foppa</strong>'s rights to <strong>the</strong> property and had recognized <strong>the</strong><br />

validity <strong>of</strong> <strong>his</strong> mo<strong>the</strong>r's deed <strong>of</strong> gift. <strong>Vincenzo</strong> was <strong>the</strong>refore forced to take<br />

steps to protect himself and secure <strong>his</strong> rights, and to t<strong>his</strong> end he appealed<br />

to <strong>the</strong> Duke. The petition having been handed in, <strong>the</strong> Duke on July 19,<br />

1481 (Doc. No. 34), forwarded it to <strong>the</strong> authorities at Pavia, commanding<br />

<strong>the</strong>m to force Bartolomeo to respect <strong>the</strong> deed <strong>of</strong> gift made by <strong>his</strong> mo<strong>the</strong>r<br />

if it should appear that he had consented to it,<br />

as <strong>Foppa</strong> on <strong>his</strong> part declared<br />

himself willing to satisfy to <strong>the</strong> full all Bartolomeo's claims in <strong>the</strong> matter <strong>of</strong><br />

<strong>the</strong> inheritance. How <strong>the</strong> dispute ended we do not know ; but <strong>the</strong> petition<br />

(No. ;i^)<br />

is <strong>of</strong> great value for <strong>the</strong> light it throws upon <strong>the</strong> family <strong>his</strong>tory <strong>of</strong><br />

<strong>Foppa</strong>. These incidental notices are by no means so trivial as may at first<br />

sight appear, and t<strong>his</strong> document has practically been <strong>the</strong> means <strong>of</strong> unravelling,<br />

step by step, <strong>the</strong> <strong>his</strong>tory <strong>of</strong> <strong>Foppa</strong>'s later years, and thus <strong>of</strong> proving<br />

that he did not die in 1492, as was formerly supposed, but that <strong>his</strong> <strong>life</strong> was<br />

prolonged for about twenty-four years beyond that date.<br />

From t<strong>his</strong> and o<strong>the</strong>r sources we ga<strong>the</strong>r, that <strong>Foppa</strong>'s wife was <strong>the</strong> daughter<br />

<strong>of</strong> Caterina de Bolis <strong>of</strong> Cremona and <strong>of</strong> a <strong>Brescia</strong>n named Pietro Caylina, <strong>the</strong><br />

latter being probably identical with a tailor <strong>of</strong> that name, who was living in<br />

<strong>the</strong> second ward <strong>of</strong> <strong>the</strong> quarter <strong>of</strong> S. Alessandro at <strong>Brescia</strong> between 1430 and<br />

1442.<br />

One <strong>of</strong> her bro<strong>the</strong>rs was that painter Paolo Caylina "son <strong>of</strong> Pietro,"<br />

who, as we saw (chap, i), was at Pavia with <strong>Foppa</strong> in 1458.<br />

In 1451 he was living in <strong>the</strong> Contrada S. Agata at <strong>Brescia</strong>," perhaps <strong>the</strong>refore<br />

inhabiting with <strong>his</strong> mo<strong>the</strong>r <strong>the</strong> house which she eventually made over to<br />

<strong>Foppa</strong>, and between 1459 and 1475 he is registered in <strong>the</strong> Estimi as living in<br />

<strong>the</strong> first ward <strong>of</strong> <strong>the</strong> quarter <strong>of</strong> S. Giovanni,' <strong>the</strong> same ward, it may be noted,<br />

in which was situated <strong>the</strong> Contrada S. Agata. Paintings by Paolo at<br />

> See <strong>the</strong> Libri d' Estimo <strong>of</strong> 1430-42, f. 60.<br />

- Atti di Antonio di Pederzolo Codeferini de Riva : "Paulo f. q. Petri de Cailina<br />

pictore in contrata S. Agatha" appears as a witness. ("Commutatio inter monacos<br />

S. Petri in Oliveto Brixie et Comune de Bagolino," Arch. Ant. Mun. <strong>Brescia</strong> A. VII,<br />

157. Kindly communicated by Don Paolo Guerrini, Keeper <strong>of</strong> <strong>the</strong> Episcopal Archives,<br />

<strong>Brescia</strong>.)<br />

' Lib. d' Est., 1459, f. 20 ; 1469, f. 22 v.

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