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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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Chap. IV. ANCONA FOR THE CHAPEL OF THE RELICS 93<br />

him to Pavia to discuss <strong>the</strong> question <strong>of</strong> <strong>the</strong> decoration <strong>of</strong> <strong>the</strong> Sala della<br />

Balla.'<br />

If, however, we have no information relating to <strong>Foppa</strong>'s work at Milan, we<br />

have many documents which throw light on <strong>his</strong> share in <strong>the</strong> great ancona<br />

which was to serve as <strong>the</strong> shrine <strong>of</strong> innumerable relics in <strong>the</strong> Chapel <strong>of</strong> <strong>the</strong><br />

Castello at Pavia, a work which since 147 1 had been occupying <strong>the</strong> attention<br />

<strong>of</strong> Gadio. T<strong>his</strong> chapel was on <strong>the</strong> ground floor^ near <strong>the</strong> great staircase and<br />

contained <strong>the</strong>se relics, which were among <strong>the</strong> most treasured possessions <strong>of</strong> <strong>the</strong><br />

Sforza.' The Milanese Archives contain a great number <strong>of</strong> published and<br />

unpublished letters relating to t<strong>his</strong> work which throw a most interesting light<br />

upon <strong>the</strong> methods pursued in preparing and setting up <strong>the</strong> structure. The<br />

earliest reference to it is, we believe, <strong>of</strong> November 24, 147 1, and is contained<br />

in a letter written by Gadio to <strong>the</strong> Duke on that day, in which he complains<br />

bitterly <strong>of</strong> <strong>the</strong> high-handed conduct <strong>of</strong> Benedetto Ferrini, <strong>the</strong><br />

Florentine architect,^ who was always a thorn in <strong>the</strong> flesh<br />

to him, and whom<br />

he never loses an opportunity <strong>of</strong> abusing. After stating <strong>his</strong> grievances and<br />

inquiring whe<strong>the</strong>r it was <strong>the</strong> Duke's pleasure that Master Benedetto should<br />

spend <strong>the</strong> money allotted for a certain work without giving account to any one,<br />

he proceeds fur<strong>the</strong>r to ask if it were in accordance with <strong>the</strong> wishes <strong>of</strong> <strong>the</strong><br />

Duke that Ferrini should stop <strong>the</strong> works <strong>of</strong> <strong>the</strong> ancona <strong>of</strong> Pavia, "by taking<br />

away <strong>the</strong> masters engaged upon it, as he has done without my permission and<br />

without saying a word to me about it."^ Subsequently to t<strong>his</strong> letter, we have<br />

no fur<strong>the</strong>r direct references to <strong>the</strong> ancona until two years later." On Septem-<br />

^ How elaborate <strong>the</strong> decoration <strong>of</strong> t<strong>his</strong> room was to be we ga<strong>the</strong>r from a MS. in<br />

<strong>the</strong> Archivio di Stato, Milan (published by Beltrami, p. 365), which contains a list <strong>of</strong><br />

<strong>the</strong> subjects to be painted on <strong>the</strong> walls.<br />

'^<br />

There was a second chapel in <strong>the</strong> castle which in documents is described as <strong>the</strong><br />

chapel "with <strong>the</strong> loggetta above <strong>the</strong> moat" (see F. Sacchi, Notizie, etc., p. 219).<br />

^ Some <strong>of</strong> <strong>the</strong>se relics had been given to Gian Galeazzo Visconti on December 24,<br />

1389, by <strong>the</strong> Emperor <strong>of</strong> Constantinople, as we learn from <strong>the</strong> inventory <strong>of</strong> <strong>the</strong> relics <strong>of</strong><br />

November 22, 1499 (Arch. Not. Pav. Atti di Agostino Gravanago). They were shown<br />

to any <strong>of</strong> <strong>the</strong> Duke's visitors who happened to come to Pavia : <strong>the</strong> Florentine ambassadors<br />

saw <strong>the</strong>m in 1461 and wrote <strong>of</strong> <strong>the</strong>m with great enthusiasm ; <strong>the</strong>y were also shown<br />

to King Christian <strong>of</strong> Denmark in 1474, and to many o<strong>the</strong>r distinguished personages.<br />

* For some notices <strong>of</strong> Ferrini see Arch. Stor. Lomb.y 1885, p. 166, and Paoletti,<br />

UArchitettura , . in Venezia.<br />

^ "<br />

. . . Et cosi se vole toglia de li lavori de lanchona de Pavia e leva li magistri da<br />

essa opera de detta anchona come ha tolto e fato senza mia licenza e senza havermene<br />

parlato" (Arch, di Stato Milano, Ingegn. Architetti, Gadio B. XVIII, Sezione Storica).<br />

T<strong>his</strong> letter is alluded to in <strong>the</strong> Arch. Stor. Lomb., 1876, p. 536, but is wrongly dated<br />

December 24.<br />

• From an incidental notice in an unpublished letter <strong>of</strong> Gadio's <strong>of</strong> November 22,<br />

I473> relating to events <strong>of</strong> <strong>the</strong> past year and earlier, we ga<strong>the</strong>r that <strong>the</strong> works <strong>of</strong> <strong>the</strong>

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