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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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Chap. III. FOPPA'S LETTER TO PIGELLO PORTINARI 73<br />

wife Bona <strong>of</strong> Savoy in <strong>the</strong> Rocca at Monza, saw it completed at that date.<br />

It must unfortunately be included in <strong>the</strong> long list <strong>of</strong> large works executed by<br />

<strong>Foppa</strong> which have absolutely disappeared, leaving no trace or record behind<br />

<strong>the</strong>m; but <strong>the</strong>re always remains a hope that some portions <strong>of</strong> <strong>the</strong>se altarpieces<br />

may still be in existence hidden away in village churches in North Italy or in<br />

private collections in that country or abroad, and may yet be brought to<br />

light.<br />

The next documents <strong>of</strong> <strong>the</strong> years 1467, 1468, so convincingly prove that<br />

<strong>Vincenzo</strong> stood in <strong>the</strong> highest favour both with <strong>the</strong> Duke and with Pigello<br />

that we may unhesitatingly affirm that he had carried out <strong>the</strong> works<br />

Portinari,<br />

ordered by <strong>the</strong>m to <strong>the</strong>ir entire satisfaction ; <strong>the</strong>y afford <strong>the</strong>refore an indirect<br />

pro<strong>of</strong> that <strong>the</strong> Monza altarpiece was executed and approved. The first <strong>of</strong><br />

<strong>the</strong>se documents is a letter from <strong>Vincenzo</strong> to Pigello (Doc. No. 12) which is<br />

an<br />

important testimony to <strong>the</strong> intimate relations at that time existing between<br />

<strong>the</strong> painter and <strong>his</strong> patron. It was written from Pavia, and <strong>the</strong> bearer <strong>of</strong> it<br />

was <strong>Vincenzo</strong>'s bro<strong>the</strong>r-in-law Bartolomeo, whom we now know to have<br />

been Bartolomeo Caylina <strong>of</strong> <strong>Brescia</strong>. <strong>Vincenzo</strong> is desirous <strong>of</strong> buying a<br />

house at Pavia ; but though he had been living <strong>the</strong>re for close upon eleven<br />

years he had not acquired <strong>the</strong> rights <strong>of</strong> citizenship, and no strangers were permitted<br />

to buy property in <strong>the</strong> city or in Pavian territory, or to enjoy <strong>the</strong> rights<br />

and privileges <strong>of</strong> those, who were ei<strong>the</strong>r citizens by birth or on whom that<br />

honour had been conferred,' According to <strong>the</strong> laws <strong>of</strong> those days, a person<br />

desirous <strong>of</strong> buying property in a city <strong>of</strong> which he was not a native was bound,<br />

first to apply to <strong>the</strong> authorities for permission to acquire citizenship, and had<br />

<strong>the</strong>n to pay a certain tax, which at Pavia, as we learn from <strong>Foppa</strong>'s letter,<br />

amounted to ten florins. The Duke, however, as supreme head, had <strong>the</strong><br />

power, by a special decree, <strong>of</strong> granting to <strong>his</strong> friends or members <strong>of</strong> <strong>his</strong><br />

household <strong>the</strong> privilege <strong>of</strong> acquiring property without any <strong>of</strong> <strong>the</strong> usual formalities.<br />

It was to obtain t<strong>his</strong> favour and to spare himself expense that<br />

<strong>Foppa</strong> decided to approach Portinari on <strong>the</strong> subject, being desirous first to<br />

attain to all <strong>the</strong> rights and privileges <strong>of</strong> a citizen and to buy property in <strong>the</strong><br />

city, and later on "to cause himself to be made a citizen " (" piu adaxio mi faro<br />

fare citadino)."<br />

Portinari lost no time in complying with <strong>the</strong> painter's wishes and must at<br />

once have broached <strong>the</strong> subject to <strong>the</strong> Duchess, for less than a week after <strong>the</strong><br />

receipt by Pigello <strong>of</strong> <strong>Foppa</strong>'s letter, Bianca Maria wrote to <strong>the</strong> authorities at<br />

Pavia warmly recommending "our well-beloved Vincentio de Fopa" ("dilectum<br />

nostrum ") and directing that he is to be permitted to acquire whatever he<br />

'<br />

See Statuta Civilia Civitatis et Comitatus Papie, Rubrica CXLVII, ed. Borg<strong>of</strong>ranco,<br />

Pavia, 1505.

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