Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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56 VINCENZO FOPPA inscription " m. t. ci — cero " (Marcus Tullius Cicero), but we have no clue as to what may have been inscribed on the other frescoes of the series or as to the compositions treated.' It is probable, however, that they replaced the earlier decoration of the parapet, consisting (if the scheme mentioned by Filarete was carried out) of the Virtues, and that the whole series was planned and executed, at all events in part, by Foppa. According to the chronological method which we have endeavoured to follow in this volume, the Wallace fresco, as a work of later date, should have been more appropriately discussed in a subsequent chapter ; but as the only surviving relic of the pictorial decoration of the palace in Via de' Bossi it seemed more logical to include it here, though in the list of Poppa's paintings, arranged according to the approximate dates of their production, it will be found classed with works of 1480-go. ^ Many probabilities suggest themselves as to the possible meaning and intention of this series, but as we have no further clues it would be idle to attempt to offer any explanation or to enter into a discussion on these points.
— CHAPTER III C. 1465—C. 1473 AND LATER safe-conduct for six years— Notices of a painter Vincenzo in the Castello at Milan The Portinari Chapel— Foppa's frescoes in the Certosa— His brother-in-law Bartolomeo Caylina working there also— Death of Francesco Sforza—^Foppa's altarpiece for a church at Monza— His letter to Pigello Portinari— Foppa acquires property and citizenship at Pavia—The Duke takes him into his service and grants him a Not Vincenzo Foppa— Foppa seeks employment in the Campo Santo, Pisa—Takes a house at Pavia for four years— Returns to Genoa— His signed altarpiece for a church at Brescia— Returns to Milan—Values frescoes there—Documents relating to the valuation of works of art—Foppa's Madonnas : in the Castello Museum, Milan—At Berlin—Milan—Settignano— Philadelphia—Newport, U.S.A.— Decorative borders of drapery— Picture by Foppa at Addlington Castle, near Maidstone. Most intimately connected in its decorative motives with the Medici Bank, was the Chapel of St. Peter Martyr, which Pigello Portinari erected in the Church of S. Eustorgio at Milan, for the love which, according to Bugati the chronicler of S. Eustorgio, he bore to the saint, and partly also, according to later writers, in order to gratify the Milanese,' and more especially the Duchess Bianca Maria, who had a particular devotion to this church. The chapel, which was later known as " Cappella a capite St' Petri," was to contain the head of the saint, which had been severed from the body by order of the Archbishop Giovanni Visconti, and had been placed in a silver tabernacle when the saint's remains were removed in 1340 from their original restingplace in the church, and were enshrined in the marble sarcophagus made to receive them by Giovanni Balducci. Pigello had caused himself to be portrayed in a panel picture kneeling at the feet of St. Peter Martyr, which probably gave rise to the popular belief, repeated by many of the earlier writers, that the saint had appeared to him in a vision and commanded him to build a 1 Pigello had already ingratiated himself with the Milanese in 1450 by building, with his brother Azzareto, the sacristy and choir of S. Pietro in Gessate, on the exterior of which some traces of the Portinari arms may still be seen ; this further act, of building a chapel for the head of the Dominican saint, greatly increased his popularity at Milan. 57
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THIS EDITION
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^'^((Xti^£
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V\-M. BRENDON AND SON, LTD., PRINTE
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ERRATA Page 25, line 16 from above,
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X PREFACE views regarding a lost fr
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xii INTRODUCTION The year of Foppa'
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xiv INTRODUCTION remains to be give
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: : xvi BIBLIOGRAPHY: CONTENTS PAGE
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xviii PHOTOGRAVURES 13. The Martyrd
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XX BLACK AND WHITE ILLUSTRATIONS PA
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: xxii BLACK AND WHITE ILLUSTRATION
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VINCENZO FOPPA OF BRESCIA, FOUNDER
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— Chap. I. PAINTERS AT BRESCIA EA
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Chap. I. EARLIEST KNOWN WORK 5 The
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Chap. I. CONNECTION WITH THE SCHOOL
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THE MADONNA it C'.HIl.l) WITH iVNGE
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lo VINCENZO FOPPA were taught, and
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: Chap. I. JACOPO BELLINI'S FRESCO
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!»T^' o •J. o "H" 9 I ^ =3 y a -
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14 VINCENZO FOPPA phases of emotion
Page 57 and 58: Chap. I. THE CRUCIFIXION AT BERGAMO
Page 59 and 60: CRUCIFIXION AT BERGAMO 17 "M" ; the
Page 61 and 62: Chap. I. REMOVAL TO PAVIA c. 1456 1
Page 63 and 64: Chap. I. PAINTERS AT PAVIA IN 1456
Page 65 and 66: Chap. I. PAINTERS AT MILAN 23 at th
Page 67 and 68: Chap. I. FRESCOES OF THE ARENGO PAL
Page 69 and 70: : Chap. I. FIRST DOCUMENTARY NOTICE
Page 71 and 72: ; Chap. I. AT GENOA, 1 46 29 Viscon
Page 73 and 74: Chap. I. WORK IN A CHAPEL AT GENOA
Page 75 and 76: Chap. II. ALTARPIECE FOR ABBOT OF M
Page 77 and 78: Chap. II. FRESCOES IN S. TOMMASO 35
Page 79 and 80: Chap. II. SUMMONED TO MILAN BY THE
Page 81 and 82: Chap. II. FRESCOES IN THE HOSPITAL,
Page 83 and 84: '•> Caimi, ; Chap. II. CANVASES O
Page 85 and 86: Chap. II. THE MEDICI BANK 43 latter
Page 87 and 88: Chap. II. THE MEDICI BANK 45 This p
Page 89 and 90: Cap. II. JUSTICE OF TRAJAN, DRAWING
Page 91: o o H D
Page 94 and 95: - — 50 VINCENZO FOPPA connection
Page 97 and 98: Chap. II. FRESCO AT HERTFORD HOUSE
Page 99: — « o ^1g S z o u
Page 102 and 103: 54 VINCENZO FOPPA It is almost impo
Page 105: Chap. II. FRESCO AT HERTFORD HOUSE
Page 109: Photo. THE TOMB OF ST. TETER MARTYR
Page 112 and 113: 6o VINCENZO FOPPA Pazzi Chapel. The
Page 115 and 116: Chap. III. THE PORTINARI CHAPEL 6i
Page 117: A Ml) ROSE ST. A MIRACLE OE ST. PET
Page 121 and 122: Chap. III. THE PORTINARI CHAPEL 63
Page 123: Photo, THE ['RKACIIIXG OF ST. PETER
Page 127: Photo. THE DEATH ()E ST. PETEK ^t.\
Page 130 and 131: 66 VINCENZO FOPPA may only have exe
Page 133 and 134: ; Chap. III. THE PORTINARI CHAPEL 6
Page 137 and 138: — Chap. III. THE PORTINARI CHAPEL
Page 139 and 140: Chap. III. FOPPA'S BROTHER-IN-LAW 7
Page 141 and 142: Chap. III. FOPPA'S LETTER TO PIGELL
Page 143 and 144: Chap. III. THE CASTLES OF PAVIA AND
Page 145 and 146: Chap. III. FOPPA TAKES A HOUSE AT P
Page 147 and 148: Chap. III. FOPPA'S ALTARPIECE AT BR
Page 149: Phot TIIK MADONNA AND CHILD MILAN:
Page 152 and 153: 82 VINCENZO FOPPA istic example, an
Page 155 and 156: Chap. III. MADONNA IN THE CASTELLO
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itoio. THK MADONNA AND CHILD MILAN:
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Chap. III. MADONNA, TRIVULZIO COLLE
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JOHNSON THE MAIWNNA & CHILD PHILADE
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88 VINCENZO FOPPA version. The earl
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; Chap. III. MADONNA, DAVIS COLL.,
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THE DEAD CHRIST IN THE TOMB AUDLING
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— CHAPTER IV 1473— c. 1477 Pain
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94 VINCENZO FOPPA ber 20, 1473/ Gad
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96 VINCENZO FOPPA evening of Novemb
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98 VINCENZO FOPPA height of each of
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loo VINCENZO FOPPA he does not spec
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I02 VINCENZO FOPPA of certain paint
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I04 VINCENZO FOPPA formerly kept .
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io6 VINCENZO FOPPA were being prepa
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io8 VINCENZO FOPPA a branch of his
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no VINCENZO FOPPA of the Relics, un
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112 VINCENZO FOPPA Bonifazio Bembo
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CHAPTER V Paintings c. 1470- 1480 T
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J J ClilLING FRESCO, DETAIL (Asaihe
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ii6 VINCENZO FOPPA addressed to all
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Chap. V. CEILING OF THE AVEROLDI CH
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THE MADONNA & CHILD WITH ANGELS. MI
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I20 VINCENZO FOPPA Foppa's altarpie
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ST. \IXCF.XT ST. ANTIIdW ok PADUA M
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— 122 VINCENZO FOPPA even to the
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^M^\>nlMv/s. Photo. ST. LOUIS OF TO
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124 VINCENZO FOPPA outline in the d
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Chap. V. BRERA ALTARPIECE 125 of hi
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z Q I w X H a. g
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128 VINCENZO FOPPA these saints are
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; Chap. V. ST. JEROME, BERGAMO GALL
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BERGAMO ST. JliROME flAI.LKRY (LOCH
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132 VINCENZO FOPPA this panel is un
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— CHAPTER VI c. 1478-1489 Foppa's
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THE ECCE HOMO IRAKIS CHKKAMY COLLEC
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136 VINCENZO FOPPA Barbagelata. We
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138 VINCENZO FOPPA Brescia are refe
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I40 VINCENZO FOPPA since he left th
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142 VINCENZO FOPPA of the Church in
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; Chap. VI. ST. SEBASTIAN, BRERA 14
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THE MARTYRDOM OF S'' SEBASTIAN fI'r
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— 146 VINCENZO FOPPA recognized B
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'•" The Chap. VI. ST. SEBASTIAN,
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Photo. THE MARTYRDOM OF ST. SEBASTI
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I50 VINCENZO FOPPA impossible, thou
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Chap. VI. FRESCOES FOR S. MARIA DEL
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ST. JOHN liAl'TIST (Fresco traiisfe
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— 154 VINCENZO FOPPA was to be he
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Chap. VI. ALTARPIECE FOR DORIA CHAP
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Pftoto. MILAN: Ermini, Milan A BISH
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Chap. VI. FRAGMENTS OF ALTARPIECES
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PliOla. GREGURV ST. BASLE: SARASIN-
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CHAPTER VII I 489- I 490 Foppa in L
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Pholo. Xoiti /,- /\iiîiit/ni THE M
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i62 VINCENZO FOPPA the two works fo
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Chap. VII. AN UNFINISHED ALTARPIECE
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'to. itncili, /ic'^âmo THE LOGGETT
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Chap. VII. FOPPA'S CONTRACT WITH GR
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Chap. VII. FRESCOES BY GIOV. PIETRO
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Chap. VII. FOPPA ORDERED TO RETURN
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Chap. VII. DISPUTE WITH BARTOLOMEO
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J'hotfl, Noaik-Paganini ALTAKl'IIXl
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174 VINCENZO FOPPA so much in many
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Chap. VII. ALTARPIECE, SAVONA 175 o
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OKATORY I'URTRAIT UF CARDINAL GIL'L
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— 1 78 VINCENZO FOPPA beneath the
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si O - o J) o > 1! o -• s ^ 3 =1
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i8o VINCENZO FOPPA Ratti in 1780 sa
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Chap. VII. ALTARPIECE, SAVONA i8i m
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Chap. VIII. OFFICIAL PAINTER TO BRE
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Chap. VIII. APPLIES FOR LEAVE TO RE
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Chap. VIII. FOPPA PAYS HIS "LIVELLO
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Chap. VIII. APPOINTMENT AT BRESCIA
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^^^s?i-'s.^t-f^WPP^^ Y 1% JiîMue x
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192 VINCENZO FOPPA allotted to them
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194 VINCENZO FOPPA io6 lire, referr
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196 VINCENZO FOPPA tell, but we kno
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Cap. VIII. THE PIETA, BERLIN 197 pa
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Chap. VIII. ROSSI CHAPEL, S. PIETRO
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Chap. VIII. THE ALTARPIECE OF THE R
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Chap. VIII. PI ETA, CERNUSCHI COLLE
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THE DEAD CHRIST IN THE TOM15, SUPPO
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2o6 VINCENZO FOPPA The central grou
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Chap. VIII. ADORATION OF THE MAGI,
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Chap. VIII. ADORATION OF THE MAGI,
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Chap. VIII. ALTARPIECE, VERSAILLES
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iwio. THE .MAIJONNA AMJ CHILI), ST.
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214 VINCENZO FOPPA formerly been de
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Chap. VIII. PROCESSIONAL BANNER, OR
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I'hoUi. Ca/'itaniii, Brescia vSS. S
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— CHAPTER IX 1499 TO c. 1515-1516
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220 VINCENZO FOPPA master. We have
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222 VINCENZO FOPPA 1 501.' This boo
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Chap. IX. FOPPA'S PAYMENTS FOR HIS
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i£Bg&ifiatsm Till!: SITH Ol-' I'Ol
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226 VINCENZO FOPPA The list of Fopp
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Chap. IX. FOPPA'S ACCOUNTS 227 The
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Chap. IX. FOPPA'S DEATH AND BURIAL
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Chap. IX. POT.IZZA D'ESTIMO OF PAOL
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,. I,' ..U-l [ ,. I ' ' > ( t C"8~~
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234 VINCENZO FOPPA for the relative
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Chap. IX. SCHOOL PICTURES : CAMERA
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WSiW^ rhoto. TIU; MADONNA AM) CHILD
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238 VINCENZO FOPPA hand, the type o
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J ^ < ^
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Chap. IX. SCHOOL PICTURES: MILAN AN
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— Chap. IX. SCHOOL PICTURES: MILA
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I Jîa^&Jtl^Jm'] M 4 THE ENTOMBMKNT
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244 VINCENZO FOPPA again on p. 320
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246 VINCENZO FOPPA course unchecked
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248 VINCENZO FOPPA which, in spite
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Chap. X. CIVERCIIIO, BUTTINONE, ZEN
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ST. AMBROSE (By a folloxver of J'op
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ST. AiNTilUNY (.)¥ I'ADUA {By a fo
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252 VINCENZO FOPPA other works by t
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J'hoio. Bci traiui, Pijon THE MADON
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254 VINCENZO FOPPA beggar, from the
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Chap. X. LOMBARDO-MILANESE PICTURES
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Chap. X. INFLUENCE ON PIEDMONTESE P
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— Chap. X. INFLUENCE IN LIGURIA;
Page 469 and 470:
Chap. X. PAOLO ZOPPO & " V. FOPPA T
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; Chap. X. FERRAMOLA AND PAOLO CAYL
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Chap. X. CONCLUSION 265 heritage wh
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1 CHRONOLOGICAL LIST OF WORKS 267 A
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CATALOGUE OF WORKS 269 ITALY Arcore
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CATALOGUE OF WORKS 271 Savona : Gal
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LOST OR MISSING WORKS KNOWN TO HAVE
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LOST OR MISSING WORKS 275 Between 1
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APPENDIXES APPENDIX I Note i.— Vi
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APPENDIX I 279 On the other hand th
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APPENDIX I 281 history; Brescia was
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APPENDIX I 283 was born at Brescia
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— APPENDIX I 285 name " De Fopa"
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APPENDIX I 287 mentioned in the Cus
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APPENDIX II, A Documents relating t
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APPENDIX II, A 291 non ambigimus, t
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APPENDIX II, A 293 To Vinccnzo of B
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APPENDIX II, A 295 fuisse servanda.
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16. Foppa appears as a witness. APP
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APPENDIX II, A 299 deliberatione ch
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APPENDIX II, A 301 My Illustrious a
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APPENDIX II, A 303 Sancti Inventii,
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APPENDIX II, A 305 aminuire qualche
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APPENDIX II, A 307 Bonifacio de Bem
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Pavia. APPENDIX II, A 309 29. Lette
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APPENDIX II. A 311 et suprascriptum
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: APPENDIX II, A 313 in civitate Pa
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APPENDIX II, A 315 denaiiis numerat
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APPENDIX II, A 317 39. Dated Fresco
Page 527 and 528:
APPENDIX II, A 319 in Palacio Comun
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APPENDIX II, A 321 si trovera male
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APPENDIX II, A 323 dictum magistrum
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APPENDIX II, A 325 55. The General
Page 535 and 536:
APPENDIX II, A 327 per dominum Rain
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: APPENDIX II, A 329 67. A receipt
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APPENDIX II, A 331 dominum Francisc
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APPENDIX II, A 333 Item per lo anno
Page 543 and 544:
APPENDIX II, A 6. It. numerati a mi
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APPENDIX II, A 337 76. Foppa's acco
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APPENDIX II, A 339 (Part II.) Debts
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83. Foppa's garden sold by his heir
Page 551 and 552:
. APPENDIX II, B 343 affirm that th
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APPENDIX II, B 345 same place and i
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APPENDIX II, B 347 14. Evangelista
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MANUSCRIPTS REFERRED TO IN THE TEXT
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Page 561 and 562:
Page 563 and 564:
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BOOKS AND PERIODICALS REFERRED TO I
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BOOKS ETC. REFERRED TO IN THE TEXT
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POSTSCRIPT While the last proofs of
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: : : INDEX OF PLACES, I Where exis
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— : : : Frankfurt a/M con. Staede
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: : : : : : : INDEX OF PLACES, I 38
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: INDEX OF PLACES, I 385 Venice. Ac
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: 1: Foppa, 153, 154 : : INDEX OF P
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: ' : : : (see : INDEX OF PLACES, I
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GENERAL INDEX Abate, A., 353, 359 A
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GENERAL INDEX 393 Averoldi, Giulio
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GENERAL INDEX 395 Bossi, Girolamo,
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GENERAL INDEX 397 Buttinone, Bernar
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GENERAL INDEX 399 Caylina, Pasquina
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GENERAL INDEX 401 Doria, Stefano, p
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GENERAL INDEX 403 Foppa, Vincenzo,
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—— — — — — GENERAL INDE
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GENERAL INDEX 407 Frizzoni, Dr. G.,
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GENERAL INDEX 409 S. Invenzio, Hosp
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GENERAL INDEX 411 Mangano, Torre de
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GENERAL INDEX 413 Moiraghi, Don Pie
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• Statutes GENERAL INDEX 4T5 Pavi
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, GENERAL INDEX 417 Sartori, Pia (a
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GENERAL INDEX 419 S. Tommaso, Pavia
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GENERAL INDEX 421 Zenoni da Vaprio,
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: : : "A MONUMENTAL WORK" HUBERT &
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I J IBHAICic./^ ^x^.u,..v.^wy^- ,
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Vincenzo Foppa of Brescia, founder of the Lombard school, his life ...

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