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volume 2 issue 5 2009 - Mobile Production Pro

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In addition to the center riser, the stage also<br />

had four Flaggevators. In case you didn’t<br />

see our feature on Spice Girls last year, the<br />

Flaggevator is a one person lift that allows 10<br />

feet of lift out of a 6-foot envelope by using a<br />

gimbal design. The platform is attached via a<br />

gimbal arm to a carriage that is propelled by<br />

a single motor and travels horizontally along<br />

a track at its base as the arm lifts the platform<br />

into position. As this happens the carriage<br />

travels toward the platform to a position under<br />

the lift. The result of this movement is the<br />

arm becomes part of the vertical lift and gives<br />

the platform four more feet of elevation. This<br />

approach not only gives the lift incredible<br />

once its construction commenced, anything<br />

that had to be done inside its footprint was<br />

trapped there until the screen was built.<br />

Conversely, anything outside the circle had to<br />

wait for it to get out of the way.<br />

The system also housed two Austrian drapes.<br />

The outer drape masked the entire center<br />

portion of the show including the video<br />

structure. The red colored drape wasn’t<br />

quite opaque, therefore, it didn’t completely<br />

block out the video wall. It presented a fairly<br />

impressive opening segment with both the<br />

drape and the screen flown into stage level.<br />

There was also a drape that hung over the<br />

During rehearsals we found that<br />

Stealth is really fragile. We also found<br />

that it’s really expensive. -Bob “Hydro” Mullin<br />

power, it ensures a silky smooth ride.<br />

Due to the highly cramped quarters under<br />

the center stage on this show, the Flaggevators<br />

were the perfect choice. While all four of them<br />

were controlled from one station, each lift was<br />

manned in order to ensure that there were no<br />

mechanical or human mishaps. In all, there<br />

were nine crew people working under the<br />

three stages assisting performers and running<br />

the various lifts, including a centrally located<br />

elevator in each of the B stages.<br />

Back to the main flown structure - there was<br />

a lot going on in this thing. It was a circular<br />

configuration that served a wide variety of<br />

functions. One of the most prominent features<br />

was the Stealth video screen that completely<br />

enclosed the stage when it was deployed all<br />

the way to the stage. This was one of the most<br />

time consuming parts of the load-in, because<br />

area of the riser of the center stage. This<br />

drape was black and completely opaque<br />

and was used to mask the initial reveal when<br />

Britney first entered the show.<br />

The reveal was achieved by way of a very<br />

impressive fly gag. Ms. Spears flew directly<br />

down from the rig inside a fly device made<br />

up of two cross-connected glitter festooned<br />

hoops. While it may not sound like much<br />

in this description, the combination of the<br />

shimmering fly gag and Spears’ blond hair<br />

made for a dazzling intro when hit with every<br />

follow spot in the house.<br />

Five riggers worked above the stage during the<br />

show to assist with the opening as well as four<br />

aerialists that made rather dramatic entrances<br />

and exits by means of the fly system.<br />

The lighting of the show was nothing short<br />

20 mobile production monthly

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