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Oakwood Comic Book Program - Oakwood Healthcare System

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Jim Anderson<br />

Untitled<br />

Cool<br />

Michael Madigan<br />

Saturday morning. Jerry starts out at the barber’s. He waits for a seat in Eugene’s chair.<br />

Cool with it, Jerry decides, worth it to wait for a man who needn’t be told what to do to his<br />

comb-bending, aerodynamic, lacquer-black hair.<br />

Draped to his knees in the chair, Jerry leans on the points of ten fingertips lifting,<br />

appraising behind him. The call and response of the barbers and customers, crowing and<br />

barking, and ceiling fans, baseball game, teenagers minding their manners, unanswered<br />

rings from guys’ wives on the coin telephone, and Eugene like a priest with his hands on<br />

the Sacrament – brush Jerry’s ears like a jazzman.<br />

Cool, he would say of the scene if one asked.<br />

Jerry turns to the mirror to size up the man he has made of his everyday stuff. He<br />

encounters the eyes of the man she ignored at the bar, the man she turned vacantly from<br />

at her door as he waited, the eyes that looked back in his view to the rear as he drove<br />

away later, flat-footed, blinded, accusing, denying, set in a fist of a face.<br />

But they’re not the eyes he identifies. Nothing but cool is the man Jerry sees.<br />

At eight Jerry’s up at the Palisades Bowl in a silk shirt. He passes the lounge where his<br />

night will end up, and the silk stirs his skin, like a breath he felt once when she bent down<br />

to look at his watch, stirs with a fugitive shade like her first cautious glance, passing<br />

intangibly through to the bone like her words somehow heard but unsaid.<br />

But he doesn’t remember the night or the lips or the look or the voice. The coolest, he<br />

thinks, of the shirt on his back, and no other reflection intrudes.<br />

Jerry changes his cool lizard slip-ons for Dexters in indigo blue, also cool. The clatter of<br />

pins and the rush of the pinsetters flows like a beat in a groove. The fellas show up and<br />

the frames are all open and Jerry steps up to the line.<br />

It feels cool, Jerry thinks as he lifts sixteen pounds with a natural action and unpondered<br />

ease, coiling to start his approach.<br />

Jerry enters his motion, a motion as cool as the curve and the shift of a dance step<br />

performed without touching the floor. Like their dance when the curve and the shift of her<br />

hand in his fingers turned everything silent and weightless.<br />

This time the ball – like his heart when her memory forms on it stealthy as dew, before he<br />

can rise and burn hot enough over the chill to dispel it – gains all of the mass of the earth.<br />

I am cool, Jerry shivers. So cool.<br />

8 9

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